the visit movie grandma

‘The Visit’ Ending Explained: Family Reunions Can Be Torture

What's wrong with Grandma?

The Big Picture

• In M. Night Shyamalan's The Visit , the main characters discover that the grandparents they are staying with are actually dangerous imposters.
• The twist is revealed when the children's mother realizes that the people claiming to be their grandparents are strangers who have assumed their identities.
• The climax of the film involves a tense and dangerous confrontation between the children and the imposters, resulting in the reveal of the true identities of the grandparents.

M. Night Shyamalan is considered a master at delivering drop-your-popcorn-level twisty conclusions to his haunting films. People still talk about the end of The Sixth Sense as perhaps one of the greatest twists in the history of modern cinema. The jaw-dropper at the end of Unbreakable ranks close to the top as well. But there is another pretty decent curveball that the director tosses up in a lesser-known movie that is currently streaming on Max. In 2016's The Visit (which is currently streaming on Max ) he plays on the hallowed relationship between children and their doting grandparents. How could Shyamalan toy with the innocence of this? It is an excellent film that deftly blends found footage with the director's signature slow-burning tension to leave audiences with yet another "WTF?" moment . Let's dig into what exactly happens at the end of his underrated movie, The Visit .

Two siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.

What is 'The Visit' About?

Young Becca Jamison ( Olivia DeJonge ) and little brother Tyler ( Ed Oxenbould ) are sent away by their divorced mother Loretta ( Kathryn Hahn ) to finally meet and spend some time with their grandparents , Frederick, or Pop Pop ( Peter McRobbie ), and Maria, better known as Nana ( Deanna Dunagan ). They have a nice rural estate away from the hustle and bustle of the city, and it feels like this is going to be a heartwarming story of two generations of the Jamisons getting to know each other. It seems a bit odd that these two preteens have yet to meet their maternal grandparents, but Shyamalan explains that nicely in the first few scenes: Loretta has had a years-long falling out with her parents after leaving the family farm at the age of 19.

M. Night Shyamalan’s Eerie Found Footage Horror Movie Deserves Another Look

Loretta is still estranged from her parents but she wants her children to have a relationship with them — she only wants to go on a cruise with her new boyfriend and needs someone to watch the kids. So, the children have no idea what their Nana and Pop Pop actually look like. And you can feel something amiss from the very beginning of the film as the two precocious but excited kids set off to meet their grandparents. The entire film is told through the kids' (mainly Becca, an aspiring filmmaker) camcorder, as they have decided to document their trip. It's clear right away that Becca resents her father as a result of his abandonment, as she refuses to include any footage of her dad in her film.

Shyamalan Expertly Builds Tension in 'The Visit'

Upon the kids' arrival, Nana and Pop Pop seem like regular grandparents with regular questions like, "Do you like sports?" and "Why are your pants so low?" Nana tends to the chores like cooking and cleaning while Pop Pop handles the more rugged work outdoors like cutting wood. Naturally, Shyamalan tightens the screws immediately when the audience discovers that there is little to no cell phone reception, so he can isolate our four players into a single space. The Grandparents seem fairly easygoing but they have one strict rule — the kids must not come out of their bedroom after 9:30 pm. The very first night, Nana exhibits some bizarre behavior, walking aimlessly through the downstairs portion of the house and vomiting on the floor. However, the next morning she seems to be just fine.

Pop Pop explains to Becca and Tyler that she suffers from "sundowning" which is a very real diagnosis that usually affects the elderly . He tells them that at night Nana gets this feeling that something is in her body and just wants to get out. Pop Pop is clear and coherent, and yet again, we, along with our two young lead characters, assume the grandparents, while odd, are nothing to fear. A Zoom call with Loretta further assuages their fear by explaining away all the strange behavior as part of getting older. It's a back-and-forth that Shyamalan expertly navigates by pushing the audience only so far before reeling it back in with a logical explanation. But soon, things become inexplicably dire and dangerous.

"What's in the shed?" Tyler asks as he looks into the camera while contributing to Becca's documentary . "Is it dead bodies?" What he discovers is a pile of used, discarded adult diapers filled with Pop Pop's excrement. The smell sends Tyler reeling, and he falls out of the shed onto the snowy ground. This time, it's Nana who explains away Pop Pop's odd behavior. She tells her grandson that Pop Pop has incontinence and is so proud that he hides his waste in the shed. At this point, everything seems very odd to say the least, but there is nothing to suggest anything sinister is afoot . Not yet anyway. Even after he attacks a random stranger who he believes is watching him out on the streets on a trip into town, you still just think that maybe Pop Pop may just have a loose screw. However, the sense that these elderly people are something more than doting parents is intensified when Nana leaves Becca inside the oven for several seconds.

What Is the Twist at the End of 'The Visit'?

"Those aren't your grandparents?" Get the heck out of here! What?! Loretta finally sees the two people claiming to be her parents and tells Becca and Tyler via Skype that they aren't their beloved Nana and Pop Pop, but two complete strangers who have assumed their identities. Loretta immediately calls the police, but it will take hours for help to arrive at the remote farmhouse. Becca and Tyler are going to have to play along with these dangerous imposters. After the most tense and awkward game of Yahtzee in the history of board games, things get really, really ugly. Nana and Pop Pop haven't laid a hand on either of the kids in the movie so far. You can feel the slow and excruciating tension that Shyamalan is building . He knows that the audience is waiting for that "point of no return" moment when it is crystal clear that Becca and Tyler's lives are in danger. Becca manages to escape to the basement to discover the dead bodies of two elderly people murdered. Nana and Pop Pop are escaped mental patients from the nearby psychiatric hospital and have killed the real Jamison grandparents.

What Happens at the End of 'The Visit'?

Pop Pop realizes their cover is blown and becomes physical with Becca. He's upset that Becca is ruining Nana's perfect week as a grandmother. He tells her, "We're all dying today, Becca!" pushing her into a pitch-black upstairs room. Meanwhile, he grabs Tyler and takes him into the kitchen, and does one of the most foul and stomach-turning things ever in a Shyamalan film . He takes his used diaper and shoves it in the boy's face. He knows that Tyler is a germaphobe, and it is the most diabolical and traumatizing thing he could do to the boy. Becca is trapped upstairs with the sundowning Nana, fighting for her own life. After a struggle, Becca grasps a shard of glass from the broken mirror and is able to stab Nana multiple times in the gut.

She breaks the lock on the door and runs downstairs to help Tyler. She pulls "Pop Pop" off her traumatized younger brother. Suddenly, Tyler snaps out of his stupor and releases the pent-up anger of his football tackling lessons with his estranged father. He knocks Pop Pop to the ground and slams the refrigerator door on his head over and over . This is significant because earlier in the movie, Becca ribs Tyler about how he froze up during a big play in a youth football game, and this time he comes through to save Becca in the final kitchen scene conquering his biggest fears.

Loretta and the police arrive and the kids run frantically out of the house. The final scene has Loretta setting the record straight for the documentary about the traumatic moments surrounding her running away from home. 15 years before the events of the film, before Becca was born, Loretta fell out with her parents over her decision to marry her teacher. The argument led to Loretta and her parents getting physical with each other, and she left home that night and never responded to their attempts and pleas to reconnect. It's the most emotional scene in the film as Loretta is feeling a huge amount of guilt at never getting to say she was sorry for the strained relationship between her and her parents or getting to possibly hear an apology for the wrongs they also committed. Loretta tells Becca "Don't hold on to anger! You hear me?" The two then share a meaningful embrace. And the final shot is of the two kids with their dad on a birthday when they were much younger.

The Visit is available to stream on Max in the U.S.

Watch on Max

Screen Rant

The grandparents in the visit explained: breaking down the twist's clues & reveal.

M. Night Shyamalan's The Visit has a big twist and shocking reveal about the grandparents, and there were many clues to this throughout the movie.

Spoilers for M. Night Shyamalans' The Visit.

• Loretta's strained relationship with her parents and lack of photos and communication were clues to The Visit's twist.
• Becca and Tyler had never met their grandparents before and didn't know what they looked like.
• The grandparents had strange rules, and Nana's odd behavior during hide-and-seek hinted at their true intentions.

M. Night Shyamalan’s The Visit has every element that makes a Shyamalan horror movie, including a plot twist that was hinted at throughout the whole movie. After rising to fame in 1999 with The Sixth Sense , M. Night Shyamalan has continued to make movies, mostly horror ones that often include a twist and shocking reveal. Although these elements led to predictable and disappointing reveals and movies, there are others with interesting twists that added to the tension of the story, as was the case of the 2015 found footage horror movie The Visit .

The Visit follows siblings Becca (Olivia DeJonge) and Tyler (Ed Oxenbould), who live with their divorced mother, Loretta (Kathryn Hahn). Loretta hasn’t talked to or seen her parents in 15 years, but when they get into contact with her, Becca and Tyler convince her to let them visit them for a week. As they have never met their grandparents, Becca decides to make a documentary film of the experience. Once with their grandparents at their isolated farmhouse, it all seems normal at first but gets gradually stranger and more disturbing, leading to a shocking reveal: the “grandparents” aren't the real ones, and they killed Loretta’s parents to pose as them .

M. Night Shyamalan's Films Ranked From Absolute Worst To Best (Including Old)

Loretta had no relationship with her parents in the visit, loretta didn’t even take her children to the farm..

