star trek franchise wiki

How to Watch Star Trek in Order: The Complete Series Timeline

The full star trek timeline, explained..

Ever since 1966’s premiere of the first episode of Star Trek: The Original Series, the entertainment world has never been the same. This franchise that has boldly gone where no property has gone before has captured the hearts and minds of millions around the world and has grown into a space-faring empire of sorts filled with multiple shows, feature length films, comics, merchandise, and so much more. That being said, the amount of Star Trek out in the world can make it tough to know exactly how to watch everything it offers in either chronological or release order so you don’t miss a thing. To help make things easier for you, we’ve created this guide to break down everything you need to know about engaging with this Star Trek journey.

It used to be a bit trickier to track down all the Star Trek shows and movies you’d need to watch to catch up, but Paramount+ has made it a whole lot easier as it has become the home of nearly all the past, present and future Star Trek entries.

So, without further ado, come with us into the final frontier and learn how you can become all caught up with the adventures of Kirk, Picard, Janeway, Sisko, Spock, Pike, Archer, Burnham, and all the others that have made Star Trek so special over the past 56 years.

And, in case you're worried, everything below is a mostly spoiler-free chronological timeline that will not ruin any of any major plot points of anything further on in the timeline. So, you can use this guide as a handy way to catch up without ruining much of the surprise of what’s to come on your adventure! If you’d prefer to watch everything Star Trek as it was released, you’ll find that list below as well!

How to Watch Star Trek in Chronological Order

How to Watch Star Trek by Release Order

1. Star Trek: Enterprise (2151-2155)

Star Trek: Enterprise is the earliest entry on our list as it takes place a hundred years before the adventures of Kirk, Spock, and the rest of the crew of Star Trek: The Original Series. The show aired from 2001 to 2005 and starred Scott Bakula as Jonathan Archer, the captain of the Enterprise NX-01. This version of the Enterprise was actually Earth’s first starship that was able to reach warp five.

While the show had its ups and downs, it included a fascinating look at a crew without some of the advanced tech we see in other Star Trek shows, the first contact with various alien species we know and love from the Star Trek universe, and more.

2. Star Trek: Discovery: Seasons 1 and 2 (2256-2258)

This is where things get a little bit tricky, as the first two seasons of Star Trek: Discovery take place before Star Trek: The Original Series but Seasons 3 and 4 take us boldly to a place we’ve not gone before. We won’t spoil why that’s the case here, but it’s important to note if you want to watch Star Trek in order, you’ll have to do a bit of jumping around from series to movie to series.

As for what Star Trek: Discovery is, it's set the decade before the original and stars Sonequa Martin-Green’s Michael Burnham, a Starfleet Commander who accidentally helps start a war between the United Federation of Planets and the Klingon Empire. She gets court-martialed and stripped of her rank following these events and is reassigned to the U.S.S Discovery.

3. Star Trek: Strange New Worlds (2259-TBD)

Star Trek: Strange New Worlds also begins before the events of Star Trek: The Original Series and is set up by Star Trek: Discovery as its captain, Anson Mount’s Christopher Pike, makes an appearance in its second season. If that name sounds familiar, it’s because Pike first appeared in the original failed pilot episode “The Cage” of Star Trek: The Original Series and would later become James T. Kirk’s predecessor after the original actor, Jefferey Hunter, backed out of the show.

Fast forward all these years later and now we get to learn more about the story of Christopher Pike and many other familiar faces from The Original Series alongside new characters. It’s made even more special as the ship the crew uses is the U.S.S. Enterprise NCC-1701, the very same that would soon call Kirk its captain.

4. Star Trek: The Original Series (2265-2269)

The fourth Star Trek series or movie you should watch in the order is the one that started it all - Star Trek: The Original Series . Created by Gene Roddenberry, this first Star Trek entry would kick off a chain reaction that would end up creating one of the most beloved IPs of all time. However, it almost never made it to that legendary status as its low ratings led to a cancellation order after just three seasons that aired from 1966 to 1969. Luckily, it found great popularity after that and built the foundation for all the Star Trek stories we have today.

Star Trek: The Original Series starred William Shatner as James T. Kirk and Leonard Nimoy as Spock, but the rest of the crew would go on to become nearly as iconic as they were. As for what the show was about? Well, we think Kirk said it best during each episode’s opening credits;

“Space: the final frontier. These are the voyages of the starship Enterprise . Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.”

5. Star Trek: The Animated Series (2269-2270)

While Star Trek: The Original Series may have been canceled after just three seasons, its popularity only grew, especially with the help of syndication. Following this welcome development, Gene Roddenberry decided he wanted to continue the adventures of the crew of the Enterprise NCC-1701 in animated form, and he brought back many of the original characters and the actors behind them for another go.

Star Trek: The Animated Series lasted for two seasons from 1973 to 1974 and told even more stories of the Enterprise and its adventures throughout the Milky Way galaxy.

6. Star Trek: The Motion Picture (2270s)

The first Star Trek film was a very big deal as it brought back the crew of Star Trek: The Original Series after the show was canceled in 1969 after just three seasons. However, even it had a rough road to theaters as Roddenberry initially failed to convince Paramount Pictures it was worth it in 1975. Luckily, the success of Close Encounters of the Third Kind and other factors helped finally convince those in power to make the movie and abandon the plans for a new television series called Star Trek: Phase II, which also would have continued the original story.

In Star Trek: The Motion Picture, James T. Kirk was now an Admiral in Starfleet, and certain events involving a mysterious alien cloud of energy called V’Ger cause him to retake control of a refitted version of the U.S.S. Enterprise with many familiar faces in tow.

7. Star Trek II: The Wrath of Khan (2285)

Star Trek creator Gene Roddenberry had a sequel to Star Trek: The Motion Picture written, but Paramount turned it down after the reception to that first film was not what the studio had hoped for. In turn, Paramount removed him from the production and brought in Harve Bennett and Jack B. Sowards to write the script and Nicholas Meyer to direct the film.

The studio’s decision proved to be a successful one as Star Trek II: The Wrath of Khan is considered by many, including IGN, to be the best Star Trek film. As for the story, it followed the battle between Admiral James T. Kirk and the crew of the U.S.S. Enterprise vs. Ricardo Montalban’ Khan Noonien Singh. Khan is a genetically engineered superhuman and he and his people were exiled by Kirk on a remote planet in the episode ‘Space Seed’ from the original series. In this second film, after being stranded for 15 years, Khan wants revenge.

8. Star Trek III: The Search for Spock (2285)

Star Trek III: The Search for Spock continues the story that began in Wrath of Khan and deals with the aftermath of Spock’s death. While many on the U.S.S. Enterprise thought that was the end for their science officer, Kirk learns that Spock’s spirit/katra is actually living inside the mind of DeForest Kelley’s Dr. McCoy, who has been acting strange ever since the death of his friend. What follows is an adventure that includes a stolen U.S.S. Enterprise, a visit from Spock’s father Sarek, a run-in with Klingons, and so much more.

9. Star Trek IV: The Voyage Home (2286 and 1986)

While it is undoubtedly great that Kirk and his crew saved Spock, it apparently wasn’t great enough to avoid the consequences that follow stealing and then losing the Enterprise. On their way to answer for their charges, the former crew of the Enterprise discover a threat to Earth that, without spoiling anything, causes them to go back in time to save everything they love. The Voyage Home is a big departure from the previous films as, instead of space, we spend most of our time in 1986’s San Francisco.

10. Star Trek V: The Final Frontier (2287)

Star Trek V: The Final Frontier once again brings back our favorite heroes from Star Trek: The Original Series, but it’s often regarded as one of the weakest films starring Kirk, Spock, McCoy, etc. In this adventure, our crew’s shore leave gets interrupted as they are tasked with going up against the Vulcan Sybok, who himself is on the hunt for God in the middle of the galaxy.

11. Star Trek VI: The Undiscovered Country (2293)

Star Trek VI: The Undiscovered Country is the final movie starring the entire cast of Star Trek: The Original Series, and it puts the Klingons front and center. After a mining catastrophe destroys the Klingon moon of Praxis and threatens the Klingon’s homeworld, Klingon Chancellor Gorkon is forced to abandon his species' love of war in an effort to seek peace with the Federation. What follows is an adventure that calls back to the fall of the Soviet Union and the Berlin Wall and serves as a wonderful send-off to characters we’ve come to know and love since 1966, even though some will thankfully appear in future installments.

12. Star Trek: The Next Generation (2364-2370)

After you make it through all six of the Star Trek: The Original Series movies, it’s time to start what many consider the best Star Trek series of all time - Star Trek: The Next Generation . The series, which starred Patrick Stewart as Captain Jean-Luc Picard, ran from 1987 through 1994 with 178 episodes over seven seasons.

There are so many iconic characters and moments in The Next Generation, including William Riker, Data, Worf, Geordi La Forge, Deanna Troi, and Dr. Beverly Crusher, and many of these beloved faces would return for Star Trek: Picard, which served as a continuation of this story.

While we are once again on the U.S.S. Enterprise in Star Trek: The Next Generation, this story takes place a century after the events of Star Trek: The Original Series. However, there may just be a few familiar faces that pop up from time to time.

13. Star Trek Generations (2293)

While Star Trek Generations is the first film featuring the Star Trek: The Next Generation crew, it also features a team-up that many had dreamed of for years and years between Captain Jean-Luc Picard and Captain James T. Kirk.

Our heroes are facing off against an El-Aurian named Dr. Tolian Soran, who will do whatever is necessary to return to an extra-dimensional realm known as the Nexus. Without spoiling anything, these events lead to a meeting with these two legendary captains and a heartfelt-at-times send-off to The Original Series, even though not every character returned that we wished could have.

14. Star Trek: First Contact (2373)

Star Trek: First Contact was not only the second film featuring the crew from Star Trek: The Next Generation, but it also served as the motion picture directorial debut for William Riker actor Jonathan Frakes. In this film, the terrifying Borg take center stage and force our heroes to travel back in time to stop them from conquering Earth and assimilating the entire human race.

This movie picks up on the continuing trauma caused by Jean-Luc Picard getting assimilated in the series and becoming Locutus of Borg, and we are also treated to the first warp flight in Star Trek’s history, a shout-out to Deep Space Nine, and more.

15. Star Trek: Insurrection (2375)

Star Trek: Insurrection, which unfortunately ranked last on our list of the best Star Trek movies, is the third film starring the Star Trek: The Next Generation crew and followed a story involving an alien race that lives on a planet with more-or-less makes them invincible due to its rejuvenating properties. This alien race, known as the Ba’Ku, are being threatened by not only another alien race called the Son’a, but also the Federation. Captain Jean-Luc Picard and his crew disobey Federation orders in hopes to save the peaceful Ba’Ku, and while it sounds like an interesting premise, many said it felt too much like an extended episode of the series instead of a big blockbuster film.

16. Star Trek: Nemesis (2379)

The final Star Trek: The Next Generation movie is Star Trek: Nemesis , and it also isn’t looked at as one of the best. There are bright parts in the film, including Tom Hardy’s Shinzon who is first thought to be a Romulan praetor before it’s revealed he is a clone of Captain Jean-Luc Picard, but it also features a lot of retreaded ground. There are some great moments between our favorite TNG characters, but it’s not quite the goodbye many had hoped for. Luckily, this won’t be the last we’ll see of them.

17. Star Trek: Deep Space Nine (2369-2375)

Star Trek: Deep Space Nine is the fourth Star Trek series and it ran from 1993 to 1999 with 176 episodes over seven seasons. Deep Space Nine was also the first Star Trek series to be created without the direct involvement of Star Trek creator Gene Roddenberry, but instead with Rick Berman and Michael Piller. Furthermore, it was the first series to begin when another Star Trek Series - The Next Generation - was still on the air.

The connections between The Next Generation and Deep Space Nine don’t end there, as there were a ton of callbacks to TNG in Deep Space Nine, and characters like Worf and Miles O’Brien played a big part in the series. Other TNG characters popped up from time to time, including Captain Jean-Luc Picard, and certain Deep Space Nine characters also showed their faces in TNG.

Deep Space Nine was a big departure from the Star Trek series that came before, as it not only took place mostly on a space station - the titular Deep Space Nine - but it was the first to star an African American as its central character in Avery Brooks’ Captain Benjamin Sisko.

Deep Space Nine was located in a very interesting part of the Milky Way Galaxy as it was right next to a wormhole, and the series was also filled with conflict between the Cardassians and Bajorans, the war between the Federation and the Dominion, and much more.

18. Star Trek: Voyager (2371-2378)

Star Trek: Voyager is the fifth Star Trek series and it ran from 1995 to 2001 with 172 episodes over seven seasons. Star Trek: Voyager begins its journey at Deep Space Nine, and then it follows the tale of Kate Mulgrew’s Captain Kathryn Janeway (the first female leading character in Star Trek history!) and her crew getting lost and stranded in the faraway Delta Quadrant.

The episodes and adventures that follow all see the team fighting for one goal: getting home. Being so far away from the Alpha Quadrant we were so used to letting Star Trek be very creative in its storytelling and give us situations and alien races we’d never encountered before.

That doesn’t mean it was all unfamiliar, however, as the Borg became a huge threat in the later seasons. It’s a good thing too, as that led to the introduction of Jeri Ryan’s Seven of Nine, a character who would continue on to appear in Star Trek: Picard and become a fan favorite.

19. Star Trek: Lower Decks (2380-TBD)

Star Trek: Lower Decks debuted in 2020 and was the first animated series to make it to air since 1973’s Star Trek: The Animated Series. Alongside having that feather in its cap, it also sets itself apart by choosing to focus more on the lower lever crew instead of the captain and senior staff.

This leads to many fun adventures that may not be as high stakes as the other stories, but are no less entertaining. There have already been three seasons of Star Trek: Lower Decks, and the fourth season is set to arrive later this summer.

The series is also worth a watch as it is having a crossover with Star Trek: Strange New Worlds that will mix the worlds of live-action and animation.

20. Star Trek: Prodigy (2383-TBD)

Star Trek: Prodigy was the first fully 3D animated Star Trek series ever and told a story that began five years after the U.S.S. Voyager found its way back home to Earth. In this series, which was aimed for kids, a group of young aliens find an abandoned Starfleet ship called the U.S.S. Protostar and attempt to make it to Starfleet and the Alpha Quadrant from the Delta Quadrant.

Voyager fans will be delighted to know that Kate Mulgrew returns as Kathryn Janeway in this animated series, but not only as herself. She is also an Emergency Training Holographic Advisor that was based on the likeness of the former captain of the U.S.S. Voyager.

The second season of Star Trek: Prodigy was set to arrive later this year, but it was not only canceled in June, but also removed from Paramount+. There is still hope this show may find a second life on another streaming service or network.

21. Star Trek: Picard (2399-2402)

Star Trek: Picard is the… well… next generation of Star Trek: The Next Generation as it brings back not only Partick Stewart’s Jean-Luc Picard, but also many of his former crew members from the beloved series. The story is set 20 years after the events of Star Trek Nemesis and we find Picard retired from Starfleet and living at his family’s vineyard in France.

Without spoiling anything, certain events get one of our favorite captains back to work and take him on an adventure through space and time over three seasons and 30 episodes.

The show had its ups and downs, but the third season, in our opinion, stuck the landing and gave us an “emotional, exciting, and ultimately fun journey for Jean-Luc and his family - both old and new - that gives the character the send-off that he has long deserved.”

22. Star Trek: Discovery: Seasons 3 and 4 (3188-TBD)

While Star Trek: Discovery begins around 10 years before Star Trek: The Original Series, the show jumps more than 900 years into the future into the 32nd Century following the events of the second season. The Federation is not in great shape and Captain Michael Burnham and her crew work to bring it back to what it once was.

Star Trek: Discovery is set to end after the upcoming fifth season, which will debut on Paramount+ in 2024.

For more, check out our look at the hidden meaning behind Star Trek’s great captains, why Star Trek doesn’t get credit as the first shared universe, if this may be the end of Star Trek’s golden age of streaming, and our favorite classic Star Trek episodes and movies.

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Abbreviation Guide

The 21st Century

The 22nd century, the 23rd century.

(DIS,SNW,TOS,TAS)

The 24th Century

(TNG,DS9,VOY,LDS,PRO,PIC)

The 25th Century

The 31st century, the 32nd century, introduction.

This Star Trek viewing guide will assist you through watching the entire franchise, based not on production dates, but on in-universe story order, all the way from the 21st to the 32nd centuries. As it is a viewing guide and not a rigid chronology, some episodes are shifted to keep things as clear and fun as possible. The site is updated regularly to stay current.

There is now a print-friendly version without the graphics as well.

To avoid spoilers, I’ve moved discussion of the thinking behind some less clear-cut decisions to a separate “methodology” page . Opinions and feedback are welcome!

Series Overview and Abbreviation Guide

Past Shows:

TOS —> Star Trek - The Original Series (1964, 1966-1969)

TAS —> Star Trek - The Animated Series (1973-1974)

TNG —> Star Trek - The Next Generation (1987-1994)

DS9 —> Star Trek - Deep Space Nine (1993-1999)

VOY —> Star Trek - Voyager (1995-2001)

ENT —> Star Trek - Enterprise (2001-2005)

SHO —> Star Trek - Short Treks (2018-2020)

PIC —> Star Trek - Picard (2020-2023)

MOV —> Theatrical Movies (1979-1991, 1994-2002, 2009-2016)

Current Shows:

DIS —> Star Trek - Discovery (2017-2024)

LDS —> Star Trek - Lower Decks (2020-)

PRO —> Star Trek - Prodigy (2021-)

SNW —> Star Trek - Strange New Worlds (2022-)

Series Overview and Abbreviation Guide: Star Trek Universe

April 5th, 2063:

Star Trek essentially begins on this date, when Zefram Cochrane creates faster-than-light travel (“warp drive”) allowing humans to meet extraterrestrial life, the Vulcans, for the first time. We will see this event later in the viewing order, but for now it’s just backstory.

We start with Star Trek: Enterprise (technically just titled Enterprise until season three). While the first in the timeline, this show was actually the sixth Star Trek series made, and includes many fun hints of future events. We will mostly follow the release order, but will skip some episodes in Seasons two and four until later in the viewing order.

ENT Season 1, episode 1 - Broken Bow, Part 1
ENT Season 1, episode 2 - Broken Bow, Part 2
ENT Season 1, episode 3 - Fight or Flight
ENT Season 1, episode 4 - Strange New World
ENT Season 1, episode 5 - Unexpected
ENT Season 1, episode 6 - Terra Nova
ENT Season 1, episode 7 - The Andorian Incident
ENT Season 1, episode 8 - Breaking the Ice
ENT Season 1, episode 9 - Civilization
ENT Season 1, episode 10 - Fortunate Son
ENT Season 1, episode 11 - Cold Front
ENT Season 1, episode 12 - Silent Enemy
ENT Season 1, episode 13 - Dear Doctor
ENT Season 1, episode 14 - Sleeping Dogs
ENT Season 1, episode 15 - Shadows of P'Jem
ENT Season 1, episode 16 - Shuttlepod One
ENT Season 1, episode 17 - Fusion
ENT Season 1, episode 18 - Rogue Planet
ENT Season 1, episode 19 - Acquisition

ENT Season 1, episode 20 - Oasis
ENT Season 1, episode 21 - Detained
ENT Season 1, episode 22 - Vox Sola
ENT Season 1, episode 23 - Fallen Hero
ENT Season 1, episode 24 - Desert Crossing
ENT Season 1, episode 25 - Two Days and Two Nights
ENT Season 1, episode 26 - Shockwave, Part I
ENT Season 2, episode 1 - Shockwave, Part II
ENT Season 2, episode 2 - Carbon Creek
ENT Season 2, episode 3 - Minefield
ENT Season 2, episode 4 - Dead Stop
ENT Season 2, episode 5 - A Night in Sickbay
ENT Season 2, episode 6 - Marauders
ENT Season 2, episode 7 - The Seventh
ENT Season 2, episode 8 - The Communicator
ENT Season 2, episode 9 - Singularity
ENT Season 2, episode 10 - Vanishing Point
ENT Season 2, episode 11 - Precious Cargo
ENT Season 2, episode 12 - The Catwalk
ENT Season 2, episode 13 - Dawn
ENT Season 2, episode 14 - Stigma
ENT Season 2, episode 15 - Cease Fire
ENT Season 2, episode 16 - Future Tense
ENT Season 2, episode 17 - Canamar
ENT Season 2, episode 18 - The Crossing
ENT Season 2, episode 19 - Judgment

ENT Season 2, episode 20 - Horizon
ENT Season 2, episode 21 - The Breach
ENT Season 2, episode 22 - Cogenitor

We are skipping episode 23 (“Regeneration”) for now, but will return to it later.

ENT Season 2, episode 24 - First Flight
ENT Season 2, episode 25 - Bounty
ENT Season 2, episode 26 - The Expanse
ENT Season 3, episode 1 - The Xindi
ENT Season 3, episode 2 - Anomaly
ENT Season 3, episode 3 - Extinction
ENT Season 3, episode 4 - Rajiin
ENT Season 3, episode 5 - Impulse
ENT Season 3, episode 6 - Exile
ENT Season 3, episode 7 - The Shipment
ENT Season 3, episode 8 - Twilight
ENT Season 3, episode 9 - North Star
ENT Season 3, episode 10 - Similitude
ENT Season 3, episode 11 - Carpenter Street
ENT Season 3, episode 12 - Chosen Realm
ENT Season 3, episode 13 - Proving Ground
ENT Season 3, episode 14 - Stratagem
ENT Season 3, episode 15 - Harbinger

ENT Season 3, episode 16 - Doctor's Orders
ENT Season 3, episode 17 - Hatchery
ENT Season 3, episode 18 - Azati Prime
ENT Season 3, episode 19 - Damage
ENT Season 3, episode 20 - The Forgotten
ENT Season 3, episode 21 - E-Squared
ENT Season 3, episode 22 - The Council
ENT Season 3, episode 23 - Countdown
ENT Season 3, episode 24 - Zero Hour

In its fourth and final season, Enterprise, under the guidance of a new showrunner, really takes advantage of its ability to foreshadow events in later chronologically-placed stories. Please pay attention to the episode numbers as we skip episodes 18, 19, and 22 for now and watch them later.

ENT Season 4, episode 1 - Storm Front, Part 1
ENT Season 4, episode 2 - Storm Front, Part 2
ENT Season 4, episode 3 - Home
ENT Season 4, episode 4 - Borderland
ENT Season 4, episode 5 - Cold Station 12
ENT Season 4, episode 6 - The Augments
ENT Season 4, episode 7 - The Forge
ENT Season 4, episode 8 - Awakening
ENT Season 4, episode 9 - Kir'Shara
ENT Season 4, episode 10 - Daedalus
ENT Season 4, episode 11 - Observer Effect
ENT Season 4, episode 12 - Babel One
ENT Season 4, episode 13 - United
ENT Season 4, episode 14 - The Aenar
ENT Season 4, episode 15 - Affliction
ENT Season 4, episode 16 - Divergence
ENT Season 4, episode 17 - Bound

ENT Season 4, episode 20 - Demons
ENT Season 4, episode 21 - Terra Prime

Although we will be moving on from Enterprise for now, we will return to watch the skipped episodes and the series finale later. Even so, the two-parter above is near-universally considered a better end-point for this point in the story.

The Earth-Romulan War, which was first mentioned in the original 1960s series, occurs here. Enterprise intended to cover this starting in the fifth season, but was unfortunately cancelled after Season Four. While we don't get to see the conflict on screen, its impact is felt throughout Enterprise and beyond. During the war, Humans, Vulcans, Andorians, and Tellarites form a loosely structured Coalition of Planets which manages to push back the Romulans. This Coalition leads directly to…

…the formation of the United Federation of Planets, the primary political setting of the Star Trek franchise.

From this point on, Star Trek focuses on the Federation, depicting its periods of peace, war, expansion, and decline, which will set the agenda for much of the franchise.

Early 2230s

An adaptation of an (actual) ancient African legend, told to a young girl we will meet again later as an adult, this is our first “Short Treks” episode. These mini-episodes are not tied to any specific time or place in the Star Trek franchise and will appear occasionally throughout this list.

SHO Season 2, episode 5 - The Girl Who Made the Stars

2233 - A sidenote about universes/timelines:

There are two main “universes” in the Star Trek franchise: the Kelvin timeline (consisting of three feature films) and the Prime timeline (covering everything else). This year, 2233, is when events occur which split the universe into the Kelvin and Prime timelines. For now, we will stay with the Prime timeline in this viewing order, but keep in mind the Kelvin timeline for later. Note that there is a third universe, the "Mirror" universe, and occasional alternate timelines. However, for simplicity, our visits there will not be separated from the Prime episodes.

2233 (Prime)

The USS Kelvin flies through space, exploring strange new worlds.

Nothing happens.

All is well.

SHO Season 1, episode 3 - The Brightest Star

After a quick Short Trek in which we meet a young ensign reporting to his new ship, we reach the very first Star Trek episode produced: The Cage, dating from 1964-65. Rejected by NBC for being "too cerebral," studio owner Lucille Ball convinced the network to give the show another chance at a pilot. While much of The Cage’s footage is reused in a later episode, "The Menagerie," we recommend that you don't skip either one. The character of Captain Pike becomes highly significant shortly, and both episodes offer valuable insights into him and Spock.

Viewing notes: When referring to the original 1960s "Star Trek," this guide uses the abbreviation TOS (The Original Series). TOS is available in two versions: the classic 1960s version and a CGI- enhanced remastered version made from 2006-08. The remastered versions do not alter the stories in any way making the version you choose a matter of personal preference.

SHO Season 2, episode 1 - Q&A
TOS Season 0, episode 1 - The Cage

We now begin Star Trek: Discovery, which is the seventh Star Trek series produced, but only the second series chronologically. It also is the first series to significantly revamp the visual designs, departing from the previous assumption that the 23rd century looked the same as it did in the original 1960s series. Discovery updates the designs, and we are trusted to accept that they have "always" looked this way, affecting uniforms, ships, alien makeup, and more. The Klingons, in particular, received a dramatic redesign, though it was significantly backtracked after the first season. These are not continuity issues, and should not be viewed as such, though we could certainly nitpick details if we chose to.

DIS Season 1, episode 1 - The Vulcan Hello
DIS Season 1, episode 2 - Battle of the Binary Stars
DIS Season 1, episode 3 - Context is for Kings
DIS Season 1, episode 4 - The Butchers Knife Cares Not for the Lambs Cry
DIS Season 1, episode 5 - Choose Your Pain
DIS Season 1, episode 6 - Lethe
DIS Season 1, episode 7 - Magic to Make the Sanest Man go Mad

DIS Season 1, episode 8 - Si Vis Pacem, Para Bellum
DIS Season 1, episode 9 - Into the Forest I Go

Watching Trek in this order presents a quirk in episode 10, where the USS Defiant is, to avoid spoilers, somewhere it shouldn't be. The show assumes that we know the explanation, but don't worry about it. We will learn why when we reach 2268, but in the meantime, it is entirely unimportant to how the story in Discovery unfolds.

DIS Season 1, episode 10 - Despite Yourself
DIS Season 1, episode 11 - The Wolf Inside
DIS Season 1, episode 12 - Vaulting Ambition
DIS Season 1, episode 13 - What's Past is Prologue
DIS Season 1, episode 14 - The War Without, The War Within
DIS Season 1, episode 15 - Will You Take My Hand?
SHO Season 1, episode 1 - Runaway
SHO Season 1, episode 4 - Escape Artist
DIS Season 2, episode 1 - Brother
DIS Season 2, episode 2 - New Eden
DIS Season 2, episode 3 - Point of Light
DIS Season 2, episode 4 - An Obol for Charon
DIS Season 2, episode 5 - Saints of Imperfection
DIS Season 2, episode 6 - The Sound of Thunder
DIS Season 2, episode 7 - Light and Shadows
DIS Season 2, episode 8 - If Memory Serves
DIS Season 2, episode 9 - Project Daedalus
DIS Season 2, episode 10 - The Red Angel
DIS Season 2, episode 11 - Perpetual Infinity
DIS Season 2, episode 12 - Through the Valley of Shadows
DIS Season 2, episode 13 - Such Sweet Sorrow, Part 1
DIS Season 2, episode 14 - Such Sweet Sorrow, Part 2

I will avoid spoilers, but after watching the episode listed just above, it will be clear why we are pausing our viewing of Discovery, even though there are more episodes left to watch. We will come back to the series at the appropriate time to continue the series.

SHO Season 2, episode 2 - The Trouble with Edward
SHO Season 2, episode 3 - Ask Not

We now move away from the Discovery crew to follow Capt. Pike, back in command of the Enterprise, for an absolutely delightful series that deliberately throws back to 1960s Trek in many ways, including the first appearances of some characters we will continue to see for many years to come.

SNW Season 1, episode 1 - Strange New Worlds
SNW Season 1, episode 2 - Children of the Comet
SNW Season 1, episode 3 - Ghosts of Illyria
SNW Season 1, episode 4 - Momento Mori
SNW Season 1, episode 5 - Spock Amok
SNW Season 1, episode 6 - Lift Us Where Suffering Cannot Reach
SNW Season 1, episode 7 - The Serene Squall
SNW Season 1, episode 8 - The Elysian Kingdom
SNW Season 1, episode 9 - All Those Who Wander
SNW Season 1, episode 10 - A Quality of Mercy
SNW Season 2 episode 1 - The Broken Circle
SNW Season 2, episode 2 - Ad Astra per Aspera
SNW Season 2, episode 3 - Tomorrow and Tomorrow and Tomorrow
SNW Season 2, episode 4 - Among the Lotus Eaters
SNW Season 2, episode 5 - Charades
SNW Season 2, episode 6 - Lost in Translation

Skipping Episode 7 for later…

Pay attention to the possible future laid out in this next episode; we see how the timeline actually plays out later in this chronology.

SNW Season 2, episode 8 - Under the Cloak of War
SNW Season 2, episode 9 - Subspace Rhapsody
SNW Season 2, episode 10 - Hegemony

Here’s that second Original Series pilot Lucille Ball fought for, now with (most) of the classic 1960’s Star Trek crew. Still no Dr. McCoy, Uhura, or Chekov, Kirk has a different middle initial, the uniforms and sets still aren’t quite right… but we are for the first time recognizably in the world of the show that started it all.

TOS Season 1, episode 3 - Where No Man Has Gone Before

2266-Notes on The Original Series

Just to clarify - the original Star Trek will appear less advanced in terms of its designs and aesthetic compared to the other Star Trek shows we have watched so far, but this is only due to the limitations of television production at the time. This is not “true” in story terms - the technology and society in TOS should be read as on par with Discovery and Strange New Worlds, which all take place at roughly this point in the timeline, and the Enterprise, despite looking different, should be accepted as the exact same ship Pike commanded in Strange New Worlds.

As for the actual viewing order, to fully appreciate the development of the show, it's recommended to watch TOS in production order instead of by air date. In general, don’t get too hung up on continuity with the rest of the franchise in these early days - they take quite a while to pin some stuff down that the rest of the franchise takes for granted.

The Menagerie is largely reedited from The Cage, which we watched a while back, but don’t skip it - after spending so much time with Spock and Pike since, this episode is absolutely essential.

TOS Season 1, episode 10 - The Corbomite Maneuver
TOS Season 1, episode 6 - Mudd's Women
TOS Season 1, episode 5 - The Enemy Within
TOS Season 1, episode 1 - The Man Trap
TOS Season 1, episode 4 - The Naked Time
TOS Season 1, episode 2 - Charlie X

Next we revisit SNW’s season 1 finale, “A Quality of Mercy”, and see how differently events play out with Kirk in command of the Enterprise.

TOS Season 1, episode 14 - Balance of Terror
TOS Season 1, episode 7 - What Are Little Girls Made of?
TOS Season 1, episode 9 - Dagger of the Mind
TOS Season 1, episode 8 - Miri
TOS Season 1, episode 13 - The Conscience of the King
TOS Season 1, episode 16 - The Galileo Seven
TOS Season 1, episode 20 - Court Martial
TOS Season 1, episode 11 - The Menagerie (Part I)
TOS Season 1, episode 12 - The Menagerie (Part II)
TOS Season 1, episode 15 - Shore Leave
TOS Season 1, episode 17 - The Squire of Gothos
TOS Season 1, episode 18 - Arena
TOS Season 1, episode 27 - The Alternative Factor
TOS Season 1, episode 19 - Tomorrow is Yesterday
TOS Season 1, episode 21 - The Return of the Archons
TOS Season 1, episode 23 - A Taste of Armageddon
TOS Season 1, episode 22 - Space Seed
TOS Season 1, episode 24 - This Side of Paradise
TOS Season 1, episode 25 - Devil in the Dark
TOS Season 1, episode 26 - Errand of Mercy
TOS Season 1, episode 28 - The City on the Edge of Forever
TOS Season 1, episode 29 - Operation: Annihilate!

