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Tom Cruise

Personal Info

Known For Acting

Known Credits 106

Gender Male

Birthday July 3, 1962 (61 years old)

Place of Birth Syracuse, New York, USA

Also Known As

  • Thomas Cruise Mapother IV
  • Thomas 'Tom' Cruise
  • Thomas Cruise
  • Thomas Mapother
  • Thomas C. Mapother IV

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Tom Cruise (born Thomas Cruise Mapother IV; July 3, 1962) is an American actor and producer. One of the world's highest-paid actors, he has received various accolades, including an Honorary Palme d'Or and three Golden Globe Awards, in addition to nominations for three Academy Awards. His films have grossed over $4 billion in North America and over $11.1 billion worldwide, making him one of the highest-grossing box office stars of all time.

He began acting in the early 1980s and made his breakthrough with leading roles in the comedy film Risky Business (1983) and action film Top Gun (1986). Critical acclaim came with his roles in the dramas The Color of Money (1986), Rain Man (1988), and Born on the Fourth of July (1989). For his portrayal of Ron Kovic in the latter, he won a Golden Globe Award and received a nomination for the Academy Award for Best Actor.

As a leading Hollywood star in the 1990s, he starred in several commercially successful films, including the drama A Few Good Men (1992), the thriller The Firm (1993), the horror film Interview with the Vampire (1994), and the romance Jerry Maguire (1996). For the latter, he won a Golden Globe Award for Best Actor and received his second Academy Award nomination. His performance as a motivational speaker in the drama Magnolia (1999) earned him another Golden Globe Award and a nomination for the Academy Award for Best Supporting Actor.

Since then, he has largely starred in science fiction and action films, establishing himself as an action star, often performing his own risky stunts. He has played Ethan Hunt in all six of the Mission: Impossible films from 1996 to 2018. His other notable roles in the genre include Vanilla Sky (2001), Minority Report (2002), The Last Samurai (2003), Collateral (2004), War of the Worlds (2005), Knight and Day (2010), Jack Reacher (2012), Oblivion (2013), Edge of Tomorrow (2014), and Top Gun: Maverick (2022), with Maverick being his highest-grossing film to date.

Edge of Tomorrow

Edge of Tomorrow

Oblivion

Mission: Impossible - Ghost Protocol

Top Gun: Maverick

Top Gun: Maverick

Mission: Impossible

Mission: Impossible

Mission: Impossible - Rogue Nation

Mission: Impossible - Rogue Nation

Minority Report

Minority Report

Top Gun

  • TV Shows 30
  • Production 25
  • Directing 1

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Jerry Bruckheimer breaks down why Top Gun: Maverick became Tom Cruise's highest-grossing movie

One of Cruise's most profitable collaborators discusses the keys to the star's success.

After four decades of making hit movies, Tom Cruise is still breaking his own box office records — and one of his most profitable collaborators thinks he knows why.

Top Gun: Maverick producer Jerry Bruckheimer , who first worked with Cruise on the original Top Gun back in 1986, spoke with EW in anticipation of the sequel's Aug. 23 digital release and gave his opinion on why, with $1.3 billion in worldwide box office sales, Maverick has become Cruise's high-grossing film ever.

"It's always the characters, the themes, the story," says the super-producer, who previously crossed the billion-dollar mark himself with 2006's Pirates of the Caribbean: Dead Man's Chest .

"That's what it's all about; it's about the emotion, it's about bringing Iceman back, it's about seeing a real movie," Bruckheimer continues. "You're in the F-18 just like those actors are. They were trained for three months to be able to get into an F-18… You can see the struggles of what they're doing, what they're going through. That's all real, that's not made-up."

While he doesn't subscribe to the disdain some other Hollywood legends have expressed for digital-effects-driven films, Bruckheimer sees Maverick 's success as proof that audiences still have a soft spot for practical effects: "I think audiences have been seeing so much CGI, which is wonderful, I go see the same movies, but it's also nice to see the real deal, and to be part of a camaraderie of characters that get up in the sky and have to be as good as they can be."

He adds, "The audiences love the Marvel, they love the DC stuff. They're beautifully made by really talented people. Sometimes you want to see something that's real, and that's what Top Gun gave us… These aviators are out there protecting our country right now, flying around the world, and you're taking a ride with them. You're seeing what they do, you're seeing what their life is like, and the trials and tribulations that they have to go through. You're actually experiencing it with our actors."

While everything starts with a good story, no one involved with the film was more instrumental in creating the Maverick experience than the guy who plays the title role. " Top Gun was the benefit of all of Tom's learning and being with all these terrific actors, directors, and writers," Bruckheimer says. "He helped us craft this movie. He designed the aerial sequences with [director] Joe Kosinski, [co-writer Christopher McQuarrie], and the rest of our writers worked so hard to get this movie to become the success it has become. All that energy that Tom puts into it… Nobody works harder."

In addition to all his work behind the camera, Cruise gave so much to his performance that Bruckheimer is hoping the Oscars take notice. "Nobody cares more, nobody works harder than Tom," he says. "You look at his performance, it's deceiving, because it's so good, it's so natural. It's something that audiences understand and realize, and we hope the Academy will feel the same way."

Working with Cruise since the very beginning of his career, Bruckheimer has watched him grow from a curious kid brimming with talent to the international superstar he is today at 60. "When we first worked with him, we let him in the process," Bruckheimer says. "He sat in dailies with us, he was 21 years old. He was absorbing it all, he wanted to learn. That's all he wanted to do, learn."

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Tom Cruise

Top Gun : Maverick ’s Cannes Film Festival premiere marks another high point in the movie star career of Tom Cruise . The actor turns 60 on July 3, and unlike most leading men of that age who become quicker to call for the stunt double, Cruise shows little evidence of slowing down after 43 films. If anything, his Mission: Impossible stunts seem to grow more ambitiously dangerous, not to mention the fact that he and director Doug Liman will become the first to actually shoot a space film in space for real—aboard one of Elon Musk’s SpaceX crafts with the cooperation of NASA.

tom cruise record producer

So how does Cruise continue to carve such a path?

“I’ve gotten to work with a number of actors who’ve had great success and long careers, Tom being at the top of the heap,” says Top Gun: Maverick director Joseph Kosinski. “He approaches every day with the enthusiasm that it’s his first movie, and at the same time puts the effort into it like it’s his last movie. That’s a good attitude to have; never take it for granted, give 110 percent every single day. Constantly push the crew and yourself to achieve excellence. I’m amazed by that, that he’s 40 years in and still loves what he does and isn’t slowing down at all. It seems like he’s accelerating, which is pretty amazing.”

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Valeria Golino Masterclass, Claude Barras' 'Sauvages' & Daniel Burman's 'Transmitzvah' Added To Cannes Lineup

Here, a group of directors, producers and actors look back on their Cruise experience and why Hollywood won’t see another global superstar quite like this one.

Top Gun: Maverick

Top Gun & Top Gun: Maverick

“Tom was our first and only choice for Top Gun , that’s who Tony Scott liked, and Don and I really pursued him,” recalls Jerry Bruckheimer, who produced the original hit with late partner Don Simpson. “I don’t think he was a pilot back then, but he just had the charisma and we loved what we saw in his film career. You could tell he was a terrific actor and that is so much of what it is all about.”

It was to become Cruise’s signature immersion into the process of preparation. “He went down to Miramar in advance and hung out with a lot of the pilots, found out what they liked and why they did what they did. He just cares so much, and not only about his character but the whole movie. A lot of actors walk into a role and just worry about themselves and how they’re perceived. Never Tom. That was the way he was back in ’85 when we made the first one, and he showed it again this time.”

On the first film, Cruise was the only cast member who didn’t lose his lunch while filming dialogue scenes inside those roaring jets. Mindful of that unpleasant experience, he made it his mission to make sure the new crop of actors playing Top Gun pilots in the sequel fared better.

“We learned on the first one,” Bruckheimer says. “He was the only one we got good footage on; we couldn’t use the footage on the other actors because he was the only one who didn’t throw up. So, Tom designed a flying program for all the actors this time. It took months to do this. First, they went up in a single engine prop plane, just to get a feel for flying. Then, an aerobatic prop plane, and then a jet, and once they were comfortable in that jet, he put them in the F-18. Tom designed [the process] himself to acclimate the actors to the G forces they would experience.”

Top Gun: Maverick

Kosinski previously directed Cruise in the 2013 sci-fi film Oblivion . In the Top Gun sequel, the director says Cruise put so much into mentoring the young actors on set who were in awe of him. “Tom is an actor that, if you can get him interested in your project, then you can do almost anything,” Kosinski says. “When you combine that with something beloved like Top Gun , it becomes an unstoppable force when you go to make it. We needed that on this movie because what we were doing was very intense and there were a lot of things that hadn’t been done before. Having Tom there to push through the ideas and techniques we were going to use was really helpful. Tom knew just how difficult capturing those images would be, just how physically grueling it would be for the actors.