The first big red flag in The Visit that pointed at this not being a typical trip to the grandparents’ house was Loretta’s relationship with them. At the beginning of The Visit , Loretta explained that she left her parents’ home after falling in love with Becca and Tyler’s father, whom her parents never approved of. Loretta didn’t share more details at first, but at the end of The Visit , it’s revealed that she had a major argument with her parents in which she hit her mother and her father struck her, and after that, she ignored all their attempts to contact her.

Loretta’s resentment and anger went as far as not showing her children photos of her parents , nor did she make the effort to accompany her children to her parents’ house – after all, it was their first time going there and meeting their grandparents. Loretta’s estranged relationship is one of the biggest and earliest clues to The Visit ’s big twist.

Becca & Tyler Had Never Seen Their Grandparents Before

Becca & tyler had no idea what their grandparents looked like..

Not making them part of her and her children’s lives, and not having any photos of them, made it so Becca and Tyler had no idea of what they actually looked like.

Loretta’s difficult relationship with her parents led to her not talking about them, not making them part of her and her children’s lives, and not having any photos of them, so Becca and Tyler had no idea of what they looked like. This certainly made it easier for the fake grandparents to lure Becca and Tyler in , but it was yet another hint at this not being a normal trip to visit the grandparents.

The Kids Weren’t Allowed To Leave Their Room After 9:30 pm.

The grandparents had a couple of rules that had to be followed..

The first rule was because the “grandparents” were hiding the bodies of the real ones in the basement.

Once at the farm, it seemed like a quiet and calm place and the grandparents seemed pleasant, but they had a couple of rules that Becca and Tyler had to follow. The first one was that they weren’t allowed to go into the basement because it had mold, and the second one was that bedtime was at 9:30 every day, and they weren’t allowed to leave their room after that. The first rule was because the “grandparents” were hiding the bodies of the real ones in the basement, but the second one was more complicated.

Nana acted erratically at night , projectile vomiting, running around the house, crawling like an animal, and ripping the walls while naked, among other disturbing things. Leaving their room after 9:30 pm would have not only endangered Becca and Tyler, but it would have also revealed there was something wrong with the grandparents.

Nana’s Odd Behaviour During Hide-and-Seek

One of the visit’s biggest scarejumps..

With not much to do at the farm, Becca and Tyler decided to play hide and seek under the house, but to their surprise, Nana was also there. Nana chased Tyler and Becca, crawling like an animal , and when they all got out, she acted as if nothing had happened and went back inside the house. That same behavior was repeated later on in the movie, further disturbing Becca and Tyler.

Pop Pop Attacked An Unknown Man On The Street

Pop pop believed he was being followed..

Another red flag in Pop Pop’s behavior (after the reveal of the shed with piles of soiled diapers) was when he and Nana took Becca and Tyler to see the school Loretta attended when she was younger. There, Pop Pop saw a man on the other side of the street and, believing he had been following them for a while, attacked him. It wasn’t until Becca stopped him that Pop Pop realized he didn’t know the man, and though this was brushed off by Becca and Loretta as “old people” behavior, Tyler knew something wasn’t right.

Nana “Accidentally” Covered Becca’s Laptop Camera With Dough

Nana temporarily left becca & tyler without their webcam..

Becca and Tyler kept in touch with Loretta through video calls every day while Loretta was on a cruise with her new boyfriend. One day, Nana apologized to Becca for ruining her laptop as she spilled dough on it and tried to clean it but couldn’t get rid of the dough on the camera. Loretta wasn’t able to see her kids because of this , but it was soon clear Nana did it on purpose so Loretta couldn’t see them and thus tell the kids they weren’t the real grandparents.

Dr. Sam’s Visit To Check On The Grandparents

Dr. sam’s visit was a big clue to what happened to the grandparents..

Had the grandparents been home when Dr. Sam arrived, The Visit would have ended earlier.

During their time at the farm, only two people came to visit. The first one was Dr. Sam, who worked at the same hospital where Becca and Tyler’s grandparents volunteered. The grandparents weren’t around when Dr. Sam arrived, but he told Becca and Tyler that he wanted to check on them as they hadn’t gone to work in a couple of days. Had the grandparents been home when Dr. Sam arrived, The Visit would have ended earlier.

Nana Asked Becca To Clean The Oven

Nana had other intentions..

In one of the most suspenseful and strangest moments in The Visit , Nana suddenly asked Becca to help her clean the back of the oven. Becca did so to help her, but Nana insisted that she reach the far back of it, thus getting in completely. Although Nana didn’t do anything to Becca the first time, the second time she asked her for help she closed the oven to clean the outside and then opened it again, letting Becca out.

This moment is reminiscent of the tale of Hansel & Gretel and how the witch tried to trick Gretel into getting inside the oven.

Stacey’s Visit & Confrontation

Stacey realized these weren’t the real grandparents..

The second visit was from a woman named Stacey, whom Becca and Tyler’s real grandparents had helped in counseling at the hospital. As the grandparents weren’t home when she arrived, she returned later and came face to face with the fake grandparents. Stacey tried to get them to leave with her to take them back to the hospital, but they ended up killing her and hanging her body from a tree. Stacey realized these weren’t Becca and Tyler’s real grandparents , but the siblings didn’t understand her reaction.

Why Nana & Pop Pop Killed The Real Grandparents

Becca & tyler never got to meet their real grandparents..

Nana was revealed to have committed murder in the past, and they were both jealous of the real grandparents’ happiness and the visit of their grandkids.

During Becca and Tyler’s final night at the farm, the truth was unveiled: Nana and Pop Pop were patients at the mental hospital where Becca and Tyler’s grandparents volunteered, and the real ones were murdered by them and their bodies kept in the basement. Nana was revealed to have committed murder in the past, and they were both jealous of the real grandparents’ happiness and the visit of their grandkids , so they killed them and took their place.

Clues like Loretta having no photos of her parents and the kids never having met them were necessary to keep the big reveal of The Visit a secret, while others like Dr. Sam and Stacey’s visit added to the horrors that were about to be unleashed at the farm.

From director M. Night Shyamalan, The Visit follows two siblings who are sent to stay with their estranged grandparents while their mother is out of town on vacation. Realizing that all isn't what it seems during their stay, the siblings set out to find out what is really going on at their grandparents' home. Olivia DeJonge and Ed Oxenbould star as Becca and Tyler, with Deanna Dunagan, Peter McRobbie, and Kathryn Hahn making up the rest of the main cast. 

The Visit Explained (Plot And Ending)

The Visit is a 2015  horror   thriller  directed by M. Night Shyamalan. It follows two siblings who visit their estranged grandparents only to discover something is very wrong with them. As the children try to uncover the truth, they are increasingly terrorized by their grandparents’ bizarre behaviour. Here’s the plot and ending of The Visit explained; spoilers ahead.

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Where To Watch?

To find where to stream any movie or series based on your country, use This Is Barry’s Where To Watch .

Oh, and if this article doesn’t answer all of your questions, drop me a comment or an FB chat message, and I’ll get you the answer .  You can find other film explanations using the search option on top of the site.

Here are links to the key aspects of the movie:

• – The Story
• – Plot Explained
• – Ending Explained
• – The Sense Of Dread
• – Separation, Remorse, and Personal Fears
• – Frequently Asked Questions Answered
• – Wrap Up

What is the story of The Visit?

The Visit is about two kids visiting their grandparents for the first time. They are also going there to hope and rebuild a bridge between their mom and grandparents and help their mom heal after a painful divorce. The movie is in documentary form.

The Visit is one of the most unnerving and realistic horror stories. A good thing about classic horror movies is that, after the movie ends, you can switch it off and go to bed,  knowing that you’re safe . Vampires, ghosts, and demonic powers don’t exist, and even if you are prone to these kinds of esoteric beliefs, there are safeguards. If your home is not built in an Indian burial ground and you haven’t bought any creepy-looking dolls from your local antiquary, you’re perfectly safe.

However, what about the idea of two kids spending five days with two escaped psychiatric ward patients in a remote farmhouse? Now, this is a thought that will send shivers down your spine. It’s a story that sounds not just realistic but real. It’s  something that might have happened in the past  or might happen in the future.

This is  what  The Visit  is all about . This idea, coupled with documentary-form storytelling, is why the movie is so unnerving to watch.

The Visit: Plot Explained

Loretta’s past.

As a young girl, Loretta Jamison fell in love with her high school teacher and decided to skip her hometown with him. Before leaving, she had a heated altercation with her parents and hasn’t seen them since. At the movie’s start, she is a single mom of 15-year-old Becca and 14-year-old Tyler, and she  hasn’t spoken to her parents in 15 years .

What really happened on the day Loretta left?

Loretta’s mom tries to stop her from leaving the house, and Loretta hits her mom, and her dad hits her. Soon after, her parents try to reach out to Loretta, but she refuses to take their calls, and years go by.

Meet The Grandparents

Years later, Loretta’s parents reach out to  meet their grandchildren . The grandparents are, seemingly, wholly reformed and now even help at the local psychiatric hospital. Although initially not too fond of the idea, Loretta is persuaded by the insistence of her children. While she had no intention of visiting the parents, she permitted her children to pay their grandparents a five-day visit.

At The Grandparents’

Their first meeting with Nana and Pop Pop starts on the right foot. They start getting to know each other, and other than a simple generational gap, nothing seems too strange. The only thing that seems off is that they are warned  not to leave the room after 9:30 in the evening .