TOS Season 2, episode 7 - Catspaw
TOS Season 2, episode 9 - Metamorphosis
TOS Season 2, episode 11 - Friday's Child
TOS Season 2, episode 2 - Who Mourns for Adonais?
TOS Season 2, episode 1 - Amok Time
TOS Season 2, episode 6 - The Doomsday Machine
TOS Season 2, episode 14 - Wolf in the Fold
TOS Season 2, episode 3 - The Changeling
TOS Season 2, episode 5 - The Apple
TOS Season 2, episode 4 - Mirror, Mirror
TOS Season 2, episode 12 - The Deadly Years
TOS Season 2, episode 8 - I, Mudd
TOS Season 2, episode 15 - The Trouble with Tribbles
TOS Season 2, episode 25 - Bread and Circuses
TOS Season 2, episode 10 - Journey to Babel
TOS Season 2, episode 19 - A Private Little War
TOS Season 2, episode 16 - The Gamesters of Triskelion
TOS Season 2, episode 13 - Obsession
TOS Season 2, episode 18 - The Immunity Syndrome
TOS Season 2, episode 17 - A Piece of the Action
TOS Season 2, episode 22 - By Any Other Name
TOS Season 2, episode 20 - Return to Tomorrow
TOS Season 2, episode 21 - Patterns of Force
TOS Season 2, episode 24 - The Ultimate Computer
TOS Season 2, episode 23 - The Omega Glory
TOS Season 2, episode 26 - Assignment: Earth

While Mirror, Mirror is the episode that first introduces the Mirror universe, we’ve already been there on Discovery. Enterprise had a two-part episode there too, actually, but that’s one of the ones we skipped for later viewing and will be arriving at shortly.

TOS Season 3, episode 6 - Spectre of the Gun
TOS Season 3, episode 13 - Elaan of Troyius
TOS Season 3, episode 3 - The Paradise Syndrome
TOS Season 3, episode 2 - The Enterprise Incident
TOS Season 3, episode 4 - And the Children Shall Lead
TOS Season 3, episode 1 - Spock's Brain
TOS Season 3, episode 5 - Is There No Truth in Beauty?
TOS Season 3, episode 12 - The Empath
TOS Season 3, episode 8 - For the World Is Hollow and I Have Touched the Sky
TOS Season 3, episode 7 - Day of the Dove
TOS Season 3, episode 10 - Plato's Stepchildren
TOS Season 3, episode 11 - Wink of An Eye
TOS Season 3, episode 17 - That Which Survives
TOS Season 3, episode 15 - Let That Be Your Last Battlefield
TOS Season 3, episode 14 - Whom Gods Destroy
TOS Season 3, episode 16 - The Mark of Gideon
TOS Season 3, episode 18 - The Lights of Zetar
TOS Season 3, episode 21 - The Cloud Minders
TOS Season 3, episode 20 - The Way to Eden
TOS Season 3, episode 19 - Requiem for Methuselah
TOS Season 3, episode 22 - The Savage Curtain
TOS Season 3, episode 23 - All Our Yesterdays
TOS Season 3, episode 24 - Turnabout Intruder

In one of the more fun examples of the shows tying together, the next three episodes we watch have a TOS episode leading into two of the Enterprise episodes we skipped, PLUS they finally explain why the Discovery detected the USS Defiant in the Mirror Universe.

TOS Season 3, episode 9 - The Tholian Web
ENT Season 4, episode 18 - In a Mirror, Darkly, Part I
ENT Season 4, episode 19 - In a Mirror, Darkly, Part II

We finish Kirk's Five-Year Mission with Star Trek: The Animated Series. Is TAS in continuity? Debatable. In later years, Star Trek creator Gene Roddenberry liked to say it was not, but later works in the franchise certainly seemed to disagree, with Enterprise’s Vulcan arc as well as the first of the Kelvin films borrowing heavily from Yesteryear, Robert April appearing in Strange New Worlds, numerous references in Lower Decks, etc., so I see no reason not to consider it as canon as everything else. Besides, “La mort de l'auteur” means we don’t have to listen to Gene.

TAS Season 1, episode 5 - More Tribbles, More Troubles
TAS Season 1, episode 6 - The Survivor
TAS Season 1, episode 7 - The Infinite Vulcan
TAS Season 1, episode 8 - The Magicks of Megas-tu
TAS Season 1, episode 9 - Once Upon a Planet
TAS Season 1, episode 10 - Mudd's Passion
TAS Season 1, episode 11 - The Terratin Incident
TAS Season 1, episode 12 - The Time Trap
TAS Season 1, episode 13 - The Ambergris Element
TAS Season 1, episode 14 - The Slaver Weapon
TAS Season 1, episode 15 - The Eye of the Beholder
TAS Season 1, episode 16 - The Jihad
TAS Season 2, episode 1 - The Pirates of Orion
TAS Season 2, episode 2 - Bem
TAS Season 2, episode 3 - The Practical Joker
TAS Season 2, episode 4 - Albatross
TAS Season 2, episode 5 - How Sharper than a Serpent's Tooth
TAS Season 2, episode 6 - The Counter-Clock Incident
TAS Season 1, episode 1 - Beyond the Farthest Star
TAS Season 1, episode 2 - Yesteryear
TAS Season 1, episode 3 - One of Our Planets is Missing
TAS Season 1, episode 4 - The Lorelei Signal

Movie time! Some background here. Paramount was planning on making a new network, and intended a new Star Trek series, "Star Trek Phase II", to anchor it. Scripts were written, sets were built, and actors cast. When network plans fell through, and Star Wars became a hit, they decided to take one of those scripts and streeeeeeeeeetch it out into a movie.

So…. Is it way too long for the amount of plot it has? Yes, though it has its charms. And isn’t it basically a retread of Nomad from the episode "The Changeling" anyway? It is. And hey, isn’t that the pedophile Dad from 7th Heaven? mm-hmm. Anyway, if you have access to it I recommend the Director’s Cut, in which pacing is much improved and some particularly flawed effects are redone, but either version works story-wise.

MOV Star Trek: The Motion Picture

Following The Motion Picture, the franchise underwent a significant transformation with the release of the next film, adopting a different style and tone that many, including the author, believe resulted in the best Star Trek movie to date.

MOV Star Trek II: The Wrath of Khan
MOV Star Trek III: The Search for Spock

Ephraim and Dot ’s continuity really makes no sense anywhere, but it’s cute so who cares. Anyway, this seemed the BEST place to put it.

SHO Season 2, episode 4 - Ephraim and Dot

MOV Star Trek IV: The Voyage Home

Or, to use the all-but-official secondary title, “The One With The Whales”

MOV Star Trek V: The Final Frontier

A criminally underrated film.

MOV Star Trek VI: The Undiscovered Country

Sidenote: The opening sequence of the film. Star Trek: Generations takes place this year, a few months after The Undiscovered Country. I very much do not expect people to watch things in pieces, but as there IS a clear delineation in the film, you can, optionally, watch the beginning of Generations and stop when the “78 years later” caption comes up. Or you can just not worry about it, and watch the whole film in one sitting when we reach 2371.

We now jump forward 70-odd years to see a far more established Federation, and perhaps the most popular and beloved Star Trek series of all, Star Trek - The Next Generation. That said, it is extremely rough at the outset, so you’ll need to give it some time. I promise you, the series gets a lot better later on and absolutely earns the affection it still receives to this day.

TNG Season 1, episode 9 - The Battle
TNG Season 1, episode 10 - Hide and Q
TNG Season 1, episode 11 - Haven
TNG Season 1, episode 12 - The Big Goodbye
TNG Season 1, episode 13 - Datalore
TNG Season 1, episode 14 - Angel One
TNG Season 1, episode 15 - 11001001
TNG Season 1, episode 16 - Too Short a Season
TNG Season 1, episode 17 - When The Bow Breaks
TNG Season 1, episode 18 - Home Soil
TNG Season 1, episode 19 - Coming of Age
TNG Season 1, episode 20 - Heart of Glory
TNG Season 1, episode 21 - The Arsenal of Freedom
TNG Season 1, episode 22 - Symbiosis
TNG Season 1, episode 23 - Skin of Evil
TNG Season 1, episode 24 - We'll Always Have Paris
TNG Season 1, episode 25 - Conspiracy
TNG Season 1, episode 26 - The Neutral Zone
TNG Season 1, episode 1 - Encounter at Farpoint, Part 1
TNG Season 1, episode 2 - Encounter at Farpoint, Part 2
TNG Season 1, episode 3 - The Naked Now
TNG Season 1, episode 4 - Code of Honor
TNG Season 1, episode 5 - The Last Outpost
TNG Season 1, episode 6 - Where No One Has Gone Before
TNG Season 1, episode 7 - Lonely Among Us
TNG Season 1, episode 8 - Justice

This season introduces the most popular and iconic character of the entire Star Trek franchise: Riker’s Beard. More seriously, due to a writers strike this year the producers had to dip into episodes written for the early 70’s Phase II series that was never made. Will Riker and Troi were ALWAYS a revamp of the original plans for Will Decker and Ilia, but the season opener was literally written in the 70s with Ilia in the place of Troi.

The series doesn’t truly find its footing until Season 3, but “The Measure of a Man” is widely considered TNG’s first “great” episode, a sign of many more to come.

TNG Season 2, episode 9 - The Measure of a Man
TNG Season 2, episode 10 - The Dauphin
TNG Season 2, episode 11 - Contagion
TNG Season 2, episode 12 - The Royale
TNG Season 2, episode 13 - Time Squared
TNG Season 2, episode 14 - The Icarus Factor
TNG Season 2, episode 15 - Pen Pals
TNG Season 2, episode 16 - Q Who?
TNG Season 2, episode 17 - The Samaritan Snare
TNG Season 2, episode 18 - Up the Long Ladder
TNG Season 2, episode 19 - Manhunt
TNG Season 2, episode 20 - The Emissary
TNG Season 2, episode 21 - Peak Performance
TNG Season 2, episode 22 - Shades of Gray
TNG Season 2, episode 1 - The Child
TNG Season 2, episode 2 - Where Silence Has Lease
TNG Season 2, episode 3 - Elementary, Dear Data
TNG Season 2, episode 4 - The Outrageous Okona
TNG Season 2, episode 5 - Loud as a Whisper
TNG Season 2, episode 6 - The Schizoid Man
TNG Season 2, episode 7 - Unnatural Selection
TNG Season 2, episode 8 - A Matter of Honor

TNG Season 3, episode 1 - Evolution
TNG Season 3, episode 2 - The Ensigns of Command
TNG Season 3, episode 3 - The Survivors
TNG Season 3, episode 4 - Who Watches the Watchers?
TNG Season 3, episode 5 - The Bonding
TNG Season 3, episode 6 - Booby Trap
TNG Season 3, episode 7 - The Enemy
TNG Season 3, episode 8 - The Price
TNG Season 3, episode 9 - The Vengeance Factor
TNG Season 3, episode 10 - The Defector
TNG Season 3, episode 11 - The Hunted
TNG Season 3, episode 12 - A Matter of Perspective
TNG Season 3, episode 13 - The High Ground
TNG Season 3, episode 14 - Deja Q
TNG Season 3, episode 15 - Yesterday's Enterprise
TNG Season 3, episode 16 - The Offspring
TNG Season 3, episode 17 - Sins of the Father
TNG Season 3, episode 18 - Allegiance
TNG Season 3, episode 19 - Captain's Holiday
TNG Season 3, episode 20 - Tin Man
TNG Season 3, episode 21 - Hollow Pursuits
TNG Season 3, episode 22 - The Most Toys
TNG Season 3, episode 23 - Sarek
TNG Season 3, episode 24 - Menage a Troi
TNG Season 3, episode 25 - Transfigurations
TNG Season 3, episode 26 - The Best of Both Worlds, Part 1

TNG Season 4, episode 1 - The Best of Both Worlds, Part 2
TNG Season 4, episode 2 - Family
TNG Season 4, episode 3 - Brothers
TNG Season 4, episode 4 - Suddenly Human
TNG Season 4, episode 5 - Remember Me
TNG Season 4, episode 6 - Legacy
TNG Season 4, episode 7 - Reunion
TNG Season 4, episode 8 - Future Imperfect
TNG Season 4, episode 9 - Final Mission
TNG Season 4, episode 10 - The Loss
TNG Season 4, episode 11 - Data's Day
TNG Season 4, episode 12 - The Wounded
TNG Season 4, episode 13 - Clues
TNG Season 4, episode 14 - Devil's Due
TNG Season 4, episode 15 - First Contact
TNG Season 4, episode 16 - Galaxy's Child
TNG Season 4, episode 17 - Night Terrors
TNG Season 4, episode 18 - Identity Crisis
TNG Season 4, episode 19 - The Nth Degree
TNG Season 4, episode 20 - Qpid
TNG Season 4, episode 21 - The Drumhead
TNG Season 4, episode 22 - Half a Life
TNG Season 4, episode 23 - The Host
TNG Season 4, episode 24 - The Mind's Eye
TNG Season 4, episode 25 - In Theory
TNG Season 4, episode 26 - Redemption, Part 1

TNG Season 5, episode 1 - Redemption, Part 2
TNG Season 5, episode 2 - Darmok
TNG Season 5, episode 3 - Ensign Ro
TNG Season 5, episode 4 - Silicon Avatar
TNG Season 5, episode 5 - Disaster
TNG Season 5, episode 6 - The Game
TNG Season 5, episode 7 - Unification I
TNG Season 5, episode 8 - Unification II
TNG Season 5, episode 9 - A Matter of Time
TNG Season 5, episode 10 - New Ground
TNG Season 5, episode 11 - Hero Worship
TNG Season 5, episode 12 - Violations
TNG Season 5, episode 13 - The Masterpiece Society
TNG Season 5, episode 14 - Conundrum
TNG Season 5, episode 15 - Power Play
TNG Season 5, episode 16 - Ethics
TNG Season 5, episode 17 - The Outcast
TNG Season 5, episode 18 - Cause and Effect
TNG Season 5, episode 19 - The First Duty
TNG Season 5, episode 20 - Cost of Living
TNG Season 5, episode 21 - The Perfect Mate
TNG Season 5, episode 22 - Imaginary Friend
TNG Season 5, episode 23 - I, Borg
TNG Season 5, episode 24 - The Next Phase
TNG Season 5, episode 25 - The Inner Light
TNG Season 5, episode 26 - Time's Arrow, Part 1

2369, Part 1

We now reach my personal favorite series: Star Trek - Deep Space Nine, which will eventually feature Star Trek’s first significant attempt at serialized storytelling. Like other shows in the franchise, it has a slow start, but once it gets going it’s a real joy. To stay in the correct chronological order, we’ll be bouncing between TNG and DS9, and later DS9 and Voyager, with occasional minor tweaks to avoid interrupting story arcs in progress.

TNG Season 6, episode 1 - Time's Arrow, Part 2
TNG Season 6, episode 2 - Realm of Fear
TNG Season 6, episode 3 - Man of the People
TNG Season 6, episode 4 - Relics
TNG Season 6, episode 5 - Schisms
TNG Season 6, episode 6 - True-Q
TNG Season 6, episode 7 - Rascals
TNG Season 6, episode 8 - A Fistful of Datas
TNG Season 6, episode 9 - The Quality of Life
TNG Season 6, episode 10 - Chain of Command, Part 1
TNG Season 6, episode 11 - Chain of Command, Part 2
DS9 Season 1, episode 1 - Emissary, Part 1
DS9 Season 1, episode 2 - Emissary, Part 2
DS9 Season 1, episode 3 - Past Prologue
DS9 Season 1, episode 4 - A Man Alone
DS9 Season 1, episode 5 - Babel
TNG Season 6, episode 12 - Ship in a Bottle
TNG Season 6, episode 13 - Aquiel

2369, Part 2

DS9 Season 1, episode 6 - Captive Pursuit
DS9 Season 1, episode 7 - Q-Less
TNG Season 6, episode 14 - Face of the Enemy
DS9 Season 1, episode 8 - Dax
TNG Season 6, episode 15 - Tapestry
DS9 Season 1, episode 9 - The Passenger
TNG Season 6, episode 16 - Birthright, Part 1
TNG Season 6, episode 17 - Birthright, Part 2
DS9 Season 1, episode 10 - Move Along Home
DS9 Season 1, episode 11 - The Nagus
TNG Season 6, episode 18 - Starship Mine
TNG Season 6, episode 19 - Lessons
DS9 Season 1, episode 12 - Vortex
DS9 Season 1, episode 13 - Battle Lines
DS9 Season 1, episode 14 - The Storyteller
TNG Season 6, episode 20 - The Chase
TNG Season 6, episode 21 - Frame of Mind
TNG Season 6, episode 22 - Suspicions
DS9 Season 1, episode 15 - Progress
TNG Season 6, episode 23 - Rightful Heir
DS9 Season 1, episode 16 - If Wishes Were Horses
TNG Season 6, episode 24 - Second Chances
DS9 Season 1, episode 17 - Dramatis Personae
DS9 Season 1, episode 18 - The Forsaken
DS9 Season 1, episode 19 - Duet
TNG Season 6, episode 25 - Timescape
DS9 Season 1, episode 20 - In the Hands of the Prophets
TNG Season 6, episode 26 - Descent, Part 1

2370, Part 1

By the end of this year we’ll have bid farewell to The Next Generation with the fantastic series finale “All Good Things,” we’ll have finally watched Enterprise’s far less popular finale “These are the Voyages…”, and we will have been introduced to The Dominion, the major story driver for most of Deep Space Nine.

TNG Season 7, episode 5 - Interface
TNG Season 7, episode 6 - Phantasms
DS9 Season 2, episode 6 - Melora
TNG Season 7, episode 7 - Dark Page
DS9 Season 2, episode 7 - Rules of Acquisition
DS9 Season 2, episode 8 - Necessary Evil
TNG Season 7, episode 8 - Attached
TNG Season 7, episode 9 - Force of Nature
DS9 Season 2, episode 9 - Second Sight
DS9 Season 2, episode 10 - Sanctuary
TNG Season 7, episode 10 - Parallels
DS9 Season 2, episode 11 - Rivals
DS9 Season 2, episode 12 - The Alternate
TNG Season 7, episode 11 - Inheritance
TNG Season 7, episode 12 - Homeward
TNG Season 7, episode 13 - The Pegasus
ENT Season 4, episode 22 - These Are the Voyages...
TNG Season 7, episode 1 - Descent, Part 2
DS9 Season 2, episode 1 - The Homecoming
DS9 Season 2, episode 2 - The Circle
DS9 Season 2, episode 3 - The Siege
TNG Season 7, episode 2 - Liaisons
TNG Season 7, episode 3 - Gambit, Part 1
TNG Season 7, episode 4 - Gambit, Part 2
DS9 Season 2, episode 4 - Cardassians
DS9 Season 2, episode 5 - Invasive Procedures

2370, Part 2

DS9 Season 2, episode 13 - Armageddon Game
TNG Season 7, episode 14 - Sub Rosa
TNG Season 7, episode 15 - Lower Decks
DS9 Season 2, episode 14 - Paradise
DS9 Season 2, episode 15 - Whispers
DS9 Season 2, episode 16 - Shadowplay
TNG Season 7, episode 16 - Thine Own Self
TNG Season 7, episode 17 - Masks
DS9 Season 2, episode 17 - Playing God
TNG Season 7, episode 18 - Eye of the Beholder
DS9 Season 2, episode 18 - Profit and Loss
TNG Season 7, episode 19 - Genesis
DS9 Season 2, episode 19 - Blood Oath
TNG Season 7, episode 20 - Journey's End
DS9 Season 2, episode 20 - The Maquis, Part 1
DS9 Season 2, episode 21 - The Maquis, Part 2
TNG Season 7, episode 21 - Firstborn
TNG Season 7, episode 22 - Bloodlines
DS9 Season 2, episode 22 - The Wire
TNG Season 7, episode 23 - Emergence
DS9 Season 2, episode 23 - Crossover
TNG Season 7, episode 24 - Preemptive Strike
DS9 Season 2, episode 24 - The Collaborator
DS9 Season 2, episode 25 - Tribunal
DS9 Season 2, episode 26 - The Jem’Hadar
TNG Season 7, episode 25 - All Good Things, Part 1
TNG Season 7, episode 26 - All Good Things, Part 2

2371, Part 1

Like Phase II was intended to do, and Discovery does again a few decades later, Star Trek Voyager is launched as the centerpiece of a new network: the short-lived UPN, home of Shasta McNasty and The Secret Diary of Desmond Pfieffer. Note that Voyager episode orders, particularly in season two, jump around a bit due to some production weirdness.

DS9 Season 3, episode 8 - Meridian
VOY Season 1, episode 3 - Parallax
MOV Star Trek: Generations
DS9 Season 3, episode 9 - Defiant
DS9 Season 3, episode 10 - Fascination
DS9 Season 3, episode 11 - Past Tense, Part 1
DS9 Season 3, episode 12 - Past Tense, Part 2
VOY Season 1, episode 4 - Time and Again
DS9 Season 3, episode 13 - Life Support
DS9 Season 3, episode 14 - Heart of Stone
VOY Season 1, episode 5 - Phage
DS9 Season 3, episode 15 - Destiny
VOY Season 1, episode 6 - The Cloud
DS9 Season 3, episode 16 - Prophet Motive
VOY Season 1, episode 7 - Eye of the Needle
DS9 Season 3, episode 17 - Visionary
VOY Season 1, episode 8 - Ex Post Facto
DS9 Season 3, episode 1 - The Search, Part 1
DS9 Season 3, episode 2 - The Search, Part 2
DS9 Season 3, episode 3 - The House of Quark
DS9 Season 3, episode 4 - Equilibrium
DS9 Season 3, episode 5 - Second Skin
DS9 Season 3, episode 6 - The Abandoned
DS9 Season 3, episode 7 - Civil Defense
VOY Season 1, episode 1 - Caretaker, Part 1
VOY Season 1, episode 2 - Caretaker, Part 2

2371, Part 2

VOY Season 1, episode 9 - Emanations
VOY Season 1, episode 10 - Prime Factors
DS9 Season 3, episode 18 - Distant Voices
VOY Season 1, episode 11 - State of Flux
DS9 Season 3, episode 19 - Through the Looking Glass
VOY Season 1, episode 12 - Heroes and Demons
DS9 Season 3, episode 20 - Improbable Cause
DS9 Season 3, episode 21 - The Die is Cast
VOY Season 1, episode 13 - Cathexis
DS9 Season 3, episode 22 - Explorers
VOY Season 1, episode 14 - Faces
DS9 Season 3, episode 23 - Family Business
VOY Season 1, episode 15 - Jetrel
DS9 Season 3, episode 24 - Shakaar
VOY Season 1, episode 16 - Learning Curve
VOY Season 2, episode 3 - Projections
VOY Season 2, episode 4 - Elogium
DS9 Season 3, episode 25 - Facets
DS9 Season 3, episode 26 - The Adversary
VOY Season 2, episode 6 - Twisted
VOY Season 2, episode 1 - The 37’s

2372, Part 1

VOY Season 2, episode 2 - Initiations
VOY Season 2, episode 5 - Non Sequitur
DS9 Season 4, episode 1 - The Way of the Warrior, Part 1
DS9 Season 4, episode 2 - The Way of the Warrior, Part 2
DS9 Season 4, episode 3 - The Visitor
DS9 Season 4, episode 4 - Hippocratic Oath
VOY Season 2, episode 7 - Parturition
DS9 Season 4, episode 5 - Indiscretion
VOY Season 2, episode 8 - Persistence of Vision
VOY Season 2, episode 9 - Tattoo
VOY Season 2, episode 10 - Cold Fire
DS9 Season 4, episode 6 - Rejoined
VOY Season 2, episode 11 - Maneuvers
DS9 Season 4, episode 7 - Starship Down
DS9 Season 4, episode 8 - Little Green Men
DS9 Season 4, episode 9 - The Sword of Kahless
VOY Season 2, episode 12 - Resistance
DS9 Season 4, episode 10 - Our Man Bashir
DS9 Season 4, episode 11 - Homefront
DS9 Season 4, episode 12 - Paradise Lost
VOY Season 2, episode 13 - Prototype
VOY Season 2, episode 18 - Death Wish
VOY Season 2, episode 14 - Alliances
DS9 Season 4, episode 13 - Crossfire
VOY Season 2, episode 15 - Threshold
DS9 Season 4, episode 14 - Return to Grace

2372, Part 2

VOY Season 2, episode 16 - Meld
VOY Season 2, episode 17 - Dreadnought
VOY Season 2, episode 19 - Lifesigns
VOY Season 2, episode 20 - Investigations
VOY Season 2, episode 21 - Deadlock
DS9 Season 4, episode 15 - Sons of Mogh
DS9 Season 4, episode 16 - Bar Association
DS9 Season 4, episode 17 - Accession
VOY Season 2, episode 22 - Innocence
DS9 Season 4, episode 18 - Rules of Engagement
DS9 Season 4, episode 19 - Hard Time
DS9 Season 4, episode 20 - Shattered Mirror
VOY Season 2, episode 23 - The Thaw
DS9 Season 4, episode 21 - The Muse
VOY Season 2, episode 24 - Tuvix
DS9 Season 4, episode 22 - For the Cause
VOY Season 2, episode 25 - Resolutions
DS9 Season 4, episode 23 - To the Death
DS9 Season 4, episode 24 - The Quickening
DS9 Season 4, episode 25 - Body Parts
DS9 Season 4, episode 26 - Broken Link
VOY Season 2, episode 26 - Basics, Part 1

2373, Part 1

VOY Season 3, episode 8 - Future's End, Part 1
VOY Season 3, episode 9 - Future's End, Part 2
DS9 Season 5, episode 7 - Let He Who is Without Sin
DS9 Season 5, episode 8 - Things Past
VOY Season 3, episode 10 - Warlord
MOV Star Trek: First Contact
VOY Season 3, episode 1 - Basics, Part 2
DS9 Season 5, episode 1 - Apocalypse Rising
DS9 Season 5, episode 2 - The Ship
VOY Season 3, episode 7 - Sacred Ground
VOY Season 3, episode 5 - False Profits
VOY Season 3, episode 2 - Flashback
VOY Season 3, episode 3 - The Chute
VOY Season 3, episode 6 - Remember
VOY Season 3, episode 4 - The Swarm
DS9 Season 5, episode 3 - Looking for par'Mach in All the Wrong Places
DS9 Season 5, episode 4 - Nor the Battle to the Strong
DS9 Season 5, episode 5 - The Assignment
DS9 Season 5, episode 6 - Trials and Tribble-ations

Only took 222 years, but after this next episode, we’ll have completed all of Star Trek Enterprise.

ENT Season 2, episode 23 - Regeneration
DS9 Season 5, episode 9 - The Ascent
VOY Season 3, episode 11 - The Q and the Grey
DS9 Season 5, episode 10 - Rapture
DS9 Season 5, episode 11 - The Darkness and the Light
VOY Season 3, episode 12 - Macrocosm
VOY Season 3, episode 13 - Fair Trade

2373, Part 2

VOY Season 3, episode 14 - Alter Ego
DS9 Season 5, episode 12 - The Begotten
DS9 Season 5, episode 13 - For the Uniform
VOY Season 3, episode 15 - Coda
VOY Season 3, episode 16 - Blood Fever
DS9 Season 5, episode 14 - In Purgatory's Shadow
DS9 Season 5, episode 15 - By Inferno's Light
VOY Season 3, episode 17 - Unity
VOY Season 3, episode 18 - Darkling
DS9 Season 5, episode 16 - Doctor Bashir, I Presume
VOY Season 3, episode 19 - Rise
DS9 Season 5, episode 17 - A Simple Investigation
DS9 Season 5, episode 18 - Business as Usual
DS9 Season 5, episode 19 - Ties of Blood and Water
VOY Season 3, episode 20 - Favorite Son
DS9 Season 5, episode 20 - Ferengi Love Songs
DS9 Season 5, episode 21 - Soldiers of the Empire
DS9 Season 5, episode 22 - Children of Time
VOY Season 3, episode 21 - Before and After
VOY Season 3, episode 22 - Real Life
VOY Season 3, episode 23 - Distant Origin
VOY Season 3, episode 24 - Displaced
DS9 Season 5, episode 23 - Blaze of Glory
VOY Season 3, episode 25 - Worst Case Scenario
DS9 Season 5, episode 24 - Empok Nor
DS9 Season 5, episode 25 - In the Cards
DS9 Season 5, episode 26 - Call to Arms
VOY Season 3, episode 26 - Scorpion, Part 1

2374, Part 1

Voyager gets a much needed shot in the arm with the introduction of Seven of Nine, and Deep Space Nine delivers a great season as the Dominion War arc reaches full swing.

DS9 Season 6, episode 6 - Sacrifice of Angels
VOY Season 4, episode 6 - The Raven
VOY Season 4, episode 7 - Scientific Method
DS9 Season 6, episode 7 - You are Cordially Invited
VOY Season 4, episode 8 - Year of Hell, Part 1
VOY Season 4, episode 9 - Year of Hell, Part 2
DS9 Season 6, episode 8 - Resurrection
VOY Season 4, episode 10 - Random Thoughts
DS9 Season 6, episode 9 - Statistical Probabilities
VOY Season 4, episode 11 - Concerning Flight
DS9 Season 6, episode 10 - The Magnificent Ferengi
DS9 Season 6, episode 11 - Waltz
VOY Season 4, episode 12 - Mortal Coil
VOY Season 4, episode 14 - Message in a Bottle
VOY Season 4, episode 1 - Scorpion, Part 2
VOY Season 4, episode 2 - The Gift
VOY Season 4, episode 3 - Day of Honor
VOY Season 4, episode 4 - Nemesis
VOY Season 4, episode 5 - Revulsion
DS9 Season 6, episode 1 - A Time to Stand
DS9 Season 6, episode 2 - Rocks and Shoals
DS9 Season 6, episode 3 - Sons and Daughters
DS9 Season 6, episode 4 - Behind the Lines
DS9 Season 6, episode 5 - Favor the Bold

2374, Part 2

VOY Season 4, episode 13 - Waking Moments
DS9 Season 6, episode 12 - Who Mourns for Morn?
DS9 Season 6, episode 13 - Far Beyond the Stars
DS9 Season 6, episode 14 - One Little Ship
VOY Season 4, episode 15 - Hunters
DS9 Season 6, episode 15 - Honor Among Thieves
DS9 Season 6, episode 16 - Change of Heart
VOY Season 4, episode 16 - Prey
VOY Season 4, episode 17 - Retrospect
VOY Season 4, episode 18 - The Killing Game, Part 1
VOY Season 4, episode 19 - The Killing Game, Part 2
DS9 Season 6, episode 17 - Wrongs Darker than Death or Night
DS9 Season 6, episode 18 - Inquisition
DS9 Season 6, episode 19 - In the Pale Moonlight
VOY Season 4, episode 20 - Vis a Vis
VOY Season 4, episode 21 - The Omega Directive
DS9 Season 6, episode 20 - His Way
VOY Season 4, episode 22 - Unforgettable
DS9 Season 6, episode 21 - The Reckoning
DS9 Season 6, episode 22 - Valiant

We are skipping Voyager episode 23 (“Living Witness”) for now, and will be watching it later.

VOY Season 4, episode 24 - Demon
DS9 Season 6, episode 23 - Profit and Lace
VOY Season 4, episode 25 - One
DS9 Season 6, episode 24 - Time's Orphan
VOY Season 4, episode 26 - Hope and Fear
DS9 Season 6, episode 25 - The Sound of her Voice
DS9 Season 6, episode 26 - Tears of the Prophets

2375, Part 1

VOY Season 5, episode 1 - Night
VOY Season 5, episode 2 - Drone
VOY Season 5, episode 3 - Extreme Risk
VOY Season 5, episode 4 - In the Flesh
VOY Season 5, episode 5 - Once Upon a Time
VOY Season 5, episode 8 - Nothing Human
VOY Season 5, episode 6 - Timeless
DS9 Season 7, episode 1 - Image in the Sand
DS9 Season 7, episode 2 - Shadows and Symbols
DS9 Season 7, episode 3 - Afterimage
DS9 Season 7, episode 4 - Take Me Out to the Holosuite
DS9 Season 7, episode 5 - Chrysalis
DS9 Season 7, episode 6 - Treachery, Faith, and the Great River
DS9 Season 7, episode 7 - Once More Unto the Breach
DS9 Season 7, episode 8 - The Siege of AR-558
VOY Season 5, episode 9 - Thirty Days
DS9 Season 7, episode 9 - Covenant
VOY Season 5, episode 7 - Infinite Regress
VOY Season 5, episode 10 - Counterpoint
DS9 Season 7, episode 10 - It's Only a Paper Moon

There’s no place where Insurrection’s references to the Dominion War and the presence of Worf really make perfect sense, but this is probably the closest to working. I’m not going to go too nuts about it.