“I remember one day on the carrier, when Tom was sitting with these young actors, most of them just starting their careers,” Kosinski adds. “Miles Teller has a lot under his belt, but the rest were new. For them, every day was like a master class, and he would make time for them every day. He would sit down and have these impromptu sessions with the actors, either to talk about the scenes we were shooting that day, the technical aspects of shooting an aerial sequence, or broader advice, like how to build a career. I remember Tom asked Glen (Powell), what kind of career do you want? Glen said, ‘I want your career, Tom.’ So, Tom said, ‘How do you think I got that?’ Glen said, ‘By choosing great roles.’ And Tom said, ‘No. That’s not how I did it. I did it by choosing great films. Then, I took the roles and made them the best I could.’ That advice blew Glen’s mind. If you look at Tom’s career, that’s exactly what he did. He chose great films and directors he admired. Regardless of the size of the role, especially on a movie like Taps . And then he created something with it, made the role his own. That’s something these younger actors hadn’t thought about and can only get from someone who spent 30 years as a movie star. I thought it was really interesting to watch.”

Jerry Maquire

Jerry Maguire

Cruise’s turn as the star sports agent who loses his throne after an existential crisis would mark his second Oscar nomination and one of his best-remembered performances.

Cruise shows a different side in the romantic comedy. Writer-director Cameron Crowe wrote many lines that were execution-dependent, that would be the difference between heartwarming and cringe-worthy, and Cruise embraced all of them. That includes the climactic scene, when Maguire pleads with his estranged wife (Renée Zellweger) to give him another chance, a plea delivered in a crowd of pessimistic women who’ve all had their hearts broken by cads.

“Oh, Tom couldn’t wait for that scene,” Crowe says. “I was a little nervous about some of the lines, like, ‘You complete me.’ It’s a slippery slope; if you lean wrong into a line like that, it’d probably be the first thing you cut. But he said, ‘I want to say I love you in this movie, and I want to say it with that line.’ And by the time he got to it, it was two in the morning, at the end of a long week.

“Tom surprised the women because we didn’t tell them that he would be there to do the scene with them that day. In he comes, and in the most loving way, this heavyweight was ready for the knockout. He gently crushed it. The ladies were crying. The crew members were crying. And Renée was a mess. He just took great pleasure in being able to deliver a line that he knew I was on the fence about. He’d said, ‘Just give me a shot, man. You’ll see if I got it, or if I didn’t.’ And, you know, I’m still just so proud of it.”

Crowe recalls other ways that Cruise endeared himself to those around him, from one late night when an In-N-Out Burger truck showed up, courtesy of the actor, or the way he handled the first young actor who pulled out of the precocious child part that eventually went to Jonathan Lipnicki.

“Tom stayed in touch with the mother of the kid who had asked to be replaced,” Crowe says. “Tom wrote him and called and sent him stuff. I only knew this because his mother called to say, ‘Thank you for everything Tom Cruise has done to make my son feel good about even being in the movie and working with him as much as he did.’ I went to Tom on the set and said I couldn’t believe what he’d done, spending the last few weeks making sure his spirits were high. Tom just said, ‘Well, I just don’t want that guy growing up, looking at movies and feeling disappointed about what happened. I want him to love movies.’ Wow.”

Collateral

When Russell Crowe changed his plan from playing the assassin who conscripts a cab driver to drive him to a series of murders in Collateral , director Michael Mann went right to the doorstep of Cruise, even though it would be a decided departure from the actor’s résumé of hero roles.

“In Tom, I saw Lee Marvin,” Mann says. “When Tom zeroes into a certain kind of person, if they are far enough away from him so that it’s a turn-on for a man of adventure, to be on some kind of a frontier with a character he can get to know but is very different from him, I could tell that within him it becomes a real adventure. To play Vincent, this solipsistic sociopath, who has all the f*cking answers and is so methodical and good at what he does, it felt like Tom was a perfect fit. He’s a perfectionist about knowing how to do the things he is supposed to do, which is why he does his own stunts in Mission: Impossible . The sociopathy of this guy was so unique, in his cosmic indifference and outrageous statements that still crack me up when I see some of the scenes with Jamie Foxx in the taxi cab. ‘You ever hear of Rwanda? So, what do you care about one fat guy who gets thrown out the window?’ Or answering Jamie’s accusation of ‘you killed him’ with, ‘I didn’t kill him. The bullets killed him and then he fell out the window.’ The flat irony of Tom’s delivery on those lines is so perfect. It was a very different character for him, and I knew Tom would throw himself into whatever I needed to take him through to become that assassin.”

When I mention the memorable shootout scene in the nightclub and that Cruise’s proficiency with weaponry is reminiscent of the acumen shown by Keanu Reeves in the John Wick films, Mann is quick to correct the record.

“ John Wick’ s are not real techniques,” he says. “What Tom did, those are real techniques and there was a lot of training with my friend Mick Gould, who was the head of close-quarter combat training for the British SAS. The scene in the alley, there’s no cut in that scene… It came down to doing the work. There was nothing he was doing that wasn’t established close-quarter combat moves that came from months of training. That included blending in. Obviously, people know Tom, but I wanted him to feel what it would be like to blend in, to mix with people and have conversations. He went to Central Market and trained to be a FedEx delivery guy. He said to me, ‘They’re gonna know it’s me.’ I said, ‘No, they’ll see the sign that says FedEx, and you’ll wear sunglasses and a cap and carry that portable computer that drivers used to have when they made deliveries.’ Tom went in and delivered something to a liquor stand and sat down and struck up a conversation with a couple people and insinuated himself into the lives of others. There was a lot of psychological training he did. Tom is a dream. He sees the adventure in what we do, just the way I do, and I imagine other directors do. He just goes for it.”

Mission: Impossible

Mission: Impossible

After scripting the Cruise World War II thriller Valkyrie , Christopher McQuarrie became the actor-producer’s creative partner on the Mission: Impossible franchise with 2015’s Rogue Nation , 2018’s Fallout , the recently completed Mission: Impossible –  Dead Reckoning Part One and the eighth installment currently in production. Cruise had stepped up his commitment to outrageously ambitious stunts right before McQuarrie got there, when Brad Bird directed Ghost Protocol , and Cruise scaled the glassy exterior of the world’s largest skyscraper in Dubai, 123 floors up. But it was on McQuarrie’s watch that Cruise hung from the exterior of a flying Airbus A400M in midair for Rogue Nation , and when Cruise broke his ankle after a leap during a chase in which he crashed into a wall. It was a rare mishap, and McQuarrie feels that Cruise is so meticulous in his stunt prep and so confident in his ability to walk away unscathed, that the director swallows hard and says yes.

“I was asked once by a film student: ‘How do you know when you’ve made it?’” McQuarrie says. “I said, ‘You don’t make it. You’re making it. Actively. All the time. May you never make it. May you always be making it. May you look back one day on all you’ve made and go right on making more.’ Tom embodies that. There is no finish line, no pinnacle, no summit. He applies all he’s learned to something new, then studies it with brutal honesty: Where did we go wrong? Where did we go right? How do we apply it to the next thing? How do we push the limits of what is possible? How do we create the most immersive, engaging experience for the widest possible audience? How do we do all that with an emphasis on character and story first? Tom’s not still here by accident.”

McQuarrie could not recall a stunt Cruise insisted on doing that the filmmaker tried to talk him out of. “I get asked that a lot,” he says. “Honestly, no. Is there anything I wish I hadn’t suggested? Absolutely. When I’m sitting in an A400M with the engines running and my friend is strapped to the fuselage, I’m thinking, Maybe I should have kept this one to myself. The truth is, that stunt seems tame now. What we’ve done since, I still can’t believe. If my hair could get any whiter, it would… Tom understands how all of the individual parts function. His level of preparation is exceedingly present and aware. The bigger the stakes, the higher the awareness. That awareness is contagious and enormously clarifying.”

Mission

J.J. Abrams made his feature directorial debut on Mission: Impossible III , the one in which Phillip Seymour Hoffman went mano a mano with Cruise after kidnapping the agent’s wife (Michelle Monaghan). Abrams says the stunts weren’t as eye popping as the ones in the films directed by McQuarrie and Bird (Abrams is a producer of all of those films). While Abrams was a hotshot TV director and showrunner with Alias , Cruise pushed for him to direct, despite his being untested on the big screen.

“I blame Tom Cruise entirely on my having a career,” Abrams says. “He did all the impossible heavy lifting I don’t think anyone could have done to give me a shot. I will be forever grateful for everything he did.”

They met when Cruise and Steven Spielberg wanted Abrams to script War of the Worlds (scheduling didn’t work) and they cooked up a Mission: Impossible movie different from the one Paramount thought it was going to make. “While I was shooting the Lost pilot, Tom watched Alias and asked if I would be interested in Mission: Impossible . They were meant to shoot that other version of Mission . Steven was meant to shoot Munich and then War of the Worlds , and somehow Tom convinced both Steven and the studio, and it seemed like a herculean task only Tom could do, but he managed to reorder the films. Steven agreed to do War of the Worlds first, and Mission: Impossible got moved to after. What I remember is that I had a meeting with Tom and Sherry Lansing, who was high on this other version of the movie. I remember Tom basically saying, that he and I were going to do Mission: Impossible together. I remember Sherry saying she liked the other script and Tom saying, ‘This is the one we’re going to do.’ And she said, ‘OK.’ I’m sitting there, watching him take a wild chance on someone who had never directed a feature before, and I couldn’t believe it was me. I came to learn that kind of thing is a normal Tuesday for Tom.”

Any fear Abrams had that the film’s star and producer would impose himself on a young director was quickly allayed. Abrams says Cruise had a clear understanding of the lanes each occupied, and that he relied on good directors to push him to do his best work.