The kids break this rule, and on the first night, they notice  Nana acting erratically , projectile vomiting, scratching wallpaper with her bare hands, and running around the house on all fours. Grandpa appears paranoid and hides his adult diapers in the garden shed, and the situation escalates each day.

The Visit Ending Explained: What happens in the end?

The ending of Visit has the kids finally showing the elderly couple to Loretta. She, completely horrified, states that  those are not her parents . The pair posing as Pop Pop and Nana are escaped psychiatric institution patients who murdered their grandparents and took their places.

The kids survive, kill their captors, and are found alive and well by their mom and the police. Becca kills Nana with a shard from the mirror, thus symbolically overcoming her fear of her reflection. Tyler kills Pop Pop by repeatedly slamming him in the head with a refrigerator door after overcoming his germaphobia and anxiety about freezing.

The Sense Of Dread

The elements of horror in this movie are just  perfectly executed . First of all, the film is shot as a documentary. Becca is an aspiring filmmaker who records the entire trip with her camera. From time to time, we see an interview of all the characters, which just serves as the perfect vessel for characterization.

No Ghouls or Cults

Another thing that evokes dread is  realism . There are no supernatural beings or demonic forces. It’s just two kids alone in a remote farmstead with two creepy, deranged people. Even in the end, when Loretta finds out what’s happening, it takes her hours to get there with the police. The scariest part is that it’s not that hard to imagine something along those lines really happening.

The  house itself is dread-inducing . The place is old and rustic. Like in The Black Phone soundproofing a room  could have prevented kids from hearing Nana rummaging around the house without a clear idea of what was happening, but this was not the case, as the old couple weren’t that capable.

The  characters  themselves  are perfectly played . Something is unnerving about Pop Pop and Nana from the very first scene. It’s the Uncanny Valley scenario where you feel that something’s off and shakes you to the core, but you have no idea what it is.

Separation, Remorse, and Personal Fears

What this movie does the best is explore the  ugly side of separation, old grudges, and remorse . The main reason why kids are insistent on visiting their grandparents is out of their desire to help their mom.

They see she’s remorseful for never  working things out with her parents . In light of her failed marriage and the affair that caused it to end, she might live with the doubt that her parents were right all along. This makes her decision and altercation with her parents even worse. Reconciling when you know you were wrong is harder than forgiving the person who wronged you.

The Kids’ Perspective

There are personal fears and  traumas of the kids . Tyler, in his childish naivete, is convinced that his father left because he was disappointed in him as a son. Tyler tells Becca that he froze during one game he played, which disappointed his dad so much that he had to leave. While this sounds ridiculous to any adult (and even Becca), it’s a matter of fact to Tyler. As a result of this trauma, Tyler also developed germaphobia. In Becca’s own words, this gives him a greater sense of control.

On the other hand,  Becca refuses to look at herself in the mirror  or stand in front of the camera if she can help it. Both kids  had to overcome their fears to survive , which is a solid and clear metaphor for how these things sometimes turn out in real life.

Frequently Asked Questions Answered

The visit: what’s wrong with the grandparents who are the grandparents.

The people who hosted Becca and Tyler were runaway psychiatric hospital patients who murdered the real grandparents and took their place. Nana’s impostor (Claire) was actually responsible for murdering her children by drowning them in a well. Pop Pop’s impostor (Mitchell) wanted to give Claire a second chance at having kids / being a grandparent.

How did the imposter grandparents know about the kids’ visit?

It appears Claire and Mitchell hear the real Nana and Pop Pop brag about their grandkids’ visit. They also learned that neither the grandparents nor the kids had seen each other. The real grandparents appear to have been consulting in the same hospital Claire and Mitchell were being treated. The two crazies take this opportunity to break out, kill the real grandparents and go to the station to pick up the children.

The Visit: What is Sinmorfitellia?

Claire and Mitchell believe that Sinmorfitellia is an alien planet, and the creatures from there lurk on Earth. They spit into the waters of wells and ponds all day, which can put people into a deep sleep. They take  sleeping with the fishes  quite literally. Long ago, Claire drowned her children believing they would go to Sinmorfitellia.

The Visit: What happened to the real grandparents?

Claire and Mitchel killed Nana and Pop Pop and put them in the basement. This information went unnoticed because Becca’s laptop’s camera was damaged by Nana, so Loretta could not confirm the imposters. Claire and Mitchel were not present every time someone came to visit, so no one suspected foul play except Stacey, who received help from the real grandparents. As a result, she is killed.

What did Claire and Mitchel intend to do?

They plan to go to Sinmorfitellia with Becca and Tyler. They all plan to die on that last night and enter the well, which they believe is their path to the alien planet where they can be happy together. This is perhaps why the grandparents hang Stacey outside the house because they don’t care about being caught.

The Visit: What’s wrong with Nana?

We don’t know what caused Nana’s mental illness, but she was crazy enough to kill her two children by putting them in suitcases and drowning them in a pond. It appears she suffers from schizophrenia as she has delusions.

The Visit: Wrap Up

From the standpoint of horror, The Visit has it all. An unnerving realistic scenario, real-life trauma, and an atmosphere of fear. Combine this with  some of the best acting work in the genre  and a documentary-style movie, and you’ve got yourself a real masterpiece.

On the downside, the movie leaves you with a lot of open questions like:

• Considering the kids have never seen the grandparents and are going alone, Loretta didn’t ensure her kids knew what her parents looked like?
• How are Claire and Mitchell out and about so close to the hospital without being caught?
• Considering they are mentally ill, how did Claire and Mitchell plot such a thorough plan? (e.g. strategically damaging the camera of the laptop)
• I understand  Suspension Of Disbelief  in horror films, but neither kids drop their cameras despite the terror they go through only so we, the audience, can get the entire narrative?

What were your thoughts on the plot and ending of the movie The Visit? Drop your comments below!

Stacey is a talented freelance writer passionate about all things pop culture. She has a keen eye for detail and a natural talent for storytelling. She’s a super-fan of Game of Thrones, Cats, and Indie Rock Music and can often be found engrossed in complex films and books. Connect with her on her social media handles to learn more about her work and interests.

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M. Night Shyamalan’s Scary Grandma Movie The Visit Makes a Scary-Good $25.6 Million

How many times have you been sitting in a darkened movie theater, watching what appears to be a promising trailer for some scary movie, only for the name “M. Night Shyamalan” to adorn the screen at the end, imbuing the room with sighs and moans? That name tends to conjure up in moviegoers a mix of ire and indifference, inspiring writers to pen headlines containing languid jokes about twist endings and dead people and killing word-of-mouth buzz before it starts. Even his most ardent defenders had to shake their heads at the befuddling mess of After Earth . But Shyamalan’s new film, The Visit , a found-footage-style horror-comedy about scary grandparents doing scary things in the barren countryside of Pennsylvania, earned a surprisingly good $25.6 million its opening weekend. Shyamalan self-funded the endeavor using his $5 million directing fee for After Earth , which almost casts that atrocity in a new, more flattering light.

Though The Perfect Guy beat The Visit by $1 million for the top spot this weekend, Shyamalan’s film has received far better reviews. Plus, it actually earned more money on Saturday than it did on Friday — 15 percent more, which is one of the best weekend multipliers for a horror film in the last 20 years. ( The Sixth Sense remains the epitome of a crazy-good opening weekend, with each subsequent day besting the previous day for a $26.6 million total opening weekend; it made over $20 million each week for the next five weeks and stayed in the top ten for 15 weeks.) The only twist here is that The Visit had the second-worst wide-release weekend opening of Shyamalan’s career, behind only the super-weird, sorta underrated 2006 fantasy film Lady in the Water (though The Visit ’s budget is approximately 1/14 that of Lady in the Water ).

The rest of the weekend box office is less exciting than the return of well-reviewed Shyamalan. War Room put the fear of God in audiences again, filling its collection plate with $7.4 million, while A Walk in the Woods took the path to a modest $4.6 million. Mission: Impossible — Rogue Nation refuses to leave the top five (I’ve used up all my clinging-to-plane jokes by now), making another $4.1 million in its seventh week for a $188.1 million cume, while Straight Outta Compton made $4 million for $155.7 million in five weeks. The indie rom-com Sleeping With Other People seduced IFC moviegoers for over $103,000 across five screens.

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‘The Visit’ Trailer Teases Worst Trip to Grandma’s House Ever (Video)

M. Night Shyamalan and Blumhouse team for found-footage thriller starring Kathryn Hahn

M. Night Shyamalan gets into the found-footage thriller genre with Blumhouse, and the first trailer for his “The Visit” teases something very, very wrong with grandma and grandpa.

Ed Oxenbould and Olivia DeJonge play two young kids sent by their mom ( Kathryn Hahn ) to their grandparents’ house. As seen in the trailer, grandma and grandpa have a very strict 9.30 p.m. bedtime rule, after which nobody is allowed outside their bedroom.

Evidently, that’s for very good reason, as the kids find out when they immediately disobey the rules. Grandma, in particular, seems to be behaving especially strangely, as they (and their various recording devices) witness her scratching at the wall, popping up unexpectedly in strange places and perhaps most disturbingly, trying to get her granddaughter to climb into the oven.