MOV Star Trek: Insurrection
DS9 Season 7, episode 11 - Prodigal Daughter
VOY Season 5, episode 11 - Latent Image
VOY Season 5, episode 12 - Bride of Chaotica
DS9 Season 7, episode 12 - The Emperor's New Cloak
VOY Season 5, episode 13 - Gravity
DS9 Season 7, episode 13 - Field of Fire
VOY Season 5, episode 14 - Bliss
DS9 Season 7, episode 14 - Chimera
VOY Season 5, episode 17 - The Disease
DS9 Season 7, episode 15 - Badda-Bing Badda-Bang
DS9 Season 7, episode 16 - Inter Arma Silent Leges

2375, Part 2

VOY Season 5, episode 18 - Course: Oblivion
VOY Season 5, episode 15 - Dark Frontier, Part 1
VOY Season 5, episode 16 - Dark Frontier, Part 2
VOY Season 5, episode 19 - The Fight
VOY Season 5, episode 20 - Think Tank
DS9 Season 7, episode 17 - Penumbra
DS9 Season 7, episode 18 - 'Til Death Do Us Part
DS9 Season 7, episode 19 - Strange Bedfellows
DS9 Season 7, episode 20 - The Changing Face of Evil
DS9 Season 7, episode 21 - When it Rains
DS9 Season 7, episode 22 - Tacking into the Wind
DS9 Season 7, episode 23 - Extreme Measures
DS9 Season 7, episode 24 - The Dogs of War

Farewell, DS9. I’ll always love you best.

DS9 Season 7, episode 25 - What You Leave Behind, Part 1
DS9 Season 7, episode 26 - What You Leave Behind, Part 2
VOY Season 5, episode 21 - Juggernaut
VOY Season 5, episode 22 - Someone to Watch Over Me
VOY Season 5, episode 23 - 11:59
VOY Season 5, episode 24 - Relativity
VOY Season 5, episode 25 - Warhead
VOY Season 5, episode 26 - Equinox, Part 1

VOY Season 6, episode 1 - Equinox, Part 2
VOY Season 6, episode 2 - Survival Instinct
VOY Season 6, episode 3 - Barge of the Dead
VOY Season 6, episode 4 - Tinker, Tenor, Doctor, Spy
VOY Season 6, episode 7 - Dragon's Teeth
VOY Season 6, episode 5 - Alice
VOY Season 6, episode 6 - Riddles
VOY Season 6, episode 8 - One Small Step
VOY Season 6, episode 9 - The Voyager Conspiracy
VOY Season 6, episode 10 - Pathfinder
VOY Season 6, episode 11 - Fair Haven
VOY Season 6, episode 15 - Tsunkatse
VOY Season 6, episode 12 - Blink of an Eye
VOY Season 6, episode 13 - Virtuoso
VOY Season 6, episode 16 - Collective
VOY Season 6, episode 14 - Memorial
VOY Season 6, episode 17 - Spirit Folk
VOY Season 6, episode 18 - Ashes to Ashes
VOY Season 6, episode 19 - Child's Play
VOY Season 6, episode 20 - Good Shepherd
VOY Season 6, episode 23 - Fury
VOY Season 6, episode 21 - Live Fast and Prosper
VOY Season 6, episode 24 - Life Line
VOY Season 6, episode 22 - Muse
VOY Season 6, episode 25 - The Haunting of Deck Twelve
VOY Season 6, episode 26 - Unimatrix Zero, Part 1

VOY Season 7, episode 1 - Unimatrix Zero, Part 2
VOY Season 7, episode 3 - Drive
VOY Season 7, episode 4 - Repression
VOY Season 7, episode 2 - Imperfection
VOY Season 7, episode 5 - Critical Care
VOY Season 7, episode 6 - Inside Man
VOY Season 7, episode 7 - Body and Soul
VOY Season 7, episode 8 - Nightingale
VOY Season 7, episode 9 - Flesh and Blood, Part 1
VOY Season 7, episode 10 - Flesh and Blood, Part 2
VOY Season 7, episode 11 - Shattered
VOY Season 7, episode 12 - Lineage
VOY Season 7, episode 13 - Repentance
VOY Season 7, episode 14 - Prophesy
VOY Season 7, episode 15 - The Void
VOY Season 7, episode 16 - Workforce, Part 1
VOY Season 7, episode 17 - Workforce, Part 2

VOY Season 7, episode 18 - Human Error
VOY Season 7, episode 19 - Q2
VOY Season 7, episode 20 - Author, Author
VOY Season 7, episode 21 - Friendship One
VOY Season 7, episode 22 - Natural Law
VOY Season 7, episode 23 - Homestead
VOY Season 7, episode 24 - Renaissance Man
VOY Season 7, episode 25 - Endgame, Part 1
VOY Season 7, episode 26 - Endgame, Part 2

MOV - Star Trek: Nemesis

Star Trek returns to animation with its ninth series, and first all-out comedy, Star Trek: Lower Decks, aimed towards a more adult audience than The Animated Series or Prodigy.

LDS Season 1, episode 1 - Second Contact
LDS Season 1, episode 2 - Envoys
LDS Season 1, episode 3 - Temporal Edict
LDS Season 1, episode 4 - Moist Vessel
LDS Season 1, episode 5 - Cupid’s Errant Arrow
LDS Season 1, episode 6 - Terminal Provocations
LDS Season 1, episode 7 - Much Ado About Boimler
LDS Season 1, episode 8 - Veritas
LDS Season 1, episode 9 - Crisis Point
LDS Season 1, episode 10 - No Small Parts

2381, Part 1

LDS Season 3, episode 3 - Mining The Mind's Mines
LDS Season 3, episode 4 - Room for Growth
LDS Season 3, episode 5 - Reflections
LDS Season 3, episode 6 - Hear All, Trust Nothing
LDS Season 2, episode 1 - Strange Energies
LDS Season 2, episode 2 - Kayshon, His Eyes Open
LDS Season 2, episode 3 - We’ll Always Have Tom Paris
LDS Season 2, episode 4 - Mugato, Gumato
LDS Season 2, episode 5 - An Embarrassment of Dooplers
LDS Season 2, episode 6 - The Spy Humongous
LDS Season 2, episode 7 - Where Pleasant Fountains Lie
LDS Season 2, episode 8 - I, Excretes
LDS Season 2, episode 9 - wej Duj
LDS Season 2, episode 10 - First First Contact
LDS Season 3, episode 1 - Grounded
LDS Season 3, episode 2 - The Least Dangerous Game

We now travel back for our last Strange New Worlds episode, which is ABSOLUTELY a delight.

SNW Season 2, episode 7 - Those Old Scientists
LDS Season 3, episode 7 - A Mathematically Perfect Redemption
LDS Season 3, episode 8 - Crisis Point 2: Paradoxus
LDS Season 3, episode 9 - Trusted Sources
LDS Season 3, episode 10 - The Stars at Night

2381, Part 2

LDS Season 4, episode 1 - Twovix
LDS Season 4, episode 2 - I Have No Bones Yet I Must Flee
LDS Season 4, episode 3 - In the Cradle of Vexilon
LDS Season 4, episode 4 - Something Borrowed, Something Green
LDS Season 4, episode 5 - Empathological Fallacies
LDS Season 4, episode 6 - Parth Ferengi’s Heart Place
LDS Season 4, episode 7 - A Few Badgeys More
LDS Season 4, episode 8 - Caves
LDS Season 4, episode 9 - The Inner Fight
LDS Season 4, episode 10 - Old Friends, New Planets

The first Star Trek since The Animated Series to be geared explicitly for kids, Star Trek: Prodigy takes place on the border of the Delta Quadrant last seen in Voyager, and features the return of several characters from that series. Don’t dismiss this as “just a kids show” though — it’s quite complex, quite good, and quite Star Trek.

PRO Season 1, episode 1 - Lost & Found, Part 1
PRO Season 1, episode 2 - Lost & Found, Part 2
PRO Season 1, episode 3 - Starstruck
PRO Season 1, episode 4 - Dream Catcher
PRO Season 1, episode 5 - Terror Firma
PRO Season 1, episode 6 - Kobayashi
PRO Season 1, episode 7 - First Con-tact
PRO Season 1, episode 8 - Time Amok
PRO Season 1, episode 9 - A Moral Star
PRO Season 1, episode 10 - A Moral Star, Part Two
PRO Season 1, episode 11 - Asylum
PRO Season 1, episode 12 - Let Sleeping Borg Lie
PRO Season 1, episode 13 - All the World’s a Stage
PRO Season 1, episode 14 - Crossroads
PRO Season 1, episode 15 - Masquerade
PRO Season 1, episode 16 - Preludes
PRO Season 1, episode 17 - Ghost in the Machine
PRO Season 1, episode 18 - Mindwalk
PRO Season 1, episode 19 - Supernova, Part 1
PRO Season 1, episode 20 - Supernova, Part 2

The events of this Short Trek set the events of Star Trek - Picard, which we’ll be coming to shortly, in motion.

SHO Season 2, episode 6 - Children of Mars

Okay. Deep breath. In 2387 the Romulan sun goes supernova, devastating the Romulan empire. A failed attempt by Starfleet to help stop this accidentally sends the Romulan mining vessel Narada back to 2233, creating an alternate reality known as the “Kelvin Universe” or “Kelvinverse.” We'll be watching the three movies set in this universe next. It's essential to note that this new timeline DOES NOT replace the original “Prime” timeline, which still exists as it always has and to which we will be returning shortly.

2233 - (Kelvinverse)

The USS Kelvin is destroyed by the Narada, newly arrived from the Prime Universe 2387. This begins the divergence from the Prime timeline.

2258 - (Kelvinverse)

Too action-oriented for some, and plot-holes galore, 2009’s “Star Trek” is not what I would want Star Trek to be all the time, but is a quite fun alternate take on the original series, with some great acting and effects. Don’t overthink the chronology and details of this batch of movies though, or you’ll start seeing all kinds of things that make no sense.

MOV Star Trek (2009)

2259 - (Kelvinverse)

MOV Star Trek Into Darkness

2263 - (Kelvinverse)

MOV Star Trek Beyond

This film, while a solid improvement on Into Darkness, did not perform to expectations, meaning that the long-promised fourth film has been in-and-out of production for years, and I cannot say if we’ll ever see the Kelvin timeline again.

Therefore, we now return to the Prime timeline, already in progress.

PIC Season 1, episode 1 - Remembrance
PIC Season 1, episode 2 - Maps and Legends
PIC Season 1, episode 3 - The End is the Beginning
PIC Season 1, episode 4 - Absolute Candor
PIC Season 1, episode 5 - Stardust City Rag
PIC Season 1, episode 6 - The Impossible Box
PIC Season 1, episode 7 - Nepenthe
PIC Season 1, episode 8 - Broken Pieces
PIC Season 1, episode 9 - Et in Arcadia Ego, Part 1
PIC Season 1, episode 10 - Et in Arcadia Ego, Part 2

I gotta say, I strongly feel the Picard seasons all would make much more sense if you assume A LOT more time takes place between them than what the official sources say, but it is what it is.

PIC Season 2, episode 1 - The Star Gazer
PIC Season 2, episode 2 - Penance
PIC Season 2, episode 3 - Assimilation
PIC Season 2, episode 4 - Watcher
PIC Season 2, episode 5 - Fly Me to the Moon
PIC Season 2, episode 6 - Two of One
PIC Season 2, episode 7 - Monsters
PIC Season 2, episode 8 - Mercy
PIC Season 2, episode 9 - Hide and Seek
PIC Season 2, episode 10 - Farewell
PIC Season 3, episode 1 - The Next Generation
PIC Season 3, episode 2 - Disengage
PIC Season 3, episode 3 - Seventeen Seconds
PIC Season 3, episode 4 - No Win Scenario
PIC Season 3, episode 5 - Imposters
PIC Season 3, episode 6 - The Bounty
PIC Season 3, episode 7 - Dominion
PIC Season 3, episode 8 - Surrender
PIC Season 3, episode 9 - Vox
PIC Season 3, episode 10 - The Last Generation

As you watch this you’ll see why the exact placement can be debatable, but 3074ish seemed best. With this episode, we finish Star Trek: Voyager. Keep in mind that this episode takes place entirely in the Delta quadrant, far away from most of the events of the franchise.

VOY Season 4, episode 23 - Living Witness

Several hundred years later, we rejoin Star Trek: Discovery, already in progress, to discover what has happened in the interim.

DIS Season 3, episode 1 - That Hope is You, Part 1

DIS Season 3, episode 2 - Far From Home
DIS Season 3, episode 3 - People of Earth
DIS Season 3, episode 4 - Forget Me Not
DIS Season 3, episode 5 - Die Trying
DIS Season 3, episode 6 - Scavengers
DIS Season 3, episode 7 - Unification III
DIS Season 3, episode 8 - The Sanctuary
DIS Season 3, episode 9 - Terra Firma, Part 1
DIS Season 3, episode 10 - Terra Firma, Part 2
DIS Season 3, episode 11 - Su’Kal
DIS Season 3, episode 12 - There is a Tide…
DIS Season 3, episode 13 - That Hope is You, Part 2

DIS Season 4, episode 1 - Kobayashi Maru
DIS Season 4, episode 2 - Anomaly
DIS Season 4, episode 3 - Choose to Live
DIS Season 4, episode 4 - All is Possible
DIS Season 4, episode 5 - The Examples
DIS Season 4, episode 6 - Stormy Weather
DIS Season 4, episode 7 - …But to Connect
DIS Season 4, episode 8 - All In
DIS Season 4, episode 9 - Rubicon
DIS Season 4, episode 10 - The Galactic Barrier
DIS Season 4, episode 11 - Rosetta
DIS Season 4, episode 12 - Species Ten-C
DIS Season 4, episode 13 - Coming Home

Far Future:

Calypso is intentionally somewhat mysterious, and we have yet to learn exactly how it fits into the Star Trek timeline, but for now it seems to be the final part of our Star Trek Viewing Guide. There are still questions here. I expect Disco to answer them in Season 5, which will be the final season.

SHO Season 1, episode 2 - Calypso

Click here to read about my methodology and intentions with this list.

If you use or have an opinion on this viewing order, I would LOVE to hear your thoughts!

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Trivia In the hallways of the Enterprise there are tubes marked "GNDN." These initials stand for "goes nowhere does nothing."
Goofs The deck locations for Kirk's Quarters, Sickbay and Transporter Room vary (usually between decks 4-7) throughout the series.

Dr. McCoy : "He's dead, Jim."

Crazy credits On some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of stunt man Bill Blackburn who played an android in Return to Tomorrow (1968) , removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!"
Alternate versions In 2006, CBS went back to the archives and created HD prints of every episode of the show. In addition to the new video transfer, they re-did all of the model shots and some matte paintings using CGI effects, and re-recorded the original theme song to clean it up. These "Enhanced" versions of the episodes aired on syndication and have been released on DVD and Blu-Ray.
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The Future of ‘Star Trek’: From ‘Starfleet Academy’ to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans

“I can’t believe I get to play the captain of the Enterprise.”

“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman , who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says.

The franchise has certainly weathered its share of fallow periods, most recently after “Nemesis” bombed in theaters in 2002 and UPN canceled “Enterprise” in 2005. It took 12 years for “Star Trek” to return to television with the premiere of “Discovery” in 2017; since then, however, there has been more “Star Trek” on TV than ever: The adventure series “Strange New Worlds,” the animated comedy “Lower Decks” and the kids series “Prodigy” are all in various stages of production, and the serialized thriller “Picard” concluded last year, when it ranked, along with “Strange New Worlds,” among Nielsen’s 10 most-watched streaming original series for multiple weeks. Nearly one in five Paramount+ subscribers in the U.S. is watching at least one “Star Trek” series, according to the company, and more than 50% of fans watching one of the new “Trek” shows also watch at least two others. The new shows air in 200 international markets and are dubbed into 35 languages. As “Discovery” launches its fifth and final season in April, “Star Trek” is in many ways stronger than it’s ever been.

“’Star Trek’s fans have kept it alive more times than seems possible,” says Eugene Roddenberry, Jr., who executive produces the TV series through Roddenberry Entertainment. “While many shows rightfully thank their fans for supporting them, we literally wouldn’t be here without them.”

But the depth of fan devotion to “Star Trek” also belies a curious paradox about its enduring success: “It’s not the largest fan base,” says Akiva Goldsman, “Strange New Worlds” executive producer and co-showrunner. “It’s not ‘Star Wars.’ It’s certainly not Marvel.”

When J.J. Abrams rebooted “Star Trek” in 2009 — with Chris Pine, Zachary Quinto and Zoe Saldaña playing Kirk, Spock and Uhura — the movie grossed more than any previous “Star Trek” film by a comfortable margin. But neither that film nor its two sequels broke $500 million in global grosses, a hurdle every other top-tier franchise can clear without breaking a sweat.

There’s also the fact that “Star Trek” fans are aging. I ask “The Next Generation” star Jonathan Frakes, who’s acted in or directed more versions of “Star Trek” than any other person alive, how often he meets fans for whom the new “Star Trek” shows are their first. “Of the fans who come to talk to me, I would say very, very few,” he says. “‘Star Trek’ fans, as we know, are very, very, very loyal — and not very young.”

As Stapf puts it: “There’s a tried and true ‘Trek’ fan that is probably going to come to every ‘Star Trek,’ no matter what it is — and we want to expand the universe.”

Every single person I spoke to for this story talked about “Star Trek” with a joyful earnestness as rare in the industry as (nerd alert) a Klingon pacifist.

“When I’m meeting fans, sometimes they’re coming to be confirmed, like I’m kind of a priest,” Ethan Peck says during a break in filming on the “Strange New Worlds” set. He’s in full Spock regalia — pointy ears, severe eyebrows, bowl haircut — and when asked about his earliest memories of “Star Trek,” he stares off into space in what looks like Vulcan contemplation. “I remember being on the playground in second or third grade and doing the Vulcan salute, not really knowing where it came from,” he says. “When I thought of ‘Star Trek,’ I thought of Spock. And now I’m him. It’s crazy.”

To love “Star Trek” is to love abstruse science and cowboy diplomacy, complex moral dilemmas and questions about the meaning of existence. “It’s ultimately a show with the most amazing vision of optimism, I think, ever put on-screen in science fiction,” says Kurtzman, who is 50. “All you need is two minutes on the news to feel hopeless now. ‘Star Trek’ is honestly the best balm you could ever hope for.”

I’m getting a tour of the USS Enterprise from Scotty — or, rather, “Strange New World” production designer Jonathan Lee, who is gushing in his native Scottish burr as we step into the starship’s transporter room. “I got such a buzzer from doing this, I can’t tell you,” he says. “I actually designed four versions of it.”

Lee is especially proud of the walkway he created to run behind the transporter pads — an innovation that allows the production to shoot the characters from a brand-new set of angles as they beam up from a far-flung planet. It’s one of the countless ways that this show has been engineered to be as cinematic as possible, part of Kurtzman’s overall vision to make “Star Trek” on TV feel like “a movie every week.”

Kurtzman’s tenure with “Star Trek” began with co-writing the screenplay for Abrams’ 2009 movie, which was suffused with a fast-paced visual style that was new to the franchise. When CBS Studios approached Kurtzman in the mid-2010s about bringing “Star Trek” back to TV, he knew instinctively that it needed to be just as exciting as that film.

“The scope was so much different than anything we had ever done on ‘Next Gen,’” says Frakes, who’s helmed two feature films with the “Next Generation” cast and directed episodes of almost every live-action “Trek” TV series, including “Discovery” and “Strange New Worlds.” “Every department has the resources to create.”

A new science lab set for Season 3, for example, boasts a transparent floor atop a four-foot pool of water that swirls underneath the central workbench, and the surrounding walls sport a half dozen viewscreens with live schematics custom designed by a six-person team. “I like being able to paint on a really big canvas,” Kurtzman says. “The biggest challenge is always making sure that no matter how big something gets, you’re never losing focus on that tiny little emotional story.”

At this point, is there a genre that “Strange New Worlds” can’t do? “As long as we’re in storytelling that is cogent and sure handed, I’m not sure there is,” Goldsman says with an impish smile. “Could it do Muppets? Sure. Could it do black and white, silent, slapstick? Maybe!”

This approach is also meant to appeal to people who might want to watch “Star Trek” but regard those 668 hours of backstory as an insurmountable burden. “You shouldn’t have to watch a ‘previously on’ to follow our show,” Myers says.

To achieve so many hairpin shifts in tone and setting while maintaining Kurtzman’s cinematic mandate, “Strange New Worlds” has embraced one of the newest innovations in visual effects: virtual production. First popularized on the “Star Wars” series “The Mandalorian,” the technology — called the AR wall — involves a towering circular partition of LED screens projecting a highly detailed, computer-generated backdrop. Rather than act against a greenscreen, the actors can see whatever fantastical surroundings their characters are inhabiting, lending a richer level of verisimilitude to the show.

But there is a catch. While the technology is calibrated to maintain a proper sense of three-dimensional perspective through the camera lens, it can be a bit dizzying for anyone standing on the set. “The images on the walls start to move in a way that makes no sense,” says Mount. “You end up having to focus on something that’s right in front of you so you don’t fall down.”

And yet, even as he’s talking about it, Mount can’t help but break into a boyish grin. “Sometimes we call it the holodeck,” he says. In fact, the pathway to the AR wall on the set is dotted with posters of the virtual reality room from “The Next Generation” and the words “Enter Holodeck” in a classic “Trek” font.

“I want to take one of those home with me,” Peck says. Does the AR wall also affect him? “I don’t really get disoriented by it. Spock would not get ill, so I’m Method acting.”

I’m on the set of the “Star Trek” TV movie “Section 31,” seated in an opulent nightclub with a view of a brilliant, swirling nebula, watching Yeoh rehearse with director Olatunde Osunsanmi and her castmates. Originally, the project was announced as a TV series centered on Philippa Georgiou, the semi-reformed tyrant Yeoh originated on “Discovery.” But between COVID delays and the phenomenon of “Everything Everywhere All at Once,” there wasn’t room in the veteran actress’s schedule to fit a season of television. Yeoh was undaunted.

“We’d never let go of her,” she says of her character. “I was just blown away by all the different things I could do with her. Honestly, it was like, ‘Let’s just get it done, because I believe in this.’”

If that means nothing to you, don’t worry: The enormity of the revelation that Garrett is being brought back is meant only for fans. If you don’t know who the character is, you’re not missing anything.

“It was always my goal to deliver an entertaining experience that is true to the universe but appeals to newcomers,” says screenwriter Craig Sweeny. “I wanted a low barrier of entry so that anybody could enjoy it.”

Nevertheless, including Garrett on the show is exactly the kind of gasp-worthy detail meant to flood “Star Trek” fans with geeky good feeling.

“You cannot create new fans to the exclusion of old fans,” Kurtzman says. “You must serve your primary fan base first and you must keep them happy. That is one of the most important steps to building new fans.”

On its face, that maxim would make “Section 31” a genuine risk. The titular black-ops organization has been controversial with “Star Trek” fans since it was introduced in the 1990s. “The concept is almost antagonistic to some of the values of ‘Star Trek,’” Sweeny says. But he still saw “Section 31” as an opportunity to broaden what a “Star Trek” project could be while embracing the radical inclusivity at the heart of the franchise’s appeal.

“Famously, there’s a spot for everybody in Roddenberry’s utopia, so I was like, ‘Well, who would be the people who don’t quite fit in?’” he says. “I didn’t want to make the John le Carré version, where you’re in the headquarters and it’s backbiting and shades of gray. I wanted to do the people who were at the edges, out in the field. These are not people who necessarily work together the way you would see on a ‘Star Trek’ bridge.”

For Osunsanmi, who grew up watching “The Next Generation” with his father, it boils down to a simple question: “Is it putting good into the world?” he asks. “Are these characters ultimately putting good into the world? And, taking a step back, are we putting good into the world? Are we inspiring humans watching this to be good? That’s for me what I’ve always admired about ‘Star Trek.’”

Should “Section 31” prove successful, Yeoh says she’s game for a sequel. And Kurtzman is already eyeing more opportunities for TV movies, including a possible follow-up to “Picard.” The franchise’s gung-ho sojourn into streaming movies, however, stands in awkward contrast to the persistent difficulty Paramount Pictures and Abrams’ production company Bad Robot have had making a feature film following 2016’s “Star Trek Beyond” — the longest theaters have gone without a “Star Trek” movie since Paramount started making them.

First, a movie reuniting Pine’s Capt. Kirk with his late father — played in the 2009 “Star Trek” by Chris Hemsworth — fell apart in 2018. Around the same time, Quentin Tarantino publicly flirted with, then walked away from, directing a “Star Trek” movie with a 1930s gangster backdrop. Noah Hawley was well into preproduction on a “Star Trek” movie with a brand-new cast, until then-studio chief Emma Watts abruptly shelved it in 2020. And four months after Abrams announced at Paramount’s 2022 shareholders meeting that his 2009 cast would return for a movie directed by Matt Shakman (“WandaVision”), Shakman left the project to make “The Fantastic Four” for Marvel. (It probably didn’t help that none of the cast had been approached before Abrams made his announcement.)

The studio still intends to make what it’s dubbed the “final chapter” for the Pine-Quinto-Saldaña cast, and Steve Yockey (“The Flight Attendant”) is writing a new draft of the script. Even further along is another prospective “Star Trek” film written by Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) and to be directed by Toby Haynes (“Andor,” “Black Mirror: USS Callister”) that studio insiders say is on track to start preproduction by the end of the year. That project will serve as an origin story of sorts for the main timeline of the entire franchise. In both cases, the studio is said to be focused on rightsizing the budgets to fit within the clear box office ceiling for “Star Trek” feature films.

Far from complaining, everyone seems to relish the challenge. Visual effects supervisor Jason Zimmerman says that “working with Alex, the references are always at least $100 million movies, if not more, so we just kind of reverse engineer how do we do that without having to spend the same amount of money and time.”

The workload doesn’t seem to faze him either. “Visual effects people are a big, big ‘Star Trek’ fandom,” he says. “You naturally just get all these people who go a little bit above and beyond, and you can’t trade that for anything.”

In one of Kurtzman’s several production offices in Toronto, he and production designer Matthew Davies are scrutinizing a series of concept drawings for the newest “Star Trek” show, “Starfleet Academy.” A bit earlier, they showed me their plans for the series’ central academic atrium, a sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space. To fit it all, they plan to use every inch of Pinewood Toronto’s 45,900 square foot soundstage, the largest in Canada.

But this is a “Star Trek” show, so there do need to be starships, and Kurtzman is discussing with Davies about how one of them should look. The issue is that “Starfleet Academy” is set in the 32nd century, an era so far into the future Kurtzman and his team need to invent much of its design language.

“For me, this design is almost too Klingon,” Kurtzman says. “I want to see the outline and instinctively, on a blink, recognize it as a Federation ship.”

The time period was first introduced on Season 3 of “Discovery,” when the lead character, Michael Burnham (Sonequa Martin-Green), transported the namesake starship and its crew there from the 23rd century. “It was exciting, because every time we would make a decision, we would say, ‘And now that’s canon,’” says Martin-Green.

“We listened to a lot of it,” Kurtzman says. “I think I’ve been able to separate the toxic fandom from really true fans who love ‘Star Trek’ and want you to hear what they have to say about what they would like to see.”

By Season 2, the “Discovery” writers pivoted from its dour, war-torn first season and sent the show on its trajectory 900-plus years into the future. “We had to be very aware of making sure that Spock was in the right place and that Burnham’s existence was explained properly, because she was never mentioned in the original series,” says executive producer and showrunner Michelle Paradise. “What was fun about jumping into the future is that it was very much fresh snow.”

That freedom affords “Starfleet Academy” far more creative latitude while also dramatically reducing how much the show’s target audience of tweens and teens needs to know about “Star Trek” before watching — which puts them on the same footing as the students depicted in the show. “These are kids who’ve never had a red alert before,” Noga Landau, executive producer and co-showrunner, says. “They never had to operate a transporter or be in a phaser fight.”

In the “Starfleet Academy” writers’ room in Secret Hideout’s Santa Monica offices, Kurtzman tells the staff — a mix of “Star Trek” die-hards, part-time fans and total newbies — that he wants to take a 30,000-foot view for a moment. “I think we need to ground in science more throughout the show,” he says, a giant framed photograph of Spock ears just over his shoulder. “The kids need to use science more to solve problems.”

Immediately, one of the writers brightens. “Are you saying we can amp up the techno-babble?” she says. “I’m just excited I get to use my computer science degree.”

After they break for lunch, Kurtzman is asked how much longer he plans to keep making “Star Trek.”

“The minute I fall out of love with it is the minute that it’s not for me anymore. I’m not there yet,” he says. “To be able to build in this universe to tell stories that are fundamentally about optimism and a better future at a time when the world seems to be falling apart — it’s a really powerful place to live every day.”

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Event Summary

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Star Trek (film)

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A cataclysm in the 24th century throws two ships back in time to the 23rd century, altering the course of history. With a different life where he never knew his father, James T. Kirk becomes a brilliant yet cynical misfit who is finally convinced to join Starfleet by Captain Christopher Pike in 2255. Three years later, Kirk, Vulcan First Officer Spock, and the young crew of the new USS Enterprise , with guidance from Spock's future self, must figure out a way to work together to prevent the one responsible for the death of Kirk's father, the future Romulan known as Nero, from destroying the Federation in a mad quest for vengeance.

1.1 Prologue
1.2 Act One
1.3 Act Two
1.4 Act Three
2 Log entries
3 Memorable quotes
4.1 Development
4.2 Story and script
4.3.2 Props
4.3.3 Costumes
4.3.4 Makeup
4.4.1 Rumors and gossip
4.4.2 Shatner controversy
4.5.1 Crew notes
4.5.2 Secrecy and security
4.5.3 Sets and locations
4.6.1 Music
4.7 Continuity
4.8 Deleted and expanded scenes
4.9 Apocrypha
5.1 Release delay
5.2 Premieres
5.3 General
5.4 Reception
5.5 Box office
6 Awards and honors
8.1 Posters
8.2 USB card wallpapers
8.3 Websites and viral marketing
8.4 Promotional images
8.5 Teaser trailer
8.6 Theatrical trailers
8.7 Super Bowl spot
8.8.1 Merchandise gallery
9.1.3 Star Trek Avionics
9.1.4 Second Unit
9.2 Unconfirmed cast and crew
9.3 Companies
9.4 Uncredited companies
9.5 Unconfirmed companies
9.7.1 Other references
9.7.2 Meta references
9.7.3 Unreferenced material
9.8 See also
9.9 External links

Summary [ ]

Prologue [ ].

The Narada emerges after passing through a black hole

In the year 2233 , the Federation starship USS Kelvin investigates a " lightning storm" near Klingon space , which they soon realize to be a black hole . Suddenly, the massive warship Narada emerges and immediately opens fire on the Kelvin , inflicting heavy damage on the vessel. The Narada ceases fire, and its first officer , Ayel , hails the outmatched Kelvin .

Speaking for its captain , Nero , Ayel demands that the Kelvin 's commanding officer, Richard Robau , come aboard the Narada via shuttlecraft . He states the captain's refusal to do so would be "unwise." Captain Robau agrees and hands command of the ship to his first officer, George Kirk . He orders Kirk to wait fifteen minutes for his signal or else evacuate the ship, telling him he is now captain.

Lieutenant George Kirk aboard the ill-fated USS Kelvin

Upon arriving aboard the Narada , Robau is taken to Nero, while the crew of the Kelvin monitors his life signs . While Nero remains silent, Ayel interrogates him first about a particular ship , which Robau does not recognize, and then about the whereabouts of Ambassador Spock , with whom Robau is also unfamiliar.

Robau reveals the stardate; the Romulans have ended up 150 Earth years in the past. Realizing that they will not get the answers they want out of Robau, he is killed by Nero himself and the Narada recommences its attack on the Kelvin . Kirk orders the Kelvin to return fire but as the situation worsens and he realizes that the damage to the Kelvin is compromising the lives and safety of everyone on board, he orders the crew to proceed to the escape pods and shuttles, including his wife Winona , who is just about to give birth.

Winona Kirk with Jim, moments after his birth

Kirk tries to plot a collision course with the Narada , but the ship's autopilot navigation is offline. The commander comes to the sad realization that he will need to control the Kelvin himself. He orders his wife to leave on the shuttle without him. She protests, but Kirk knows that he has no choice but to stay behind and continue the attack in order to protect his wife and child and the others. On the shuttlecraft, Winona Kirk gives birth to a baby boy.

As the Kelvin destroys the missiles aimed at the shuttles, Kirk can hear his newborn's cries, realizing that he will never meet his son. Just before the Kelvin is about to collide with the Romulan vessel, Kirk asks Winona what they should name their son. She suggests naming him after George's father , but he laughs the suggestion off, saying that "Tiberius" isn't much of a first name. They decide to name him "Jim", after Winona's father . Communication is cut off as the Kelvin smashes into the Narada , temporarily crippling it and giving the shuttles time to escape.

Act One [ ]

" My name is James Tiberius Kirk! "

Approximately ten years later, around the early to mid- 2240s , a young boy is seen racing down the road in an antique Corvette across the open Iowa landscape, blasting 20th century music . Soon, a policeman on a flying motorbike chases him, ordering the boy to stop the car. Evading the officer, the boy heads for a quarry and jumps out of the car, moments before it speeds over the edge and crashes on the canyon floor below. The policeman apprehends the boy, who defiantly identifies himself as " James Tiberius Kirk ".

Spock as a child on Vulcan

Around the same time on Vulcan , a young Spock is being tormented by his peers about his mixed heritage. The boys call his father a traitor for marrying a Human "whore". The three have previously failed 34 times to invoke an emotional response in Spock, but this time they take it too far and Spock knocks one of the older boys into a skill dome and beats him in an emotional rage.