“Any first film is a surreal experience,” Abrams says. “To have it be something where the first day you are filming in Rome with Tom Cruise on a Mission: Impossible set, now that is incredibly surreal. On the second film I directed, which was Star Trek in 2009, I remember getting to the set the first day and feeling the palpable sense of the absence of Tom Cruise. Which is to say, I had only known shooting a movie with Tom, which was a kind of gift you can’t find anywhere else. You have someone who you always know is working as hard — if not harder — trying to make something work, and he is number one on the call sheet. It’s an incredible rarity.”

American Made

American Made

Doug Liman, who directed Cruise in the fact-based American Made , the sci-fi Edge of Tomorrow and the upcoming film they’ll shoot in outer space, got to see more than most filmmakers what it is that makes Cruise tick.

“I lived with Tom when we made American Made ,” Liman says. “When you work with Tom, it’s a seven-days-a-week job. No matter how hard a worker you are, and I consider myself that, it’s nothing compared to Tom. After 40 or 50 straight days, we were coming up on July 4 weekend. It happens his birthday is July 3 and I’m thinking that since his birthday happened to fall on a holiday, maybe Tom will want to have a long weekend off to celebrate his birthday somewhere. I mention to Tom, ‘Are you thinking of going away for your birthday?’ Tom says, ‘No. I was thinking since we have the day off on July 3, we can use that time to have the eight-hour aviation meeting that we’ve been having trouble scheduling.’ I am beyond tired and I’m like, ‘You want to have an eight-hour meeting on your birthday?’ He said, ‘Yes, that’s what I want for my birthday. I want to be making a movie. That’s the best birthday present.’ There was no blowing out candles, either.”

“Cake? No, Tom doesn’t eat cake. You don’t get to look the way he looks, by eating birthday cake. You have to make a life choice there. You know the suit of armor, the exoskeletons he wore on Edge of Tomorrow ? They were extremely heavy, cumbersome, took 10 minutes to get on and off and was too heavy for him to sit in between takes. He would get out of the armor and go, we’re wasting all this time, me getting in and out of this suit. So, Tom gets this idea that, between setups, it would save time if, instead of getting in and out of his suit, we converted a child’s swing set into something with hooks that he could hang from, in between setups.”

For the result, picture the gangster Carbone, hanging from a meat hook in the freezer truck in Goodfellas .

“Yeah, that is the visual,” Liman says.

“Living with Tom on American Made , I came to the conclusion that it would be like if you imagined a premise for a high concept movie, where you got to wake up and be Tom Cruise for the day. He gets up with so much energy. He was a real taskmaster when it came to chores in the house. We didn’t have a housekeeper, for security reasons, and we had to clean the house. He would constantly pull out a pot that I had already cleaned and put back, and say, ‘This is not clean.’”

Liman is circumspect about timing and the story he and Cruise will film in space, but not the intent. “The thing both of us have in common is, we’re not interested in the gimmick of shooting a movie in outer space,” he says. “For Tom and me, it’s a challenge to make sure we make a movie that is so frigging good it can survive the inevitable criticism, ‘Did they really have to go into space to shoot that?’”

Rain Man

Barry Levinson, who directed Rain Man with Cruise, saw the film win Oscars for Best Picture, Best Director and Best Actor for Dustin Hoffman’s turn as the autistic savant. Cruise wasn’t nominated for playing Charlie Babbitt, the hustler who kidnaps his brother Raymond and drives him to L.A. to claim an inheritance, but in Levinson’s mind, “Tom had the harder job,” he says. “It was a difficult role because he basically had to drive the movie. Otherwise, Raymond would just be content to sit in a motel. His obligation is to continually drive it and push him, and at the same time not exhaust the audience with a one-beat, ‘C’mon, we’re going.’ It was a very hard role, and he never got the credit he deserved for that film.”

Levinson got the job after Martin Brest, Spielberg and then Sydney Pollack were in and then out because of the tricky nature of the material. Levinson says they found the movie while shooting on the road trip, and what surprised him was Cruise’s skill in improv, and willingness to try most anything they could think of.

“When Sydney dropped out, we were seven weeks out from shooting and we hit the road and kept working on dealing with the relationship between the two of them as we went along,” Levinson says. “We did an extensive amount of ad-libbing and improv work for that film, and Tom jumped in there and ran with it. It was at that point very different for him, not only to be that type of character, but also because the movie was a two-hander. It’s just these two guys basically, and they’ve got to carry the movie. Tom was never resistant to the idea of, well let’s just see what happens if we do this. I said to him once, ‘Let’s get in a car, I wonder if the audience is thinking, the brother hasn’t done anything for Raymond. I think he needs to do something so at least he has made an attempt to deal with him.’ He said, ‘Well, what about if I gave him fresh underwear? That will lead to an argument. Raymond can’t wear that because he gets his underwear in Cincinnati.’ That was the basis of the idea to just have a little something, riding in the car. The two worked really well with each other. I know it sounds like it can’t be true, but it was as good a relationship between the two guys and in terms of what we were trying to accomplish. They were both contributing, and Tom was the one who had to push this movie all the time and I think Dustin would acknowledge that. You keep slowly seeing the changes, as he becomes more emotionally attached to his brother.”

A Few Good Men

A Few Good Men

To A Few Good Men director Rob Reiner, there is just about nothing Tom Cruise can’t do as an actor, and so he was not at all surprised by the way he went toe-to-toe with Jack Nicholson in his prime during that electric courtroom scene.

“I’ll tell you something. He’s a great actor,” Reiner says. “I know in the last many years he has been doing his Mission: Impossible movies and different things. It seems every really good actor, whether it’s Chris Evans or Mark Ruffalo, they are all in these big action pictures. The thing Tom used to do is, he used to balance that out. I would love to see him do some things that aren’t the franchise films. I’d seen him do things like Taps , Risky Business , and I never worried about him going up against Nicholson because Tom has an incredible work ethic. At that time, I’d never met a young actor with as much dedication as he had to the process. He worked his ass off in rehearsals. He was not only on time, but early every day, and always had his lines nailed. Never had I seen a young actor with a work ethic like this guy. He may tell you behind the scenes that he was intimidated by Jack, but I never saw it.

“When Jack came and we had the first reading of the script, he came fully loaded to work, with a performance at the table. In a table read, you’re usually just kind of marking it. And when Jack got into his performance, it just sent a message to every other young actor. Kiefer Sutherland, Tom, Demi (Moore) and Kevin Bacon and Kevin Pollack, everybody involved knew, you better step up here. We’re not messing around. Tom was always right there with it. I would love to see him play more complex characters than the ones he’s doing now because people don’t realize how great an actor this guy is.”

The Outsiders

The Outsiders

When Francis Ford Coppola adapted the S.E. Hinton novel The Outsiders , he wound up with a cast filled with the most promising young actors in the business, from Patrick Swayze to Rob Lowe, Matt Dillon, Emilio Estevez, Ralph Macchio and C. Thomas Howell. Cruise’s role was smaller by comparison, but Coppola had an inkling he might be special based on how the rest of the cast buzzed about how it was Cruise who got the starring role in Risky Business , while the rest of them were confined to ensemble work.

“It’s hard for me to remember that time since I was so focused on casting all of the boys’ roles, of which there were many,” Coppola says. “In those days, I was very experimental about the way I handled auditions. I felt strongly that everyone who showed up be given a chance to show their strengths, so we held them in an open arena where everyone was able to watch the other actors’ auditions for the same roles. The method was as new to them as it was for me. Through that process, I discovered a wealth of talent from which to choose. It’s the luck of the draw I guess, but certainly Tom more than justified his promise. Risky Business was a great showcase for him, and as I recall, he left our set a few days early in order to begin production on that film.”

What stood out to Coppola was the young actor’s openness to messing with what would become his signature thousand-watt smile, to fit the character.

“I was impressed by his willingness to go to extremes in creating a character,” Coppola says. “If the role called for a chipped tooth, he would willingly chip his tooth. He is also very athletic, which you can clearly see in the scene where he backflips off a car. He did not go light or easy in his commitment. I liked his look, and I liked his performance in Taps . He might have been suitable for the older brother role, except he was a little young compared to Patrick Swayze.

“I can’t say that I would have predicted [what was to come for Cruise] at the time, but back when we worked together, he did impress me as a very committed actor with many gifts. Certainly, the incident of the self-inflicted chip in his tooth is an example of his whole-hearted commitment to character.”

Born on the Fourth of July

Born on the Fourth of July

Oliver Stone badly wanted to tell the story of wounded Vietnam vet Ron Kovic’s transformation from gung-ho soldier to anti-war protester, and each time the film faltered, he could feel it crush the film’s subject. “I had written it with Al Pacino in mind,” Stone says. The movie fell apart when Pacino dropped out, and the project languished for years. Until Cruise sparked to it. The actor was coming off a string of hits that included Risky Business , Cocktail , Top Gun and Rain Man . He was the brightest young superstar in the business and used that clout to empower a picture that allowed him to test his acting mettle in a new way.

“I was broken hearted, and Ron was a basket case,” Stone says. “I said to Ron, ‘If I ever get the chance, I’ll come back and do it.’ Platoon opened up the world for me, and it was either Charlie Sheen or Paula Wagner who suggested Tom Cruise, who was her client. I had met with Tom, and he liked Platoon so much. Maybe no one was going to give the performance as Kovic that I’d seen Al Pacino do in rehearsals, but Tom had other qualities. He was the right age, he looked far younger [than Pacino] and he worked his ass off prior to rehearsal. He hung out with Ron Kovic for a few weeks, going around L.A. in a wheelchair and getting the moves down, getting the mentality down. Ron was such an enthusiastic teacher and Tom took everything he could and kind of fell in love with Ron in a way that he absorbed him into his performance. And they stayed in touch for many, many years.”