Shyamalan produces “The Visit,” formerly titled “Sundowning,” through his Blinding Edge Pictures, while Blum produces through his Blumhouse Productions alongside Mark Bienstock. Steven Schneider and Ashwin Rajan are executive producers.

“The Visit” releases Sept. 11.

Watch the trailer above.

Movies | ‘The Visit’ review: To Grandmother’s haunted…

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Movies | ‘the visit’ review: to grandmother’s haunted house we go.

Remember what the world was like when anyone last cared about an M. Night Shyamalan movie? George W. Bush was in the White House, Vanessa Carlton was on the radio, and you couldn’t tweet about how cool you thought “Signs” was because Twitter wasn’t even around yet.

The early 2000s seem like several lifetimes ago, especially for the director who soared early in his career with “The Sixth Sense,” “Unbreakable” and, yes, “Signs,” and then spiraled into creative free fall through the likes of “The Last Airbender” and “After Earth.” But with the clever, cheeky and only slightly scary horror film “The Visit,” Shyamalan is partying like it’s 2000 all over again.

Fifteen-year-old budding documentary filmmaker Becca (Olivia DeJonge) and her 13-year-old wanna-be rapper brother, Tyler (Ed Oxenbould), are going to visit their grandparents, whom they’ve never seen. Mom (Kathryn Hahn) cut ties with her parents years ago when she ran off with her children’s father — who has since left her for another woman.

Grandfather, aka Pop Pop (Peter McRobbie), and Nana (Deanna Dunagan) have tracked their daughter down online and invited the children to stay for a week at their isolated farm in the Pennsylvania countryside where there’s no cellphone service. That means mom can take a break from parenting to spend some quality time with her boyfriend by going on a cruise. And, if mom and the kids need to talk, there’s always Skype.

Sounds like a good plan? Well, what part of “isolated farm” don’t you understand?

Of course, Pop Pop and Nana turn out to be as creepy as midnight in a graveyard. But it’s good that Becca has brought a couple of cameras and her laptop along to document all the strange things that go bump in the long night.

Since much of the film is from the viewpoint of her cameras, “The Visit” fits into the tiresome found-footage trend, but Shyamalan, who also wrote the script, unexpectedly injects it all with a wily sense of humor that works.

Much of the success of “The Visit” goes to the cast, specifically to the two young Australians DeJonge and especially Oxenbould (“Alexander and the Terrible, Horrible, No Good, Very Bad Day”). They display a very real sense of sibling chemistry and an almost improvisatory sense of comic timing that make their interactions a joy to watch even if what’s going on around them is typical haunted-house stuff. Seeing Tyler channel his inner Drake is worth the price of admission alone (be sure to stay for the beginning of the end-credits).

Likewise, McRobbie (“Boardwalk Empire”) and Dunagan (“Just Like a Woman”) play the grandparents with just the right amount of tongue-in-cheek tone without spilling over into overkill. It’s a tightrope everyone manages to walk with skill.

Shyamalan is known for his patented twist endings but, thankfully, he seems less concerned about it this time, instead focusing on telling a good, fun story in place of just conjuring a good gimmick.

Granted, “The Visit” is lightweight. It doesn’t have the emotional resonance of “The Sixth Sense,” but it’s a welcome return to form for a director who seemed doomed to a future of resting on laurels and remembering better days.

With this and “Wayward Pines,” the well-received miniseries he recently produced, Shyamalan definitely has his groove back. Except, this time, everyone can tweet about it.

“The Visit” — Three stars

MPAA rating: PG-13 (for disturbing thematic material including terror, violence and some nudity, and for brief strong language)

Running time: 1:34

Opens: Friday

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M. Night Shyamalan had his heyday almost 20 years ago. He leapt out of the gate with such confidence he became a champion instantly. And then...something went awry. He became embarrassingly self-serious, his films drowning in pretension and strained allegories. His famous twists felt like a director attempting to re-create the triumph of " The Sixth Sense ," where the twist of the film was so successfully withheld from audiences that people went back to see the film again and again. But now, here comes " The Visit ," a film so purely entertaining that you almost forget how scary it is. With all its terror, "The Visit" is an extremely funny film. 

There are too many horror cliches to even list ("gotcha" scares, dark basements, frightened children, mysterious sounds at night, no cellphone reception), but the main cliche is that it is a "found footage" film, a style already wrung dry. But Shyamalan injects adrenaline into it, as well as a frank admission that, yes, it is a cliche, and yes, it is absurd that one would keep filming in moments of such terror, but he uses the main strength of found footage: we are trapped by the perspective of the person holding the camera. Withhold visual information, lull the audience into safety, then turn the camera, and OH MY GOD WHAT IS THAT? 

"The Visit" starts quietly, with Mom ( Kathryn Hahn ) talking to the camera about running away from home when she was 19: her parents disapproved of her boyfriend. She had two kids with this man who recently left them all for someone new. Mom has a brave demeanor, and funny, too, referring to her kids as "brats" but with mama-bear affection. Her parents cut ties with her, but now they have reached out  from their snowy isolated farm and want to know their grandchildren. Mom packs the two kids off on a train for a visit.

Shyamalan breaks up the found footage with still shots of snowy ranks of trees, blazing sunsets, sunrise falling on a stack of logs. There are gigantic blood-red chapter markers: "TUESDAY MORNING", etc. These choices launch us into the overblown operatic horror style while commenting on it at the same time. It ratchets up the dread.

Becca ( Olivia DeJonge ) and Tyler ( Ed Oxenbould ) want to make a film about their mother's lost childhood home, a place they know well from all of her stories. Becca has done her homework about film-making, and instructs her younger brother about "frames" and "mise-en-scène." Tyler, an appealing gregarious kid, keeps stealing the camera to film the inside of his mouth and his improvised raps. Becca sternly reminds him to focus. 

The kids are happy to meet their grandparents. They are worried about the effect their grandparents' rejection had on their mother (similar to Cole's worry about his mother's unfinished business with her own parent in "The Sixth Sense"). Becca uses a fairy-tale word to explain what she wants their film to do — it will be an "elixir" to bring home to Mom. 

Nana ( Deanna Dunagan ), at first glance, is a Grandma out of a storybook, with a grey bun, an apron, and muffins coming out of the oven every hour. Pop Pop ( Peter McRobbie ) is a taciturn farmer who reminds the kids constantly that he and Nana are "old." 

But almost immediately, things get crazy. What is Pop Pop doing out in the barn all the time? Why does Nana ask Becca to clean the oven, insisting that she crawl all the way in ? What are those weird sounds at night from outside their bedroom door? They have a couple of Skype calls with Mom, and she reassures them their grandparents are "weird" but they're also old, and old people are sometimes cranky, sometimes paranoid. 

As the weirdness intensifies, Becca and Tyler's film evolves from an origin-story documentary to a mystery-solving investigation. They sneak the camera into the barn, underneath the house, they place it on a cabinet in the living room overnight, hoping to get a glimpse of what happens downstairs after they go to bed. What they see is more than they (and we) bargained for.

Dunagan and McRobbie play their roles with a melodramatic relish, entering into the fairy-tale world of the film. And the kids are great, funny and distinct. Tyler informs his sister that he wants to stop swearing so much, and instead will say the names of female pop singers. The joke is one that never gets old. He falls, and screams, "Sarah McLachlan!" When terrified, he whispers to himself, " Katy Perry ... " Tyler, filming his sister, asks her why she never looks in the mirror. "Your sweater is on backwards." As he grills her, he zooms in on her, keeping her face off-center, blurry grey-trunked trees filling most of the screen. The blur is the mystery around them. Cinematographer Maryse Alberti creates the illusion that the film is being made by kids, but also avoids the nauseating hand-held stuff that dogs the found-footage style.

When the twist comes, and you knew it was coming because Shyamalan is the director, it legitimately shocks. Maybe not as much as "The Sixth Sense" twist, but it is damn close. (The audience I saw it with gasped and some people screamed in terror.) There are references to " Halloween ", "Psycho" (Nana in a rocking chair seen from behind), and, of course, " Paranormal Activity "; the kids have seen a lot of movies, understand the tropes and try to recreate them themselves. 

"The Visit" represents Shyamalan cutting loose, lightening up, reveling in the improvisational behavior of the kids, their jokes, their bickering, their closeness. Horror is very close to comedy. Screams of terror often dissolve into hysterical laughter, and he uses that emotional dovetail, its tension and catharsis, in almost every scene. The film is ridiculous  on so many levels, the story playing out like the most monstrous version of Hansel & Gretel imaginable, and in that context, "ridiculous" is the highest possible praise.

Sheila O'Malley

Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Read her answers to our Movie Love Questionnaire here .

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The Visit (2015)

Rated PG-13 disturbing thematic material including terror, violence and some nudity, and for brief language

Kathryn Hahn as Mother

Ed Oxenbould as Tyler Jamison

Benjamin Kanes as Dad

Peter McRobbie as Pop-Pop

Olivia DeJonge as Rebecca Jamison

Deanna Dunagan as Nana

• M. Night Shyamalan

Cinematography

• Maryse Alberti
• Luke Franco Ciarrocch

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‘The Visit’ Trailer: M. Night Shyamalan Returns to Take You to Grandma’s House

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Admittedly, the trailer is a bit of a letdown and appears to reveal a little too much. The Visit follows a brother and sister whose mother (Hahn) sends them off to grandma and grandpa’s house for a week of elderly fun. Once the kids arrive, grandpa firmly establishes a 9:30 p.m. bedtime, ordering the children not to leave their rooms at night. As the trailer reveals (way, way too much), something is definitely not right with grandma. Shyamalan has a fondness of fairytales, so maybe this is his take on Hansel and Gretel , and grandma is a witch. Or maybe the big twist is that she’s schizophrenic, which seems like a pretty fair guess.