He is later gently admonished by his father, Sarek , who is disappointed at his son's lack of emotional control. Spock suggests that his father wants him to be fully Vulcan, and yet Sarek married a Human woman. Sarek coldly replies that it was the logical choice, as his duties as ambassador to Earth required him to understand and observe Human behavior. Sarek then tells his son, " Spock, you are fully capable of deciding your own destiny. The question you face is: which path will you choose? This is something only you can decide. "

Many years later, Spock is conflicted about whether to participate in the kolinahr , the Vulcan ritual aimed at purging all vestigial emotions. He talks to his mother, Amanda Grayson , who tells him that she will always be proud of him, no matter what he decides.

Spock faces Vulcan Science Academy council

Spock defies the Vulcan elders

Later, Spock stands before a committee on Vulcan. The committee informs him of his acceptance into the Vulcan Science Academy and commends his accomplishments despite his "disadvantage" of being half-Human. In response to yet another underhanded insult to his heritage, Spock declines the offer of admission, stating that he has decided to enter Starfleet Academy instead. The committee expresses shock, as the offer of admission to the Vulcan Science Academy is one that no Vulcan has ever turned down – to which Spock replies that, as he isn't a real Vulcan, that statement is still accurate. Spock thanks the council and with a tinge of anger in his voice, tells the committee to " live long and prosper. "

In 2255 , in a bar in Iowa, a young Academy cadet named Uhura meets up with some friends, and while ordering drinks, a brash and intoxicated James Kirk introduces himself to her and offers to buy her a drink. His attempts at flirting with her are unsuccessful, however, and the situation escalates when three Starfleet recruits led by Hendorff intervene and end up in a fight during which Kirk is badly beaten. Fortunately, Captain Christopher Pike steps in and ends the fight, ordering all cadets inside the bar to step outside.

Pike tries to recruit Kirk in an Iowa bar

Pike, who is very familiar with Kirk's tragic past and the accomplishment of his father, having written his Academy dissertation about the Kelvin , sits down with him, trying to talk some sense into the rebellious young man by trying to persuade him to join Starfleet. Pike firmly believes that with his aptitude, Kirk can do more with himself than get into bar fights and be "the only genius-level repeat offender in the Midwest." Kirk doesn't want to hear it and laughs at the idea of joining Starfleet. Pike ends the conversation with a reminder that Kirk's father saved eight hundred lives in the course of just twelve minutes of command and challenges Kirk to do better.

USS Enterprise (alternate reality) under construction

Kirk looks on as the Enterprise takes shape

Early the next day, Kirk heads to Riverside Shipyard on his motorcycle , where the USS Enterprise is under construction. Pike is surprised to see Kirk turn up to join the new recruits. Before boarding the shuttle Bardeen , Kirk gives away his motorcycle and smugly tells Pike that he'll graduate in three years instead of four. On the recruit shuttle, he meets Leonard McCoy – a recently divorced , disgruntled recruit who dismisses Starfleet technology with smug pessimism. The two share a drink as the shuttlecraft leaves for the Academy in San Francisco .

Three years later, the Narada is waiting at an unknown part of space. Nero is called to the bridge by Ayel. Suddenly, a black hole temporal disturbance appears and a small starship flies out of the anomaly. Nero recognizes and welcomes the appearance of Ambassador Spock, and orders the ship to be captured.

Kirk has an encounter with Gaila

Meanwhile, at Starfleet Academy, Kirk is telling McCoy that he is taking the Kobayashi Maru test again the next day, and is certain he will pass it. McCoy is shocked at Kirk's confidence, as no one has ever passed the test, much less repeated it. However, Kirk is convinced that he will nail it and leaves to "study", which for him means an assignation with an Orion cadet named Gaila in her dorm room. Suddenly, Gaila's roommate enters and Kirk is forced to hide under the bed. He is mortified to find that the roommate is Uhura. Undressing down to her underwear, she describes to Gaila decoding Klingon transmissions about 47 battle cruisers destroyed near a prison planet . She hears him breathing however, and eventually discovers him and angrily kicks him out.

"Captain" Kirk in command during the Kobayashi Maru test

The next day, Kirk, McCoy, Uhura, and a few other Starfleet recruits are in the Kobayashi Maru simulation test on Kirk's third attempt. Kirk takes a comically casual approach to the test, including eating an apple . Everything goes as planned when, unexpectedly, the power systems momentarily fail, and then the attacking Klingon ships' shields go down and the ships are promptly destroyed. From above the simulator room, a technician asks how Kirk was able to beat this test. Spock, who is in the observation room, is equally puzzled.

Spock at Kirk's hearing at Starfleet Academy

During an official inquiry, the Starfleet Academy brass, namely Admiral Richard Barnett , informs Kirk that they have received evidence that Kirk entered a subroutine into the computer making it possible for him to win in the simulation, and accuse him of cheating. While Kirk faces his accuser, Spock, and tries to defend himself, the hearing is suddenly interrupted when the committee is informed that the Federation has received a distress call from Vulcan. With the primary fleet occupied in the Laurentian system , Starfleet is forced to commission the Academy cadets and dispatch ships immediately to begin a rescue mission.

Act Two [ ]

Starfleet cadets assemble at Hangar 1 for assignment

Cadets are assigned to ships based on their aptitude, with the most capable cadets assigned to the USS Enterprise , a ship completed so recently that it hasn't even been christened yet. Uhura is originally assigned to the USS Farragut , but complains directly to Spock, citing her numerous commendations and recommendations, insisting she had earned an assignment to the Enterprise .

Spock quickly corrects that oversight. Kirk has been grounded pending a ruling on his inquiry and is not allowed to board the shuttles to join the mission. However, McCoy takes him to the medical bay , where he injects him with a vaccine against Melvaran mud fleas temporarily making him ill so that, as a doctor refusing to abandon his patient, he has an official reason to take him along on the mission.

The Enterprise is ready for her maiden voyage

The Enterprise leaves Starbase 1 for Vulcan, after a slight delay caused by the backup helmsman, Hikaru Sulu , forgetting to disengage the " parking brake " before jumping the Enterprise to warp . Pike orders the Enterprise 's very young navigator , Ensign Pavel Chekov , to make a ship-wide mission broadcast. Chekov announces that the crew's orders are to investigate seismic disturbances and aid in evacuation of the planet if necessary.

After hearing Chekov's announcement, Kirk suddenly realizes that the "lightning storm" is exactly the same occurrence the Kelvin encountered two decades earlier. Realizing that they are running straight into a trap, Kirk rushes through the ship to Uhura despite suffering a bad reaction to the vaccine McCoy gave him. Despite his initial difficulty to communicate coherently, he finally manages to ask her about the Klingon distress call she had deciphered earlier and she confirms that the attackers were Romulan.

USS Enterprise and Narada face off over Vulcan

The massive Narada looms over the Enterprise above Vulcan

At Vulcan, the Narada has lowered a drilling platform, which is boring into the planet. Ayel notifies Nero that seven Starfleet vessels are approaching. Kirk rushes to the bridge to inform Captain Pike. Pike and Spock, though initially quite skeptical, are convinced after Uhura confirms Kirk's suspicion. As they disengage warp drive, the Enterprise finds itself in a debris field of the other seven Starfleet ships which arrived shortly before they did.

At the direction of Pike, Sulu is able to navigate his way through the debris with minimal damage. As they clear the debris, they come upon the Narada , drilling above Vulcan's atmosphere . The Narada attacks the Enterprise , which takes heavy damage. But just as they are about to fire again, Nero realizes which ship he is firing at and orders a cease-fire.

" Hi, Christopher. I'm Nero. "

He hails the Enterprise and casually identifies himself. Pike, seeing a Romulan, accuses him of an act of war and offers to reach a settlement, but Nero states he stands apart from the Romulan Star Empire . He openly greets a confused Spock, and orders Pike to come aboard via shuttlecraft. Pike asks if there are any advanced hand-to-hand combat -trained officers on the bridge, and gathers Sulu, Spock, and Kirk for the away mission.

Pike promotes Spock to captain and puts him in charge of the Enterprise . He also commissions Kirk as first officer , much to Spock's chagrin. Pike outlines his plan to do two things at once: on the shuttle en route to the Narada he will drop Kirk, Sulu, and Chief Engineer Olson into an orbital skydive . They will land on Narada 's drill platform and disable it in order to contact Starfleet, since the drill has disabled communications and transporter capabilities.

Sulu sword-fights on the Romulan drill platform

Pike arrives on the Narada as the three begin their descent and, despite the immediate death of Olson, Kirk and Sulu eventually manage to fire on the drill and disable it.

A Narada crewman reports the drill's incapacitation, but tells Nero that the drill reached Vulcan's core before going offline. Nero orders the launch of the " red matter ", which is dropped from the ship down the hole and explodes at the planet's core. Chekov discovers what the "red matter" is doing: creating a black hole in the middle of the planet. Vulcan will be destroyed in a matter of minutes. Spock leaps up from his chair, ordering the Enterprise to signal an evacuation of the entire planet, while he himself hurries to the transporter room to beam down and evacuate the Vulcan Council , which includes his parents.

Spock attempts to save the Vulcan elders and his parents

Kirk signals the Enterprise to beam him and Sulu back at the same the moment when Nero orders the Narada to retract the drill and leave orbit. The jolt causes Sulu to fall off the drill platform without a chute. Kirk leaps from the platform into a controlled dive and grabs Sulu before releasing his own chute. Unfortunately, the drag is too powerful and Kirk's harness tears loose. Kirk frantically signals the Enterprise to beam them up, but the transport chief cannot lock on to them while they are moving too fast. Chekov, however, can, and rushes to the transporter room, creating a pinpoint beam that snatches Kirk and Sulu aboard mere moments before they hit the surface.

Uhura comforts Spock after the loss of Vulcan and his mother

Right after Kirk and Sulu are beamed back aboard, Spock tells Kirk that he is beaming down to save the Vulcan Council , which includes Spock's parents. Kirk tries to stop him, but he ignores Kirk and orders the transporter chief to beam him down immediately. The council members were taking refuge in the katric ark , a chamber within Mount Seleya , which they could not simply beam through.

Two of the elders in the council are killed by falling rocks and statues, but Spock is able to get five of them outside, including his parents. As the transporter is about to pick them up, the rock his mother is standing on collapses, causing the transporter to miss her. As they re-materialize on board the Enterprise , Spock stands on the transporter pad in shock, having lost his mother, with his hand still reached out to her. The Enterprise crew retreats and watches in horror as Vulcan implodes into oblivion.

The beginning of the end for Vulcan

Kirk, Sulu, and the few Vulcans who were able to be brought aboard the Enterprise are brought to sickbay for treatment. Soon after, Spock leaves the bridge, and he is followed into the turbolift by Uhura who tries to comfort him.

Captain Pike held captive aboard the Narada

Nero asks Pike for the security codes to defense systems around Earth , but Pike refuses to give them to him, disgusted by Nero's act of genocide on Vulcan. Nero speaks about how the Narada , in his time, was a mining ship, and he was laboring to support his wife, who was expecting his child, before they were killed when Romulus was destroyed.

He placed blame on the Federation for doing nothing, and accused Spock of betraying them, promising himself retribution. Pike pleads that Romulus still exists, but Nero only knows that his world – the Romulus of the future – was destroyed, and he intends to destroy every world of the Federation, starting with Earth, so that others will know his pain. Forcing a Centaurian slug down Pike's throat, which will help coerce Pike to give out the security codes, Nero orders the Narada to continue to Earth.

" Whatever remains, however improbable, must be the truth. "

On the bridge of the Enterprise , Spock reasons that the Narada must have traveled back in time from the future. He states that they must regroup with the fleet, but Kirk says that in order to stop Nero they must go after him first. This culminates in an argument which ends in Spock ordering Kirk's removal from the bridge. When Kirk physically protests, Spock incapacitates Kirk with a Vulcan nerve pinch , orders him placed in an escape pod and jettisons him off the ship. Kirk awakens to find himself on the snow-covered world of Delta Vega , another planet in Vulcan's system. Picking up his gear, Kirk heads for the Starfleet station fourteen kilometers away.

Kirk is marooned on Delta Vega

He is chased down by a " drakoulias " which is in turn attacked by an even larger insectoid animal . It chases Kirk into a cave, and when it finally attaches a tendril to catch him, trying to consume him, it is spooked off by an elderly Vulcan man wielding a lit torch. Before he can thank his savior, the old man, who had recognized Kirk on sight, reveals himself to be Spock, Kirk's old friend, but the latter is skeptical – until the former identifies Nero as Pike's captor. Spock melds with Kirk so that he can understand why he is here.

Spock and Kirk share a mind meld

Spock explains that 129 years in the future, in the year 2387 , an impending supernova threatened to destroy the home worlds of the Romulan Star Empire and, potentially, the rest of the galaxy as well. Spock developed a stockpile of "red matter", a substance that can be ignited to form a singularity .

However, the star exploded while he was en route, and Romulus was destroyed. Spock launched the red matter from his ship, the Jellyfish , to prevent further damage. Immediately, Spock was confronted by a surviving Romulan mining vessel, the Narada , captained by Nero. Spock tried to escape, but the resultant black hole captured both the Jellyfish and the Narada , creating a disturbance in the space-time continuum sending both ships into the past.

A vision of the destruction of Romulus in the 24th century

The Narada exited over one hundred and fifty years in the past, where it confronted the Kelvin . Spock's ship entered moments later, but what appeared seconds to him was twenty-five years to Nero and the Narada . He explains that Nero captured his ship, but kept him alive, marooning him on Delta Vega, so that he could witness the destruction of his own home planet, Vulcan, just as he had to witness the destruction of Romulus.

Kirk explains he was left on the planet by the Spock he knows, who is currently in command of the Enterprise . The elder Spock is surprised, knowing that Kirk should be in command of the ship. It is then that Spock realizes that when Nero exited the black hole and confronted the Kelvin , he altered history and created an alternate reality , which changed everything, especially Kirk's life. Kirk asks Spock whether his father lived in the original timeline. Spock confirms that George Kirk proudly saw his son take command of the Enterprise , and often spoke of him as his inspiration to join Starfleet. Spock leads Kirk to the Starfleet base.

" Do you realize how completely unacceptable this is? "

Kirk and the elder Spock are met by a short alien officer, Keenser , who leads them inside, where they meet this timeline's Montgomery Scott . A transporter genius, Scott was "exiled" to Delta Vega after beaming Admiral Archer 's prized beagle to an unknown location during a failed experiment in " transwarp beaming ". Spock informs Kirk that he must relieve the Vulcan's younger self of command by provoking him and showing everyone that Spock is too personally and emotionally compromised to lead the mission and captain the ship.

Kirk saves Scotty from drowning

Giving Scott the formula for "transwarp beaming" – an operation originally devised by the Scott he knew – Spock, who had responded to Kirk's suggestion that he was now "cheating" by recalling the " old friend " who had taught him how to cheat, sends Kirk and Scott back to the Enterprise . Not too long after they are transported to the Enterprise (Scott had materialized in a water tank and nearly drowned), the two are spotted and eventually captured by security personnel – led by Hendorff, the very cadet who had started the bar brawl which led to Kirk joining Starfleet.

Spock attacks Kirk

They are taken to the bridge where an astounded Spock attempts to find out how the two were able to transport on board the ship while it was in warp. Kirk refuses to answer and recommends Scott do the same, and then proceeds to ask why Spock doesn't feel any anger or have any emotion over the destruction of his planet and the murder of his mother. He keeps pushing and provoking Spock, claiming he never loved his mother. Upon hearing this accusation, Spock finally snaps and lunges after Kirk, ruthlessly beating and strangling him to the point of nearly killing him, before Sarek begs Spock to stop. Realizing how far he has gone, Spock relieves himself of duty and leaves the bridge. Kirk assumes command and orders an immediate pursuit of the Narada .

Act Three [ ]

The Enterprise crew regards Spock when he returns to the bridge

Following his outburst, Spock returns to the transporter room, where Sarek tries to get Spock to open up to him. Spock admits to feeling conflicted and feels a rage he cannot control towards Nero over the death of his mother. Sarek offers that his mother would have said not to bother controlling it, and, recalling what he had said years before after another outburst of his son's Human side, sadly admits to his son that he married Amanda because he loved her.

Meanwhile, on the bridge, Chekov figures out a plan to get the Enterprise close to the Narada without them noticing: they can follow the Narada and stop at Titan 's orbit, remaining undetected by hiding in its magnetic field. Soon after, a cooled-off Spock returns to the bridge, confirms the logic of Chekov's plan, and offers to beam over to the Narada to get the "black hole device" and save Earth, the only home he has left. Kirk says he will go as well, to rescue Pike. Spock mentions regulations against the captain and first officer going on such a mission, but chooses not to cite something he knows Kirk will ignore. Kirk quips that they are finally getting to know each other and gives Spock a friendly slap on the shoulder.

USS Enterprise (alternate reality) hides in Saturn's rings

The Enterprise rises from Titan's atmosphere

The Narada has already arrived at Earth and deployed its drilling rig directly over San Francisco. Warping into Titan's atmosphere, the Enterprise remains undetected by the Narada . Before stepping onto the transporter pad, Kirk calls the bridge, telling Sulu that, if he believes the Enterprise can destroy the Narada , even if Kirk, Spock, and Pike are still aboard, he should not hesitate to take the opportunity. Sulu reluctantly acknowledges Kirk's order.

Before they beam over, Uhura kisses Spock and tells him that he better come back. In his reply, he calls her "Nyota." Kirk, who overheard, then asks Spock if that's the first name he had tried and failed to learn since the first time he met her; Spock coyly cuts him off, stating his refusal to comment on the matter. Right after they are beamed aboard, the Narada begins to drill its hole near the Golden Gate Bridge , cutting the ship off from the Enterprise and disabling transporter functions.

The Narada drills into San Francisco Bay

Scott thought he could beam Kirk and Spock to the Narada 's cargo bay without being seen, but it turns out to be a heavily occupied portion of the ship. After a brief firefight, Spock uncovers the location of the black hole device and Captain Pike by melding with an unconscious Romulan. When they board the Jellyfish , it recognizes Spock as its captain (at which Kirk sarcastically expresses surprise), and the Vulcan finally figures out what is going on, as the ship's computer confirms its origin stardate as 2387, constructed by the Vulcan Science Academy.

Spock confronts Kirk about withholding information from him, but Kirk dodges the question by asking Spock if he can fly the spacecraft, a question he is fairly confident Kirk already knows the answer to. For the first time, Spock calls Kirk, "Jim" and informs him that their chances of success are grim by citing his calculation of their odds, but Kirk assures him that their plan will work.

Kirk leaps away from Ayel on the Narada

Spock commandeers the Jellyfish and blasts out of the Narada . Spock uses the ships guns to destroy the drill's tether, plunging the platform into San Francisco Bay. Kirk runs into more trouble as he finds the Romulans' "bridge", where Nero and Ayel are waiting. Kirk is confronted by Nero, who has recognized him from Earth's history, and after a brief scuffle, Nero pins Kirk and tells him that, while he was a decorated officer and went on to captain the starship Enterprise , that was another life, and that he plans to deprive him of the same life his father once had.

Before he can finish Kirk off, however, Nero is informed that the Jellyfish has been stolen and the drill has been destroyed. Furious above all else, Nero storms off, leaving Kirk to Ayel while he plans to kill Spock. Ayel promptly grabs Kirk by the throat and lifts him in the air, surprised at how "weak" Humans appear to be. Seeing his prey attempting to talk, Ayel offers Kirk the chance to say something – and the Human replies that he is in possession of the Romulan's disruptor pistol . Kirk fires and kills Ayel as he plunges into the depths of the Romulan vessel. He then heads off to rescue Pike.

Kirk and Spock discuss Nero's fate

On the bridge, Nero hails Spock, declaring that he should have killed him when he had the chance. In reply, Spock taunts Nero by "ordering" him to surrender. Nero orders the Jellyfish destroyed, even though the ship still has "red matter" on it; with his plan for revenge ruined, now he only wants to kill Spock. The Jellyfish evades the missiles, then goes into warp, with Nero and the Narada in hot pursuit, leaving Earth behind.

When the ships drop out of warp, the Jellyfish turns to intercept and collide with the Narada , seeking to ignite the red matter and create a hole that will envelop both ships. Nero panics and orders all weapons fired, but the Enterprise arrives on the scene and destroys the missiles with a fierce volley of its phasers , allowing Spock to carry through with his plan to ram the Narada .

Inside the Narada , Kirk finds Pike, alive but injured due to his earlier torture. Pike is quite surprised, but Kirk reminds him of his previous order to "come and get me", and when two Romulan soldiers walk in and find Kirk, effectively defenseless while freeing Pike from the chamber, the captain returns the favor, grabbing the gun on Kirk's belt and killing the intruders before his rescuer even realizes what happened. Scott successfully beams back Kirk, Pike, and Spock, right before the Jellyfish collides with the Narada .

The Narada is pulled into a black hole and obliterated

The explosion of the Jellyfish ignites the entire stockpile of "red matter" on board, creating a black hole, which begins to swallow up the Narada . To Spock's surprise, Kirk offers to rescue the surviving crew, arguing that this might improve long-term relations between the Romulans and the Federation, and is thus only "logical."

Spock, mindful that Nero is the man who destroyed his planet and murdered his mother, coolly suggests that they dispense with logic in this case. Their debate is ended when Nero, belligerent to the last, says he prefers to die in agony than accept help from them. Kirk obliges and orders Sulu to fire all weapons, blowing the ship apart with phasers and photon torpedoes .

Escaping the black hole

The Narada is finally destroyed, but the gravitational pull of the black hole begins tugging on the Enterprise , keeping it from escaping, even with its engines running at warp speed. The pressure is heavily damaging the ship as Kirk orders Scott to get them out of there at all cost. Scott ejects the Enterprise 's multiple warp cores and detonates them near the black hole, propelling the Enterprise to safety on the resultant shockwave.

Back on Earth, the elder Spock meets with his younger counterpart, who presumed the former to be his/their father. Young Spock is confused as to why his older self didn't simply come with Kirk and explain the situation. The older Spock states that he implied there may be universe-destroying paradoxes if Kirk told him the truth so that they would have to rely on each other, thus ensuring "a friendship that will define you both, in ways you can not yet realize."

Spock salutes his older self from the Prime timeline

Young Spock asks if he was making a gambit; older Spock states that he made "an act of faith" to his old friend, which he hopes that he will show again in the future. However, younger Spock expresses his decision to resign from Starfleet to help rebuild the Vulcan race; older Spock points out that he can be in two places at once. He also advises his younger self, in this case, to put aside logic and do what feels right. The older Spock then raises his hand in the familiar Vulcan salute , and, feeling it would be inappropriate to say "live long and prosper" to himself, simply wishes his younger self "good luck."

Spock Prime watches Kirk's promotion ceremony

Kirk is commended by Starfleet Command , promoted to captain, and given permanent command of the Enterprise . He relieves Pike, who has been promoted to admiral and is now recovering in a wheelchair . A proud Pike shakes his successor's hand and notes that his father, too, would be very proud of Kirk.

As the older Spock leaves to help the remaining Vulcans establish a colony , Kirk, now dressed in the gold uniform of a captain, walks on to the Enterprise bridge. After he tells McCoy to "buckle up", and receives assurances from Uhura, Sulu, Chekov, and Scott (who has barely finished talking to Kirk when he finds Keenser – now a member of his engineering staff – having climbed atop a console and orders him down) that their sections are ready to depart, the younger Spock returns to the Enterprise and asks Captain Kirk if he can be his first officer, offering to provide "character references". Kirk says it would be his honor.

USS Enterprise (alternate reality) bridge

Captain James T. Kirk officially takes command of the Enterprise

USS Enterprise (alternate reality) hull registry

The Enterprise departs for deep space

As the Enterprise begins its journey, the voice of the elder Spock intones the famous motto that other starships named Enterprise have voyaged forward from:

Log entries [ ]

" Acting Captain's Log , Stardate 2258.42. We have had no word from Captain Pike. I therefore classified him as a hostage of the war criminal known as Nero. Nero, who has destroyed my home planet and most of its six billion inhabitants. While the essence of our culture has been saved in the elders who now reside upon this ship, I estimate that no more than ten thousand [Vulcans] have survived. I am now a member of an endangered species. "
" Stardate 2258.42… four uh, four, whatever. Acting Captain Spock has marooned me on Delta Vega, in what I believe is a violation of Security Protocol 49.09 governing the treatment of prisoners on board a starship. "

Memorable quotes [ ]

" Citizen, what is your name? " " My name is James Tiberius Kirk. "

" I must decline. " " No Vulcan has ever declined admission to this academy ! " " Then, as I am half Human, your record remains untarnished. "

" I'm impressed. For a moment there, I thought you were just a dumb hick who only had sex with farm animals. " " Well… not only. "

" Oh relax, cupcake – it was a joke. " " Hey, farmboy! Maybe you can't count, but there are four of us and one of you! " " So get some more guys, and then it'll be an even fight. "

" You know, your father was captain of a starship for twelve minutes. He saved eight hundred lives, including your mother's – and yours. I dare you to do better. "

" Space is disease and danger, wrapped in darkness and silence. " " Well, I hate to break it to you, but Starfleet operates in space." " Yeah, well, I got nowhere else to go. The ex-wife got the whole damn planet in the divorce – all I got left is my bones. "

" I don't believe in no-win scenarios. "

" Who was that pointy-eared bastard? " " I don't know – but I like him. "

" You call this a favor?! " " Yeah, you owe me one. "

" No, I'm assigned to the Enterprise . " " … Yes, I believe you are. "

" Is the parking brake on? "

" The complexity of Human pranks escapes me. " " It's not a prank, Spock. And I'm not the captain – you are. "

" Move, move, move! I can do that! I can do that! "

" I am now a member of an endangered species. "

" Dammit, man! I'm a doctor, not a physicist! Are you actually suggesting they're from the future?! "

" If you eliminate the impossible, whatever remains – however improbable – must be the truth. "

" I have been, and always shall be, your friend. "

" I don't know you. " " I… am Spock. " "Bullshit."

" Are you out of your Vulcan mind? Are you making a logical choice sending Kirk away? Probably. But the right one? You know, back home we have a saying: If you're gonna ride in the Kentucky Derby, you don't leave your prize stallion in the stable. " " A curious metaphor, doctor, as a stallion must first be broken before it can reach its potential. "

" Dr. Puri, report. " " It's McCoy. Dr. Puri was on deck six. He's dead. " " Then you have just inherited his duties as chief medical officer. " " Yeah, tell me something I don`t know! "

" Green-blooded hobgoblin! "

" Are you from the future? " " Yeah, he is – I'm not. " " Well that's brilliant! Do they still have sandwiches there? "

" So, the Enterprise has had its maiden voyage, has it? She is one well-endowed lady! I'd like to get my hands on her ample nacelles, if you'll pardon the engineering parlance. "

" You know, coming back in time, changing history… that's cheating. " " A trick I learned from an old friend . "

" Come with me… Cupcake!"

" Are you afraid or aren't you? " " I will not allow you to lecture me on the merits of emotion. " " Then why don't you stop me? "

" I like this ship! You know, it's exciting! "

" Well, congratulations, Jim – now we've got no captain and no goddamn first officer to replace him! " " Yeah, we do. " " What?! " " Pike made him first officer. " " You gotta to be kidding me! "

" I sure hope you know what you're doing… captain." " So do I. "

" My mother was Human – which makes Earth the only home I have left. "

" I would cite regulation, but I know you will simply ignore it. " " See? We are getting to know each other! "

" So her first name's Nyota? " " I have no comment on the matter. "

" You'll be able to fly this thing, right? " " Something tells me I already have. "

" James T. Kirk was considered to be a great man. He went on to captain the USS Enterprise , but that was another life. A life I will deprive you of, just like I did your father! "

" You can't even speak… What? " " I got your gun! "

" What're you doing here? " " Just following orders. "

" It's logic, Spock – I thought you'd like that. " " No, not really. Not this time. "

" I would rather suffer the end of Romulus a thousand times. I would rather die in agony than accept assistance from you. " " You got it. Arm phasers – fire everything we've got. "

" Thrusters on full. "

" Bones! Buckle up! "

" Space: the final frontier. These are the voyages of the starship Enterprise . Her ongoing mission: to explore strange new worlds, to seek out new lifeforms and new civilizations; to boldly go where no one has gone before. "

Background information [ ]

Development [ ].

The first poster , designed by J.J. Abrams

Development on Star Trek began in 2005 when Paramount contacted Roberto Orci (who was working with J.J. Abrams and Alex Kurtzman on the studio's Mission: Impossible III at the time), asking for ideas on how to revive the franchise. [1] Former Star Trek franchise head Rick Berman , though, shortly before he was let go from Paramount, has credited Abrams with presenting the idea of revisiting Star Trek to the studio when the latter was signed for a five-movie deal in early 2006 . ( Star Trek Magazine issue 129 )

Daily Variety reported, on 20 April 2006 , that an eleventh Star Trek film was being developed by J.J. Abrams, having the story revolve around the iconic characters of James T. Kirk and Spock during their days at Starfleet Academy . [2] Several days later, Abrams confirmed some parts of the report while denouncing others, stating that the announcement was an unofficial leak and was "not entirely accurate." He also stated that, while he was given the option to direct the film, he had not decided to do so at that time. [3] [4] (X) Abrams declined to accept the director's position until the script was complete and he was sure he was the man for the job. He worked with Alex Kurtzman and Roberto Orci on the story throughout 2006 and early 2007 and finally signed on to direct on 23 February 2007 , when he also publicly announced his decision to direct the film. Abrams was convinced to do so by his wife, Katie McGrath, who felt the film had strong female characters, and by acclaimed director Steven Spielberg , who was a friend of Abrams and was impressed by the script. [5] According to The Wrap , before Abrams signed up to direct the film, Paramount offered the position to Sam Raimi , the director of the Evil Dead and Spider-Man films. [6]

Fans got an official look at the movie's direction when Paramount released a poster for the new film on 22 July 2006 : the teaser bore the Enterprise crew uniform insignia from the original series, against a background half command gold and half science blue . It hinted at a film to be set in the 23rd century which might feature the Enterprise itself. The poster was designed by the film's director/producer, J.J. Abrams. [7]

The film was greenlit in late February, at which time pre-production officially began. [8] Paramount issued a press release on 27 February 2007 , which confirmed that production was under way, with Abrams directing, for a target premiere date of 25 December 2008 . [9] (X)

By 3 May 2007 , some of the art department – still being filled by Production Designer Scott Chambliss – were already working, mostly from home; offices on the Paramount lot weren't finished before mid-May. [10] [11]

Sound stage set construction began in September. Most design work was complete by 12 October 2007 . The budget was estimated between US$120 to $150 million, higher than any prior Star Trek film. [12]

Story and script [ ]

The original treatment for the film (the initial story outline) was completed in August. By the 24th of that month, writers Roberto Orci and Alex Kurtzman had begun working on a first draft of the screenplay, which was completed by 12 December 2006. [13] A second final draft was complete by 8 October 2007. [14] [15] In total, the script took approximately four months to write. The final script was about 128 pages long. [16]

In an interview posted 8 March 2007 , the writers stated that the "intended title" for the film was always simply Star Trek , without any colons or subtitles. [17] This was to encourage newcomers that they didn't have to watch any other film before it. [18]

This is the first Star Trek movie since Star Trek Generations to feature characters from the original series and to feature scenes set in the 23rd century . It is also the first in the film series to be set before the other films.

Co-writer Alex Kurtzman said the script draws inspiration from Star Trek II: The Wrath of Khan . He and Roberto Orci hoped to recapture the spirit of The Wrath of Khan for this particular film. [19] Other inspirations for the film include the novels Prime Directive and Spock's World , as well as the TOS episode " Balance of Terror ", the TNG episode " Yesterday's Enterprise ", [20] , and the TAS episode " Yesteryear ". ( citation needed • edit )

The writers said that their goal was for the film to appeal not just to Trek fans, but to new audiences as well. [21] [22] They hoped to bring the feel of the original Star Wars trilogy into the movie, since Abrams has often said he's more a fan of Star Wars than Star Trek . [23]

Scenes featuring Kirk's former CO , Garrovick , and Kirk's service under Garrovick aboard the USS Farragut are not in the film as first reported. These elements, which were included in early drafts of the script, were removed in rewrites. [24] The character of Carol Marcus was also included in early drafts of the script, but she did not make it into the shooting script, either. [25]

Rumors that the film's story involved the Guardian of Forever from the classic episode " The City on the Edge of Forever " prompted the episode's writer, Harlan Ellison , to demand compensation if elements from his story were used in the film. [26] [27] The rumors ultimately turned out to be false. The script does, however, reference several elements from the original series episode " Journey to Babel " among these Spock's mother recalling when he was taunted by Vulcan boys during his youth, Sarek's recollection of how Spock turned down appointment to the Vulcan Science Academy, and Spock's conversation with Sarek at the end of the episode discussing why Sarek married Amanda (Sarek replying " At the time it seemed the logical thing to do ").