Stone says the shoot was grueling, but Cruise was game. “We started the film overseas in the Philippines, where Platoon was made, and for Tom and everyone else, it was a very tough shoot because of the subject matter. I remember the scenes in the hospital being especially difficult, but Tom stuck through it. I was not surprised because I saw his dedication. Tom is a person with a tremendous willpower and once he committed to the role, he really committed.”

Stone says he wondered if Cruise was saying yes to anything the director asked. “In the early scenes, I was worried because I hadn’t seen him wrestle,” Stone says. “He tells me, ‘I can wrestle.’ Well, I’ve been told that kind of thing by a lot of actors, and when you get there on the day of the shoot, when you have no f*cking time to adjust, you find out they can’t wrestle. So, I’m worried. He said, ‘Just trust me. Don’t put pressure on me, I put pressure enough on myself.’ And sure enough, he actually wrestled very well. So never doubt Tom Cruise, I suppose is the lesson.”

Minority Report

For a young actress playing a difficult role as a precognitive woman in the Spielberg-directed Minority Report , measuring up in a blockbuster can be a daunting task. For that reason, Samantha Morton says she often thinks of how much easier a difficult shoot became because of the film’s star.

Minority Report

“I suppose I didn’t fully appreciate how rare Tom was, but now having been in the industry so long, he’s incredibly rare,” Morton says. “Not only is he unbelievably professional, and at a time when a lot of very famous men around me were not being very professional, he was unbelievably generous to me as an actor and as a creative person in that space. And it wasn’t fake or false in a kind of job way. He is genuinely one of the nicest, kindest people I’ve ever worked with, and I cherish those memories of that experience because the job itself was very tough.”

George Miller/Deadline

“Mr. Spielberg was incredibly kind and supportive and they made me raise my game because they believed in me. When an actor of his caliber is on set, oftentimes those individuals can be all about the self, and here’s the opposite of that. Because of (Tom), it was, ‘What do we need to make us better?’

“I was 22 when I worked with him, and I didn’t have a huge wealth of knowledge in regards to his cinema history at the time, and I was just there to get my job done. I’ve since seen how exceptional his body of work is. He’s insanely talented and continues to be so, and I have more praise for him as the years go by. He wasn’t being like that because he had to, back then, it was just how he is.”

Morton mentions Cruise sending a coffee truck on a particularly trying day. “People do that now, but nobody did that stuff back then,” she says. “My character was always very emotional and vulnerable. And maybe I was being a bit too method for my own good at the time. But there were scenes where the character couldn’t walk, and he physically carried me all through this shopping mall because I wasn’t taking my own weight. I said, ‘Oh God, I’m so sorry,’ after I don’t know how many takes of the scene. He just smiled. A lot of other actors would have moaned, said something to the director who would have come back and said, ‘Is there any way Sam can just walk on this take?’ Not Tom. And I can tell you, his generosity and exuberance were contagious.”

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Tom Cruise teams with Warner Bros. in a deal to make new movies

Tom Cruise during a break while shooting a "Mission: Impossible" movie.

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Tom Cruise is headed to Burbank.

The actor and producer has reached a development and production deal with Warner Bros. to create original and franchise films starring Cruise, the studio said Tuesday.

As a result of the deal, a coup for Warner Bros. Motion Picture Group Co-Chairs Michael De Luca and Pamela Abdy, Cruise and his production company will have offices on Warner Bros. Discovery’s Burbank lot.

Specific projects under the partnership have not yet been announced, but the pact is not exclusive or structured like a typical first-look deal. Cruise will continue to lead his existing franchises, such as the long-running “Mission: Impossible” movie series, with Paramount Pictures. (The next “Mission: Impossible” installment is scheduled for a 2025 release date.)

“We are thrilled to be working with Tom, an absolute legend in the film industry,” De Luca and Abdy said in a statement. “We couldn’t be more excited to welcome Tom back to Warner Bros. and look forward to bringing more of his genius to life on screen in the years ahead.”

Cruise’s past projects with Warner Bros. have included films such as “Interview With the Vampire” and “Risky Business,” “The Last Samurai” and “Eyes Wide Shut.” His most recent project with the studio, “Edge of Tomorrow,” was released a decade ago.

“I have great respect and admiration for [CEO] David [Zaslav], Pam, Mike, and the entire team at Warner Bros. Discovery and their commitment to movies, movie fans, and the theatrical experience,” Cruise said. “I look forward to making great movies together!”

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Cruise, ‘Everything Everywhere’ honored at producers’ awards

Tom Cruise was honored with the David O. Selznick Achievement Award by the Producers Guild of America. (Feb. 26)

Tom Cruise arrives at the 95th Academy Awards Nominees Luncheon on Monday, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

Tom Cruise arrives at the 95th Academy Awards Nominees Luncheon on Monday, Feb. 13, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Jordan Strauss/Invision/AP)

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Ke Huy Quan, left, and Daniel Kwan arrive at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Ke Huy Quan arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Michelle Yeoh arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Mindy Kaling arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Daniel Kwan, from left, Jonathan Wang, and Daniel Scheinert arrive at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

B. J. Novak arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Michelle Williams arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Baz Luhrmann, from left, Austin Butler, and Catherine Martin arrive at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Amanda Seyfried arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

Amy Poehler arrives at the 34th annual Producers Guild Awards on Saturday, Feb. 25, 2023, at the Beverly Hilton Hotel in Beverly Hills, Calif. (Photo by Allison Dinner/Invision/AP)

BEVERLY HILLS, Calif. (AP) — Tom Cruise was honored for his nearly three decades of work as a producer, and “ Everything Everywhere All at Once ” solidified its status as the frontrunner for the best picture Oscar by taking the top prize at Saturday night’s Producers Guild of America Awards.

“We love you! We love you!” another Oscar favorite and one of the film’s stars, Ke Huy Quan , shouted gleefully from the stage as Jonathan Wang and the other producers of the multiversal dramedy accepted the award for best theatrical motion picture.

The award has proven to be perhaps the best indicator for what will win the top honor at the Oscars, with four of the past five and 11 of the past 14 PGA winners going on to win best picture.

PGA wins by “ CODA ” last year and “ Nomadland ” in 2021 set each apart as frontrunners before winning best picture.

The strong possibility of a big night at Sunday’s Screen Actors Guild Awards could further mark “Everything Everywhere” as the film to beat at the March 12 Academy Awards.

Cruise the actor caused a stir inside and outside with his presence at the show at the Beverly Hilton in Beverly Hills, California, but his producing career beginning in 1996 with “Mission: Impossible” earned him the David O. Selznick Award at the PGAs, a life achievement honor previously bestowed on Steven Spielberg, Kevin Feige, Mary Parent and Brian Grazer.

“My whole life I wanted to make movies,” said Cruise, wearing a tuxedo with his hair grown out to the length he wore it in “Mission: Impossible 2.” “I wanted to travel the world, and have adventure.”

Cruise talked about making his film debut in 1981’s “Taps” at age 18 and how producer Stanley Jaffe let him in on every part of the process.

“I was certain this was something I wanted to do for the rest of my life,” he said.

Cruise thanked Jerry Bruckheimer, producer of the original 1986 “Top Gun” and his producing partner on last year’s “Top Gun: Maverick,” which also was nominated for the top PGA award and is up for the best picture Oscar.

“You opened the door for me,” Cruise told Bruckheimer. “You welcomed me in and I will be grateful forever.”

Since the first “Mission: Impossible,” Cruise has regularly been a producer on the films in which he has starred, including “Vanilla Sky,” “The Last Samurai,” “Jack Reacher” and the other five films in the “Mission: Impossible” franchise.

He paid tribute in his acceptance to many other mentors and partners including Spielberg and former Paramount CEO Sherry Lansing, who presented the award.

“You’ve all enabled me the adventurous life that I wanted,” he said.

Cruise gave a closing shout-out to “all the audiences, for whom I work first and foremost, thank you for letting me entertain you.”

Other movies honored by the PGA included “Navalny,” which won for best documentary feature, “Guillermo del Toro’s Pinocchio,” which took best animated film, and “Till,” which won the Stanley Kramer Award honoring a production or producer that illuminates and raises public awareness of important social issues.

In the PGA’s television categories, “The Bear” won for best comedy, “The White Lotus” won for best drama, “Lizzo’s Watch Out For The Big Grrrls” won for best reality or competition series, “Stanley Tucci: Searching for Italy” won for non-fiction series, “The Dropout” won best limited series and “Weird: The Al Yankovic Story” won best TV movie.

Mindy Kaling received the Norman Lear Achievement Award in Television for her work producing shows including “The Mindy Project,” “The Sex Lives of College Girls,” “Never Have I Ever,” “Velma” and “The Office.”

“I’m a child of immigrants and that unexpectedly became my secret weapon,” Kaling said.

B.J. Novak, her former “Office” co-writer and co-star, presented Kaling with the award, saying she “cared about characters other people hadn’t cared about enough to put on TV, and they cared about things that other people on TV hadn’t cared about.”

Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

tom cruise record producer

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Tom Cruise (born July 3, 1962) is an American actor, producer and one of the highest-paid stars in Hollywood. His films, such as the popular "Mission: Impossible," "Top Gun" and Jack Reacher" action franchises, have grossed over $4 billion in North America and over $11.5 billion worldwide. Best known for performing his own death-defying stunts, Cruise has been nominated for four Academy Awards, eight Golden Globes (with two wins), an honorary Palme d'Or from the Cannes Film Festival and more. Cruise began his acting career in the 1980s, and his first major roles came in the 1983 comedy "Risky Business," Francis Ford Coppola's "The Outsiders" and the sports drama "All the Right Moves." His big breakout was the 1986 military drama "Top Gun," where he starred as U.S. pilot Pete "Maverick" Mitchell. In 2022, 36 years after "Top Gun," he revisited the role with "Top Gun: Maverick." It picked up six Academy Award nominations, including best picture, adapted screenplay, original song, film editing, visual effects and won for best sound. In 1990, Cruise earned his first Academy Award nomination for best actor with "Born on the Fourth of July," followed by another in 1997 for "Jerry Maguire" and a supporting actor nod in 2000 for "Magnolia." In 1996, Cruise launched his most iconic franchise and debuted as special agent Ethan Hunt in the first "Mission: Impossible" film. The series wraps up with a two part finale, "Mission: Impossible -- Dead Reckoning" in 2023 and 2024. His other major films include "Rain Man" (1988), "A Few Good Men" (1992), "Interview With the Vampire" (1994), "Minority Report" (2002) and "War of the Worlds" (2005).

July 3, 1962

Syracuse, NY

  • Mission: Impossible,
  • Top Gun: Maverick,
  • Jerry Maguire,
  • War of the Worlds

Golden Globe, "Magnolia," Best Performance by an Actor in a Supporting Role in a Motion Picture (Won), Golden Globe, "Jerry Maguire," Best Performance by an Actor in a Motion Picture - Comedy or Musical (Won), Golden Globe, "Born on the Fourth of July," Best Performance by an Actor in a Motion Picture - Drama (Won)

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Tom Cruise, ‘Everything Everywhere’ honored at producers’ awards

Tom Cruise attends the 95th Annual Oscars Nominees Luncheon at The Beverly Hilton on Feb. 13 in Beverly Hills, Calif.

BEVERLY HILLS, Calif. — Tom Cruise was honored for his nearly three decades of work as a producer, and “ Everything Everywhere All at Once ” solidified its status as the frontrunner for the best picture Oscar by taking the top prize at Saturday night’s Producers Guild of America Awards.

“We love you! We love you!” another Oscar favorite and one of the film's stars, Ke Huy Quan, shouted gleefully from the stage as Jonathan Wang and the other producers of the multiversal dramedy accepted the award for best theatrical motion picture.

The award has proven to be perhaps the best indicator for what will win the top honor at the Oscars, with four of the past five and 11 of the past 14 PGA winners going on to win best picture.

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PGA wins by “ CODA ” last year and “ Nomadland ” in 2021 set each apart as frontrunners before winning best picture.

The strong possibility of a big night at Sunday's Screen Actors Guild Awards could further mark “Everything Everywhere” as the film to beat at the March 12 Academy Awards.

Cruise the actor caused a stir inside and outside with his presence at the show at the Beverly Hilton in Beverly Hills, California, but his producing career beginning in 1996 with “Mission: Impossible" earned him the David O. Selznick Award at the PGAs, a life achievement honor previously bestowed on Steven Spielberg, Kevin Feige, Mary Parent and Brian Grazer.

“My whole life I wanted to make movies," said Cruise, wearing a tuxedo with his hair grown out to the length he wore it in “Mission: Impossible 2." "I wanted to travel the world, and have adventure."

Cruise talked about making his film debut in 1981's “Taps” at age 18 and how producer Stanley Jaffe let him in on every part of the process.

“I was certain this was something I wanted to do for the rest of my life," he said.

Cruise thanked Jerry Bruckheimer, producer of the original 1986 “Top Gun” and his producing partner on last year's “Top Gun: Maverick,” which also was nominated for the top PGA award and is up for the best picture Oscar.

“You opened the door for me,” Cruise told Bruckheimer. “You welcomed me in and I will be grateful forever.”

Since the first “Mission: Impossible,” Cruise has regularly been a producer on the films in which he has starred, including “Vanilla Sky,” “The Last Samurai," “Jack Reacher" and the other five films in the “Mission: Impossible” franchise.

He paid tribute in his acceptance to many other mentors and partners including Spielberg and former Paramount CEO Sherry Lansing, who presented the award.

“You’ve all enabled me the adventurous life that I wanted,” he said.

Cruise gave a closing shout-out to “all the audiences, for whom I work first and foremost, thank you for letting me entertain you.”

Other movies honored by the PGA included “Navalny,” which won for best documentary feature, “Guillermo del Toro's Pinocchio,” which took best animated film, and “Till,” which won the Stanley Kramer Award honoring a production or producer that illuminates and raises public awareness of important social issues.

In the PGA’s television categories, “The Bear” won for best comedy, “The White Lotus” won for best drama, “Lizzo’s Watch Out For The Big Grrrls” won for best reality or competition series, “Stanley Tucci: Searching for Italy” won for non-fiction series, “The Dropout” won best limited series and “Weird: The Al Yankovic Story” won best TV movie.

Mindy Kaling received the Norman Lear Achievement Award in Television for her work producing shows including “The Mindy Project,” “The Sex Lives of College Girls,” “Never Have I Ever,” “Velma” and “The Office.”

“I’m a child of immigrants and that unexpectedly became my secret weapon,” Kaling said.

B.J. Novak, her former “Office” co-writer and co-star, presented Kaling with the award, saying she “cared about characters other people hadn’t cared about enough to put on TV, and they cared about things that other people on TV hadn’t cared about."

Follow AP Entertainment Writer Andrew Dalton on Twitter: https://twitter.com/andyjamesdalton

TOM CRUISE is a global cultural icon who has made an immeasurable impact on cinema by creating some of the most memorable characters of all time. Having achieved extraordinary success as an actor, producer and philanthropist in a career spanning over three decades, Cruise is a three-time Oscar® nominee and three-time Golden Globe Award® winner whose films have earned over $10 billion in worldwide box office—an incomparable accomplishment. Eighteen of Cruise’s films have grossed over $100 million domestically, and a record 23 have made more than $200 million globally. His latest film, Mission: Impossible – Fallout has made over $775 million worldwide becoming Cruise’s most successful film to date.

Cruise has starred in numerous legendary films such as Top Gun, Jerry Maguire, Risky Business, Minority Report, Interview with the Vampire, A Few Good Men, The Firm, Rain Man, Collateral, The Last Samurai, Edge of Tomorrow, The Color of Money and the Mission: Impossible series, among many others. Combined, the Mission: Impossible franchise has brought in over $3.5 billion since Cruise conceived the idea for a film adaptation of the classic television series and produced the first in 1996. He is currently in production on the long-awaited sequel to Top Gun.

A consummate filmmaker involved in all aspects of production, Cruise has proven his versatility with the films and roles he chooses. He has made 43 films, contributing in a producing role on many of them, and collaborated with a remarkable list of celebrated film directors including Francis Ford Coppola, Ridley Scott, Tony Scott, Martin Scorsese, Barry Levinson, Oliver Stone, Ron Howard, Rob Reiner, Sydney Pollack, Neil Jordan, Brian De Palma, Cameron Crowe, Stanley Kubrick, Paul Thomas Anderson, Ed Zwick, Steven Spielberg, Michael Mann, J.J. Abrams, Robert Redford, Brad Bird, Doug Liman and Christopher McQuarrie.

Cruise received Academy Award® nominations for Best Actor for Born on the Fourth of July and Jerry Maguire. He was a Best Supporting Actor nominee for Magnolia and won Golden Globes (Best Actor) for Born on the Fourth of July and Jerry Maguire, in addition to a Best Supporting Actor prize for Magnolia. He also received Golden Globe nominations for his roles in Risky Business, A Few Good Men and The Last Samurai. Cruise has earned acting nominations and awards from BAFTA, the Screen Actors Guild, the Chicago Film Critics Association and the National Board of Review.

Cruise’s previous few films include the critically acclaimed American Made, The Mummy, Mission: Impossible – Rogue Nation, Oblivion and the suspense thriller Jack Reacher, which earned $218 million worldwide. Prior to that, he made a memorable appearance in Ben Stiller’s comedy smash Tropic Thunder, as the foul-mouthed Hollywood movie mogul Les Grossman. This performance, based on a character Cruise created, earned him praise from critics and audiences as well as his seventh Golden Globe nomination.

Cruise has been honored with tributes ranging from Harvard’s Hasty Pudding Man of the Year Award to the John Huston Award from the Artists Rights Foundation and the American Cinematheque Award for Distinguished Achievement in Film. In addition to his artistic contributions, Cruise has used his professional success as a vehicle for positive change, becoming an international advocate, activist and philanthropist in the fields of health, education and human rights. He has been honored by the Mentor LA organization for his work on behalf of the children of Los Angeles and around the world. In 2011 Cruise received the Simon Wiesenthal Humanitarian Award and the following year he received the Entertainment Icon Award from the Friars Club for his outstanding accomplishments in the entertainment industry and in the humanities. He is the fourth person to receive this honor after Douglas Fairbanks, Cary Grant and Frank Sinatra. Empire magazine awarded Cruise its Legend of Our Lifetime Award in 2014. Most recently, Cruise was the first actor to receive The Will Rogers Motion Picture Pioneers Foundation’s Pioneer of the Year Award in 2018.