Honestly, I was hoping that the grandparents’ big secret involved throwing Eyes Wide Shut -style ragers every night, but what can you do.

The Visit comes courtesy of horror outfit Blumhouse Productions, the folks behind Insidious , Paranormal Activity and The Purge . The film also stars Ed Oxenbould, Peter McRobbie, Olivia DeJonge and Deanna Dunagan, and hits theaters on September 11.

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The Ending Of The Visit Explained

Contains spoilers for  The Visit

M. Night Shyamalan is notorious for using dramatic twists towards the endings of his films, some of which are pulled off perfectly and add an extra layer of depth to a sprawling story (hello, Split ). Some of the director's other offerings simply keep the audience on their toes rather than having any extra subtext or hidden meaning. Shyamalan's 2015 found-footage horror-comedy  The Visit , which he wrote and directed, definitely fits in the latter category, aiming for style over substance.

The Visit follows 15-year-old Becca Jamison (Olivia DeJonge) and her 13-year-old brother Tyler (Ed Oxenbould) when they spend the week with their mother's estranged parents, who live in another town. Loretta (played by WandaVision 's Kathryn Hahn ) never explained to her children why she separated herself away from her parents, but clearly hopes the weekend could help bring the family back together.

Although The Visit occasionally toys with themes of abandonment and fear of the unknown, it wasn't particularly well-received by critics on its initial release, as many struggled with its bizarre comedic tone in the found-footage style. So, after Tyler and his camera record a number of disturbing occurrences like Nana (Deanna Dunagan) projectile-vomiting in the middle of the night and discovering "Pop Pop"'s (Peter McRobbie) mountain of used diapers, it soon becomes clear that something isn't right with the grandparents.

Here's the ending of  The Visit  explained.

The Visit's twist plays on expectations

Because Shyamalan sets up the idea of the separation between Loretta and her parents very early on — and doesn't show their faces before Becca and Tyler meet them — the film automatically creates a false sense of security. Even more so since the found-footage style restricts the use of typical exposition methods like flashbacks or other scenes which would indicate that Nana and Pop Pop aren't who they say they are. Audiences have no reason to expect that they're actually two escapees from a local psychiatric facility.

The pieces all come together once Becca discovers her  real grandparents' corpses in the basement, along with some uniforms from the psychiatric hospital. It confirms "Nana" and "Pop-Pop" escaped from the institution and murdered the Jamisons because they were a similar age, making it easy to hide their whereabouts from the authorities. And they would've gotten away with it too, if it weren't for those meddling kids.)

However, after a video call from Loretta reveals that the pair aren't her parents, the children are forced to keep up appearances — but the unhinged duo start to taunt the siblings. Tyler in particular is forced to face his fear of germs as "Pop Pop" wipes dirty diapers in his face. The germophobia is something Shyamalan threads through Tyler's character throughout The Visit,  and the encounter with "Pop Pop" is a basic attempt of showing he's gone through some kind of trial-by-fire to get over his fears.

But the Jamison kids don't take things lying down: They fight back in vicious fashion — a subversion of yet another expectation that young teens might would wait for adults or law enforcement officers to arrive before doing away with their tormentors.

Its real message is about reconciliation

By the time Becca stabs "Nana" to death and Tyler has repeatedly slammed "Pop-Pop"'s head with the refrigerator door, their mother and the police do arrive to pick up the pieces. In a last-ditch attempt at adding an emotional undertone, Shyamalan reveals Loretta left home after a huge argument with her parents. She hit her mother, and her father hit her in return. But Loretta explains that reconciliation was always on the table if she had stopped being so stubborn and just reached out. One could take a domino-effect perspective and even say that Loretta's stubbornness about not reconnecting and her sustained distance from her parents put them in exactly the vulnerable position they needed to be for "Nana" and "Pop-Pop" to murder them. 

Loretta's confession actually mirrors something "Pop-Pop" told Tyler (before his run-in with the refrigerator door): that he and "Nana" wanted to spend one week as a normal family before dying. They should've thought about that before murdering a pair of innocent grandparents, but here we are. 

So, is The Visit  trying to say that if we don't keep our families together, they'll be replaced by imposters and terrify our children? Well, probably not. The Visit tries to deliver a message about breaking away from old habits, working through your fears, and stop being so stubborn over arguments that don't have any consequences in the long-run. Whether it actually sticks the landing on all of those points is still up for debate.

Entertainment

Is 'The Visit's Sundowning A Real Disorder?

Before I begin, I would like to make one thing deeply clear: I would not recommend looking to horror films as a tool to learn more about the intricacies of neuropsychology. M. Night Shyamalan's new film The Visit is no exception. That said, the film does reference the very real neurodegenerative disease "sundowning," and for that, it deserves some attention. So, what is sundowning , and is it anything like we see in the film?

If you don't recall, here's how sundowning is referenced in the film: When 15-year-old Becca and eight-year-old Tyler go to visit their elderly grandparents, whom they've never met, they become acutely aware that their grandmother, Doris, begins to act rather erratically when night falls. After Becca witnesses Doris projectile vomiting one night and clawing at the walls in the nude, her grandfather reveals that Doris suffers from "sundowning." Becca looks into the disease online, and shares with her brother that, yes, it is a legit condition that can affect the elderly due to "chemical reactions" in the brain that are triggered by the lack of sunlight. Doris' increasingly violent behavior — laughing to herself, asking Becca to get inside the oven to "clean it," grabbing a knife to stab the children — is explained away by the disease for much of the film.

But, how does sundowning affect sufferers in real life?

This is likely obvious, but it's hardly like what's seen in the film. According to WebMD , sundowning is actually a side effect for those suffering from a form of dementia, likely Alzheimer's Disease. It causes the sufferer to be increasingly confused and agitated in the later hours of the night, and those who have witnessed the condition in loved ones often report sufferers exhibiting symptoms of frustration, irritation, disorientation, suspicion, hallucinations, yelling, and exhaustion, amongst other things. Violent outbursts — which Doris suffered from — are not listed as a symptom.

This is all seen in the film — but the parts where Doris is crawling around the house as if she were possessed by a demon are not at all typical of the disease. As the Mayo Clinic reports , symptoms of the phenomenon are actually set off by "fatigue, low lighting, increased shadows, disruption of the body's "internal clock," [and] difficulty separating reality from dreams." Episodes can last hours into the night, which causes the sufferer to feel greatly fatigued and restless — both feelings that can unfortunately worsen the symptoms of sundowning, leading to a rather vicious circle.

According to informational videos from the Alzheimer Society of Ontario , strategies to lessen the severity of episodes range from no napping — which encourages the sufferer to actually sleep at night — to avoiding caffeine, increasing lighting, and partaking in calming activities.

In some senses, the portrayal of "sundowning" in The Visit is rather accurate — Doris is often increasingly confused at nights, and prone to erratic behavior in low lighting (remember when she chased Becca and Tyler as they were playing hide-and-seek under the house?). However, I'm fairly certain that her increasingly violent behavior, as well as her psychopathic tendencies, can actually be chocked up to a different disorder. As the film reveals ( spoiler alert! ), Doris and John aren't actually Doris and John — instead, they are escaped patients from the mental hospital that the real Doris and John used to volunteer at every Tuesday and Thursday. When fake Doris and John heard how excited the real Doris and John were to finally meet their grandkids, they escaped and killed the couple so that they could spend a picturesque week together like a real family (the reason for this, as fake John later explains to Becca, is because fake Doris killed her own children years ago, so she "deserved" a week to feel like a real grandmother).

Based off of this explanation, it's not out of the realm of possibility that fake Doris suffered from other mental disorders in addition to dementia.

Once again, taking any actual scientific information from a film that was created with the intent to scare audiences is not something I would recommend — but learning more about a real life disease that affects many elderly patients as a result of seeing the film is definitely not a bad move.

The Visit hits theaters Sept. 11.

Image: Universal Pictures

• Universal Pictures

Summary A brother and sister are sent to their grandparents’ remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.

Directed By : M. Night Shyamalan

Written By : M. Night Shyamalan

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Film / The Visit

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The Visit is a 2015 horror film from M. Night Shyamalan . Two children staying with their grandparents while their mother is on vacation realize that something is horribly wrong with Nana and Pop Pop when strange things start happening after 9:30 pm.

No relation to the play or video game of the same name.