According to Roberto Orci, the most difficult characters to write for were the film's villain (Nero) and James T. Kirk. [28] One resource which Orci and Kurtzman utilized during the entire writing process was this website, Memory Alpha . The writers also occasionally referenced Memory Alpha during the film's production. [29]

Even though this film takes place in an alternate timeline , Orci has stated that any canon changes made in this timeline will not affect the former timeline, arguing that the scientific theory of quantum mechanics permits the existence of parallel timelines and universes, invoking the thousands of Enterprise s from various universes seen in TNG : " Parallels " to back up this theory. He also believes that this theory allows for the continuance of a timeline even after a change is effected and an alternate timeline is created. In addition, he argues that, although the timeline has changed, the true nature of the characters does not change and that Kirk and company are the same people they are in the original timeline. [30]

The film's production was designed by Scott Chambliss. Ryan Church was the primary designer of the USS Enterprise and other starships, while Trek veteran John Eaves designed the various shuttlecraft . Excepting the Industrial Light & Magic staffers, who had previously worked on the Star Trek franchise and were still in the employment of the company at the time, Eaves was the only regular production staffer who had worked on Star Trek productions, set in the prime universe, to be officially hired and credited for the re-imagined movie as conceptual illustrator (though there were a few uncredited others such as Graphic Designer Geoffrey Mandel ). While Abrams steered clear from hiring any former Star Trek staffers in order to be as unencumbered as possible for his take on the franchise, he was aware that some consistency needed to be observed, or as Chambliss has put it, " I brought John in because he knew the story and lore, what should and shouldn't be done. The ships in the Starfleet Armada to go to Vulcan were influenced by John's knowledge. " ( Star Trek - The Art of the Film , p. 58)

J.J. Abrams stated the difficulty of depicting the future was that much of modern technology was inspired by the original series, making it seem outdated. As such, the production design had to be consistent with the television series while also feeling more advanced than the real world technology developed after it. [31] Specifically, he felt that the original series had a "kitschy quality" to it which had to be abandoned for the sake of realism. [32]

According to production designer Scott Chambliss, redesigning the Enterprise and especially the main bridge began with laying out a framework of ground rules: the sets had to reflect the optimism of the original series, while also having a real functionality to them. " There was a strong, sleek, modernist vision at play in the 1960s when the television series began, " says Chambliss. " That was something we wanted to infuse in our look. " As such, the Enterprise draws inspiration from the work of Pierre Cardin and the sets from the 1968 film 2001: A Space Odyssey . ( Production notes )

Chambliss maintained the layout of the bridge from the original series, but added more consoles and glass data displays to increase its functionality and make it more "busy." He also altered it aesthetically, with brighter lights and colors. The main viewscreen was turned into a window that could have images projected on it to make the space environment palpable. The bridge set was built on gimbals so the ship's rocking motions when it was attacked or when it accelerated to warp were more realistic. More railings were added to the bridge set to make it appear safer. [33] [34]

The Romulan ship, the Narada , was designed as purely practical with visible mechanics, as the Romulans were on a very specific mission, unlike the Enterprise crew, who give a respectable presentation on behalf of the Federation. [35] In designing the Narada , Chambliss was heavily influenced by the architecture of Antoni Gaudí , who created buildings that appeared to be inside out: by making the ship's exposed wires appear like bones or ligaments, it would create a foreboding atmosphere. The ship's interior was made of six pieces that could be rearranged to create a different room, thus allowing the production to utilize a single stage for the set. ( Production notes )

Different art directors were responsible for the sets of each ship: Dennis Bradford was responsible for the Federation starship sets (the Enterprise and the Kelvin ); Gary Kosko handled all the Vulcan-related sets; and Curt Beech oversaw the shuttlecraft sets. They were all supervised by Keith P. Cunningham , who ensured everything was organized and running properly. ( Production notes )

The props seen on the original Star Trek series were redesigned, as well, including the communicator , the tricorder , and the phaser . All props were the responsibility of property master Russell Bobbitt .

Bobbitt collaborated with engineers at Nokia to redesign the original communicator, creating a US$50,000 prototype. For the tricorder, Bobbitt brought the original prop to the set, but the actors found it too large to carry when filming action scenes. Bobbitt then approached technical advisor Doug Brody , who redesigned a smaller version of the prop. [36] The phaser props maintained the basic shape of the original props, but were designed with spring-triggered barrels that revolve and glow blue and red as the setting switches from "stun" to "kill".

A tribble can be seen in the film, sitting in a cage on Scott's desk in the Delta Vega outpost . [37] The production made use of the Aptera Typ-1 , a prototype electric vehicle. The Aptera was used on location at the CSUN campus, which was standing in as part of Starfleet Academy. [38] [39] [40]

Costumes [ ]

Abrams selected Michael Kaplan to design the costumes because Kaplan had not seen any of the films, meaning he would approach the costumes with a new angle. For Abrams, " The costumes were a microcosm of the entire project, which was how to take something that's kind of silly and make it feel real. But how do you make legitimate those near-primary color costumes? " [41]

Kaplan used the Star Trek Encyclopedia to get a sense of the evolution of the Starfleet uniforms and to look for repeated motifs. ( Production notes ) For the Enterprise uniforms, Kaplan followed color coding used on the original series. The uniforms were comprised of dark gray (almost black) undershirts and pants and colored overshirts showing each crew member's position. Kaplan wanted the shirts to be more sophisticated than the originals and decided to have the Starfleet emblem patterned on them. [42]

When designing the uniforms for the crew of the USS Kelvin , Kaplan drew inspiration from the retro-futuristic designs of 1940s and 1950s science fiction films. For the Romulans on the Narada , Kaplan wanted worn and rugged clothes because of their mining backgrounds. He found some aged, greasy-looking fabrics at a flea market, and commissioned the makers of the clothes (who were based in Bali) to create his designs using their fabrics. For the Vulcans, Kaplan designed costumes which shared the eloquent and austere qualities of the Vulcans themselves, while creating a new, corseted shape for the Vulcan women. ( Production notes )

The Vulcan and Romulan makeup was created by Joel Harlow , while Barney Burman designed and created the prosthetic makeup for other alien characters. Mindy Hall was the head of the makeup department. Both digital and physical makeup was used for aliens.

Burman and his team had to rush to create many of the aliens. Originally, the majority of the aliens were to feature in one scene towards the end of filming. However, Abrams deemed the scene too similar to the cantina sequence in Star Wars and decided to pepper aliens throughout the entire film, requiring Burman and his crew to design the aliens earlier than anticipated. [43]

The Romulan characters in the film were all bald to better distinguish them from the Vulcans, and their heads and faces are covered with tattoos. They lack the forehead ridges that were seen on Star Trek: Enterprise and in the TNG -era series and films. The Romulan actors spent two and a half to four hours getting their makeup done; the actors had three prosthetics applied to their ears and foreheads, while Eric Bana had a fourth prosthetic for the bite mark on his ear that extends to the back of his character's head. [44] [45]

Casting [ ]

This is the first of any Star Trek production to re-cast the regular characters of a Trek series and both William Shatner and Leonard Nimoy were given consultation rights for the recasting of their roles. [46] Casting for the film began as early as October 2006 . [47]

The only actors to participate in both this film and the first Star Trek film, Star Trek: The Motion Picture , were Majel Barrett and Leonard Nimoy . In The Motion Picture , Barrett played Dr. Christine Chapel and she voiced the Enterprise computer in Star Trek , while in both films, Nimoy played Spock.

Star Trek has Leonard Nimoy portraying his iconic role of Spock for the first time since 1991 . He came out of retirement to assume the role, having given up acting in favor of photography in 2000. He later gave three explicit reasons for doing this project: the fact that it is Star Trek , his admiration for Abrams, and an "essential" and "interesting Spock role". [48] Abrams has stated that the casting of Nimoy is "critical if we're going to look at reintroducing these characters", noting that, to make this a "great film", it must "both please the fans and those who have never seen Star Trek … having Leonard in the film shows that this film exists in a continuum of Trek history, as opposed to an absolute, page 1 reinvention." [49]

The first actor cast in the new film was Heroes star Zachary Quinto , who plays the younger Spock. His casting, and that of Nimoy, was officially announced at San Diego's Comic-Con International on 26 July 2007 . Quinto also signed up to play Spock in any potential sequels to this film. [50] The last recast member of the original series crew to sign on was Karl Urban as Leonard McCoy. [51] Rehearsals were held week of 19 October 2007. [52]

On 10 December 2008, Variety announced that Majel Barrett-Roddenberry reprised her role as the voice of the Enterprise computer. [53] [54] This announcement came just eight days before Barrett's death at the age of 76.

April Webster and Alyssa Weisberg oversaw the casting of the principal actors. Hollywood Operating System (Hollywood OS) and Headquarters Casting (HQC) were the agencies working in conjunction to hire extras for the film. They held an open casting call for extras on 10 November 2007, an event which hundreds attended, numbers that haven't been seen since Star Trek: The Motion Picture in 1979. [55]

In November 2009, Wil Wheaton , who played Wesley Crusher on Star Trek: The Next Generation , confirmed that he provided the voice for the minor Romulan characters who spoke in the movie. His dialogue was altered to make him sound different each time, with one exception: the Romulan towards the end of the film who tries to warn Nero about igniting the red matter aboard Spock's ship had Wheaton's normal voice. [56] [57]

Rumors and gossip [ ]

As the buzz around the film was building and word spread that the characters of the original Star Trek series were to be recast, rumors as to who would play the younger versions of these iconic characters also arose while a number of actors reportedly expressed interest in participating in the film.

J.J. Abrams' childhood friend Greg Grunberg expressed interest in playing a Klingon, Scott, or a Vulcan. [58] [59] [60] [61] [62] Although he was to have appeared in the film, Grunberg bowed out to star in, produce, and co-write another film. [63] However, he did visit the set of this movie while it was in production. ( Empire , issue 287, p. 79) Grunberg also managed to acquire a role in the film during post-production, as the voice of James Kirk's step-father.
Actor Matt Damon was rumored as Captain Kirk, even soliciting William Shatner's aid in signing him up. [64] Damon himself denied having been approached for the role, [65] although he later told Sci-fi Wire that he would be interested in playing a young Captain Kirk if the script met with his satisfaction. [66] In March 2007, Kurtzman, although not confirming that Damon will play Kirk, stated that he was " the hugest Matt Damon fan. If he became [Kirk], great. " [67] In a subsequent interview with IGN, Damon stated that the filmmakers were looking for someone younger than Damon (who in 2007, was merely two years older than William Shatner was in 1966). [68] In an interview with Entertainment Tonight , J.J. Abrams said he had approached Damon to play Kirk's father, but ultimately it didn't work out. [69]
Mike Vogel was a contender for the role of Kirk before the role went to Chris Pine. [70] [71]
Actors Ryan Gosling and Sam Rockwell also showed interest in portraying Jim Kirk. [72] [73]
Adrien Brody was rumored to be in talks to play Spock. Brody later confirmed that he had indeed had a discussion with J.J. Abrams about the role. [74] [75]
Oscar-nominated actor Gary Sinise ( Forrest Gump , CSI: NY ) was rumored to be in talks to play the role of Dr. McCoy. [76] Sinise subsequently denied the rumor. [77]
During a short phone interview with J.J. Abrams on his show, The Colbert Report , Stephen Colbert jokingly expressed that he felt he was perfect for the role of Dr. McCoy.
Alias star Kevin Weisman expressed interest in portraying Scott. [78]
Scottish actor James McAvoy was rumored as being sought to play Scott, which McAvoy's publicist subsequently denied. [79] [80]
Scottish actors Greg Hemphill and Martin Compston were also reportedly up for the role of Scott. [81] [82]
Star Trek: Voyager and Star Trek: Enterprise guest actor and Lost star Daniel Dae Kim was named as a contender for the role of Sulu . [83]
Heroes actor James Kyson Lee expressed interest in playing Sulu. [84]
Sources reported that Academy Award-winner Philip Seymour Hoffman may have a role in the film, possibly as a doctor (but not "Bones" McCoy). [85]
There was a rumor that the new James Bond, Daniel Craig , was interested in a role. [86]
Actress Jennifer Garner , who starred in Abrams' Alias television series, said she would "absolutely" sign up to appear in Star Trek if she were asked. [87] Garner later expressed interest in showing up as a Klingon, even if it was just a quick walk-on role. [88]
Abrams thought it would "be awesome" if he were able to cast his Felicity and Mission: Impossible III actress Keri Russell as a Klingon. [89] Russell later told IESB that she had indeed been in talks for a role in Star Trek but that she and Abrams had decided not to go through with it. [90]
Actress Sydney Tamiia Poitier auditioned for a role in the film, [91] possibly Uhura. [92]
Ben Affleck was rumored to have been approached for a role in the film. [93]
Abrams' Mission: Impossible III star and producer, Tom Cruise , was frequently rumored to have a cameo in the film. He was even rumored to be appearing in the film as Captain Christopher Pike. Both Cruise and his publicist have denied any involvement in the film. [94] [95] [96] [97] [98] [99] [100] [101]
It was reported that Paramount was attempting to sign up Oscar-winner Russell Crowe to play the film's villain. [102] Crowe said he was "apparently" up for the role, but that he had yet to read anything and could not make a decision until he did. [103] Eric Bana ultimately won the role.
Actor Josh Lucas was being considered for the role of Pike, although he was never the leading candidate. [104] [105] The role ultimately went to Bruce Greenwood .
Starburst Magazine reported, in its 356th issue, that George Takei would be appearing in the film, reprising his role as Sulu in "a flash forward sequence" opposite Leonard Nimoy. This was later found to be incorrect. [106] (X) [107]
Star Trek: Enterprise star Dominic Keating auditioned for the role of Jim Kirk's stepfather, but he did not get the part. [108]
TOS actress Nichelle Nichols stated that she and J.J. Abrams discussed the possibility of Nichols making an appearance in the new film, perhaps as the grandmother of Uhura (the character she originated on TOS). Due to the writers' strike, however, her inclusion into the script was not possible. [109]

Shatner controversy [ ]

Yet another actor who expressed interest in a role was William Shatner himself. [110] In an interview with Time magazine, Shatner claimed to have been approached by Abrams for a role in Star Trek . [111] Shatner even reported several times his belief that Abrams was planning for both him and Leonard Nimoy to appear in the film, although they would have to be meaningful roles. [112] [113]

Shatner learned he did not have a role in the film while discussing the script with Leonard Nimoy over the phone. [114] According to Nimoy, although Shatner did not have a role the film, Shatner was not "furious" about it as some reported. [115] The film's writers stated their wish for Shatner to be a part of the film's shoot, and the filmmakers were looking for a way to include Shatner in the film. [116] [117] [118] [119] It was implied by Nimoy that the reason Shatner did not have a role in the script was due to the events of Star Trek Generations , which featured the death of Captain Kirk. [120] This suggested that Nimoy's scenes as Spock might have taken place in the 24th century . As it turned out, the backstory for the movie did indeed start in the late 24th century in the year 2387 . Kirk's appearance and subsequent death in the 24th century occurred in the year 2371 , sixteen years prior. While Shatner could theoretically have appeared as a James T. Kirk circa 2387 (as depicted in the "Shatnerverse" novels), it would have been confusing to the audience that might only know of his last screen adventure and not the subsequent ones in the novels since the novels are not canon.

In an interview with then-executive producer Stratton Leopold , the Savannah Morning News stated that "studio executives still hope to convince William Shatner to suit up as Captain Kirk one more time. " [121] This contradicted previous reports stating that Shatner was the one attempting to convince Abrams and crew to find a way to put him in the movie. It is possible that the Savannah report was merely mistaken or that the line was taken out of context.

The fact that Nimoy had a role in the film and Shatner did not, disappointed Shatner. The fact also caused an uproar from some fans on forums and discussion boards. Shatner explained in later interviews that the writers had been looking for ways to include Kirk in the story, but couldn't find a way to do it without compromising the script or making his appearance feel "forced".

In an interview with IGN , J.J. Abrams finally put an end to the rumors by stating that William Shatner was not in the movie at all and Leonard Nimoy is the only actor from the original series who was. [122]

In another interview with AMC , Abrams admitted there was a scene written for Shatner, but he and the writers decided not to use it because "it didn't feel right" and they still had to respect canon. In addition, Shatner was vocal in his unwillingness to be involved unless he had a substantial role in the film. [123] Abrams called the omitted scene a "flashback", although co-writer Roberto Orci later stated that wasn't a technically accurate term. [124]

Roberto Orci and Alex Kurtzman eventually said that Shatner's scene was in the movie and then was written out in a later draft. It would have been at the very end of the movie when Spock Prime meets the younger Spock and speaks to him about the long and enduring friendship that Spock and Kirk needed to form. Spock Prime would have said " Don't take my word for it " and produced a small holographic device that would have projected a message from the elder Kirk. [125]

Production [ ]

A moment from the filming of this movie

Principal photography began 7 November 2007 [126] and wrapped 141 shoot days later on 27 March 2008 . Second unit and VFX plate shots continued until 17 April 2008 , under the direction of Visual Effects Supervisor Roger Guyett . Since it was the principal photography that had been reportedly scheduled to wrap in April, writer and executive producer Roberto Orci stated:

Shooting was once set to start summer 2007 [128] before the filmmakers made clear it could actually begin in April. [129] Shooting would have started on 5 November but was postponed two days. [130]

This was the first film in the Star Trek franchise which Paramount Pictures made in collaboration with a production partner, let alone two ( Bad Robot Productions and Spyglass Entertainment ). This was also the first Star Trek project which writer/director Rick Berman has not been involved with in over twenty years, and the first Trek film since Star Trek VI: The Undiscovered Country made without his involvement. In addition, this was the first film since Star Trek Generations that the soundtrack was not composed by Jerry Goldsmith , who passed away in 2004 .

Crew notes [ ]

Many of the crew members whom Abrams selected to work on this film are those he had worked with in the past, most notably writers/executive producers Alex Kurtzman and Roberto Orci, producer Damon Lindelof , executive producer Bryan Burk , composer Michael Giacchino , cinematographer Dan Mindel , production designer Scott Chambliss , editors Maryann Brandon and Mary Jo Markey , and casting directors April Webster and Alyssa Weisberg .

Stratton Leopold , a collaborator of Abrams' on Mission: Impossible III , was initially unit production manager and an executive producer for the film. [131] Before filming began, however, Leopold left the production and was replaced as executive producer by Jeffrey Chernov [132] and as unit production manager by David Witz . [133]

Originally, Vic Armstrong was to coordinate the stunts for Star Trek . He was looking forward to working with Abrams again, having served as stunt coordinator on Mission: Impossible III (2006), but Joey Box was ultimately given the job. (source: Vic Armstrong)

The first three months of shooting on Star Trek took place during the 2007 writers' strike . None of the filmmakers could make any changes to the film's script during the strike period, meaning the common practice of revising the script during production was not possible. Although Abrams complained about not being able to add new dialogue, the strike for the most part did not affect the film's production. Since it was one of the studio's "high priority" films, Paramount strove to help it despite the writing stoppage. [134] [135] Writers Kurtzman and Orci were able to stay on set without strikebreaking as they were also executive producers on the film. While they could not change any lines themselves, they could "make funny eyes and faces at the actors whenever they had a problem with the line and sort of nod when they had something better." [136]

Secrecy and security [ ]

Security on the set was very tight in order to keep aspects of the production a secret from the general public. Cast and crew members on location were not allowed to leave the set for cigarette breaks, [137] and actors could not walk in public in their costume – they were driven to and from set in golf carts, hidden behind black canvas. [138] Some actors, including Jennifer Morrison and Sonita Henry , were only given the part of the script containing their scenes, which they had to return at the end of the day. [139] [140] The script was also protected with members of the main cast, including Simon Pegg , who had to read the script with a security guard nearby. [141]

During its production process, the film was codenamed "Corporate Headquarters". [142] This was the official fake title chosen by Bad Robot, although various other fake titles were also used throughout the production. Each of the Key Assistant Location Managers was allowed to choose an additional fake title for paperwork, permits, and signage in an effort to thwart paparazzi and to protect the secrecy of the movie: Kathy McCurdy named the movie "Untitled Walter Lace Project" after her grandfather; Rob Swenson used "Christa & Christan's Big Adventure" after his twin step-daughters; Scott Trimble used "The Ernest Castelhun Chronicles" after his great-granduncle who drowned in beer at the Anheuser-Busch factory in 1937; and Steve Woroniecki named it "Untitled Blake Allen Project" after his son.

TOS stars Nichelle Nichols and Walter Koenig , TNG star Jonathan Frakes , and veteran Trek writer and producer Ronald D. Moore were among the few who were permitted to visit the Star Trek set. Other celebrities who visited the set include Tom Cruise , Ben Stiller , Harrison Ford , Michelle Monaghan , and Steven Spielberg . Ford dropped by the set during the last week of shooting; Spielberg was on set during filming on the Enterprise and assisted Abrams with the action of one of the scenes. [143] [144] (Abrams states that Koenig came when filming the space dive – since Pine and Cho had actually been standing on a mirror on top of a building, Koenig thought the film would be a flop.)

The wrap party was held on 18 April 2008 at Hangar 8 at the Santa Monica Airport between 7:00 pm and midnight. The invitation featured the note, " Please note that due to heightened security, you must R.S.V.P. in order to have your name placed on the guest list. Your photo I.D. will be required at the entrance. " (Source: Jon Donahue via Facebook)

Sets and locations [ ]

The production used a total of eleven sound stages. [145] Most filming took place on the studio lot, specifically on stages 8 , 9 , 11 , 14 , 15 , and 18 . These are stages where Star Trek has filmed in the past. Plans also reportedly included use of a Universal Studios stage for "planetary" shots needing more room, [146] but that location was never used.

A source told TrekMovie.com that more ship interiors were created for this film than any other Trek film. There was also a minimal amount of redressing used. [147]

Abrams has stated that his goal with this film is to make Star Trek "real." As such, he used live sets and location shooting rather than green- and blue-screen sets wherever possible. [148] The first days of shooting occurred on location in a Long Beach building. [149] California's Vasquez Rocks Natural Area Park was used for a birthing scene involving a number of Vulcans. Vasquez Rocks has appeared in past Trek shoots, including the original series episode " Arena ". [150] )

Approximately four weeks out of the twenty weeks of shooting took place on the bridge of the USS Enterprise . [151] The last day of shooting on the set of the Enterprise bridge was 25 January 2008 . Scenes filmed included the intended final scene of the movie. During filming on that day, TrekMovie.com hosted a live chat in which J.J. Abrams, other crewmembers, and some of the cast answered fan-submitted questions from the bridge set. A transcript of this chat included a brief glimpse of the set – the first such on-set image – showing Abrams using his laptop at one of the stations. [152]

In addition to the bridge, other areas aboard the Enterprise seen in the movie are sickbay , crew quarters , corridors , engineering , and the transporter room . All of these sets were built at Paramount Studios, with the exception of engineering, which was done on a redressed industrial location. [153] That location was later revealed to be the Budweiser beer plant in Van Nuys, California. (Production notes at StarTrekMovie.com )

The bridge of the USS Kelvin reflects an earlier design than the Enterprise and is described as "a lot busier." This bridge set was redressed for use as the mock-up starship bridge in a scene depicting the Kobayashi Maru scenario . [154] Other areas we see on the Kelvin include sickbay, engineering, and some corridors. The Romulan ship, the Narada , utilizes an interior design that is different from previously seen Romulan ships and is described as "surreal." Scenes were also filmed on sets built to represent a medical shuttle and a transport shuttle. [155]

Some scenes were shot in a large Orange County hangar. Production later returned to Long Beach for scenes at its city hall. Filming there wrapped on 14 December 2007 , with several city staffers invited to the shoot, all of whom signed nondisclosure pacts. [156] [157]

During the week of 18 March 2008 , parts of the film were shot at California State University, Northridge (CSUN), with the university's Oviatt Library standing in as the lower levels of Starfleet Academy. Although blue screens were placed on the sides of the lawn, light fixtures were modified, and banners sporting the Starfleet emblem were hung on streetlights, little else was modified for the film. [158] Although it never appeared in the film, the lobby of the library was dressed with NASA and other space-related images and the main doors were emblazoned with the Starfleet emblem. There was also a "futuristic kiosk" placed in the lawn. Photos of the filming at CSUN feature dozens of extras dressed in red cadet uniforms (as well as some in more militaristic gray uniforms) as well as a futuristic-looking, functional vehicle called the Aptera . [159]

Also in March of 2008, filming took place at the Pastoria Energy Facility to the east of Interstate 5 at the bottom of "the grapevine," a stretch of Interstate 5 that drops out of the mountains north of Lebec, California, and south of Bakersfield. This location served as the Riverside Shipyards where the starship Enterprise was being constructed. This is where James T. Kirk rode his motorcycle into the shipyards, gave his bike to a shipyard worker, and boarded the shuttle headed to Starfleet Academy.

Four of the filmmakers, including production designer Scott Chambliss , first assistant director Tommy Gormley , then executive producer Stratton Leopold , and eventual second unit director Roger Guyett , scouted locations in Iceland during early Summer 2007. Despite some reports, J.J. Abrams never actually visited Iceland himself. Companies such as Pegasus-Panarctica Pictures (run by Snorri Þórisson), Sagafilm (Kjartan Thor Thordarson), Labrador (Pétur Hafsteinn Bjarnason), and Truenorth Productions (Leifur B. Dagfinnsson) vied for the opportunity to provide local production services. This would have been the first time a Star Trek movie was filmed outside of the United States. The plan was that two weeks of filming would take place there during Spring 2008, but, as it turned out, no filming whatsoever was ever done in Iceland. A location scout was also sent to British Columbia, Canada, but, in the end, the movie was filmed entirely in the United States. [160] [161] [162]

Many of the scenes featuring interior locations on Vulcan were filmed at the SkyRose Chapel in Whittier, California. These included the conversation between young Spock and Sarek, as well as Spock's confrontation with the Vulcan committee. [163] [164]

In early April, some second unit work took place on location in Bakersfield, California, which stood in for Iowa (the birthplace of James T. Kirk). While shooting in Bakersfield – near Highway 119 – on 8 April 2008 , an automobile accident occurred in front of the set in which a car being driven by the location's site manager (a local official in charge of the site) crashed head-on into a truck. A passenger in the car and the driver of the truck were injured but survived, and the crash did not disrupt filming. [165] [166]

Post-production [ ]

Industrial Light & Magic provided the special visual effects for the film. This was the company's seventh film project for the Star Trek franchise, the last being 1996's Star Trek: First Contact . Santa Barbara Studios did the VFX for Star Trek: Insurrection and Digital Domain provided the effects for Star Trek Nemesis . Visual Effects Supervisor Roger Guyett anticipated that Star Trek would use about 1,000 visual effects shots, [167] though the number had increased to over 1,300 by August. [168]

The first cut of the film was completed in July 2008. This cut was screened for studio executives at Paramount Pictures sometime in the last week of July and received a very positive response. [169]

Post-production on Star Trek was completed on 23 December 2008 . The film spent just under nine months in the post-production process, the second longest in the franchise behind Star Trek: The Motion Picture . The final step in the process was sound editing, provided by Academy Award-winning sound designer Ben Burtt (best known for his work on the Star Wars films) and supervising sound editor Mark Stoeckinger . [170]

The film's score was written by Academy Award-winning composer Michael Giacchino . He created a new version of the original theme by Alexander Courage in the score, along with new themes he created for the film. The original theme made a comeback for the ending credits. Giacchino admitted personal pressure in scoring the film, stating " I grew up listening to all of that great [ Trek ] music, and that's part of what inspired me to do what I'm doing… You just go in scared. You just hope you do your best. It's one of those things where the film will tell me what to do. " [171] [172] [173]

Finding a new musical direction for Star Trek proved challenging. " I wrote maybe 20 or so versions of the main theme and all of them sounded like Star Trek music – like big space opera music. And every time JJ and I would sit and listen to it JJ would say 'it just doesn't sound like our movie.' " Lindelof suggested Giacchino concentrate more on Kirk and Spock's friendship, and the main theme, specifically the Kirk/ Enterprise theme came out of that. Spock's theme developed out of a variation of the main theme that the producers liked. [174]

The score was recorded at the Sony Pictures Scoring Stage in Culver City, California. The scoring session was comprised of a 107-piece orchestra and forty-person choir. Giacchino composed new themes for the film, some of which were stylistically created as subtle homages to past Star Trek composers, Jerry Goldsmith and James Horner . An erhu was used to create Spock's theme; the same instrument was used for the Romulans, except in their case, the sound was processed and distorted. Several members of the music department wore clothing resembling Starfleet uniforms during the scoring session. [175] The score was released by Varèse Sarabande Records on 5 May 2009 .

Continuity [ ]

This is the second movie, the first being Star Trek II: The Wrath of Khan , to begin on James T. Kirk's birthday, in this case the actual day of his birth.
Aspects of Spock's life, like Sarek explaining his marriage to Amanda as "the logical thing to do", young Spock being bullied by Vulcan kids for having a Human mother, and later turning down the Vulcan Science Academy to Sarek's disappointment, were first mentioned in the Star Trek: The Original Series episode " Journey to Babel " and the Star Trek: The Animated Series episode " Yesteryear ".
Hikaru Sulu reveals that his advanced combat training is in fencing . Sulu was first seen fencing in the original series episode " The Naked Time ". Abrams later states he thought it a good idea to turn out that Sulu was in fact "a ninja". ( Star Trek DVD commentary)
Delta Vega in the film is a reference to an unrelated planet from the TOS episode " Where No Man Has Gone Before ". In an interview with TrekMovie.com, writer Roberto Orci said, " We moved the planet to suit our purposes. The familiarity of the name seemed more important as an Easter egg, than a new name with no importance. " [176]
When Kirk and McCoy first see the Enterprise in space the scene resembles the scene from Star Trek: The Motion Picture when the Enterprise refit is shown for the first time or the similar scene in Star Trek IV: The Voyage Home with the new USS Enterprise -A . This was the general idea in Abrams' view. ( Star Trek DVD commentary)
When the cadets are assigned to the various ships prior to the destruction of Vulcan , one cadet, Fugeman , is assigned to Regula I , a station seen prominently in Star Trek II: The Wrath of Khan .
There is an established relationship between Spock and Uhura in this film. There have previously been hints of flirtation between the two characters. In " Charlie X ", Uhura sings a teasing song about Spock while he plays accompanying music on the Vulcan lyre , eliciting a rare smile from him. In " The Man Trap ", Uhura makes an attempt to get Spock to flirt with her, asking him to tell her she's an "… attractive young lady." The famous interracial kiss was originally to be between Uhura and Spock. [177] However, according to scriptwriters Roberto Orci and Alex Kurtzman, they only noticed these moments after coming up with the relationship for the film. [178]
At the end of the film, Admiral Christopher Pike is in a wheelchair . This is an allusion to Fleet Captain Christopher Pike from the original timeline who was crippled by delta radiation when a baffle plate had ruptured and then confined to an advanced wheelchair. [179] However, unlike in the Original Series , Pike isn't scarred or mute and in the next film is seen walking without the wheelchair, albeit with a cane .
Nero's statement that the Federation had done nothing as Romulus was destroyed by the supernova makes it look as though the Federation simply held still while their (former) enemies faced destruction. However, Jean-Luc Picard 's statements in PIC : " Remembrance " elaborate on that and make Nero's anger much more understandable: In fact, the Federation had initially agreed to mount a large-scale evacuation to help the Romulans who were threatened by the supernova, but deliberately chose to abandon it.
The sequence where Nero forces the Centaurian slug down Captain Pike's throat is a tribute to the Ceti eel sequence from Star Trek II: The Wrath of Khan , even including similar dialogue. [180]
While taking the Kobayashi Maru test, Kirk's comic nonchalance extends to him casually munching on an apple as the Klingons attack. In the Genesis cave in Star Trek II: The Wrath of Khan , Kirk eats an apple while explaining to Saavik how he beat the Kobayashi Maru test. (In the DVD commentary on the film, it is noted that this was a coincidence.)
Dr. McCoy refers to Spock as a "green-blooded hobgoblin." In " Bread and Circuses ", McCoy referred to Spock as a "pointed-ear hobgoblin." McCoy also frequently referred to Spock as "green-blooded" throughout the classic series and the films.
Spock Prime tells Kirk " I have been, and always shall be, your friend ", which were his dying words to an older Kirk in Star Trek II: The Wrath of Khan , and, recalling that conversation, his first words after his fal-tor-pan in Star Trek III: The Search for Spock .
In order to bring Kirk aboard the Enterprise as a patient, McCoy injects a vaccine to protect against viral infection from Melvaran mud fleas . The fleas were previously mentioned in " Canamar ".
On Delta Vega, Montgomery Scott mentions that he had used "Admiral Archer's prized beagle" to test his long-distance transporter theories, though the beagle had yet to turn up as of his meeting with Kirk and Spock Prime (which he speculated led to his "exile"). Writers Alex Kurtzman and Roberto Orci have confirmed that this Admiral Archer was indeed Jonathan Archer . [181] [182] Jonathan Archer would be 145 years old at the time of Scotty's exile, but Humans are long-lived in Star Trek ; Orci noted the appearance of Leonard McCoy in " Encounter at Farpoint ". However, it is unlikely that Porthos would still be alive at that time. J.J. Abrams intends the dog to reappear upon his leaving the Star Trek films. ( Star Trek DVD commentary)
When Nero discovers Spock commandeering the Jellyfish , he yells, "SPOOOOOCK!" This is likely a nod to the scene in Star Trek II: The Wrath of Khan where Kirk yells Khan's name in a similar fashion.
When the younger Spock approaches the pilot's seat in the Jellyfish , the location's design is that of the IDIC , a symbol of the Vulcan people. Also, in reaction to the ship's controls, Spock says " Fascinating… "
Chief Engineer Olson , who dies almost instantly on an away mission, is conspicuously dressed in a red space jump suit, a nod to the original series phenomenon of a hitherto unknown ensign dressed in red always being the first to die in any away mission. ( Star Trek Special Edition DVD ) Greg Ellis , who played Olson, had previously appeared on Star Trek , in the Star Trek: Deep Space Nine finale " What You Leave Behind ", as Ekoor , one of the few Cardassians to survive the Dominion massacre.
Uhura orders a Klabnian fire tea , three Budweiser Classics , two Cardassian sunrises , a Slusho , and a Jack Daniel's at the Shipyard Bar . J.J. Abrams has previously used Slusho in the film Cloverfield and the television series Alias . Uhura's drink order is the first reference to the Cardassians in a Star Trek production set in the 23rd century. The Cardassians debuted in the 24th century Star Trek: The Next Generation episode " The Wounded ", and were mentioned in the 22nd century Star Trek: Enterprise by the Organians in " Observer Effect " and one was seen at a repair station Enterprise NX-01 visited in " Dead Stop ". The mention of Budweiser is a nod to the shooting location for engineering – a Budweiser plant.
As Kirk climbs out of the shuttle on Delta Vega, his backpack reads "NCC-1701-D." The USS Enterprise -D , commanded by Captain Picard , had this registry number.
At one point, Doctor McCoy tells Kirk that " A little suffering is good for the soul. " In " The Corbomite Maneuver " Kirk asks McCoy " Aren't you the one who always says a little suffering is good for the soul? " and McCoy dryly replies " I never say that ".
McCoy has a beard in civilian life, just as he did in Star Trek: The Motion Picture .
While trying to decipher the origins of Nero and his ship and crew, Spock says " Once you have eliminated the impossible, whatever remains, however improbable, must be the truth. " In Star Trek VI: The Undiscovered Country , Spock says the same thing while investigating the mysteries surrounding Chancellor Gorkon 's assassination . The line ultimately derives from the Sherlock Holmes stories and novels by Sir Arthur Conan Doyle , and was also quoted by Data in " Data's Day ".
When Kirk first meets Scott on Delta Vega, a tribble can be seen and heard on his desk.
Kirk emotionally compromises Spock in order to gain command of the Enterprise as he did in " This Side of Paradise ".
At the end of the film, right after Spock Prime says " To boldly go where no man has gone before… ", the Enterprise goes into warp, similar to the Star Trek: The Next Generation series opening sequence.
This is the last Star Trek film to use the 2002-2012 Paramount Pictures logo.