  • Top Gun: Maverick (2021)
  • Mission: Impossible Fallout (2018)
  • American Made (2017)
  • The Mummy (2017)
  • Jack Reacher: Never Go Back (2016)
  • Mission: Impossible Rogue Nation (2015)
  • Edge of Tomorrow (2014)
  • Oblivion (2013)
  • Jack Reacher (2012)
  • Rock of Ages (2012)
  • Mission: Impossible – Ghost Protocol (2011)
  • Knight and Day (2010)
  • Valkyrie (2008)
  • Tropic Thunder (2008)
  • Lions for Lambs (2007)
  • Mission: Impossible 3 (2006)
  • War of the Worlds (2005)
  • Collateral (2004)
  • The Last Samurai (2003)
  • Minority Report (2002)
  • Vanilla Sky (2002)
  • Mission: Impossible 2 (2001)
  • Eyes Wide Shut (1999)
  • Magnolia (1999)
  • Jerry Maguire (1996)
  • Mission: Impossible (1996)
  • Interview with the Vampire (1994)
  • The Firm (1993)
  • A Few Good Men (1992)
  • Far and Away (1992)
  • Days of Thunder (1990)
  • Born on the Fourth of July (1989)
  • Rain Man (1988)
  • Cocktail (1988)
  • The Color of Money (1986)
  • Top Gun (1986)
  • Legend (1985)
  • Risky Business (1983)
  • All the Right Moves (1983)
  • The Outsiders (1983)
  • Losin’ It (1983)
  • Taps (1981)
  • Endless Love (1981)

Hollywood producers honor Tom Cruise and 'Everything Everywhere'

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Nominees Luncheon for the 95th Oscars in Beverly Hills

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Premiere for the television series 'Under the Bridge', in Los Angeles

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Taylor swift's 'tortured poets department' dominates us sales and billboard charts.

Pop megastar Taylor Swift sold 2.61 million album and streaming units of "The Tortured Poets Department" during its first week of release in the U.S., Billboard reported on Sunday, calling it "a gigantic debut at No. 1" on the Billboard 200 albums chart.

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Paula Wagner: Tom Cruise’s Former Producing Partner Explains What A Producer Actually Does

Paula Wagner is an unfamiliar name for many film-goers, but if you watch the first three Mission:Impossible  films, you’ll notice they’re made by Cruise/Wagner Productions. Wagner formed the production company with Tom Cruise in 1993. The joint venture marked Wagner’s transition from casting agent at CAA to producer. And Cruise/Wagner Productions gave Cruise more control over projects he acted in, and more of the profits.

Under an exclusive deal with Paramount Pictures, Cruise/Wagner Productions produced every one of Cruise’s films from  Mission: Impossible (1996) to Valkyrie  (2008). Other features made by the production company included The Others, Without Limits, Narc, Shattered Glass, Elizabethtown,  and  Death Race. While Cruise/Wagner closed it’s doors in 2008, after Paramount boss, Sumner Redstone, pulled the plug on his relationship with the production company, both Cruise and Wagner were established as powerful producers, with the lucrative partnership grossing more than $2.9 billion at the box office.

Since then, Wagner has produced two other Cruise projects– Jack Reacher  and  Jack Reacher: Never Go Back– and moved into independent projects, including Chadwick Bosman’s Marshall (2017),  a well-received true story about the first black Supreme Court Justice, Thurgood Marshall.

Wagner, as a result, knows how to co-ordinate the full gamut of film projects from big budget to smaller character-focused productions. In the following video by CookeOpticsTV below, she explains what the role of the film producer is.

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Top gun: maverick unintentionally broke a 23-year tom cruise record that helped its $1.4b success.

Top Gun: Maverick broke records across the board for Tom Cruise, and one unintentional milestone helped the movie become a box office hit.

  • Top Gun: Maverick's success at the box office broke records, making it Tom Cruise's highest-grossing movie, despite the unexpected factors contributing to its success.
  • The four-year gap between Tom Cruise's previous movie and Top Gun: Maverick created a heightened demand among audiences to see the action star again, adding to the film's success.
  • Tom Cruise is known for his busy schedule and intends to continue releasing movies regularly, ensuring that audiences won't have to wait too long for his next project.

Top Gun: Maverick was a massive success for Tom Cruise at the box office, and its record-breaking status includes setting a new milestone for the actor, even though it was not intentional. As a sequel to 1986's Top Gun , the wait to see Tom Cruise return as Maverick lasted much longer than anticipated. However, the movie's release proved that audiences were as eager as ever to experience this world again. Top Gun: Maverick broke box office records throughout the course of its theatrical run, such as becoming Tom Cruise's highest-grossing movie. There were many factors behind this success, but they were not all expected.

The $1.4 billion box office haul for Top Gun: Maverick was celebrated for what it meant in a post-pandemic landscape for Hollywood. It received praise for helping to save the movie industry, as it became a major example of audiences still being interested in coming to theaters to experience something that felt fresh, even if it was part of a well-known franchise. It became a very personal movie for Tom Cruise in that regard. His decision to return as Maverick after 36 years made Top Gun: Maverick a record-setting experience in terms of the gap between playing the same role, but there was another record unintentionally broken.

Top Gun: Maverick Ending Explained (In Detail)

Top gun: maverick released a record 4 years after tom cruise's last movie.

By the time Top Gun: Maverick was released in theaters, it had been four years since Tom Cruise's last movie. Audiences were largely thrilled and dazzled by Cruise's previous movie, 2018's Mission: Impossible - Fallout . This created an even greater demand to see Top Gun: Maverick , but repeated delays changed how long audiences had to wait to see the action star again. The sequel was meant to be released in 2020 before the COVID-19 pandemic shut down movie theaters. Cruise's disinterest in releasing Top Gun: Maverick on streaming saw the movie hold out for a full theatrical release two years later.

Waiting until 2022 to release Top Gun: Maverick means audiences experienced the largest drought in Tom Cruise's career between new movies. The biggest gap previously came to an end 23 years prior in 1999. The three-year wait between movies came as he starred in Mission: Impossible and Jerry Maguire in 1996, but productions for Eyes Wide Shut and Magnolia kept him out of theaters until 1999. The irony with Top Gun: Maverick setting this new Tom Cruise record is that it was not intentional. If the pandemic did not happen, his usual pace of appearing in a movie roughly every year would have continued.

Tom Cruise's Movie Drought Helped Top Gun: Maverick's Record-Breaking Box Office

Top Gun: Maverick 's box office run was much bigger than most anticipated, and it is fair to attribute at least a part of the formula for success to Tom Cruise's absence from the big screen. The A-list actor is a major box office draw and someone audiences have become accustomed to seeing routinely star in major blockbusters that offer thrilling action. Mission: Impossible - Fallout was arguably the pinnacle of that idea, making viewers even more excited to see what he could accomplish next. The practical jet-flying sequences in Top Gun: Maverick helped spark interest, but so too was the chance to see a movie star of Cruise's caliber again.

This is not to say that Top Gun: Maverick would not have been successful without being the end of Tom Cruise's longest movie drought. The movie's excellent reviews, thrilling flying sequences, and a perfectly timed release date all helped contribute to the film becoming a $1.4 billion box office force. However, the long-awaited return of Cruise as Maverick was undeniably a significant factor. The fact that audiences had to wait several more years than initially expected and had no Tom Cruise movies to fill the void meant the demand for Top Gun: Maverick became even greater.

Tom Cruise Won't Have Another Massive Movie Absence Anytime Soon

Tom Cruise is one of the busiest actors in Hollywood, and it is not his preference to be missing for too long. Before Top Gun: Maverick 's delays, the actor was on a nine-year streak of appearing in at least one movie per year. Cruise typically attempts to have a new movie in theaters every single year, or only have one vacant year between them. He followed up Top Gun: Maverick the next year with Mission: Impossible - Dead Reckoning Part One , while Mission: Impossible 8 will come two years later after its own delays. Meanwhile, Cruise is known to have several other projects in various stages of development.

This will help ensure that audiences and theaters do not experience another massive Tom Cruise movie drought in the immediate future. He has enough movie ideas confirmed to be in development to keep him busy through the start of 2030, and there is always the chance that other new opportunities will arise. For that reason, it would be quite unexpected if audiences had to wait more than four years between Tom Cruise movies and break the drought record Top Gun: Maverick ended.

Top Gun: Maverick

The Transformation Of Tom Cruise From 21 To 58 Years Old

Tom Cruise posing in 1981

There's a lot that can be said about Tom Cruise . The star is a Golden Globe-winning actor, producer, and dad of three . Cruise is known in Hollywood as one of the highest-paid stars, and he's held that status for decades.

Cruise is the only son of four children, who was raised by his mom, Mary Lee (née Pfeiffer), a special education teacher, and dad, Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, where he lived for 11 years, but Cruise moved to Glen Ridge, New Jersey, with his mother following his parents' divorce in 1973, per IMDb .

As a kid, Cruise struggled to fit in, and in school, he spent his years trying to hide his dyslexia, which he was diagnosed with at age 7. The actor once described his younger self as "functionally illiterate" (via Dyslexiahelp.umich.edu ), but fortunately, he excelled in sports. In fact, he once considered pursuing a career in professional wrestling, but he suffered a knee injury during high school that , per Biography . 