This movie provides examples of:

• Subverted when she realizes that her children have been staying with strangers and not their real grandparents. She immediately calls the police and sets out to save them, telling them to escape to the neighbors as soon as possible.
• All There in the Script : The credits gives the names of the grandparents as Marja and Fredrick Jamison (the grandparents) and Claire and Mitchel (the imposters).
• Alone with the Psycho : The entire movie is the children stuck in the house with the two deranged "grandparents".
• An Aesop : Don't hold on to anger so much that you can't forgive/reconcile with someone, especially if they're your loved ones. Or they might end up killed and replaced by escaped mental patients before you get the chance.
• Ate His Gun : Becca walks in on the grandfather seemingly about to do this.
• Arbitrary Skepticism : Becca is adamant that there's nothing abnormal about grandma, even when they see her crawling on the floor and scratching the walls like an animal.
• Ax-Crazy : The grandparents, especially the grandma.
• Bittersweet Ending : Tyler and Becca kill "Nana" and "Pop Pop", but are initially traumatized by what they endured and what they had to do , though the final scene shows they largely grew out of the trauma and they seem better than ever. In addition, their real grandparents are dead and Loretta never got a chance to reconcile with them. She urges Tyler and Becca not to hate their father like she hated her parents.
• Brick Joke : Becca scoffs at Tyler's request for him to rap at the end of the documentary, saying no documentary would dare do it. Not only does Tyler himself rap, but another rap song by East Coast Connection is played over the credits.
• Cassandra Truth : Tyler is the only one convinced in the beginning that something is wrong with the grandparents. Both Becca and their mother insist that "they're just old," and Becca doesn't come around until she finds her nana laughing at nothing in a rocking chair.
• Chekhov's Skill : Tyler's interest in football. Midway through the film, he confesses the reason why he thinks his father left: he froze in the middle of an important peewee league football game, allowing the other team to win. In the end, after freezing up when the grandfather assaults him, he takes the old man down after he threatens Becca, first by tackling him into the kitchen drawers, then slamming the fridge door into his head repeatedly.
• Deadpan Snarker : Becca. Becca: ( after Tyler spits a rap for her documentary ) Yes, 'cause that's exactly what an Oscar-winning documentary has over the end credits. A song about misogyny.
• Disappeared Dad : Becca and Tyler's father ran off with another woman prior to the events of the movie. They both have a lot of pent-up anger towards him because of it.
• Evil Old Folks : Something is most definitely wrong with Nana and Pop Pop.
• Excrement Statement : The fake Pop Pop smears Tyler's face with a used adult diaper.
• Fairytale Motifs : From the trailer and the poster, this seems to be something of a Hansel and Gretel tale. And the ultimate explanation for why everything happens is straight out of Little Red Riding Hood .
• Fan Disservice : The grandmother, oh so much. First flashing a pale, wrinkly naked buttcheek at the children as she turns away, then later scratching at a door like an animal while completely in the nude.
• Foreshadowing : The mundane explanations for the figure under the porch and what is in the woodshed predicts the non-supernatural twist at the end of the film.
• Found Footage Films : The kids are recording their trip and this footage seems to make up most of the film. Surprisingly for this genre, the footage is gorgeously shot, with Becca even setting up camera angles that provide full views of rooms — both resulting in longer, steadier takes than this genre is known for.
• Genre Savvy : Both of the kids, Becca for being an aspiring filmmaker and Tyler being... a 13-year-old, are pretty savvy in regards to what to do when dealing with horror-esque situations.
• Harmful to Minors : The protagonists are two kids who end up getting exposed to appalling violence, including finding the bodies of their murdered grandparents, and having to kill the unstable old couple they're staying with themselves.
• Irony : Becca catches all of the crazy on her cameras and still doesn't notice what is going on right in front of her.
• Insane Equals Violent : Nana's sundowning. She claws at walls and tries stabbing children in their sleep. Downplayed with Pop Pop who only gets violent once he's been exposed.
• Kick the Dog : In the climax, as he's getting ready to kill the boy, "Pop Pop" tells him, "You know what? I never liked you."
• Kill and Replace : The real Nana and Pop Pop were replaced by two of their own patients who were jealous of them and their perfect lives.
• Lampshade Hanging : Becca uses cinematography terms often and describes a scene's actual importance to the plot right after it happens.
• Done intentionally at the end of the climax when the mother's favorite song, a sappy classical string piece, blares as the children soaked in blood and crap flee into their mother's arms.
• Never Got to Say Goodbye : Overlaps with Parting-Words Regret . The mom's parents have been killed, and she never got the chance to reconcile with them.
• Offing the Offspring : Claire is revealed to have killed her own children during a schizophrenic episode, and the visit with the "grandchildren" was meant to be a way to make her feel like a mother again.
• Potty Failure : Pop Pop suffers from incontinence and has to excuse himself during the family game night after an embarrassing and very audible bowel movement.
• Precision F-Strike : Tyler lets one out after killing "Pop Pop" (and subsequently working through his greatest fear) .
• Red Herring : The Shed and the well are ominous and creepy, but they're ultimately irrelevant to the actual plot.
• The Reveal : "Nana" and "Pop Pop" are actually escaped mental patients that killed the real grandparents and stole their identities.
• Running Gag : Tyler decides to substitute curse words with the names of female pop stars.

• Deanna Dunagan's performance as Nana really drives this home. The "hide and seek" sequence is a perfect example of how much of a masterful Mood Whiplash the film can be.
• Snow Means Death : It's winter at the house, and the bleak landscape adds to the creepiness.
• Supernatural-Proof Father : Given a Gender Flip . Mom doesn't believe anything's wrong. At first .
• Too Dumb to Live : Stacey, you know these people are the escaped mental patients. You know that the people living at the house you're visiting haven't been seen for days. You're actively confronting said mental patients. Why are you going to follow them behind the house instead of getting help?
• Wham Line : "Those aren't your grandparents."
• "What Do They Fear?" Episode : Becca is afraid of mirrors and Tyler is afraid of germs. Becca irrationally believes her father left because he didn't think she was his pretty girl anymore. Tyler is obsessed with cleanliness as a method of controlling his life. Both of these get used against them, and they manage to conquer both of them .
• Would Hurt a Child : The "grandparents", big time.
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The Visit: Where Was M. Night Shyamalan’s Horror Movie Shot?

Helmed by director M. Night Shyamalan, ‘The Visit’ is a thrilling found-footage film that follows siblings Becca and Tyler as they visit their grandparents, and notice their increasingly disturbing behavior. After arriving at their grandparents’ quaint countryside home, Becca and Tyler are delighted to be able to spend time with them after so long. A day of delightful catching up later, Pop Pop puts the two to sleep and strongly suggests that they not leave their room after nine-thirty. Later that night the children hear loud bangs and scratchings. Soon the elders’ strange behaviour leaks over to the daytime, making the siblings concerned for their safety, but failing to convince their mother to pick them up.

The 2015 film’s tension builds steadily as the siblings uncover dark family secrets and struggle to survive in a house filled with eerie mysteries . ‘The Visit’ delivers a compelling blend of psychological horror and thrilling situations, using its simple backdrop and premise to create terrifying circumstances. The chilling story is contrasted heavily by its seemingly mundane backdrop, which is later revealed to hide disturbing realities within its layers. Thus the atmospheric tension built throughout the tale may spark curiosity in some regarding its real-world filming sites.

The Visit Filming Locations

‘The Visit’ was filmed mainly in Philadelphia, Chester Springs, and Royersford, Pennsylvania, with a few scenes shot in Miami, Florida. Principal photography began on February 19, 2014, under the tentative title, ‘Sundowning,’ and was wrapped up in about a month by March 21 of the same year. In an interview , writer-director Shyamalan marveled at finding the ideal actors to bring his story to life, saying, “This might be my perfect constellation of actors, it’s as if these people were the people that I wrote.” Let’s examine the sites seen throughout the film and their real-life counterparts.

Philadelphia, Pennsylvania

Situated along the banks of the Delaware River, the city of Philadelphia has a brief appearance in ‘The Visit,’ primarily at the beginning and end of the film. When the siblings are dropped off at the train station by their mother, the site is actually the 30th Street Station at 3001 Market Street. Officially known as William H. Gray III 30th Street Station, the prominent intermodal transit station is defined by its grand classical entrance held up with Roman pillars.

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Chester Springs, Pennsylvania

Filming for the grandparents’ house and its exterior scenes was carried out on 3049 Merlin Road, in the unincorporated community of Chester Springs in Chester County. The community lies west of Philadelphia, and its serene snow-covered landscape can be spotted early in ‘The Visit’ as the siblings travel to their grandparents’ house.

View this post on Instagram A post shared by The Visit (@thevisitmovie)

Royersford, Pennsylvania

Nestled along the Schuylkill River, the borough of Royersford stood in for much of the town seen in the film as the characters left the house. Shooting for these scenes was done on 330 Main Street, its small-town charm imbuing the narrative with a pleasant departure from the claustrophobic situations at the elders’ house. Further filming was done on location at 705 Washington Street, which is a quintessential suburban neighborhood.

#Royersford Ambulance crew with @MNightShyamalan . #Sundowning pic.twitter.com/SXR9zKWr9X — Matt Stehman 🇺🇸🇺🇦🌻 (@MattStehman) February 20, 2014

When the grandfather takes the siblings out to a school, shooting for the sequence was done at the 5/6 Grade Center on 833 South Lewis Road. After their visit, whilst returning, they begin to play a game of pointing out at buildings and guessing their stories. The children point to a large, red-bricked complex lined with white windows. The grandfather ominously reveals the structure to be the Maple Shade Psychiatric Hospital, where he had supposedly volunteered at an earlier point in time. The structure is actually the Royersford Spring Company on 98 Main Street which manufactures automotive parts and springs.