Deleted and expanded scenes [ ]

Several scenes appear in the shooting script that are absent from the theatrical release. [183] Some have appeared on the Star Trek DVD releases.

A scene prior to the film's opening sequence shows Spock's birth and a conversation between Amanda Grayson and Sarek.
When the Narada is disabled by the Kelvin 's attack, several Klingon warbirds decloak and surround Nero's ship.
Preceding his joyride in a Corvette, scenes establish the child James T. Kirk residing with his older brother George and their uncle Frank while Winona Kirk is away. James is forced to wash the Corvette (which had in fact belonged to their late father) in a subsequent scene when, upon opening the visor above the drivers' seat, the keys fall into his lap, and he decides to steal it.

The unfinished Narada surrounded by Klingon ships in a deleted scene

Several scenes establish that Nero and his crew were taken to Rura Penthe and had been held there for several years. It is suggested that Nero formulated his plan for destroying the Federation while imprisoned. Klingons – as all are masked, it is unclear whether or not they bear the effects of the augment virus – interrogate Nero (at one point, having realized he was from the future, theorized that he likely knows about Federation defenses, and that they might be able to work together) and torture him with a Centaurian slug (in the hopes of getting red matter technology for themselves), a tactic Nero uses later in the film. Nero attempts to endure the torture by focusing on memories of his wife. A later scene shows Nero escaping the prison planet to resume his plan (the scene used in the trailer where Nero says " The wait is over " comes as he frees Ayel). Interviews with J.J. Abrams and the Star Trek DVD commentary indicates that they didn't want to address whether the Klingons in this film would look like they did in the original series, affected by the augment virus, or appear with forehead ridges as they did in the films and subsequent series although the helmets have the ridges on them, which is a nod toward the later look of the Klingons. Two images from this plot line were in fact included in the final film – the last shot of the Centaurian slug sequence, looking straight down at Nero, was used to show Nero aboard the Narada when Ayel comes in and informs him that the Jellyfish is about to emerge from the black hole, while the image of a shirtless Nero at work on Rura Penthe appears during Spock Prime's mind-meld with Kirk.
The Gaila/Uhura dorm room scene and Kobayashi Maru scenario is slightly expanded to show how Kirk reprogrammed the test. After Kirk responded to " I love you " with " That's so weird ", he explains that it's because he has written her a note, its contents too hard to say in person, that he needs her to open at precisely 3 pm the next day. At the appointed time, Gaila – a technician on the test – opens the letter, which reads " Gaila – I'm sorry. Jim ", before downloading a virus which reprograms the scenario. (In the DVD commentary it was stated that this is why Gaila has her arms crossed during the entirety of Kirk's subsequent hearing.) Another scene includes Kirk running into and attempting to apologize to an Orion woman within the Enterprise corridors that he thought was Gaila.
In one scene, Ayel expresses the Narada crew's desire to return to Romulus following the destruction of Vulcan and suggests to Nero that the plan for destroying the Federation be abandoned. Nero declines the suggestion and kills Ayel for displaying signs of mutiny. This is noted as being a significant difference from the theatrical release, since Ayel is involved in the film's final scenes.
As Spock Prime leaves the hangar following the conversation with his younger self, he passes Sarek, whose bewildered look (similar to the one his son had upon apparently seeing Kirk aboard the Enterprise ) is captured by the cameras.

Apocrypha [ ]

The novelization of Star Trek , written by Alan Dean Foster , shows several expanded sequences including some deleted scenes. In the novel, Winona is given an inhibitor that would help delay the birth of James until the Kelvin 's return to Earth. However, the impacts to the ship by the Narada 's attack cause her to go into early labor. For the scenes where she's off-planet, Kirk's Uncle Frank from a deleted scene and his step-father from the final cut are merged, as "Frank" is, in fact, his step-father. In several instances after Kirk is commissioned by Captain Pike, Kirk is referred to as "Lieutenant Kirk." The novel also further details Nero's motivations for attacking the Federation.

After the elder Spock is informed by young Kirk that Chekov, Sulu, and Uhura all serving aboard the Enterprise – at this point not even bothering to ask if McCoy is as well – he suggests that their meeting on Delta Vega and various other coincidences regarding the Enterprise crew are the result of the timeline attempting to mend itself – as for the one person not yet aboard the ship, Spock had been well aware of Scotty's presence at the outpost, but had deliberately kept his distance, until the arrival of Kirk made it absolutely clear that their being on the same world was no accident. After the young Spock resigns command and leaves the bridge, Uhura and Sulu demand to know how Kirk got aboard the Enterprise ; Kirk reveals to the bridge crew about the future Spock and what he told Kirk about Nero and how the past had been changed in an attempt to gain their trust. Kirk also tells them about how they cannot tell their Spock about the elder Spock's presence and the bridge crew agrees not to do so. At the end of the book, when the elder Spock speaks to his younger counterpart (who, upon hearing how his older self convinced Kirk to keep his secret, suggests that the would-be paradoxes were not outright impossible, but the displacement would have to have taken place far earlier for there to be any concern), the young Spock asks Spock Prime if he might call on him occasionally for advice and Spock Prime agrees, saying " Who better to consult with you than yourself? " The first mission under Kirk also includes a new passenger: Archer's dog rematerializes in the Enterprise 's transporter room just as the ship warps away from the Solar System.

The novel also makes a number of small quotes and passing mentions regarding certain figures and connecting the main characters to their prime selves:

During the skill dome sequence, young Spock identifies the authors of a piece of 20th century Earth music as John Lennon and Paul McCartney , on whom Orci and Kurtzman based the Kirk-Spock relationship.
Running for his life on Delta Vega, Kirk mutters under his breath that the drakoulias resembles the "bastard offspring" of a polar bear and a gorilla, the two Earth animals which the monster was modeled after.
Noting Kirk's unfamiliarity with Regulation 619, Spock admits that he had forgotten how unimportant such things had been to "his" Kirk.
During the bridge discussion after Kirk takes command, Sulu mentions having a doctorate in astrophysics , the field of study his counterpart was in during his first Trek appearance, " Where No Man Has Gone Before ".
In the midst of their battle with the Narada crew – largely a fistfight rather than a firefight – Kirk, noting that Spock displayed great logic even in combat (defeating the strongest Romulans first before moving on to the weaker ones until there were none left), concludes that he must play a "mean game" of three-dimensional chess , which Spock was in fact so skilled at that he would use the game to save Kirk's career .
The transport of Kirk, Spock, and Pike from the Narada back to the Enterprise , shown almost entirely from inside the transporter room and implied to be more difficult than the film suggests, is viewed by McCoy and Uhura, allowing a mention of the doctor's well-known feelings toward the device .

Foster initially refused to do the novelization. The producers flew him to Hollywood to meet with them, the cast, and the director. After having many conversations, Foster accepted the project, rushed to meet deadlines, and had the novel ready for a December 2008 release. Star Trek writers Howard Weinstein and Robert Greenberger mentioned this at the 2009 FarPoint Convention. The novelization also appears to have been written with either a first draft or very early version of the script. Many sequences and dialogues are out of order, missing, or otherwise inconsistent with the film.

Release [ ]

Release delay [ ].

At the time production began, Star Trek was set for a worldwide theatrical release on 25 December 2008 . Later, Paramount was reportedly considering bumping up the film's release date one or two days or moving it to 19 December 2008. [184] On 13 February 2008 , however, Variety magazine reported that the film's release would be put back, from 2008 to 8 May 2009 , in order to take advantage of the summer movie season. [185]

Around the time the delay was announced, a Paramount spokesperson stressed that the change in release date had nothing to do with the film's production or its script. The spokesman stated that the decision was all about box-office potential and the spokesman said that Star Trek is in the same league as such past summer blockbusters as Spider-Man , Shrek , Transformers , and the Star Wars prequels. [186] (X) Paramount vice chairman Rob Moore revealed to Entertainment Weekly that another reason the movie was pushed back was so they could "educate people that this is a whole new franchise." [187]

Premieres [ ]

The gala world premiere of Star Trek took place on 7 April 2009 at the Sydney Opera House in Sydney, Australia. The film's cast and crew were in attendance. [188] This was followed by a number of additional premiere events around the world – Austria; Belgium; France; Germany; Japan; Korea; the Netherlands; New Zealand; Russia; Spain; London, UK: 20 April 2009 [189] ; Los Angeles, USA.

A few hours prior to the official premiere in Sydney, fans in Austin, Texas were given a surprise screening of the film. The event had been announced as a ten-minute preview following a showing of Star Trek II: The Wrath of Khan , hosted by writers Roberto Orci , Alex Kurtzman , and Damon Lindelof . However, after two minutes the film of The Wrath of Khan appeared to melt. Orci, Kurtzman, and Lindelof proceeded to vamp for a few minutes but were interrupted by a surprise appearance of Leonard Nimoy , who asked the audience if they would like to watch the new film instead. [190]

The official American premiere was held at the famous Grauman's Chinese Theater in Hollywood on 30 April 2009 . Attending the event were J.J. Abrams, most of the film crew, and nearly the entire cast. [191]

General [ ]

Although the United States release date was set for 8 May 2009 , advance screenings of the film began at 7 pm on 7 May 2009 . [192] However, the first worldwide release was in France, Belgium, and the French-speaking parts of Switzerland on 6 May 2009 . [193]

For the first time, a Star Trek film was released in IMAX as well as conventional theaters. Although the film was not shot with IMAX cameras, the film was able to be converted to the 70 mm IMAX format. This was the first Trek project since the abandoned Star Trek: IMAX to be considered for the medium. [194] [195]

Star Trek , released in May 2009, was the first Star Trek film released in the summer months since 1989's Star Trek V: The Final Frontier .

Reception [ ]

Star Trek has received nearly universal acclaim from film critics. Star Trek currently has a 95% "certified fresh" rating on the review aggregator website Rotten Tomatoes, based on 278 reviews, with an average critic's rating of 8.1 on a scale of 10. [196] Based on the findings of Rotten Tomatoes, Star Trek is currently the second-best reviewed mainstream film of 2009, after Up . [197] On the review aggregator website Metacritic, Star Trek has a metascore of 83 out of 100, based on 37 critics' reviews. [198]

Based on listings tracked by Metacritic, twenty-three critics from twelve different publications ranked Star Trek as one of the ten best films of 2009. Among the publications whose critics praised Star Trek as such were Boston Globe , Empire Magazine , The Hollywood Reporter , Miami Herald , New York Daily News , The New Yorker , and the Washington Post . [199]

Bryan Burk recalled, " In general with Star Trek , a lot of people came out saying they really liked it and it wasn't what they thought it was going to be. For me, that was the biggest win. " ( SFX , issue 270, p. 71)

Despite the praise, some reviews criticized the lack of a classical Star Trek allegory. In Empire 's 4/5 review, Colin Kennedy noted the themes " primarily relate to the nature of friendship and teamwork, which is all very well, […] but in a time when the United States is engaged in two wars, the failure to even acknowledge the issues arising from space imperialism and the Prime Directive is to flinch from battle. Harsher critics may even deem it a dereliction of duty. " [200]

In a 2013 article about J.J. Abrams, Empire characterized the introduction of Kirk in this film as a prime example of how Abrams juxtaposes the everyday with the extraordinary to create "relatable spectacle," tonally similar to Steven Spielberg's film-making. ( Empire , issue 287, p. 77) In 2014, Empire readers ranked Star Trek at #188 in a poll to determine the 301 greatest movies of all time. [201]

In a 2016 interview, Brannon Braga commented, " I thought Star Trek was fantastic. It was beautifully directed and took Trek to a whole other level in terms of action. They had quadruple the budget when we did ours. But the casting was perfect and it was almost an impossible task. " Braga also prefers this film to Star Trek Into Darkness . ( SFX , issue 270, p. 68)

Jonathan Frakes is disappointed that, despite visiting the set of this film, he wasn't permitted to participate in the making of it. Nonetheless, he approved of this movie. ( SFX , issue 270, p. 63)

Box office [ ]

Star Trek topped the North American box office in its opening weekend, grossing US$75.2 million from Friday through Sunday. It also earned an estimated US$4 million from its Thursday night advance screenings, for a total of US$79.2 million over its first three and a quarter days. [202] It marked the highest opening weekend box office gross of any film in the franchise, surpassing Star Trek: First Contact 's opening weekend of US$30.7 million (approximately US$50 million when adjusted for inflation). [203] Star Trek had the sixth highest opening weekend of 2009, following The Twilight Saga: New Moon , Transformers: Revenge of the Fallen , X-Men Origins: Wolverine , Harry Potter and the Half-Blood Prince , and Avatar . [204]

Included in Star Trek 's opening weekend gross was US$8.5 million from 138 IMAX venues, setting a new weekend record for IMAX. It surpassed the previous benchmark set by The Dark Knight , which earned US$6.3 million from IMAX screenings in its first weekend. ( Star Trek 's IMAX record was subsequently beaten by Avatar .) In addition, Star Trek yielded the most-attended start ever for a movie debuting in the second weekend of May, topping 1996's Twister . [205] Star Trek also managed to top many overseas box office charts in its first weekend, grossing US$35.5 million from 54 international markets. [206]

Star Trek ended its domestic theatrical run on 1 October 2009 with a total gross of US$257,730,019, making it the seventh highest grossing film of 2009 in North America. [207] It was the year's highest-grossing film in the United States from Wednesday, 27 May, though Saturday, 27 June, a total of 31 days, after which it was overtaken by Disney/Pixar's Up (which, coincidentally, was also composed by Michael Giacchino ). Star Trek has also done good business internationally, earning more from foreign markets than any previous Star Trek films (with the possible exception of Star Trek: The Motion Picture ). Star Trek 's international gross is US$127,950,428, bringing its total worldwide gross to US$385,680,447. [208]

Awards and honors [ ]

Star Trek is the first film of the franchise to have won an Academy Award , the Academy Award for Best Achievement in Makeup. It also received three more Academy Award nominations. The National Board of Review named Star Trek one of the Ten Best Films of 2009.

Star Trek received the following awards and honors:

On 30 March 2009, it was announced that Paramount was moving forward with a sequel to Star Trek . Roberto Orci and Alex Kurtzman have again been hired to write the screenplay, along with the first film's producer, Damon Lindelof. J.J. Abrams and Bryan Burk will again be producing via Bad Robot, along with Orci and Kurtzman. [209]

At his panel during the Supernova Convention, Perth 2009 in Australia, Karl Urban unofficially announced that he had seen a work in progress version of the script for a sequel, expected in 2011, or later.

Advertising and marketing [ ]

Posters [ ].

As of July 2008 , Paramount has distributed several teaser posters at various conventions to promote awareness and hype about the film. The first, as stated above, was released on 22 July 2007 (see early discussion and speculation above). A second teaser poster for the new film was introduced at the Comic-Con International in San Diego, California, on 27 July 2007 . This poster features a white background with the words Star Trek written in the TOS-style font and comprised of a star field backdrop seen throughout the original television series.

In August 2007 , a third teaser poster, this one containing the title inside the arrowhead-shaped Starfleet insignia , was created especially for distribution to the attendees at the Las Vegas Star Trek Convention. As with the second teaser poster, the Vegas poster features the film's release date hyped as "Stardate 12.25.08".

A fourth teaser poster was given away to attendees at the San Francisco Wondercon on the weekend of 24 February 2008 , sporting the new official logo, the tagline "Under Construction", and a date of "Summer 2009".

Four teaser posters, each featuring an image of a cast member from the film ( Eric Bana , Zoe Saldana , Chris Pine , and Zachary Quinto ), were distributed at the 2008 San Diego Comic-Con from 24 through 27 July 2008. When combined, the four posters form the delta shield emblem of the USS Enterprise (and later of all Starfleet). There is also a single one-sheet version of the poster available via mail order from Comic-Con in conjunction with the Intel Corporation . [210] Four similar posters featuring John Cho , Simon Pegg , Anton Yelchin , and Karl Urban were distributed at the Official Star Trek Convention in Las Vegas the following month. [211]

On 10 November 2008, Paramount released the first teaser posters for the films designed for display in theaters, one featuring Pine as Kirk and the other featuring Quinto as Spock. Both posters were black and white, bearing nothing else save for the release date, the official site address, the production company logos for Paramount and Bad Robot, and the Starfleet delta shield emblem. [212]

A cardboard standup promoting the film was also made for display in theaters. The standup consists of the title in large cut-out letters, with each letter featuring the face of a different character from the film (Kirk on the "S", Nero on the "K", etc.) The title is placed upon a dais which contains the tagline ("The Future Begins"), the release date, and an orbital view of Earth. [213]

On 26 March 2009, European posters for Star Trek were posted online. [214] A day later, the US poster for the film was also revealed on MySpace Movies. The poster features the USS Enterprise within a warp effect against a white background, with the tagline "The future begins." [215]

USB card wallpapers [ ]

A set of nine exclusive wallpapers were released on Star Trek -themed USB cards, with three images per card.

Websites and viral marketing [ ]

The mysterious corridor that appears briefly on NCC-1701.com

A promotional website dedicated to the new film went live at 8:05pm EST on 16 January 2008 and can be found at paramount.com/startrek . The site introduced the new official logo for the film, which was also seen in the teaser trailer. [216] Paramount also set up a page for the movie on the social-networking website Facebook where fans may congregate. [217] [218]

Following the launch of the film's teaser trailer, the official website contained a hidden link to NCC-1701.com , a viral promotional site supposedly containing "surveillance footage" of the Enterprise under construction. The site features four screens, each for a different "surveillance camera", but only three are active at a time. The inactive camera, however, will sometimes come online and, for a brief instant, reveal an image of a dark corridor. [219] The corridor actually belonged to the USS Kelvin , seen very briefly during George Kirk's brief command of the ship.

Originally located on a subdomain of Paramount.com, the official site moved on 19 February 2008 , its address becoming StarTrekMovie.com . On 18 July 2008 , the site was updated with wallpapers and icons depicting the images from the Comic-Con Star Trek posters in addition to an overall redesign of the site. [220]

Promotional images [ ]

The first official promotional images from the film were released on 15 October 2008 , at six separate movie websites. The images showed Pine, Quinto, Urban, Pegg, Saldana, and Yelchin in costume on the Enterprise bridge; Quinto and Pine; Bana in makeup as Nero; Pine on an icy planet; the USS Kelvin engaged in combat; and a view of the Enterprise bridge. [221]

On 16 October 2008 , TrekMovie.com released two new images, another of the Kelvin in action, and one of Cho in his role as Sulu. [222]

Yet another load of images were released on 17 October 2008 , when Entertainment Weekly put up more promotional pictures of Pine, Quinto, Cho, Bana, and Pine and Urban. [223]

Teaser trailer [ ]

USS Enterprise (alternate reality) under construction, teaser

A first look at the new USS Enterprise

The film's teaser trailer was completed by 30 November 2007. [224] It debuted in theaters on 18 January 2008 , attached to Paramount's Cloverfield which, like Star Trek , is produced by J.J. Abrams. [225]

On 21 January 2008 , the teaser was made available for viewing at the official site and at Yahoo! Movies . Empire Online uploaded the United Kingdom's version of the teaser that same day. Paramount made the teaser available on a wider basis on 22 January. [226]

The teaser trailer features a glimpse of the remodeled USS Enterprise as it is being constructed, with the construction taking place in a drydock on Earth. Several sound bites recorded during the space race of the 1960s can be heard in the background leading up to a new recording of Leonard Nimoy reciting the famous line, " Space… the final frontier. " The opening notes of the original Star Trek series theme music begin playing during Nimoy's voiceover and the unveiling of the Enterprise 's saucer section , followed by the sound effect of the original series transporter as the lines "Under Construction" and "Christmas 2008" appear on-screen.

The teaser was shot in October, prior to the start of principal photography on the film. It was filmed on Paramount Stage 25 and also used a part of the Paramount back lot. Half of the stage was enveloped by greenscreen and greenfloor for the insertion of CGI effects, and a giant greenscreen was utilized in the back lot. The shoot involved real welding and the handling of actual welding equipment, so experienced welders were required.

The first welder seen in the teaser was played by Anthony Vitale . Vitale's scene was shot by the film's director, J.J. Abrams. This is unusual since scenes for trailers are generally directed by assistant directors. The rest of the teaser was directed by First Assistant Director Tommy Gormley , however. [227]

According to co-writer Roberto Orci, the message of the teaser is that the future as presented in Star Trek is not as far off as it once was. He also explained the logic of having the Enterprise being built on Earth rather than in space, noting that components of the ship can be built on Earth and assembled anywhere and that the Enterprise is not " some flimsy yacht that has to be delicately treated and assembled. " He also feels that it makes more sense to construct the ship within a natural gravity well rather than an area that will require an artificial gravity field. In addition, Orci states that the term "Under Construction" used in the teaser is to convey both a "literal interpretation" that the movie is currently being put together and to convey the idea that the future of Star Trek may be coming soon. [228]

Theatrical trailers [ ]

The production team was to begin working on the first theatrical trailer in January 2008 with the hopes to have it complete and in theaters by early or mid-summer, [229] however these plans changed once the film's release was pushed back to May 2009.

Editing on the first theatrical trailer was reportedly completed by 4 August 2008, although the visual effects to be seen in the trailer had not yet been finalized. [230] The trailer was enclosed with Quantum of Solace , the latest James Bond film, which opened in the US on 14 November 2008 . [231] [232] It became available for viewing in high definition on the official movie site on 17 November 2008 at 10 am PST. [233]

An alternate version of the first theatrical trailer was made available for view at Ain't It Cool News on 25 November 2008. This version is the same as the original for the most part, except that the final shot of Eric Bana's Nero proclaiming " The wait is over " is placed earlier in the trailer and in its place is a shot of Leonard Nimoy as the elder Spock, giving the Vulcan salute and proclaiming the famous line " Live long and prosper. " [234]

The incidental music used in the first theatrical trailer was a re-orchestration of Brian Tyler 's score from Children of Dune , created by Two Steps From Hell , and titled "Down With the Enterprise". [235] The use of Tyler's score in the trailer came about from its use as a temporary scoring track in early post-production on the movie. [236]

A second theatrical trailer for Star Trek was released on 6 March 2009 in front of select screenings of the film Watchmen . It was originally intended to premiere online the Monday after its release on Apple's Star Trek page , but, after an international version was released ahead of schedule, the online release was made on the same day. As with the first theatrical trailer, incidental music was provided by Two Steps from Hell, being a modified version of the track "Freedom Fighters" from their album Legend . [237] [238]

In a press release, Paramount announced that the second theatrical trailer broke all existing download records at Apple.com . The HD version of the trailer had more than 1.8 million downloads during its first 24 hours on Apple.com and had over five million downloads in its first five days. This makes the Star Trek trailer the most popular HD download in the history of the site. [239]

Super Bowl spot [ ]

A thirty-second trailer for the film aired during Super Bowl XLIII on 1 February 2009. It showed footage from the film not previously seen in the earlier trailers. Star Trek is the first film in the franchise to be given a Super Bowl spot, emphasizing the studio's attempts to draw in a larger audience.

Merchandising and promotional partners [ ]

The film's merchandising campaign was expected to be the biggest since Star Trek: The Motion Picture back in 1979 . [240]

A toy license was awarded to Playmates Toys , which produced action figures for the film, as well as prop toys, playsets and ship models. [241] [242] Corgi 's current Star Trek license covers the film, primarily for its Master Replicas brand of collectibles. [243] The company will be producing replicas of the USS Enterprise and a hand phaser . [244]

Quantum Mechanix announced in May 2009 they had secured some merchandising rights as well. The company has developed studio-scale models and 10" replicas of the ships seen in the movie, starting with the USS Enterprise . [245] They had previously been responsible for the construction of models used in the marketing campaign known as "The Enterprise Project". [246]

A novelization of the film written by Alan Dean Foster was published by Pocket Books . Comic book publisher IDW Publishing released a prequel series entitled Star Trek: Countdown from January through April 2009; an adaptation of the movie was released in January 2010 , and two follow-up series, Star Trek: Spock: Reflections and Star Trek: Nero have been produced. Rittenhouse Archives produced collectible cards for the movie. T-shirts marketing the film were created and distributed by Junk Food . A video game, Star Trek D-A-C was released by Naked Sky Entertainment . The motion picture soundtrack was released by Varèse Sarabande Records on 5 May 2009 . At least one reference book , Star Trek - The Art of the Film , has been licensed.

Burger King promoted a kids meal tie-in for this film, marking the first time Burger King has promoted a Star Trek film. [247] It was also the first time either one of the big two major fast food chains (Burger King or McDonald's ) had marketed Trek since the first film's release in 1979. [248] It was revealed in 2009 that the Burger King Star Trek commercials were shot on the set of the Enterprise . Dan Mindel, the cinematographer for Star Trek , also directed photography for the commercials. [249] Alex Beh is an actor who appeared in the Burger King television commercial. [250]

Besides the Burger King deal, Paramount also signed up Kellogg's as a promotional partner to bring Star Trek movie-branded products to grocery stores. A number of Kellogg's brand products offered Star Trek merchandise and memorabilia either by mail or included within the package. Specially-marked boxes of Kellogg's cereals contained a "Beam-Up Badge", of which there are five different designs. Boxes of Frosted Krispies offered a red or blue Starfleet tee by mail, while boxes of Frosted Flakes and packages of Keebler cookies feature offered for a Star Trek 1GB flash drive wristband. Kellogg's various Eggo waffle products offered a 3D Warp Speed Plate by mail, and boxes of Kellogg's Pop-Tarts offered a free pass to see the film. A varying amount of tokens were needed for each mail-order product. [251]

In addition, Paramount promoted the film in collaboration with auto insurance company Esurance , communications companies Nokia and Verizon Wireless , and computer technology companies Lenovo and the Intel Corporation . All of these companies held Star Trek -related contests and sweepstakes and all included pages on their sites containing Star Trek -related content. [252] [253] [254] Esurance Star Trek commercials also played on television and on public radio.

Merchandise gallery [ ]

Links and references [ ]

Credits [ ].