After a teacher encouraged Cruise to join the school's production of the musical "Guys and Dolls," he fell in love with acting, and well, the rest is history. Since then, Cruise has captivated audiences around the globe, and his transformation is nothing short of amazing.

Tom Cruise sets off to New York City with dreams of becoming a star

Tom Cruise had big plans to become a Hollywood star, and he set off to New York City with his dreams at the forefront. Though he struggled to get his career off the ground in the beginning, he persevered and kept auditioning before landing his debut gig in 1981's "Endless Love," starring icon Brooke Shields. That same year, he appeared alongside Sean Penn in "Taps."

By 1983, Cruise was establishing himself as an up-and-coming heavyweight, snagging roles in 1983's "Losin' It," "Risky Business," and "The Outsiders." He portrayed the character of Steve Randle, a member of the group of young actors dubbed the "Brat Pack," with Emilio Estevez, Matt Dillon, and Rob Lowe. Though "The Outsiders" didn't receive the praise it was hoping, the gig led to roles in 1985's "Legend," and ultimately, his iconic starring appearance in 1986's " Top Gun ."

"Top Gun," which became the highest-grossing film of that year (via Chicago Tribune ), confirmed Cruise's status as an A-list actor and catapulted the star into a life of fame and superstardom. According to Box Office Mojo , the action-romance flick, which follows the story of Cruise's character, Lt. Pete "Maverick" Mitchell, as he joins an elite naval flight school, has earned more than $176 million in the box office to this day.

Tom Cruise becomes one of Hollywood's highest-paid actors by the 1990s

With "Top Gun" on his résumé, Tom Cruise established himself as a Hollywood hotshot, and by that time, he was making the big bucks. In the late 1990s, Cruise snagged the title of one of showbiz's highest-paid actors in the world, according to Celebrity Net Worth .

The handsome heartthrob had already earned $9 million for 1990's "Days of Thunder" and another $15 million for his work on "Interview With the Vampire" in 1994, but his bank account skyrocketed when he landed the starring role in "Mission Impossible" in 1996. Entertainment Weekly reported he "pocketed $70 million" for the hit action film, and he also "negotiated a chunk of 'Mission's' overall $465 million gross."

Cruise's monetary gain is so impressive that a report from Casumo claims he pockets more than $7,000 per word. "When taking into account everything he's been in for almost 40 years, supposedly it's as much as $7,091 per word," CinemaBlend reported in April 2020.

But, while Cruise has more money than one could ever imagine, the producer knows he has earned every dollar in his $600 million fortune. "I get paid because I'm worth it and they should pay me that much. But I've never done work for money, ever," he shared with Vanity Fair in 2000 (via The Uncool ). "It is my life, it is what I do, it is what I love to do."

Tom Cruise falls in love with Nicole Kidman and starts a family

As he was cementing his place in the entertainment industry, Tom Cruise was also experiencing changes in his love life. The star walked down the aisle with his first wife, Mimi Rogers , in 1987, and they were together for three years. After they split in 1990, though, Cruise was not single for long, as he developed a deep bond with Nicole Kidman when they met on the set of "Days of Thunder."

Cruise wasn't the only one who was instantly smitten. "He swept me off my feet," Kidman recalled to Vanity Fair in December 2002. "I fell madly, passionately in love." Later that year, Cruise and Kidman said "I do," and by 1995, they were the parents of their adopted kids, daughter Isabella Jane Cruise and son Connor Cruise .

Over the next few years, Cruise and Kidman raised their kids while juggling their busy careers as Hollywood stars. In 1997 and 1998, they worked together on "Eyes Wide Shut," an erotic thriller directed by legend Stanley Kubrick. The actor landed other gigs, including 1999's "Magnolia" — which earned him a Golden Globe and Academy Award nomination for Best Supporting Actor — followed by "Mission: Impossible II" in 2000 (via IMDb ).

Just one year later, though, Cruise experienced turmoil in his personal life as he and Kidman split in 2001. Per Entertainment Weekly , the "Vanilla Sky" lead filed for divorce , citing "irreconcilable differences" as the reason.

Tom Cruise marries wife No. 3 Katie Holmes

Following his split from Nicole Kidman, Tom Cruise fixated his focus on his acting career, and throughout the early 2000s, he balanced several roles in "Minority Report," "Austin Powers in Goldmember," and "Collateral." By April 2005, Cruise's personal life started making headlines once again when he publicly debuted his relationship with Katie Holmes .

While many speculated their romance was a publicity stunt, as Cruise was starring in "War of the Worlds" while Holmes was cast as the lead in "Batman Begins," they proved how serious they were when they got engaged less than two months later in June, per The Hollywood Reporter . Before they got the chance to walk down the aisle, though, Cruise expanded his family when Holmes gave birth to their daughter, Suri Cruise , in April 2006.

The duo wed seven months later in November, marking Cruise's third trip down the aisle. Marrying the Hollywood hunk was an unbelievable moment for Holmes, who told Seventeen magazine she "used to think I was going to marry Tom Cruise" as a little girl (via The Hollywood Reporter). However, their romance eventually came to end in June 2012 when Holmes filed for divorce. At the time, Cruise's attorney called their split "a private matter," adding the actor's No. 1 priority was their "daughter's best interests" (via People ).  

Tom Cruise focuses on his career, Scientology, and love

Following his a string of unsuccessful marriages, Tom Cruise became much more guarded in terms of his personal life. By 2016, Cruise sold both his L.A. mansions and purchased a penthouse in Clearwater, Florida, to focus on his work as a Scientologist. According to People , the home happens to be just one block away from the Church of Scientology's international headquarters.

Cruise has been a committed member of the controversial church since 1990, per Insider , and his involvement has been debated for years, especially since a source told Us Weekly in July 2019 that he's "not allowed" to see Suri. Regardless of the claims, plus the fact that Cruise has not been seen in public with Suri since 2013 , the Church fought back, telling Us, "Everything about your inquiry misrepresents the Church of Scientology."

These days, Cruise is also heavily involved in Hollywood, as he's set to star in several upcoming films . Most impressively, he's cast in an untitled project that will be filmed in space, per The Space Shuttle Almanac (via The Independent ).

Cruise isn't just busy in his professional life, though. The actor is reportedly dating actress Hayley Atwell . The two met on the set of "Mission: Impossible 7" and "hit it off from day one," The Sun reported in December 2020. "They've become fairly inseparable. They get on brilliantly, and both seem very happy." It looks like Cruise's long and admirable journey has certainly paid off.

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Producers Guild Awards honor 'Top Gun' Tom Cruise, give top prize to 'Everything Everywhere All At Once'

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LOS ANGELES – "Top Gun: Maverick" producer and star Tom Cruise was honored Saturday with a career achievement award at the 34th annual Producers Guild of America Awards.

However, the producers awards show bestowed the top prize of the night to  "Everything Everywhere All At Once," widening the sci-fi drama's lead as best picture front-runner.

The PGA is often seen as an Oscar bellwether. Eleven of the past 14 PGA winners have gone on to win best picture – meaning losing  the award  might have crushed the best picture hopes for "Top Gun: Maverick" at the Oscars on March 12.

How 'Top Gun: Maverick' can win best pic: The PGA is crucial

Tom Cruise is 'Top Gun' schmoozer: Academy calls Will Smith response 'inadequate'

Former Paramount CEO Sherry Lansing presented the David O. Selznick Achievement Award to Cruise, 60. Lansing recalled casting the actor for the 1981 drama "Taps."

"He had that magical undefinable quality called charisma.  Equally important, Tom had an incredible work ethic. Even then, he was always the first on the set, always well prepared and respectful to everyone," said Lansing. "Over 42 years later, despite phenomenal success, Tom Cruise is still that very same person."

Tom Cruise on making his dreams come true

Lansing greenlit 1996's "Mission: Impossible," the movie that began Cruise's producing career. As a studio head, Lansing admitted she was initially concerned that Cruise, already one of the biggest stars in the world, wanted to take on a movie version of the classic TV ensemble drama.

But Lansing's fears of diluting Cruise's star power with a movie ensemble disappeared when she read the first draft script Cruise sent over.

"I have to admit that I was delighted to find that in the very first few pages of the script, the entire 'Mission: Impossible' team is killed, except for Ethan Hunt, which is Tom's character," said Lansing. "And he spends the rest of the movie avenging their murders."

Cruise recalled his early days shooting "Taps" with Timothy Hutton and then-newcomer Sean Penn.

"I was certain this was something I wanted to do for the rest of my life," Cruise said, recalling that he studied the movie-making process. "I was overwhelmed by what I didn’t know."

Tom Cruise thanks movie audience for 'Tom Gun: Maverick'

Cruise thanked Jerry Bruckheimer, his producer of the original 1986 “Top Gun” and his producing partner on the long-awaited sequel "Maverick."

"You opened the door for me," Cruise told Bruckheimer. "You welcomed me in and I will be grateful forever."

Cruise paid tribute to the producers in the ballroom along with mentors like Steven Spielberg and Lansing,

"You’ve all enabled me the adventurous life that I wanted,” he said.

Cruise has been lauded for fighting to keep the theatrical window for "Top Gun: Maverick" despite pandemic theater closures. At the PGA, Cruise gave thanks to movie audiences "for whom I work first and foremost. Thank you for letting me entertain you, and I promise I'll always do everything I can to accomplish that goal."