Miami, Florida

For a couple of scenes on a cruise ship, the film crew ventured onboard the Royal Caribbean’s Allure of the Seas for a few days in Miami. The city’s bustling seaport, PortMiami, stands as the Cruise Capital of the World, welcoming millions of passengers annually to embark on voyages to exotic destinations. The cruise ship, Royal Caribbean’s Allure of the Seas, was used as a set for ‘The Visit.’ A casting call for extras announced the need for upscale cruise wear and skills related to activities carried out on the ship, such as wakeboarding and rock wall climbing.

Adam Goldstein tours the set of @MNightShyamalan 's new film shooting scenes onboard Allure of the Seas. pic.twitter.com/WzCG5RtzCp — Royal Caribbean Public Relations (@RoyalCaribPR) April 7, 2014

Read More:  Is The Visit Based on a True Story?

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‘Dying for Sex’ Series at FX Casts Jay Duplass, Kelvin Yu (EXCLUSIVE)

By Joe Otterson

Joe Otterson

TV Reporter

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Jay Duplass and Kelvin Yu are the latest additions to the cast of FX ‘s limited series adaptation of “Dying for Sex,” Variety has learned exclusively.

The series is based on the podcast of the same name. Duplass and Yu join previously announced series lead Michelle Williams and cast members Jenny Slate, Rob Delaney, David Rasche, and Esco Jouléy.

The official description of the series states “Molly (Williams), a woman diagnosed with metastatic breast cancer, leaves her husband of 15 years and begins to explore her sexuality. She gets the courage and support to go on this adventure from her best friend (Slate), who stays by her side all the way to the very end.”

Popular on Variety

As an actor, Duplass is known for his roles in shows like “Transparent,” “The Mindy Project,” “Industry,” “The Chair,” and “Percy Jackson and the Olympians.” Behind the camera, he and his brother, Mark, co-created the HBO series “Togetherness” alongside Steve Zissis. The brothers also co-created HBO’s “Room 104” and co-wrote and directed feature films like “Baghead” and “Jeff, Who Lives at Home” among several other collaborations.

He is repped by CAA and Odenkirk Provissiero Entertainment.

Yu is a seven-time Emmy nominee for his work on the writing team of “Bob’s Burgers,” winning the award in 2017 for best animated program. He also recently created the Disney+ series “American Born Chinese.” He has appeared on shows such as “The Afterparty” and “Master of None” as well as films like “Wonder Woman 1984” and “Milk.”

He is repped by Writ Large, WME, and Yorn Levine.

Liz Meriwether and Kim Rosenstock are writers, executive producers, and showrunners on “Dying for Sex.” Williams will produce in addition to starring. Katherine Pope, Nikki Boyer, and Leslye Headland will also executive produce along with Jen Sargent, Marshall Lewy, Aaron Hart and Hernan Lopez of Wondery Inc. 20th Television is the studio.

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The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.

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MONDAY MORNING

We meet Tyler, Becca’s brother, while they drive to Philadelphia's 30th street station. He is 13 and talks like a wannabe rapper, complaining that he’s got three girls on deck and is upset he won’t be able to text all week. Their mom hugs goodbye at Grand Central, and they board a train. On board, Tyler shows off his free-styling skills by rapping for the camera. Becca mentions that she agreed to the trip because their mom hasn’t been able to connect with her new boyfriend, and a five-day cruise might help them get closer.

NANA & POP-POP are waiting at the train station with a sign, "Becca & Tyler." As they get off the train, they see the sign and go straight up to them. The grandparents seem friendly enough and take them back to their large house. Tyler does a freestyle rap using Nana’s suggestion of “pineapple upside down cake.” Becca discusses her documentary and her love of making movies.

Tyler and Becca get settled into their room upstairs, which used to be their mother’s. They play rock, paper, scissors to see who gets the bed and who gets the sofa… and Becca gets the bed. She tells Tyler about the old time song she’s going to play over some of the footage when there’s a happy conclusion to the week. She gives Tyler a second camera so he can film additional footage.

Tyler films Pop-Pop mysteriously working in the shed. He calls out to him and Pop-Pop sees him but doesn’t respond.

Tyler coerces Becca to play Hide and Seek underneath the house. They crawl around and then suddenly Nana is down on all fours behind Tyler. She races after him and then Becca, each scurrying to get away from her as she seems demented and “off,” repeating “I’m going to get you” as she scurries after the kids. They escape from underneath the house, and Nana laughs, her hands sullied, seemingly aware of the game and simply trying to participate. She walks away, revealing the roughhousing has caused her dress to ride upwards, exposing her bare butt.

A man comes to the door and asks to talk to their grandparents. They tell him they’re not there. He says he knows them from Meadow Shade, the hospital they volunteer at a few days a week, and he has some gossip to tell them about the latest drama going on down there.

Tyler decides he’s going to investigate what’s in the shed. He sneaks inside and says it smells like ass. He finds in the corner a pile. He gets closer to see what it is and discovers it’s used adult diapers. He runs out screaming. Inside, Nana explains to him that Pop-Pop is incontinent, and a lot of adults have to wear diapers. He hides them in the shed because he’s ashamed. She then continues giving Becca tips on how to make cookies.

That night, Pop-Pop comes into their room and tells them that there is mold in the basement, and they should not go down there. He also tells them that everyone follows the same schedule, so lights have to be out at 9:30. They agree but are annoyed, especially since there is no WiFi, and they can’t use any electronics. Tyler decides to start using pop star’s names instead of misogynistic terms in his raps and says if he stubs his toe, it sounds cooler to shout out “Shakira!” than a cuss word (This is a motif that is carried out throughout the movie with him shouting out “Sarah McLachlan” and “Katy Perry” in times of annoyance or danger). The two can’t sleep, and it’s now 10:23 PM. Becca says she’s going to sneak out to get one of Nana’s cookies. She opens the door and sees Nana walking in the dark, projectile vomiting. She quickly shuts the door.

TUESDAY MORNING

The next morning, Pop-Pop and Nana are outside with breakfast on the table. Nana apologizes because she’s got hot oil all over Becca’s computer but really only the webcam. Becca says she will probably be able to scrub it off with enough effort. The kids later ask Pop-Pop if Nana is sick. They are told Nana experiences something called sundowning, which is a form of dementia that happens when the sun sets. It’s the equivalent of talking in one’s sleep and not to be concerned, but it’s best for them to stay in their room. He says Nana is convinced there are bad things inside her, so she throws up to get rid of them. As he’s explaining this, he’s putting on a tuxedo. They ask him if he’s going somewhere, and he tells them there’s a costume ball at the train station he’s late to. He then realizes that he’s confused and takes the tuxedo off.

Pop-Pop takes Becca and Tyler through the town. They play a game where they make up stories about people who live in the buildings – including the closed police station. When they try to make up a story about a tall building, Pop-Pop tells them it’s Meadow Shade where they volunteer, and he’ll show it to them when he gets his Meadow Shade badge from home. They go to the park to play, but Pop-Pop tells them they have to leave because they’re being followed. The kids see a man across the street using his cell phone, not paying attention to the three of them. Pop-Pop runs over and begins to accost the man, yelling at him. Becca and Tyler convince him to leave the man alone, and Pop-Pop apologizes to them.

Back home, Becca is in the kitchen with Nana. She asks her if she can interview her, but Nana does not want to be on camera. Instead, she asks for Becca’s help cleaning the oven. Becca cleans with just her arm, but Nana tells her to lean into it. Nana then convinces her to get completely inside. While she’s fully submerged in the oven, Nana bounces up and down excitedly. Becca reappears, and Nana tells her she is ready to be in her movie.

Becca interviews Nana by asking her warm-up questions. When she asks Nana what happened 15 years ago to cause her not to speak to her daughter, Nana starts going berserk, shaking violently, and screams that she no longer wants to be in Becca’s movie.

Outside, Tyler interviews Becca asking what animal she’d want to be (“a dolphin”), then why she likes the pizza guy despite him having bad acne (“he has kind eyes.”) Then he asks her why she can’t look at herself in the mirror, pointing out when she brushes her hair, she does it with her back to the mirror. And when she brushes her teeth, she looks down. She hints that it’s because their dad abandoned the three of them years ago, and she has felt rejected. Tyler defends his dad, saying there was a time when he was eight when he was playing peewee football. His team was up by three, and it was the fourth quarter and they were set to win as long as nobody scored in the final minutes. A big kid came running towards him but instead of blocking him, he just froze. Everyone started screaming at him but he was completely frozen, immobile, which is what happens when he’s afraid. But his dad never judged him for it. But he sometimes blames that for being why his dad went away.

In the editing software, she’s piecing together on her computer, Becca films herself in front of an obstructed slideshow of pictures of her brother, her, and their father. She says that while she’s trying to tell the story of her mom’s parents, she will not be including anybody from the past that she doesn’t consider worthy of acknowledgment.

That night, at 10:47 PM, they hear a scary sound coming outside their locked door. The two want to film what’s on the other side, so Tyler tells Becca to open the door. She refuses. He then says if she holds the camera, he’ll open the door. He does, and they reveal a naked Nana clawing at the door opposite them, scratching like a frantic dog. He shuts the door and declares that he’s now partially blind.

WEDNESDAY MORNING

The next morning, Becca interviews Pop-Pop, and he tells her how he used to have a great job, but he used to see a white figure with yellow eyes at his job. Nobody else could see it, but he was insistent it was there. So he was eventually fired. He warns Becca that she, too, will see the white figure with yellow eyes one day. She tells him he seems sad.