John Cho Ben Cross Bruce Greenwood Simon Pegg Chris Pine Zachary Quinto Winona Ryder Zoë Saldana Karl Urban Anton Yelchin With Eric Bana And Leonard Nimoy Chris Hemsworth Jennifer Morrison Clifton Collins, Jr. Faran Tahir Rachel Nichols Paramount Pictures and Spyglass Entertainment present

A Bad Robot Production

Jeffrey Chernov
Stratton P. Leopold
Tommy Gormley
Thomas Harper
David E. Waters
Heather Grierson
Kirk - Chris Pine
Spock - Zachary Quinto
Spock Prime - Leonard Nimoy
Nero - Eric Bana
Pike - Bruce Greenwood
Bones - Karl Urban
Uhura - Zoë Saldana
Scotty - Simon Pegg
Sulu - John Cho
Chekov - Anton Yelchin
Sarek - Ben Cross
Amanda Grayson - Winona Ryder
George Kirk - Chris Hemsworth
Winona Kirk - Jennifer Morrison
Captain Robau - Faran Tahir
Gaila - Rachel Nichols
Ayel - Clifton Collins, Jr.
Officer Pitts - Antonio Elias
Tactical Officer - Sean Gerace
Kelvin Crew Member - Randy Pausch
Kelvin Engineer - Tim Griffin
Kelvin Helmsman - Freda Foh Shen
Kelvin Alien - Katarzyna Kowalczyk
Romulan Helmsman - Jason Brooks
Kelvin Doctor - Sonita Henry
Kelvin Yu ( Medical Technician 1 )
Marta Martin ( Medical Technician 2 )
Tavarus Conley ( Kelvin Crew Member 1 )
Jeff Castle ( Kelvin Crew Member 2 )
Med Evac Pilot - Billy Brown
Young James T. Kirk - Jimmy Bennett
Stepdad - Greg Grunberg
Johnny - Spencer Daniels
Iowa Cop - Jeremy Fitzgerald
Zoe Chernov ( Vulcan Student 1 )
Max Chernov ( Vulcan Student 2 )
Young Spock - Jacob Kogan
James Henrie ( Vulcan Bully 1 )
Colby Paul ( Vulcan Bully 2 )
Cody Klop ( Vulcan Bully 3 )
Akiva Goldsman ( Vulcan Council Member 1 )
Anna Katarina ( Vulcan Council Member 2 )
Long Face Bar Alien - Douglas Tait
Lew the Bartender - Tony Guma
Gerald W. Abrams ( Barfly 1 )
James McGrath, Jr. ( Barfly 2 )
Jason Matthew Smith ( Burley Cadet 1 )
Marcus Young ( Burly Cadet 2 )
Shipyard Worker - Robert Clendenin
Flight Officer - Darlena Tejeiro
Reggie Lee ( Test Administrator 1 )
Jeffrey Byron ( Test Administrator 2 )
Simulator Tactical Officer - Jonathan Dixon
Admiral Richard Barnett - Tyler Perry
Admiral James Komack - Ben Binswagner
College Council Stenographer - Margot Farley
Barracks Leader - Paul McGillion
Barracks Officer - Lisa Vidal
Shuttle Officer - Alex Nevil
Kimberly Arland ( Cadet Alien 1 )
Sufe M. Bradshaw ( Cadet Alien 2 )
Jeff Chase ( Cadet Alien 3 )
Charlie Haugk ( Enterprise Crew Member 1 )
Nana Hill ( Enterprise Crew Member 2 )
Michael Saglimbeni ( Enterprise Crew Member 3 )
John Blackman (Enterprise Crew Member 4 )
Jack Millard ( Enterprise Crew Member 5 )
Shaela Luter ( Enterprise Crew Member 6 )
Sabrina Morris ( Enterprise Crew Member 7 )
Michelle Parylak ( Enterprise Crew Member 8 )
Enterprise Communications Officer - Oz Perkins
Hannity - Amanda Foreman
Romulan Tactical Officer - Michael Berry, Jr.
Romulan Communications Officer - Lucia Rijker
Romulan Commander - Pasha Lychnikoff
Matthew Beisner ( Romulan Crew Member 1 )
Neville Page ( Romulan Crew Member 2 )
Jesper Inglis ( Romulan Crew Member 3 )
Chief Engineer Olson - Greg Ellis
Transporter Chief - Marlene Forte
Leonard O. Turner ( Vulcan Elder 1 )
Mark Bramhall ( Vulcan Elder 2 )
Ronald F. Hoiseck ( Vulcan Elder 3 )
Irene Roseen ( Vulcan Elder 4 )
Jeff O'Haco ( Vulcan Elder 5 )
Nero's Wife - Scottie Thompson
Keenser - Deep Roy
Starfleet Computer - Majel Barrett Roddenberry
Robert Alonzo
Ilram Choi ( Enterprise security officer / Stunt double for John Cho )
Paul Lacovara ( Stunt double for Eric Bana and Chris Pine )
Daniel Arrias
Dennis Scott
Craig Jensen
Kofi Yiadom
Victor Paguia ( USS Kelvin bridge crewmember )
Kimberly Murphy
Jim Palmer ( USS Kelvin bridge crewmember )
Edward Perez
Chris Palermo ( Enterprise security officer )
Jon Braver ( Stunt double for Faran Tahir )
Dennis Keiffer
Dorenda Moore ( Stunt double for Winona Ryder )
Christina Weathersby ( USS Kelvin bridge crewmember )
Zach Duhame ( Burly Cadet #3 / Stunt double for Simon Pegg )
Rob Mars ( Burly Cadet #2 )
Brian Oerly ( Stunt double for Jason Matthew Smith )
Marcus Young ( Burly Cadet #1 )
Steve Blalock
Heidi Moneymaker ( USS Kelvin crewmember )
Mike Gunther ( Stunt double for Chris Pine )
Mike Massa ( Stunt double for Chris Pine )
Susan Purkhiser ( Stunt double for Jimmy Bennett )
Peter Epstein
Mike Snyder
Courtney Munch
Mark Chadwick
Michael Mukatis
Austin Priester
Joe Quinto ( Romulan crewman / Stunt double for Zachary Quinto )
Sala Baker ( Romulan guard )
Damion Poitier ( Romulan guard )
Chris Torres ( Romulan crewman )
Russell Earl
Paul Kavanagh
Jill Brooks
Debbi Bossi
Kathleen A. Petty
Keith P. Cunningham
Dennis Bradford
Luke Freeborn
Beat Frutiger
Ryan Church
James Clyne
Paul Ozzimo
Clint Schultz
C. Scott Baker
Kevin Cross
Andrea Dopaso
Scott Herbertson
Joseph Hiura
Billy Hunter
Dawn Brown Manser
Anne Porter
Andrew Reeder
Christine Youngstrom
Amy Lamendola
Richard Bennett
Neville Page
Karen Manthey
Amanda Moss Serino
Scott Bobbitt
Sara Gardner-Gail
Hector M. Gonzalez
Courtney J. Andersen
Richard Andrade
Antonio Andraus
Marcus Aurelius Epps
Chris Larsen
Merdyce McClaran
Eric Ramirez
Robert Sica
Ronald Sica
Ryan Steffen
Darlene Salinas
Dawn Gilliam
Colin Anderson
John T. Connor
Phil Carr-Forester
Wally Sweeterman
Brad Peterman
Matt F. Kennedy
Greg J. Schmidt
Brian McPherson
Craig M. Bauer
Peter J. Devlin
Michael Piotrowski
David Fiske Raymond
Daniel P. Moore
Peter Taylor
Julian Smirke
Lucyna Wojciechowski
Kerry J. Blackman
Martin Allan Kloner
Elana Livneh Lessem
Daniela Catherine Ovi
Christopher Prampin
Chris Weigand
Jimmy Ellis
Jimmy Harritos
Daniel P. Hawking
Douglas Kieffer
Billy Streit
Hootly Weedn
David Slodki
Joshua Thatcher
Bryan Booth
John Manocchia
Edward J. Cox
Richard M. Burkus, Jr.
Craig Campbell
James M. Cox
John Jack Davies
Gomidas Demerjian
Brad Thomas Emmons III
Sean Emmons
Earl D. Gayer
John Gutierrez
Steve Hastings
Ken Longballa
Dickinson Luke
Richard Maldonado
Marc Marino
Victor Mendoza
David H. Neale
Joel A. Ruiz
Stephen Saunders
Anthony Van Dyk
Mike Visencio
Jesse Mather
Jason Talbert
Larry Sweet
Michael Wahl
Bob Nice Arredondo
Jack Chouchanian
Tommy Donald
Joseph Macaluso
Philippe O. Meyer
David Salamone
Michael Salamone
Sean Slattery
Hilary Klym
Danny Andres
Albert F. Bagley
James Degeeter
Jared Dewitt
Jason W. Erler
William Gilleran
Jaime Heintz
Rick Johnson
George Kallimanis
Gary Louzon
Philip Noble
Nolan Pratt
Rick N. Pratt
Ignacio Woolfolk
Russell Bobbitt
Jim Stubblefield
Earl V. Thielen
Stephen McCumby
Eric Spencer Kagan
Jeff Khachadoorian
Robert Raineri
Brian Barnhart
Darryl B. Dodson
Jack Jennings
Paul J. Preshaw II
Jason Rosene
Brian Thoman
Paul O. Wright
Burt Dalton
Dale Ettema
William Aldridge
David F. Greene
Albert Delgado
Terry P. Chapman
Danny Cangemi
Jeff Jarvis
Steve Cremin
Greg Curtis
David P. Kelsey
Clay Pinney
Arnold Peterson
Rich Ratliff
Jeremiah Cooke
Curtis Decker
Jon Djanrelian
Eric Dressor
Dennis E. Drozdokiski
Joseph Judd
Edward Kennedy
Jesse Orozco
Jeff Pepiot
Bryan Phillips
Jonathan Tang
Tony Vandeneccker
Becky Brake
Kyle Oliver
Kathy McCurdy , LMGA
Scott Trimble
Rob Swenson
Brooks Bonstin
Shelly Spinks
Steve Woroniecki
Gavin Glennon
Linda Matthews
Stacy Caballero
Leslie Sungail
Hilary Niederer
Carrie Yoko Arakaki
Adrienne Greshock
Bega Metzner
Amelia Buhrman
Bernadine Morgan
Myron Baker
Shelli Nishino
Brenda M. Ware
Mustapha Mimis
Stacia Lang
Bill Traetta
Joseph Richard Collins
Kacy Treadway
Deborah Ambrosino
Maurice Polinski
Valfor D'Ambershay
David R. Roesler
Bethan Land
Phyllis Thurber-Moffitt
Leticia Sandoval
Natasha Paczkowski
Dodson Elliott
Nina Badrak
Leslie Miller
Esther B. Lopez
Seda Tufenkjian
Varsenik Antonyan
Madline Hana
Hasmig Karagiosian
Hermine Keossian
Mary Jegalian
Antonina Grib
Varsenik Korkhmazyan
Elizabet Markosyan
Karine Avakyan
Fahima Atrouni
Taylor Marie Cornell
Samantha Johnston
Brian Valenzuela
Phillip Boutte, Jr.
Debra S. Coleman
Kimberly Felix-Burke
Dave Snyder
Terrell Baliel
Lana Heying
Jason Orion Green
Jules Holdren
Joel Harlow
Barney Burman
Richard Alonzo
Mark Garbarino
Dave Dupuis
Richard Redlefsen
Rebecca Alling
Ned Neidhardt
Ken Niederbaumer
Margaret Prentice
Jamie Kelman
Andrew Clement
Marianna Elias
Bonita DeHaven
Steve Buscaino
Robert Freitas
Scott Gamble
Bonita G. Deneen
Simone Chavoor
Maryellen Aviano
Carla Lewis
Nicole Phillips
Matthew Pitts
Noreen O'Toole
Leigh Kittay
Adam Gaines
Erin M. Davis
Alex Katsnelson
Carol Keith
J. Elizabeth Ingram
John Steckert
Katherine Taylor
Lauren Pasternack
Nicole Treston Abranian
Sean Gerace
Cheryl Andryco
Nathan A. Aronson
Alex Betuel
Dan B. Cone
Michael P. Cone
Barry Curtis
Simon England
Felisha Grice
Micheal Edward King
Cory Bennett Lewis
Sebastian Mazzola
Cory McNeill
John Tyler Ott
Jill K. Perno
Melani Petrushkin
William F. Reed
Steve Rosolio
Ryan Roundy
Zach L. Smith
Helga Wool-Smith
Kelley L. Baker
Joseph Borrelli
Kristy Gomez
Diana P. Mejia
Dijana Camaj
Robin Nicole Williams
Sandra J. White
Maggie Martin
Carrie A.F. Carnevale
Gabriela Gutentag
Zade Rosenthal
Michael Hird
Mike McKean
Chris Whitaker
Paul Massey
Anna Behlmer
Andy Nelson
David Giammarco
Mark Stoeckinger
Alan Rankin , MPSE
Ann Scibelli , MPSE
Tim Walston , MPSE
Harry Cohen , MPSE
Scott Gershin
Geoff Rubay
Kerry Williams
Daniel Irwin , MPSE
Thomas Small , MPSE
Laura Harris
Victor Ray Ennis
Paul Flinchbaugh
Branden Spencer
David Barbee
Ben Wilkins
Mark Ormandy
Charlie Campagna
Sarah Monat
Robin Harlan
Randy Singer
Robert Deschaine , CAS
Charleen Richards-Steeves
Caitlin McKenna
20th Century Fox
Tim Gomillion
Dennis Rogers
Matt Patterson
Paul Pavelka
Stephen M. Davis
Tim Simonec
Michael Giacchino
Peter Boyer
Richard Bronskill
Larry Kenton
Chad Seiter
Chris Tilton
Booker White
Reggie Wilson
Andrea Datzman
Streisand Scoring Stage , Sony Pictures Studio
Eastwood Scoring Stage , Warner Bros. Studio
George Drakoulias
W. Kent Demaine
David August
Jorge Almeida
Cygnet Video
Cindy Jones
Monte Swann
Alfred Ainsworth
Todd Fullerton
Jared A. Rosen
Arin Artounian
For Stars Catering
Michael Kehoe
Chris Sweeney
Mary M. King
Sebastian Milito
Dixwell Stillman
Tony Wright
Dale Gordon
Sasha Madzar
Scott Mizagaites
Casey Morgan
Steven M. Pacheco
Richard W. Rose
Charles Blackwell
David Brenner
Anthony Centonze
Tony Chavez
Lucky Hoerner
Anthony R. Imperato
Sergey A. Mazurov
David H. McKlveen
Edward A. Price
Jeffrey J. Valdez
Bobby L. Vaughn
Mark A. Annis
Stephen Getz
William Mccarley
Desmond P. O'Regan
Johnny Barbera
Mark Magraudy
Mark Martucci
Glenn V. Braun
Lonnie Haspel
John Marshall
Bruce G. Smith
Robert Papegaay
Robert Campbell
Scott P. Shordon
Toby Swinehart
Michael W. Volz
Andy Flores
Jared Trepepi
Brian Richard Fernandez
Matthew Fuchs
Bryan A. McBrien
Tommy Safron

Second Unit [ ]

Roger Guyett
Robert Bruce McCleery
Terry Jackson
Vickie M. Hsieh
Julie Fay Ashborn
David M. Atkinson
Elizabeth Probst
Hal Olofsson
Danny Green
David Berke
Stephen P. Del Prete
Andrew Rowlands
Serge Rxtedi Nofield
Brandon M. Cox
Dale Myrand
John R. Woodward
Chris Garcia
Anders Yarbrough
Steven Constancio
David Perrone
Gilbert Zamorano
Alexander Cruz
Arnold Pena
Sean Devine
Josh Kuykendall
Anthony Mollicone
Anthony T. Marra II
Joseph Bergman
Nicole Rubio
Adam Harrison
Morty Peterson
Troy D. Webb
Jerry Gregoricka
Anthony Gudino
Jose O. Harb, Jr.
Kyle Kovacs
Jonathan Wiener
Phillip W. Palmer , CAS
Patrick Martens
Jim Harling
Gala Catering
Peter Chase
Aaron C. Fitzgerald
Cosmos Kiindarius
Gerard A. Facchini
William Batsel
Andrew Will
Cliff Fleming
Cory Fleming
David B. Nowell , ASC
Pete Romano
Marc Okrand
Carolyn Porco
Brandon Fayette
Tom Elder-Groebe
Clayton M. Lyons
Industrial Light & Magic , a Lucasfilm Ltd. Company, San Francisco, California
Eddie Pasquarello
Michael Dicomo
Joakim Arnesson
Thomas Fejes
Hilmar Koch
Nigel Sumner
Alex Jaeger
Chris Stoski
Bruce Holcomb
Giovanni Nakpil
Ron Woodall
James Tooley
Karin Cooper
Terry Chostner
Beth D'Amato
Richard Bluff
Matt Brumit
Grady Cofer
Brian Connor
Leandro Estebecorena
Conny Fauser
Gerald Gutschmidt
Katrin Klaiber
Francois Lambert
Tory Mercer
Mark Nettleton
Daniel Pearson
Jason Rosson
Greg Salter
Damian Steel
Chad Taylor
Todd Vaziri
John Walker
David Weitzberg
Steve Aplin
Colin Benoit
Derrick Carlin
Jessica Teach
Yanick Dusseault
Jon Alexander
Okan Ataman
Katharine Baird
Christopher Balog
Daniel Bayona
Jill Berger
Jason Billington
Matthew Blackwell
Jeremy Bloch
Daniel Bornstein
Amanda Braggs
Steve Braggs
James Brown
Kela Cabrales
Michaela Calanchini-Carter
Owen Calouro
Marshall Candland
Tami Carter
Lanny Cermak
Kien Geay Chan
Cheah Chin Chi
Peter Chesloff
Paul Churchill
Michael Conte
Michael Cordova
Christopher Crowell
Peter Demarest
Eran Dinour
Kalene Dunsmoor
Selwyn Eddy III
Katharine Evans
Dan Feinstein
Simon Fillat
Shine Fitzner
Jason Fleming
Tim Fortenberry
Christian Foucher
David Fuhrer
Robb Gardner
Grantland Gears
Angela Giannoni
Timothy Gibbons
Bill Gilman
David Gottlieb
Bryant Griffin
David Gutman
Christian Haley
Craig Hammack
Giles Hancock
David Hanks
Jeff Hatchel
Wendy Hendrickson
Neil Herzinger
Shawn Hillier
David Hirschfield
David Hisanaga
Sherry Hitch
Ryan Hopkins
Christopher Horvath
Jiri Jacknowitz
Danny Janevski
Patrick Jarvis
Jeff A. Johnson
Stephen Kennedy
Michael Kennen
Drew Klausner
Susan Klausner
Justin Kosnikowski
Matt Krentz
Marshall Krasser
Kimberly Lashbrook
Asier Hernaez Lavina
John Legrande
Melissa Lin
Noll Linsangan
Michael Logan
Jennifer Mackenzie
Dev Mannemela
Patrik Marek
David Marsh
Tia Marshall
Marcel Martinez
Didier Mathieu
Regan McGee
Vicky McCann
Scott Mease
Joseph Metten
Christopher James Miller
Jack Mongovan
Carlos Monzon
Katie Morris
Michelle Motta
Betsy Mueller
Timothy Mueller
Melissa Mullin
Brett Northcutt
Ben O'Brien
Saro Orfali
Akira Orikasa
Scott Palleiko
Frank Losasso Petterson
Zoltan Pogonyi
Jason Porter
Scott Prior
Ricardo Ramos
Satish Ratakonda
Michael Rich
Anthony Rispoli
Shane Roberts
Matthew Robinson
Elsa Rodriguez
Barry Safley
Jeff Saltzman
Frederick Schmidt
Eric Schweickert
Misty Segura
Paul Sharpe
Amy Shepard
John Sigurdson
Ken Sjogren
Sam Stewart
Russ Sueyoshi
David Sullivan
Andre Surya
Jeff Sutherland
Masahiko Tani
Stephanie Taubert
Alan Travis
Alex Tropiec
Yusei Uesugi
Bruce Vecchitto
David Washburn
Talmage Watson
Ronnie Williams, Jr.
Dan Wheaton
John Whisnant
Jeff Wozniak
Mark Youngren
Rita Zimmerman
Michael Bomgat
C. Michael Easton
Jean-Denis Haas
Geoff Hemphill
Makoto Koyama
Chris Mitchell
Erik Morgansen
Marla Newall
Rick O'Connor
Steve Rawlins
Greg Towner
Delio Tramontozzi
Chi Chung Tse
Leigh Barbier
Tim Brakensiek
Bradford De Caussin
Brian Clark
Rene Garcia
Maurizio Giglioli
Bridget Goodman
John Goodson
Greg Jonkajtys
Greg Killmaster
Robert Kosai
Jean-Claude Langer
James Orara
Steve Sauers
Renita Taylor
Katherine Farrar
Dale Taylor
Chrysta Burton
Stacy Bissell
Joseph Bell
Hui Ling Chang
Melanie Cussac
Cheng Peishan
Terran Benveniste
Cathleen Carden
Marilyn Chan
Benjamin Chua
Jennifer Coronado
Rachel Galbraith
George Gambetta
Christine Loo
Alejandro Melendez
Erik Pampel
Nikita Patel
Andrew Russell
Michael Sanders
Marci Velando
Sean Bittinger
Peter Bogatsky
Leah Brooks
Chantell Brown
Brian Cantwell
Jayesh Dalal
Jason Griger
Maura Hogan
Mark Kayfez
Charlie Ledogar
Brian McGraw
Elona Musha
Selma Sabera
Tommy Burnette
Andre Mazzone
Jennifer Suter
Vivek Verma
Gretchen Libby
Chrissie England
Lynwen Brennan
Miles Perkins
Janet Lewin
Vicki Dobbs Beck
Curt Miyashiro
Digital Domain , Venice, CA
Julian Levi
Darren M. Poe
Paul George Palop
Michelle Jacobs
Erik Gamache
Steve Avoujageli
Erik Zimmermann
Charles Abou Aad
Richard Grandy
George Saavedra
Melanie Okamura
BJ Christian
Raul Dominguez
David S. Sanchez
Bernard Obieta Ceguerra , PE
Shaun Comly
Kevin Sears
David Niednagel
Shelley Larocca Courte
Alfredo Ramirez
Dan Cobbett
Steven Fagerquist
Joe Farrell
Scott Gastellu
Aruna Inversin
Paul Kulikowski
Mike Ocoboc
Olivier P. Sarda
Craig A. Simms
Florian Strobl
Vanessa Cheung
Cathy Morin
Viviana Kim
Ian A. Harris
Janice Barlow Collier
Kevin LaNeave
Francisco Ramirez
Christopher Savides
Meagan Condito
Brian Holligan
Navjit Singh Gill
Antonio Freire
Shelby M. Ellis
Terry Clotiaux
Svengali FX
Stefano Trivelli
Jamie Venable
Eric Withee
Rocco Gioffre
Michele Moen
Nabil Schiantarelli
Jan Cilliers
Lawrence Littleton
Marcus Levere
Steve Norton
Junko Schurgardt
Laura Murillo
Edson Williams
Thomas Nittmann
Ryan Zuttermeister
Brian Nugent
Sean Wallitsch
Casey Allen
Trent Claus
Chris Ingersoll
Clark Parkhurst
Persistence of Vision Digital Entertainment
David Dozoretz
Brian J. Pohl
Chad Hofteig
Kevin Aguirre
Robert Rossoff
Simon Halpern
Patrick Rodriguez
Brian Magner
Amy Vatanakul
The Third Floor
Nicholas Markel
Austin Bonang
Dorian Bustamante
Eric Carney
Albert Cheng
Mark Nelson
Kerner Optical
Stefan Sonnenfeld
Nick Monton
Rob Doolittle
J. Cody Baker
Missy Papageorge
Mike Chiado
Mark Van Horne
Don Capoferri
Katherine Kane
Mary Nelson-Fraser
Andrew Kramer
Pacific Title and Art Studio
Digital Vortechs
Richard Massey
MavroCine Pictures

Mind Meld Soundscape by Mark Mangini and Mark Binder

Soundtrack Album on Varèse Sarabande Records

"Theme from Star Trek TV Series" Written by Alexander Courage & Gene Roddenberry

" Sabotage " Written by Michael Diamond , Adam Horovitz & Adam Nathaniel Yauch Performed by Beastie Boys Courtesy of Capitol Records Under license from EMI Film & Television Music

" Awasoruk Jam " Written & Performed by Cyrano Jones Courtesy of Bad Robot Music and Video LLC

" Josh Greenstein " Written & Performed by Cyrano Jones Courtesy of Bad Robot Music and Video LLC

" Future Blues " Written & Performed by Doyle Bramhall II Courtesy of Doyle Bramhall II by arrangement with Bug

Anheuser-Busch, Inc.
Kern County Film Commission
Cal Pine Pastoria Facility
Long Beach Generating Plant, LLC
City of Long Beach
Vasquez Rocks Los Angeles County Park
Utah Bureau of Land Management
Alaska Department of Natural Resource
Tejon Ranch Company
LA County Department of Sanitation
Rock of Ages, Vermont
Cal State University of Northridge
American Legion Hollywood Post 43
City of San Francisco
Siemens Medical

Color by deluxe ®

Filmed in Panavision ®

DOLBY DIGITAL ® In Selected Theatres

SDDS ™ Sony Dynamic Digital Sound In Selected Theatres

In memory of Gene Roddenberry and Majel Barrett Roddenberry

J.J. Abrams as Iowa Cop (voice)
Alex as Starfleet cadet [255]
Tansy Alexander as Alice Rawlings
James Anderson as injured soldier
Rico E. Anderson as councilmember
Ladesha Ard as Starfleet cadet
Richard Arnold as Romulan crewmembers
Ewen Audrey as Starfleet cadet [256]
Leslie Augustine as doctor
Jonathan Baca as Starfleet cadet
Corey Becker as Starfleet cadet
Leonard Baligaya as Starfleet cadet
Stefon Benson as Starfleet cadet
Jeff Boehm as Starfleet cadet
Anthony Bonaventura as Riverside Shipyard worker
Bill T. Brown as Romulan crewmember
Natishia Brown as medic
Susse Budde as med tech
Neil S. Bulk as Starfleet cadet
Sawyer Burke as Vulcan student
Anton Burman as Vulcan student
James Cawley as Enterprise crewmember
Jeff Chase as Romulan crewmember
Olivia London Choate as alien cadet
Mark E. Clason as Riverside Shipyard worker
Tiffany Collie as Starfleet Academy cadet
Jasmine Coussinat as Starfleet cadet
Zachary Culbertson as Starfleet cadet
Calvin Dean as security officer
Joy Dever as Baby James T. Kirk
Robert Dierx as Starfleet cadet
Christopher Doohan as Enterprise transporter technician
Robin Atkin Downes as ADR voices (Vulcan and Romulan chants and dialogue)
Richard D. Durden as barracks officer
Evan Dye as Vulcan student
April Marie Eden as Shipyard Bar patron
Owen Tanner Edinger as Starfleet cadet
Ken Edling as doctor
Yuri Elvin as Starfleet security officer
Kristine Fong as Starfleet cadet
Massi Furlan as Enterprise crewman
Mary Grace as Shipyard Bar patron
Wyatt Gray as Starfleet cadet
Joshua Greene as James T. Kirk ( body double , cave scene)
Jeff L. Green as security officer
Nancy Guerriero as crew member
Tania Gunadi as alien Enterprise crewmember
Aaron Haedt as Starfleet doctor
Justin Rodgers Hall as security officer
Song Han as anesthetist
Colleen Harris as Starfleet cadet
Melanie Harrison as medical technician
Arlo Hemphill as Riverside Shipyard worker
Rachel Jean Howard as Starfleet cadet
Ryan T. Husk as Enterprise crewmember
Elizabeth Ingalls as Enterprise nurse
Nikka Ischelle as Shipyard Bar patron
Rick Ituarte as Starfleet Academy instructor
James Jolly as Enterprise bridge crewmember
Johnny as Starfleet cadet
Jason Michael Johnson as alien cadet
Jillian Johnston as Starfleet cadet
Christopher Jude as Vulcan teacher
Jolene Kay as Enterprise crewmember
Barbara Keegan as Starfleet Academy instructor
Sarah Klaren as Starfleet Academy cadets
Makiko Konishi as Enterprise crewmember
Richard Krzemien as Starfleet councilmember
Joyce Lasley as Starfleet instructor
Bryan Lee as Starfleet cadet
Daniel D. Lee as Starfleet commander
Dominie Lee ( two different background parts )
Anne Marie Leighton as Starfleet officer
Michelle Lenhardt as USS Kelvin crewmember
Steve Luna as Starfleet Lieutenant
Justin Malachi as Starfleet cadet
Nav Mann as Romulan crewmember
Taylor McCluskey as Kelvin alien (unconfirmed)
Matthew McGregor as Starfleet cadet
Andrew Mew as Starfleet officer
Patrizia Milano as Erika Biordi
Andres Perez-Molina as Romulan crew member
Abe Molinares as Enterprise sciences division crewmember
Kevin Moser as USS Enterprise crewmember
Wednesday Mourning as Shipyard Bar patron
David Narloch as Starfleet cadet
Jonathan Newkerk as Starfleet cadet
Jacob Newton as Starfleet cadet
Westley Nguyen as Enterprise crewman
Jim Nieb as Shipyard Bar alien
Luke Novella as Starfleet cadet
Craig Nystrom as Riverside Shipyard worker
Jeffery Quinn as Vulcan scientist
Mark Phelan as Romulan crewmember
Paradox Pollack as Alien
Woody Porter as councilmember
Marc Primiani as Riverside construction worker
Rahvaunia as Academy teacher
Jessica Lauren Richmond as flirty cadette
Renie Rivas as Starfleet cadet
Bertrand Roberson, Jr. as Starfleet cadet
David Rodriguez as Starfleet cadet
Paul D. Rosa as USS Enterprise security chief
Paul Sass as Starfleet administrator
Roger Schueller as engineering officer
Darth Schuhe as Enterprise crewmember
Kyle Scudiere as Starfleet cadet
Ramona Seymour as Starfleet cadet
Eamon Sheehan as Romulan crew member
Justin Shenkarow – background voice artist
W. Morgan Sheppard as Vulcan Science Council minister
Nicholas Guy Smith as Professor Freemon Richter
Katie Soo as Starfleet Academy security guard
Arne Starr as Enterprise engineer
Joseph Steven as Romulan engineer
Sufi as Starfleet cadet [257]
Paul Sutherlin as Shipyard bar patron
David Jean Thomas as Vulcan elder
Sean Michael Tilghman as Vulcan student
Paul Townsend as security officer
Errik Tustenuggee as Starfleet councilmember
Ravi Valleti as Starfleet cadet
Jason Vaughn as Starfleet cadet
Brian Vowell as Starfleet cadet
Brian Waller as Vulcan council member
Steve Wharton as Starfleet cadet
Wil Wheaton as Romulan helmsman (voice)
Jerry Wible as Riverside Shipyard worker
Devin Williamson as Joe Fueller
John Williamson as fleet mechanic
Brianna Womick as Starfleet cadet
Stuart Wong as security officer
Lynnanne Zager as Jellyfish Computer Voice
Nensi Chandra
Christine Chapel (voice)
alternate reality
Mark Lenard
Gretchen Lui
Enterprise engineer
Enterprise operations division crewmember
Enterprise torpedo bay crewmember
Enterprise security officer
Female Shipyard Bar patron
Kelvin sciences crewwoman
Kelvin medical technician
Narada crewman
Vulcan council member
Vulcan Science Council member
Vulcan scientist
Vulcan student
Adam Absinthe as Rura Penthe prisoner
Tad Atkinson as Rura Penthe prisoner
Diora Baird as Orion Enterprise science officer
John Alan Bartlebaugh as Klingon guard
Fran Bennett as Vulcan midwife
Troy Brenna as Klingon guard
Paul A. Brown as Alien
Jeff Chase as Klingon guard
Terryl Daluz as Klingon guard
Mark Casimir Dyniewicz as Klingon camp prisoner
Victor Garber as Klingon interrogator
Tommy Germanovich as Rura Penthe prisoner
Brad William Henke as Uncle Frank
Jill Lover as Vulcan midwife
Michael Lovern as Rura Penthe prisoner
Brandon Stacy as Klingon guard
T.J. Storm as Klingon guard
Logan Strand as Nero ( body double )
Scott Trimble as Klingon guard
Jenna Vaughn as Baby Spock
James D. Weston II as Klingon guard
Trace Cheramie – Stunts
Shauna Duggins – Stunts
Doc Duhame – Stunt actor: Romulan Prison Guard
Derek Graf – Stunts
Terry Jackson – Stunt double
Jace Jeanes – Stunt double for Clifton Collins, Jr.
Lauren Kim – Utility stunts: Kelvin crewmember
Henry Kingi, Jr. – Utility stunts: Romulan crewmember
James Lew – Utility stunts: Romulan crewmember
Anthony Molinari – Stunt double for Greg Ellis
Panuvat Anthony Nanakornpanom – Stunts
Lin Oeding – Stunt double for John Cho
Xuyen Valdivia – Stunts
Webster Whinery, Jr. – Stunt double for Jimmy Bennett
Peipei Yuan – Stunt double for Freda Foh Shen
Stunt double for Jacob Kogan
Stunt double for Colby Paul
Alex Acuna – Drummer
Patrick Albani – Camera Production Assistant: Teaser Unit
Dave Archer – Artwork Provider: Paintings
Tammy Ashmore – Makeup Artist
Jennifer Aspinall – Makeup Artist: Romulans
Chris Ayers – Character Designer
Scott Bailey – Leadman
Ramiro Belgardt – Music Editor
Wayne Bergeron – Trumpeter
Nick Bergthold – Additional Set Production Assistant
Stephen Bettles – Prosthetic Make-Up Artist
Jason Bonnell – Location Scout (New Mexico)
J.D. Bowers – Makeup Effects Lab Technician
Peter Boyer – Orchestrator
Doug Brode – Props and Weapon Designer
Arlene Brown – Grip
Ryan Bruce – Makeup Lab Technician
Belinda Bryant – Special Effects Makeup Artist
Jessica Carpenter – Costumer
Ian Chriss – Visual Effects Best Boy Electric: Kerner Optical
Tom Cloutier – Visual Effects Key Grip: Kerner Optical
Kit Conners – Production Assistant
Larry Corbett – Cellist
Dan Crawley – Key Technician: Film Illusions
Jill Crosby – Key Hair Stylist
Joan Cunningham – First Assistant Director: 2nd Unit
Roxy D'Alonzo – Special Makeup Effects Artist
Ginger Damon – Hair Stylist
Patricia Dehaney-Le May – Hair Stylist
Natasha Delahunt – Extras Casting Assistant
Bernie Demolski – Visual Effects Best Boy Grip: Kerner Optical
Robert Kato DeStefan – Specialty Costumer: Quantum Creation FX
Jon Donahue – stand-in for Chris Pine
Jed Dornoff – Makeup Artist
Dennis Drozdowski – Special Effects Technician
Kathleen S. Dunn – Accent and Dialogue Coach for Chris Hemsworth
Earl Ellis – Make-Up Artist
Amber Erwin – Chorus singer
Megan Flagg – Specialty Costume Crew: Film Illusions
Tim Flattery – Concept Designer
Nicole Frank – Hair Stylist
Demitre Garza – Digital Artist
Scott Martin Gershin – Sound Editor
Casey Green – Computer/Video Engineer
Fabian H. Gutierrez – Makeup/ Hair Artist
Kevin Haggerty – First Assistant Camera Operator
Samara Hagopian – Prop maker
Greg Haines – stand-in : Ben Cross
Kevin Haney – Background Make-Up Artist
Clayton Haslop – Lead Violinist
Cynthia Hernandez – Make-Up Artist
Teressa Hill – Hair Stylist
Bryan Hitch – Production design
Kelly Hitman – photo double : Winona Ryder
Robert Hoffmeister – Visual Effects Artist: Industrial Light & Magic
John L. Jack – Executive Producer: Evil Eye Pictures
Clark James – Special Effects Technician
Rod M. Janusch – Visual Effects Gaffer: Kerner Optical
Derek Johnson – stand-in for Karl Urban
Petra Jorgensen – Second & Splinter Unit day-playing Script Supervisor
Tex Kadonaga – Digital Set Designer
Tina Kalliongis Hoffman – Make-Up Artist
René Dashiell Kerby – Makeup Artist
Erwin H. Kupitz – Wig Maker
Colleen LaBaff – Hair Stylist
Fabian Lacey – Concept Designer
Toby Lamm – Special Make-Up Effects Artist
Michelle Latham – Location Manager (Teaser Unit)
Daniel D. Lee – photo double for John Cho
Oleg Livits – Assistant to Producer
Norman Ludwin – Musician: Bass
Andreas Maaninka – Concept Modeler/Designer
James MacKinnon – Prosthetic Make-Up Artist
Geoffrey Mandel – Graphic Designer
Stephan Martiniere – Conceptual Designer
Rob McCabe – stand-in for Eric Bana
Frank McEldowney – Greens Foreman
Tracey McLean – Digital Artist: IMAX Version [258]
Beth Melnick – Location Scout
Ron Mendell – Concept Artist
Bart Mixon – Special Make-Up Effects Artist
Glenn T. Morgan – Sound Editor
Spencer Mulcahy – Visual Effects Dolly Grip: Kerner Optical
Christopher Allen Nelson – Special Makeup Effects Artist
Josh Neugass – Construction Welding Foreman
William Allen Olsen – Propmaker
Timothy Olyphant – Guest Conductor
Rhonda O'Neal – Hair Stylist
Leonardo Oregel – Production Assistant: Assistant Directors
Lygia Orta – Make-Up Artist
Garrik Palumbo – additional stand-in for Simon Pegg
Dan Patterson – Character Animator: Digital Domain
Cristina Patterson Ceret – Contact Lens Coordinator/Painter
Tom Piedmont – Digital Plate Restoration
Tom Pillifant – 2nd Assistant Camera Operator Alaska Unit
Paradox Pollack – Alien Choreographer and Movement Coach
Barbara Pollastrini – Food Stylist
Bryant Powell – stand-in for Simon Pegg
Alan D. Purwin – Helicopter Pilot
Anthony Ragonese – Location Assistant
Emil Richards – Percussionist
Eugene P. Rizzardi – Prop Shop/Special Effects
Benjamin D. Robertson – Set Dresser
Walter Rodriguez – Drummer
Ben Rosenblatt – Post-Production Executive
Mike Ross – Make-Up Effects Lab Technician
Geoffrey G. Rubay – Sound Editor
Peter Sattler – Graphic Designer
John Savedra – Lighting Electrician
Evan Schiff – Assistant Editor (short-term, during second digital intermediate and mix) [259]
Nathan Schroeder – Illustrator
Bill Spradlin – Lighting Technical Director: Digital Domain
Matthew D. Smith – Additional Second Assistant Director
Mike Smithson – Makeup Artist: Romulan make-up
Robert Snyder – Digital Compositor
Charles Sowles – Costume Props
Brandon Stacy – stand-in for Zachary Quinto
Justin Stafford – Special Contact Lens Painter
Martin P. Stankard – CG Artist
Amanda Starr DeMille – Production Assistant
Susan Stepanian – Makeup Artist (Hair and Hairpiece)
Lon Strickland – Second Unit Production Assistant
Victor Tang – Visual Effects Researcher
Mike Tsucalas – Set Production Assistant
Benton Ward – RF Technician: 2nd Unit (day play)
Clinton Wayne – Special Makeup Effects Artist
Mario West – Production Assistant
Richard B. Wester – Set Dresser
James D. Weston II – stand-in
Gerald White – Singer
Catherine J. Young – Make-Up Artist
Crist Ballas – Special Effects Makeup Artist
Christopher Bergschneider – Mold Maker
Barney Burman – Prosthetic Makeup Designer
Rob Burman – Moldshop Supervisor
Aida Caefer – Hair Stylist Supervisor
Brie Ford – Fabricator
Jamie Grove – Prosthetic Painter
Vincent J. Guastini – Additional Masks
Rufus Hearn – Makeup Effects Lab Technician
Russ Herpich – Makeup Lab Foreman
Jennifer Jackson – Makeup Lab Assistant
Don Lanning – Key Sculptor
Sue La Prelle – Plasterer
Jessica Nelson – Make-Up Effects Lab Technician
Christopher Payne – Makeup Effects Lab Technician
Jenn Rose – Key Mask Fabricator
Thomas Sanders – Makeup Lab Assistant
Ray Shaffer – Makeup Effects Lab Technician
Miho Suzuki – Makeup Effects Lab Technician
Vincent Van Dyke – Sculptor Lab Work
Hugo Villasenor – Shop Foreman
Hill Vinot – Mold Maker
Daphne Yap – Concept Artist
Clint Zoccoli – Sculptor