Other movies (and TV) honored by the PGA:

"Navalny" won for best documentary feature,

“Guillermo del Toro’s Pinocchio,”  took best animated film.

"Till" won the Stanley Kramer Award honoring a production or producer that illuminates and raises public awareness of important social issues.

TV's “The Bear” won for best comedy.

“The White Lotus” won for best drama.

“Lizzo’s Watch Out For The Big Grrrls” won for best reality or competition series.

“Stanley Tucci: Searching for Italy” won for non-fiction series, “The Dropout” won best limited series and “Weird: The Al Yankovic Story” won best TV movie.

Mindy Kaling received the Norman Lear Achievement Award in Television for her work producing shows including “The Mindy Project,” “The Sex Lives of College Girls,” “Never Have I Ever,” “Velma” and “The Office.”

This article originally appeared on USA TODAY: Tom Cruise honored at PGA; 'Everything Everywhere' takes top prize

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Alejandro González Iñárritu with Tom Cruise at the Baftas in 2016.

Tom Cruise signs up for new film by The Revenant director Alejandro G Iñárritu

The Top Gun star will take a break from action blockbusters to make an English-language film with the multiple Oscar-winning Mexican director

In a dramatic departure from his recent run of large-scale action blockbusters, Tom Cruise has agreed to appear in the new film from Birdman director Alejandro González Iñárritu .

According to Deadline , Cruise has signed on to star in the film, about which little is known other than that it will be in English and has been written by Iñárritu along with Sabina Berman, as well as Birdman co-writers Alexander Dinelaris and Nicolas Giacobone.

The film is due to be produced by Warner Bros under Cruise’s recently announced non-exclusive contract with the studio, which allows for Cruise to work on projects for other Hollywood entities. A third Top Gun film is in the works at Paramount, and Cruise is believed to currently be filming Mission Impossible – Dead Reckoning Part Two, production of which was delayed by Covid, and which is due for release in May 2025. Cruise is also working “diligently” on a long-gestating project that involves shooting in space.

Alongside his success in action movies, Cruise has a strong record in more dramatic and comedic films. In 1994 he starred alongside Brad Pitt in Interview with the Vampire , and followed it up with the lead role in Jerry Maguire, for which he was Oscar nominated. In 1999, he appeared in Stanley Kubrick’s final film Eyes Wide Shut, and subsequently received a best supporting actor Oscar nomination for his role in Paul Thomas Anderson’s Magnolia. In 2005 he starred opposite Jamie Foxx in Collateral, and played a movie producer in the 2008 comedy Tropic Thunder.

Iñárritu, the first Mexican to be nominated for the best director Oscar, released Bardo, False Chronicle of a Handful of Truths in 2022, and last made an English-language film in 2015 with The Revenant, starring Leonardo DiCaprio. His films have won eight Academy awards, including three for The Revenant (including best director) and a special achievement Academy Award for the virtual-reality short film Flesh and Sand.

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This Unexpected Cameo Is Tom Cruise’s Best Performance Ever

Tom Cruise’s cameo in Tropic Thunder demonstrates how thoroughly he can disappear into a role.

To say that Tom Cruise is one of the biggest Hollywood celebrities ever to exist would either be hyperbole or an understatement, depending on the era and measurement. His career thus far has spanned three decades and is about to exit Earth’s orbit - literally . He is known for pushing the boundaries of what his body and skills can portray on film, such as the incredible stunts he regularly performs for his mega-franchise Mission Impossible, or the meticulous training he puts himself through to perfect a character . His global celebrity has restricted him to only a few chances to let his hair down and have fun for a change, but when he does the result is unforgettable. In fact, arguably his best performance ever given was just such an occasion when he played Les Grossman in 2008’s brilliant Tropic Thunder.

Undoubtedly known as a serious actor and an action star, Tom Cruise rarely puts himself in comedies of the magnitude that is Tropic Thunder . The outrageous and hilarious spoof brought out the best of Cruise’s comedic talent and teased audiences to a future movie that sadly never materialized. Tropic Thunder starred Ben Stiller, Robert Downey Jr., Jack Black, and several other Hollywood celebrities like Matthew McConaughey, Nick Nolte, Bill Hader, and Dany McBride. Though controversial in many regards, it became a global success and one of the funniest comedies of the early 21st Century. This already perfect comedy is elevated by sneaking in Tom Cruise behind a fat suit and a bald cap!

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“Mm, That’s Good Satire”

Tropic Thunder operates on many layers of comedy, satire, parody, and unintentional real-life irony. First, as a comedy, it is a movie about making a fake movie that turns “real life” dangerous. Second, in satire, it skewers the bloated Hollywood organism . Third, the characters parody a range of Hollywood types like the cocaine-addled comedian, the overzealous Oscar hound, and the chiseled action star diva. Figures behind the camera are also parodied like the first-time director type, the brown noser executive assistant, and the high adrenaline power-mad Studio Executive. All these types so common to Hollywood are turned into caricatures on screen for the industry and audiences’ amusement.

A fair example of how Tropic Thunder 's once-praised satire has not exactly aged well is Robert Downey Jr.’s character. This is where it gets ironic as well. 2008 is the same year Downey starred in the first Iron Man . He was regaining his celebrity after recovering from years of addiction abuse. He was already a marquee actor from his Oscar nomination sixteen years earlier for Chaplin (1992). Most likely just for kicks, he decided to star alongside Ben Stiller in Tropic Thunder as the Australian method actor and five-time Oscar winner Kirk Lazarus.

Lazarus is such a serious actor that to portray the black soldier Lincoln Osiris he undergoes a skin alteration to change his own skin color black. He deepens his voice as well to play Osiris, but it is a naïve, misunderstood, offensive, yet almost innocent to the point of gross stupidity, performance. Lazarus is so “focused” and “committed” to the role that he blindly dives headfirst into blackface. Despite the fact that the movie is supposedly making fun of the idea of blackface, at the same time, it is still doing it. This is the sort of "satire" that has (thankfully) fallen out of favor with audiences.

Lazarus is so dedicated to winning another Oscar that he creates an unrestrained, horrible, racist stereotype of a character – the exact opposite of what would get him nominated for another Academy Award. The unintended irony to all of this is that in real life, Robert Downey Jr. then gets an Oscar nomination for Best Supporting Actor for playing Kirk Lazarus playing Lincoln Osiris in Tropic Thunder .

Tom Cruise as Les Grossman

Tropic Thunder is already an unrivaled comedy by those chops alone , but to feature a cameo from Tom Cruise in a role so debauched as Les Grossman is just unbelievably awesome. Cruise has played in comedies before, such as his brief appearance playing Austin Powers in 2002’s Goldmember but never with the same commitment and depth as Tropic Thunder. Never before or since, sadly.

Originally, Cruise was supposed to play Ben Stiller’s agent Rick Peck ( ultimately played by Matthew McConaughey ). Instead, Cruise offered up a new character of his own invention. Wearing a fat suit, a bald cap, enlarged plastic hands, and a whole lot of chest and arm hair, Cruise became Les Grossman, the Studio Executive providing the money behind the movie who is also a raging foul-mouthed ogre. The personality of Grossman and the villainous role he would play in the film was all initiated by Cruise and developed alongside Ben Stiller. This proves that on top of everything else Cruise can do on camera , he can also be an original source of enormous comedy.

Les Grossman could be considered Tom Cruise’s best performance because he essentially erases himself in the character. If one was not told that Les Grossman was played by Tom Cruise, one would have a very hard time recognizing the actor. The mannerisms, the dance moves, the look are all out of the ordinary for a superstar like him, which is why the performance is such a magnificent sight to behold. Grossman is such a unique character it highlights the talent of Tom Cruise to a new degree. The fact that he never played a role like this again is a heavy loss for the greater movie-going public.

Tropic Thunder is a brilliant high watermark for comedy. To quietly contain Tom Cruise’s best performance ranks it even higher on the scales as one of the best movies ever made. Hopefully, after Tom Cruise finishes with the Mission Impossible franchise he launches the Les Grossman Cinematic Executive Universe .

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Tom Cruise produced a movie in Eugene during the summer of 1996 about Steve Prefontaine

In 1996 a film crew descended on Eugene to make a movie about Steve Prefontaine.

The film followed the relationship between record-breaking distance runner Steve Prefontaine and his coach Bill Bowerman.

Prefontaine was a star athlete from Coos Bay who ran for the University of Oregon and later competed in the Olympics in the 1970s.

He died in an automobile accident in Eugene on May 30, 1975, at the age of 24.

The film was written and directed by Robert Towne and produced by Tom Cruise.

Hundreds of locals appear as extras in the film at locations around Oregon, Lane Community College and Hayward Field.

The $25 million movie was released and distributed by Warner Bros. in 1998.

Cruise himself visited Eugene in 1998 for a screening of the film at the McDonald Theater.

The movie was well-received by critics but ended up grossing only $777,000 at the box office.

Contact photographer Chris Pietsch at [email protected] , or follow him on Twitter @ChrisPietsch and Instagram @chrispietsch

This article originally appeared on Register-Guard: Tom Cruise produced a movie in Eugene during the summer of 1996 about Steve Prefontaine

Tom Cruise waves to fans outside the McDonald Theater in Eugene in 1998 during the screening of “Without Limits.”

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  1. Tom Cruise

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