Tyler tries to convince Becca to set the camera up in the living room so it can film what happens at night. She says she can’t film their grandparents unless one of them is there otherwise it’s unethical. She explains they’re both experiencing signs of early on-set schizophrenia.

A neighbor named Stacey comes over, telling them their grandparents volunteered at the hospital when she was in rehab, and she baked treats to thank them.

The kids get an Ethernet cord and now talk to their mom on Skype. Tyler tells her Nana is acting weird. The mom tells them they’re old, and that’s just how old people act. Becca defends them and says they are weird but nice. Tyler and Becca both agree that this is a “1” on the scale of problems. Their mom comments how she wishes she could see them (but can’t because their webcam is blocked from Nana’s mishap in the kitchen). Their mom leaves to watch her boyfriend in a Hairy Chest contest on the cruise ship.

That night, at 10:16 PM, they hear a horrible commotion outside the door. They want to know what Nana is doing this time but are too scared to look. Becca decides just to open the door and film for a short while, for the documentary’s sake. When she opens the door, they see Nana running past, with both arms behind her back, rushing past them, in both directions. Just as she’s about to crawl towards the camera, they shut and lock the door.

THURSDAY MORNING

The next morning, the four of them go out into the woods. Becca says she doesn’t want to leave without getting an “elixir” for Mom. While the grandparents are ahead on the trail, Tyler begins to mimic Nana’s running with her arms behind the back… only to get caught by Nana, who tells them they’re going to miss the family of foxes. They turn the corner and see Nana staring into a well. They ask her what she’s looking at, but Pop-Pop tells them it’s nothing.

Tyler and Becca return to the well later to try to figure out what is hidden inside. But all they pull up is water.

Becca goes in the shed and finds Pop-Pop with a rifle in his mouth. He declares he’s just cleaning it and then mimics cleaning it.

Later that evening, Becca is in the living room and hears Nana laughing hysterically. She decides to show what kind of television show makes her Nana laugh, hoping it’s the same one her mom loves. But she finds Nana rocking in a chair, facing the wall. She asks Nana what she’s laughing about and is told the naughty spirits are inside her, and she laughs to keep them at bay. She then tells her a story about how there are people in the water that were stolen by people from another planet. These people will later be collected and sent back to this planet but for now, they’re at the bottom of water. Becca tries to interview her again, but she goes crazy when she is asked about the night that caused them to become estranged. When Becca presents it as a story about a girl who fell in love with an older man, whose family did not approve, and what she would say to the girl, Nana tells her “I would tell the girl I’m sorry.”

Becca now has her “elixir,” an apology from Nana. Outside the window, they see Nana and Pop-Pop in a heated argument with their neighbor, Stacey. They wonder what they are fighting about.

Becca decides Tyler is right and that they should set up the camera in the living room to see exactly what goes on at night. Becca also wonders what’s in the basement given that they were told not to go down there.

At night, Tyler is freaking out because he touched something slimy on the toilet handle and can feel it seeping into his skin. Becca gets tissues and helps wipe it off. Time passes, and they fall asleep. In the living area, Nana opens and slams the basement door several times. She then rushes around the room, crawling like a dog… then appears RIGHT IN FRONT OF THE HIDDEN CAMERA and screams. She picks up the camera and then films herself going into the kitchen where she grabs a butcher knife. She makes her way up to the kids’ bedroom and begins pounding at their door. Becca and Tyler wake up, startled. They can hear Nana trying to get in but just stay still.

FRIDAY MORNING:

The next morning, they watch the footage and see that Nana was trying to kill them. Becca tells them that their mom is back from her vacation that day so they just have to avoid their grandparents all day until she can come and get them. They throw the ball around and every time the grandparents come by, they tell them “We’re playing. This is how kids play.”

Inside, they try to avoid their grandparents by going out to play but Nana asks if Becca can help clean the oven first. Becca leans in, but Nana tells her to go in further. Tyler objects but Nana tells him they’ve done this before. Becca finally climbs all the way in and Nana pushes her fully inside and shuts the door, telling her she wants to do something real quick – and wipes down the handle. Tyler screams at her to open up the oven, and she does. Becca is shaken up, and they quickly go outside and play.

They wait until the grandparents are out front and then get on Skype, hoping to sneak in a call without the grandparents being aware. The oil has now been scrubbed off of the webcam so their mom can see them, too. The mom is back home and tries telling them about her vacation and a fight with her boyfriend, but they quickly tell her that she needs to come and pick them up right now. She tells them, “Do you know how long it’d take to drive from here to there?” but they tell her to get in the car immediately and make her way to them. They say that their grandparents are scaring them; Nana tried to kill them with a butcher knife, and Pop-Pop put a gun in his mouth and she’s afraid he’s going to hurt himself. Tyler films the grandparents from the window so his mom can see them. The mom is now white-faced and tells them she has to tell them something and for them to listen – “THOSE ARE NOT YOUR GRANDPARENTS.” She asks if they’ve been staying with them all week and tries to call the local police but gets a recorded message (the station is closed). The mom complains that the hick town has an incompetent police department, and she’s going to drive to come get them and will continue to try to call the police on the way. Heading out, she tells them to get somewhere safe… but just then the grandparents return, and they shut down Skype. The grandparents suggest having a board game night, but the kids say they want to check something outside while the grandparents figure out the teams. They head for the yard only to see STACEY HANGING DEAD FROM A TREE. Nana appears and tells them they already have the teams – old versus young.

The kids are forced to play Yahtzee with the fake grandparents, who eerily pretend everything is normal, Nana complaining how competitive Pop-Pop is. They begin to play the game, but the grandparents are becoming more demented. Pop-Pop begins dressing up for the costume party again. Becca excuses herself from the game saying she’s got to film something real quick. Pop-Pop is suspicious and angry. Nana gets excited and starts eating cookies frantically. She turns to the camera Tyler has placed on the table and screams “YAHTZEE!”

Becca goes down to the basement, explaining to the viewer that she thinks her real grandparents have been trapped down there, and that’s why Pop-Pop told them to stay away. She begins calling out for the real Nana and Pop-Pop but doesn’t hear a response. In the corner, she sees a dumpster and hurries over to it. Inside are family photos of her real grandparents. She also sees something from Meadow Shade which she now learns is a MENTAL HOSPITAL. She digs some more and finds a hammer with blood and white hair on it… and then sees THE CORPSES OF AN OLD WOMAN AND OLD MAN. Immediately behind her, Pop-Pop has appeared. He explains that he and the woman they know as Nana were mental patients and their real grandparents were volunteers. When they told them about their upcoming visit with their grandchildren, the two imposters decided it would be fun to experience in their place. But he is now determined to kill Becca. He chases Becca up into her room and locks her in. But she manages to defend herself, then busts the lock and escapes.

It’s past 9:30 PM. Nana is beginning to sundown and starts crawling around the couches, chasing Becca. Meanwhile, Pop-Pop comes down to the kitchen with Tyler, who is frozen in fear, just like during the peewee game. Pop-Pop tells him he’s “under a spell” and tells Tyler he never liked him. He goes behind the kitchen counter and removes his pants while the frozen Tyler looks on. Simultaneously, Becca continues to be chased by Nana. Becca is hiding in the corner facing the mirror but as normal, she doesn’t look at herself, so she’s oblivious that Nana is creeping up on her. Nana smashes Becca’s face into the mirror and pieces of glass shatter all around them. Becca picks up a shard of glass as Nana jumps on top of her, clawing at her.

In the kitchen, Pop-Pop has now revealed that he’s removed a dirty diaper. He comments that he’s noticed Tyler doesn’t like germs… and then shoves the dirty adult diaper into Tyler’s face.

Meanwhile, Nana is on top of Becca, trying to kill her, but Becca stabs Nana to death with the glass shared. In the kitchen, Becca encourages Tyler to snap out of his frozen state, and he does, charging at Pop-Pop again and again and shouting as if he’s tackling the big player on the peewee league. He has so much adrenaline that he pummels Pop-Pop to the ground and then smashes the refrigerator door against his head several times (unseen to the audience).

The kids run outside to find their mom and police cars out front. They hug their mom as the old time music that Becca promised to play at an important moment in her film plays.

Back home, the mom tells Becca that she used to be a great singer, and she could tell her mom was proud of her when she’d sing around the house as a kid. The fight happened because they didn’t approve of her husband and when her mom blocked the door to keep her from leaving, she hit her mom and in response, her dad hit her. Stunned by the event, she stormed out and never talked to them again. She tells Becca not to hold on to anger. In response, we see the slideshow of Becca’s dad that she previously said was banned from her documentary, played in full.

As the credits roll, we see Becca brushing her hair while looking at herself in the mirror while Tyler performs a rap to camera about the events that took place over those five days, including getting a used adult diaper shoved in his face and how it took two bars of soap to feel clean again. He says it did not taste like chicken.

Tyler and Becca go to spend the week with their estranged grandparents while their mom is on vacation with her new boyfriend. Little do they know, but the grandparents are actually patients at a mental hospital, who killed the real grandparents and took over their lives when they heard of the upcoming visit. The kids kill the imposters in self-defense and the mom regrets having a 15-year grudge against her now deceased parents, who were harmless in retrospect. Because of this, Becca forgives her father for abandoning the family years ago.

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