Unconfirmed cast and crew [ ]

Leslie Alnes as Nurse
Fallon Brooks as Starfleet cadet
Brad Champagne as Starfleet cadet
Sarah Abrams Char as Prisoner [260]
Talon DeSoto' as Engineer
Claire Doré as Enterprise crewman
Aliza Finley as Hurried cadet with clipboard
Ian Fisher as Shipyard worker #1
Cole Fritch as Klingon prison guard
Robert Grant as Starfleet officer
Jarrell Hall
Monte Hunter as Starfleet cadet
Paul Kumar as Kelvin cadet
Matthew Jennings
Michelle Lang (day player)
Anne Lockhart as voice of Kelvin computer
Aaron Lynch as Flight Operational Air Safety Conductor
Vadim Mantelzak as "Soldier Joe"
Owen Martin as Alien cadet / Enterprise crewmember
Jessica Mika as Enterprise bridgeport cadet
Kristen Rakes
Duane Ram as Starfleet cadet
Shanequa Reed as Starfleet cadet
Larramie Doc Shaw as War builder
Joseph Stephens, Jr. as Starfleet cadet
Renee Taglia
Barron Toler
Justin Riemer – Stunt Performer
A.J. Verel – Stunt Performer: Enterprise crewmember
Erik Aguirre – Assistant Construction Buyer
Nigel Albermaniche – Sound
Damon Allison – Propshop Foreman
Michael Avallon – Driver
P. Scott Bailey – Leadman
William D. Barber – "C" Camera Operator
Ted Basso – Production Van Driver Operator
Daniel Beals – Production Assistant
Matthew E. Bell – Look Development/Color & Lighting
Michael Boggs – Scanning Manager
Tony Bohorquez – Model Maker
James Bolt – Additional Sound Mixer
Dana Bonilla – Key Set Production Assistant: Kerner Optical
Mateo Bourdieu – First Assistant Camera
Lindsey Jayne Boyd – Production Assistant
Tony Bridgers – Construction Foreman
Margaret Bright-Ryan – Digital Artist
Kieran Brown – Paint Gang Boss
Alex E. Burns – Transportation
Tony Capasso – Construction Gang Boss
Mark Carlile – Lighting Technician
Derek Casari – Sound Stage Engineer
Lyle Christensen – Shotmaker Driver
Carol Collini – Makeup Artist
Greg Crawford – ADR Mixer (Atlanta)
Mark Cueto – Electrician
Val I. Deikov – Sculptor
Doug Devine – Set Dresser
Robin Atkin Downes – ADR Voice
William Doyle – Location Consultant
Jessica Drake – Dialect/Language Coach
Scott Dropkin – Remote Camera Technician (Sparrow Head)
Randy Eriksen – Second Unit Property Master
Christian G. Ervin – Driver
Anaïs Ganouna – Second Unit Camera Production Assistant
Danny Gonzalez – Electrician
Randy Haynie – Go Cam Rigger
Courtney Harrell – Visual Effects Production Coordinator
Kurt Herbel – Cable Video Assist
Patrick Hoeschen – Electrician
Tom Holzhauer – Production Assistant
Spencer Jambor – Stand-in for Spencer Daniels
Debra James – Production Manager
Jim C. Johnson – Gang Boss
Chris Jones – Special Effects Technician
Simeon Jones – Production Assistant
Kory Juul – Lighting Artist: Evil Eye Pictures
Tex Kadonaga – Set Designer
Jimmy Kaminsky – Driver
Jason Kaufman – Prop Shop
Rick Kelly – Second Unit Second Assistant Director
Lawrence Kim – Art Department Researcher
John Knox – Prop Shop
Scott M. Leonard – Grip
Frank Leasure – Propmaker
Alex Lee – Additional Production Assistant
Damon Liebowitz – Electrician
Eric Lozano – Set Dresser
Michelle Maloney – Additional Set Production Assistant
Cory Mandel – Sound Re-Recording Mixer
Canyon Martens – Set Dresser
Matt McDonald – Visual Effects Supervisor: Evil Eye Pictures
Chuck McSorley – Second Unit Property Assistant
Vanessa Meier – Second Unit Script Supervisor
Michael R. Melamed – Second Unit Second Second Assistant Director
Vicky Menke – Assistant Set Production Assistant
David Mesloh – Special Effects Technician
Ricky Dean Monsey – Production Assistant
Melissa Montague – Costume Aging and Dying
Glenn T. Morgan [261] – Sound Effects Editor
Michael Mosher [262] – Makeup Artist
Joe Murray – Production Assistant
Dillon Neaman – Production Assistant
Andrew Nelson – Costumer
Mark Nelson – Pre-visualization Artist
Timothy Oakley – Set Graphics
Tony Oberstar – Production Assistant
Bill O'Donnell – Production Assistant
Jason Pomerantz – Digital Artist (IMAX version)
Grace Pyke – Additional Costumer
Paul Pytlik – Digital Artist (IMAX version)
Norbert F. Quiban – Rigging Electrician
Chris Quilty – Second Unit Boom Operator
Justin Raleigh – Specialty Costume Supervisor: Quantum Creation FX
Robert Razavi – Consulting Producer
Michael Ray Reed – Stand-in for Anton Yelchin
Greg G. Reeves – Rigging Electrician
Graham Robertson – Set Dresser
Erik Rogers – Senior Digital Intermediate Producer: Company 3
Michael Roundy – Special Effects Technician
Maury Ruiz [263] – Concept Artist
Paul Samaniego – Underwater Camera Production Assistant
Scott Schutzki – Set Dresser
Paul Sinnott – Costume Assistant
Greg Smith – Prop Shop
Maciek Sokalski – Digital Compositor: Svengali FX
Scott Solan – Sound Utility and Second Unit Sound
Chad Stansbury – Sculptor
Mike Steaheli – Unit Medic
Christopher A. Suarez – Special Effects Technician
Donna Tegan Set Production Assistant
Thomas "Noe" Welch – Set Dresser
C. Jerome Williams [264] – Rotoscope Artist: Lola Visual Effects
Mark J. Williams Production Assistant
Helen Wilson – Props
Steve Wolfe – First Assistant Camera
Chris Qi Yao – Matchstick Technical Director
Dennis Yeager II – Special Effects Technician
Ryan Young – Production Assistant

Companies [ ]

Paramount Pictures – Distributor, Production Company
Spyglass Entertainment – Production Company
Bad Robot Productions – Production Company
MavroCine Pictures – Production Company
Industrial Light & Magic – Special Visual Effects
Digital Domain – Additional Visual Effects
Svengali Visual Effects – Additional Visual Effects
Lola VFX – Additional Visual Effects
Persistence of Vision Digital Entertainment – Previsualization Effects
The Third Floor – Additional Previsualization Effects
Kerner Optical – Models and Miniatures
Company 3 – Digital Intermediate
Pacific Title and Art Studio – End Titles & Opticals
Digital Vortechs – Avid Editing Equipment
For Stars Catering – Caterer
Gala Catering – Catering: Second Unit
Star Waggons – Cast Trailers

Uncredited companies [ ]

Chapman/Leonard Studio Equipment, Inc. – Camera Systems and Cranes
Chef Robért Catering – Catering
Evil Eye Pictures – Additional Visual Effects
Film Illusions – Special Effects
Harlow FX – Makeup Effects and Prosthetics
Level 1 Entertainment – Former Production Company (replaced by Spyglass)
Movie Movers – Hair & Makeup Trailers, Production Trailers
Professional VisionCare Associates – Contact Lens company
Prop Docs – Set Dressing Documents
Quantum Creation FX – Specialty Costume and Prop Weapons
Sessions Payroll Management – Extras Payroll Services
SouthCoastHelicopters.com – aerial photography of Alaska
Tinsley Transfers – Special Makeup Effects Tattoos
Vital Distraction – Previsualization Effects (in collaboration with Persistence of Vision)

Unconfirmed companies [ ]

Executive Assurance – Security
Filmtools – Expendables
MoviePlacement.com – Product Placement
On Tour Productions – Transportation Services
Panavision Remote Systems – Supertechno Cranes
Transportation Resources – Transportation Equipment
Star Trek (soundtrack)
Star Trek (DVD)
Star Trek (Special Edition DVD)
Star Trek (single disc Blu-ray)
Star Trek (three disc Blu-ray)
Star Trek (4K Ultra HD)
Star Trek (iTunes)

References [ ]

2233 ; 2240s ; 2255 ; 2258 ; 2387 ; 313-C ; ability ; academic suspension ; accuser ; Airtrax ; Aldrin, Buzz ; Andorian shingles ; anger ; annular confinement beam ; Antares , USS ; apple ; Aptera Typ-1 ; aptitude test ; Archer, Jonathan ; armada ; Armstrong , USS ; Armstrong -type ; attack ; authorization code ; autopilot ; aviophobia ; backpack ; Battle of Earth ; battle stations ; blanket ; Bravo-six maneuver ; Destruction of Vulcan ; Bardeen ; bathroom ; beagle ; bean ; Beastie Boys ; black hole ; Blake ; blindfold ; brain stem ; bravo-six maneuver ; Budweiser Classic ; car ; Cardassian sunrise ; cellular phone ; Centaurian slug ; character reference ; christening ; Class III neutronic fuel carrier ; climbing frame ; code of conduct ; command officer ; Constitution -type escape pod ; confiscation ; construction zone ; commendation ; Constitution -class ; cortisone ; Corvette ; Counter ; court martial ; cupcake ; crystal ball ; damage report ; dead body ; deadly force ; death ; Delta Vega ; Delta Vega outpost ; delusion ; department ; Dimassa 01 ; dock control ; ear ; Earth ; ECS ; emotional response ; emotional transference ; endangered species ; Enterprise , USS ; ethics ; experience ; external inertial dampener ; extinction ; eyeball ; Farragut , USS ; favoritism ; fear ; Federation ; flag ; Flag of California ; Flag of the Federation ; flask ; flight officer ; friend ; fuckin ; Fugeman ; General Order 13 ; General Orders and Regulations ; Gerace ; Gilliam ; " God damn "; grapefruit ; " Grande Valse "; Grissom , USS ; Grumman F-14 Tomcat ; Hangar 1 ; Hangar 1 vehicle ; headache ; heart rate ; hick ; high energy pulse device ; hitchhiking ; hobgoblin ; Hood , USS ; hostage ; hoverbike ; hovercruiser ; Hovercruiser 924 ; Iowa ; Iowa State Police ; itch ; Jack Daniel's ; James ; jamming signal ; Jellyfish ; katric ark ; Kelvin , USS ; Kelvin -type ; Kelvin -type shuttlecraft ; Kentucky Derby ; kilometer ; Kirk, George ; Kirk, James T. ; Kirk, Tiberius ; Kirk, Winona ; kiss ; Klabnian fire tea ; Klingon ; Klingon prison planet ; Klingon warbird ; Kobayashi Maru , USS ; Kobayashi Maru scenario ; kohlinar ; Komack, James ; Leifer ; lie ; lightning ; lightning storm ; lungworm ; maneuvering board ; marooning ; Maximum security zone ; Mayflower , USS ; Mayflower -type ( starships ); McGrath ; media ; medical shuttle ; Medical shuttle 37 ; Melvaran mud flea ; meter ; Midwest ; military shuttle ; mining vessel ; mirage ; Moore ; Moore -type shuttlecraft ; morphology ; motorbike ; mouth breather ; name ; Narada ; natural disaster ; Newton , USS ; Newton -type ( starships ); Nokia ; nosebleed ; notebook ; numb tongue ; Odyssey , USS ; orator ; Orion ; paradox ; parking brake ; path ; PCAP-SYS ; Petrovsky ; phonology ; pi ; police ; Pomoroy ; prank ; prod ; programming code ; Prometheus nectar ; protein nibs ; quarry ; quota ; R2-D2 ; repeat offender ; Rader ; red alert ; red matter ; Regula I ; rescue mission ; Riverside ; Riverside Shipyard ; Romulan Bird-of-Prey ( unnamed ); Romulan disruptor pistol ; Romulan disruptor rifle ; Romulan language ; Romulan Star Empire ; Romulus ; roommate ; " Sabotage "; Saurian brandy ; Sect 7XT ; security protocol ; sex ; SFC Division ; shaker ; shield ; Shipyard Bar ; ships ; Shuttle 2 ( Enterprise ) ; Ship's log, USS Enterprise (NCC-1701 alternate reality) ; Shuttle 2 ( Kelvin ) ; Shuttle 3 ; Shuttle 37 ; Shuttle 43 ; Shuttle 89 ; Shuttle 12091 ; Shuttle 78072 ; skill dome ; Slusho ; solar flame ; sphere ; stallion ; starch amyloplast ; Starbase 1 ; stardate ; Starfleet Academy ; Starfleet Academy Board ; Starfleet ; Starfleet medical code ; Starfleet Regulation 619 ; Starfleet uniform ; startcard ; stenographer ; storm ; straw ; subroutine ; subspace transmission test ; supernova ; surname ; sweat ; syntax ; Tagruato ; telemetry ; Teral'n ; towel ; townie ; toxin ; T'Plana-Hath -type ( unnamed ); Trainer , USS ; transporter ; transporter control ; transporter signal ; transwarp beaming ; tribble ; truck ; Truman , USS ; turbine ; United We Are Strong, United We Will Win ; universe ; vision loss ; volume ; vomiting ; Vulcan ; Vulcan (planet) ; Vulcan High Council ; Vulcan Science Academy ; Vulcan ship ; water turbine control board ; whiz kid ; whore ; windows ; Wolcott , USS ; xenolinguistics ; yellow creature

Other references [ ]

Shipyard Bar menu: Chik burger ; Earth burger ; Fish and chips ; Hajjlaran surprise ; home base fries ; Jestral tea ; Mantickian paté ; Mareuvian tea ; Orion wing-slug ; Papalla juice ; Prometheus nectar ; prune juice ; SHM tofu bites ; Sinteel pasta ; space burger ; super combo

Meta references [ ]

47 ; Intertitle

Unreferenced material [ ]

book club ; cockaleekie soup ; cone ; Discount function ; Defiant , USS ; Endeavour , USS ; EM sensor ; Exponential discounting ; First contact protocol ; FC-3 procedure ; flo-yo ; fractal ; gastric stimulator ; gold rating ; Hawk-dove strategic interaction game ; hoverspeeder ; Hyperbolic discounter ; Jaxa ; Lennon, John ; Kyoto ; McCartney, Paul ; MIT ; mince and tatties ; narcissism ; Oxford invitational ; quantum cosmology ; piece and jam ; planetary security ; Power signature ; Prisoners' dilemma ; quark ; Quasi-hyperbolic discounter ; Spock ; Scalar discount ; slim-shot ; station chief ; Square root ; T'nag ; Universal greeting ; Vulcan creature ; Vulcana Regar

External links [ ]

Star Trek at StarTrek.com
Star Trek at Memory Beta , the wiki for licensed Star Trek works
Star Trek at Wikipedia
Star Trek at the Internet Movie Database
Star Trek script at IMSDb.com
3 Star Trek: Discovery

Recently, we've done several changes to help out this wiki, from deleting empty pages, improving the navigation, adding a rules page, as well as merging film infoboxes.

You can check out the latest overhauls that we have done on this wiki so far, as well as upcoming updates in our announcement post here .

Star Trek (film franchise)

View history

Star Trek is the cinematic branch of the Star Trek media franchise it began in 1979 with Star Trek: The Motion Picture and had 5 sequels, forming a six film saga.

In 1994 William Shatner played a supporting role in Star Trek Generations , symbolically passing the torch to Patrick Stewart , the Captain of the Next Generation to takeover the film franchise. It was followed by three sequels, First Contact , Insurrection and Nemesis .

In 2009 Bad Robot Productions produced a reboot simply titled Star Trek . It featured Leonard Nimoy in a supporting role to symbolicly pass the torch to a younger cast playing original series characters. It was followed by two sequels, Star Trek Into Darkness and Star Trek Beyond , in the years since the franchise has returned to television.

1 The Original Series Films (1979-1991)
2 The Next Generation Films (1994-2002)
3 Bad Robot Trilogy (2009-2016)

The Original Series Films (1979-1991) [ ]

The Next Generation Films (1994-2002) [ ]

Bad Robot Trilogy (2009-2016) [ ]

Timeline [ ]

1 Carl Nargle

Screen Rant

Who is callum keith rennie star trek: discovery’s captain rayner actor explained.

Renowned science fiction actor Callum Keith Rennie leads the USS Antares as Captain Rayner in Star Trek: Discovery's fifth and final season.

Warning: SPOILERS for Star Trek: Discovery Season 5

Callum Keith Rennie debuts in Star Trek: Discovery as the Kellerun Captain Rayner.
Known for his role as Leoben Conoy in Battlestar Galactica, Callum Keith Rennie brings depth and experience to Star Trek: Discovery's final season.
Rennie's role as Captain Rayner adds connection and nostalgia to Star Trek: Discovery, overlapping with Battlestar Galactica

Accomplished actor Callum Keith Rennie joins the fifth and final season of Star Trek: Discovery . Star Trek: Discovery season 5 sends Captain Michael Burnham (Sonequa Martin-Green) and the USS Discovery on a hunt for an ancient technology with the power to create life itself. Introducing Callum Keith Rennie as Captain Rayner, a strait-laced and commanding character of alien origin , Discovery season 5 sets the stage for a gripping showdown and sends Burnham and the USS Discovery and the USS Antares commander on an epic quest for an ancient treasure.

Perhaps best recognized for his standout roles in Battlestar Galactica and Californication , Callum Keith Rennie joins the Star Trek: Discovery cast for their last adventure, delivering a wealth of experience from earlier genre-defining roles. Rennie’s portrayal of Captain Rayner reportedly promises an intriguing counterpoint to Burnham underscoring Rayner's great potential with a mysterious backstory set to unfold over the course of the show’s fifth season. With the revelatory Captain of the USS Antares looking very much to be a vital – perhaps pivotal – addition to Starfleet’s impressive body of commanding officers, here’s a look at the award-winning Callum Keith Rennie.

Every Upcoming Star Trek Movie & TV Show

Callum keith rennie plays captain rayner in star trek: discovery, captain rayer is callum keith rennie's first appearance in the star trek franchise.

Callum Keith Rennie joins Star Trek: Discovery season 5 as Captain Rayner, the fierce commander of the USS Antares . Driven and dedicated to his mission, Rayner draws distinction between himself and his crew. A member of a little-known species first introduced in Star Trek: Deep Space Nine , Captain Rayner is a Kellerun , and his backstory is crucial to his mission and character. Described as gruff, tough, and intelligent, Rayner is a war hero struggling to acclimate to peace post-Burn, but dedicated to serving the greater good. In search of a hidden, ancient power source, Rayner's challenging and somewhat antagonistic relationship with Captain Burnham echoes a brash, if benevolent, professional demeanor.

Callum Keith Rennie is a UK-born Canadian veteran actor with an impressive 25-year career history in movies and television.

Best known for his roles as Leoben Conoy in Battlestar Galactica and Lew Ashby in Californication , Callum Keith Rennie is a UK-born Canadian veteran actor with an impressive 25-year career history in movies and television. Regularly cast in antagonistic roles, Callum Keith Rennie’s first international recognition came from his casting as Detective Stanley Raymond Kowalski in Due South . Rennie’s varied roles and character portrayals reflect his artistic interests, with the actor also starring in The Umbrella Academy, Marvel's Jessica Jones, The X-Files, Impulse, The Firm, 24, The Butterfly Effect, Jigsaw, Case 39, Memento, Fifty Shades of Grey, and Fifty Shades Freed.

Kelleruns first appeared in Star Trek: Deep Space Nine , season 2, episode 13 - "Armageddon Game."

Callum Keith Rennie In Star Trek: Discovery Is A Battlestar Galactica Crossover

A battlestar galactica miniseries, 4 seasons & a television movie aired between 2003-2009.

Callum Keith Rennie’s casting in Star Trek: Discovery follows his success as the ambiguous, obsessive Leoben Conoy in Syfy's Battlestar Galactica created by Ronald D. Moore. Introduced in the 2003 miniseries as an arms dealer, Rennie’s Conoy was initially a guest character in the show’s first two seasons, graduating to a series regular in the third and fourth. Adeptly portraying multiple iterations of the Cylon model Number Two , Rennie brought a philosophical complexity to the manipulative and important character , in turn posing a significant risk to the Cylon and Human factions. Rennie’s rich performance played with themes of identity and morality, adding layers of exploratory character depth and enigmatic ambiguity to the series.

There is a degree of overlap with Callum Keith Rennie’s compelling casting in both high-profile science fiction shows, echoing multiple crossovers between Star Trek and Battlestar Galactica . Many actors appear across the franchises, inspiring characters, reflecting the longstanding history of similarities originally stemming from showrunner Ronald D. Moore. Recognized for his compelling portrayal of the Cylon model Number Two, Callum Keith Rennie brought nuance and intensity to Battlestar Galactica – traits that also resonate with Star Trek: Discovery 's Captain Rayner. The characters’ similarities underscore the enduring join between the two series , with Rennie’s inclusion in both lending familiarity, nostalgia, and a sense of connection.

Star Trek: Discovery is available for streaming on Paramount+.

Star Trek: Discovery

Battlestar galactica.

IMAGES

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Star Trek timeline: Boldly go on a chronological journey through the
Star Trek Franchise Celebrates Its 800th TV Episode with Lower Decks
Star Trek: The 15 Best Captains In The Franchise (And The 15 Worst)
A Beginner's Guide to the Star Trek Franchise

COMMENTS

List of Star Trek television series
The Original Series logo. Star Trek is an American media franchise based on the science fiction television series created by Gene Roddenberry.The first television series, simply called Star Trek and now referred to as The Original Series, debuted in 1966 and aired for three seasons on NBC.The Star Trek canon includes eight live-action television series, three animated series and one short-form ...
Star Trek
Star Trek is a science fiction franchise comprising twelve television series, thirteen films, four companion series, numerous novels, comics, video games, reference works, podcasts, role playing games, along with thousands of collectibles. Originally, Star Trek was a product of Desilu Studios as created by Gene Roddenberry in a first draft series proposal "Star Trek is...", dated 11 March 1964 ...
Memory Alpha
Memory Alpha is a collaborative project to create the most definitive, accurate, and accessible encyclopedia and reference for everything related to Star Trek. The English-language Memory Alpha started in November 2003, and currently consists of 57,039 articles. If this is your first visit, please read an introduction to Memory Alpha.
Star Trek
Star Trek is an American science fiction media franchise created by Gene Roddenberry, which began with the eponymous 1960s television series and became a worldwide pop-culture phenomenon. Since its creation, the franchise has expanded into various films, television series, video games, novels, and comic books, and it has become one of the most recognizable and highest-grossing media franchises ...
How to Watch Star Trek in Order: The Complete Series Timeline
Where to Watch: Paramount+ 20. Star Trek: Prodigy (2383-TBD) Star Trek: Prodigy was the first fully 3D animated Star Trek series ever and told a story that began five years after the U.S.S ...
Star Trek: The Original Series
Star Trek: The Original Series (referred to as Star Trek prior to any spin-offs) is the first Star Trek series. The first episode of the show aired on 6 September 1966 on CTV in Canada, followed by a 8 September 1966 airing on NBC in America. The show was created by Gene Roddenberry as a "Wagon Train to the Stars". Star Trek was set in the 23rd century and featured the voyages of the starship ...
The Complete Star Trek Timeline Explained
Set on a stationary space station, Star Trek: Deep Space Nine would break new ground for the franchise in more ways than one. It featured Avery Brooks as Commander Benjamin Sisko - the first person of color to lead a Star Trek crew, and a young father questioning his place in Starfleet as he takes on this new mission. He would eventually find ...
Ultimate Chronological Star Trek Viewing Guide
Introduction. This Star Trek viewing guide will assist you through watching the entire franchise, based not on production dates, but on in-universe story order, all the way from the 21st to the 32nd centuries. As it is a viewing guide and not a rigid chronology, some episodes are shifted to keep things as clear and fun as possible.
Star Trek
Star Trek was created by American writer and producer Gene Roddenberry and chronicles the exploits of the crew of the starship USS Enterprise, whose five-year mission is to explore space and, as stated in the title sequence, "to seek out new life and new civilizations, to boldly go where no man has gone before." The series takes place in the 23rd century, after a benign and advanced alien ...
Everything To Know About Star Trek
Star Trek is renowned for its diverse and dynamic characters, such as Captain James T. Kirk, Spock, and Jean-Luc Picard, and its exploration of philosophical and social issues. The series' iconic phrase, "To boldly go where no man has gone before," encapsulates its spirit of adventure and discovery. The Star Trek community is a vibrant and ...
Star Trek films
Films []. As a franchise, the Star Trek films were almost conceived as an afterthought in the wake of the stupefying success of the very first Star Wars installment in 1977. The resulting movie, Star Trek: The Motion Picture, came nowhere close to living up to the (too) high expectations of studio executives, who subsequently decided to kill off the fledgling Star Trek film franchise right ...
Star Trek timeline in complete chronological order, explained
Now a sprawling franchise, Star Trek focuses on the human desire for exploration seen through the lens of Starfleet's travels through the depths of space. But with 13 Star Trek movies and 60 years worth of Star Trek series, the expansive franchise has gotten pretty complex, with multiple and alternate timelines all being involved too, and a ...
List of Star Trek films and television series
List of Star Trek films and television series may refer to: List of Star Trek films; List of Star Trek television series This page was last edited on 21 May 2021, at 10:54 (UTC). Text is available under the Creative Commons Attribution-ShareAlike License 4.0 ...
Star Trek (TV Series 1966-1969)
Star Trek: Created by Gene Roddenberry. With Leonard Nimoy, William Shatner, DeForest Kelley, Nichelle Nichols. In the 23rd Century, Captain James T. Kirk and the crew of the U.S.S. Enterprise explore the galaxy and defend the United Federation of Planets.
Star Trek
Star Trek is an American science fiction media franchise created by Gene Roddenberry, which began with the eponymous 1960s television series and became a worldwide pop-culture phenomenon. The franchise has expanded into various films, television series, video games, novels, and comic books becoming one of the most recognizable and highest-grossing media franchises of all time.
Star Trek's Future: 'Starfleet Academy,' 'Section 31,' Michelle Yeoh
The Future of 'Star Trek': From 'Starfleet Academy' to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans
Star Trek Timeline
Short Treks S1 / E2: Calypso. This is a fan-created site dedicated to providing a holistic view of the chronological timeline of events in the Star Trek universe (s). Most material is sourced from the Memory Alpha fandom wiki site. TrekTimeline.com is not endorsed, sponsored, or affiliated with CBS Studios Inc. or the "Star Trek" franchise.
Star Trek (film)
Development on Star Trek began in 2005 when Paramount contacted Roberto Orci (who was working with J.J. Abrams and Alex Kurtzman on the studio's Mission: Impossible III at the time), asking for ideas on how to revive the franchise. Former Star Trek franchise head Rick Berman, though, shortly before he was let go from Paramount, has credited ...
Timeline of Star Trek
This article discusses the fictional timeline of the Star Trek franchise.The franchise is primarily set in the future, ranging from the mid-22nd century (Star Trek: Enterprise) to the late 24th century (Star Trek: Picard), with the third season of Star Trek: Discovery jumping forward to the 32nd century.However the franchise has also outlined a fictional future history of Earth prior to this ...
Star Trek (film franchise)
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How to Watch Star Trek in Order: The Complete Series Timeline

How to Watch Star Trek in Chronological Order

1. Star Trek: Enterprise (2151-2155)

2. Star Trek: Discovery: Seasons 1 and 2 (2256-2258)

3. Star Trek: Strange New Worlds (2259-TBD)

4. Star Trek: The Original Series (2265-2269)

5. Star Trek: The Animated Series (2269-2270)

6. Star Trek: The Motion Picture (2270s)

7. Star Trek II: The Wrath of Khan (2285)

8. Star Trek III: The Search for Spock (2285)

9. Star Trek IV: The Voyage Home (2286 and 1986)

10. Star Trek V: The Final Frontier (2287)

11. Star Trek VI: The Undiscovered Country (2293)

12. Star Trek: The Next Generation (2364-2370)

13. Star Trek Generations (2293)

14. Star Trek: First Contact (2373)

15. Star Trek: Insurrection (2375)

16. Star Trek: Nemesis (2379)

17. Star Trek: Deep Space Nine (2369-2375)

18. Star Trek: Voyager (2371-2378)

19. Star Trek: Lower Decks (2380-TBD)

20. Star Trek: Prodigy (2383-TBD)

21. Star Trek: Picard (2399-2402)

22. Star Trek: Discovery: Seasons 3 and 4 (3188-TBD)

How to Watch Star Trek by Order of Release

In This Article

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The 21st Century

The 24th Century

The 25th Century

Series Overview and Abbreviation Guide

April 5th, 2063:

Early 2230s

2233 - A sidenote about universes/timelines:

2233 (Prime)

2266-Notes on The Original Series

2369, Part 1

2369, Part 2

2370, Part 1

2370, Part 2

2371, Part 1

2371, Part 2

2372, Part 1

2372, Part 2

2373, Part 1

2373, Part 2

2374, Part 1

2374, Part 2

2375, Part 1

2375, Part 2

2381, Part 1

2381, Part 2

2233 - (Kelvinverse)

2258 - (Kelvinverse)

2259 - (Kelvinverse)

2263 - (Kelvinverse)

Far Future:

Popular pages in Star Trek

USS Antares (32nd century)

Star Trek: Discovery

Ancient humanoid

First Contact Day

Episodes 80

Photos 1927

Stellar Photos From the "Star Trek" TV Universe

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User reviews 276

Lovable Creatures: Our Favorite Screen Pals

Technical specs

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