tour manager the national

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The National – Tour Manager Chords

• Artist: The National
• Song: Tour Manager
• Album: Laugh Track
• Release Date: 2023-09-18
• Genre: chamber pop, indie folk, indie rock, indietronica, modern rock
• Key: A#/Bb Major
• Time Signature: 4/4
• Mode: Major Scale
• Recommended Tuning: EADGBe (Guitar)
• Recommended Tuning: GCEA (Ukulele)
• Listen to The National – Tour Manager Chords on Spotify

When did The National release Tour Manager?

Tour Manager was released on 2023-09-18

Tour Manager Chords

Intro G ...... Em ....... G ...... C . G ...... C ....... Em ...... C . Verse 1 G Alice, do what you can To g C et me out of this plan Em tonight. C . M G aybe you can say I W C anted to make it, but I w Em on't get back in ti C me It's be G autiful how you can F C ind a good excuse for Em anything. C . N G one of them are cheap, but H C ow long can you keep on c Em overing?. D .

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Meaning of Tour Manager by The National

"Tour Manager" by The National is a song that explores themes of deception and avoidance in relationships. The lyrics depict a narrator named Alice who is being asked to provide cover for the protagonist's actions and decisions.

In the first verse, the protagonist asks Alice to help them out of a plan or commitment they made, implying that they won't be able to fulfill it in time. The use of the word "excuse" suggests a pattern of avoiding responsibility or facing the consequences, with the protagonist relying on Alice to provide justifications. The sentiment of "how long can you keep on covering" implies that this behavior of evasion cannot be sustained indefinitely.

The chorus, repeating the line "Play it like it's nothin'," highlights the viewpoint of the protagonist, who wants to downplay the importance and significance of their actions. It suggests a desire to maintain a facade of indifference or nonchalant behavior, even when there are underlying issues to address.

In the second verse, the protagonist expresses their reluctance to discuss the situation, preferring to keep it quiet and hidden. They acknowledge that Alice understands their intention, as she has seen them in similar circumstances before. The line "Say the bubble left without me and don't say anymore" further reinforces their desire to be kept out of the conversation and to avoid further attention or scrutiny.

The third verse introduces a shift in perspective, with the protagonist reaching out to Alice to share something they believe in. This change suggests a potential desire for honesty and openness in the relationship. However, the use of the phrase "find a good excuse for anything" reflects a continued pattern of finding reasons to avoid confronting difficult truths.

Overall, "Tour Manager" suggests a complex dynamic between the protagonist and Alice, where the protagonist relies on Alice to provide cover for their avoidance and lack of accountability. The song portrays a struggle between maintaining a facade and the longing for genuine connection, ultimately leaving the listener with questions about the sustainability of such behavior in relationships.

This meaning interpretation was written by AI. Help improve it with your feedback

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"Tour Manager" lyrics

• The National Lyrics

• Genius Lyrics

The National

• Laugh Track
• Tour Manager

Tour Manager letra

• Released 18 de September, 2023

letra de Tour Manager

Tour manager songtekst, tour manager testo, tour manager paroles.

Tour Manager is a song interpreted by The National

Some Good News About Your Malaise

The indie-rock band the National is at the height of its influence, and still wrestling with its concerns about declining.

One of the many awful effects of the coronavirus pandemic is how it has confirmed, for many of us, the nagging and perennial fear that things will never be as good as they once were. The virus still circulates, but the past few years contained a hard before and after , demarcated by lost lives and years and possibilities. We’re older and sadder, and there’s no going back. How do we move forward?

No work of art has hit me with the weight of that question like the new album from the National has. The indie-rock band finds itself, 22 years after its debut album, at the height of its influence. Taylor Swift counts its members—especially the multi-instrumentalist Aaron Dessner— as collaborators and inspirations . Their renown is so great that they were able to attract their own heroes, Patti Smith and Pavement, to play the band’s festival in their hometown of Cincinnati last weekend. Laugh Track , the National’s second album of 2023, was crafted while the band toured sold-out arenas. Yet it is also heavy—beautifully heavy—with concerns of decline.

This concern is not new, just newly urgent. The singer Matt Berninger, now 52, has growled his sardonic self-pity for decades: “I used to be carried in the arms of cheerleaders,” went one line, the lament of a fading jock, on the 2005 album Alligator . The band’s sound—simmering orchestral rock, part R.E.M. and part Philip Glass—has always captured the tussle between survival and decay. But in 2021, the band got stuck. Berninger faced depression and writer’s block; he “worried the National had entered in its endgame,” as the writer Colin Groundwater reported in a GQ profile .

The band pushed through and recorded an album, First Two Pages of Frankenstein , released this past April. The music twinkled with rare hopefulness, and some of the lyrics had therapeutic dimensions (the song title “Your Mind Is Not Your Friend,” for instance). The upbeat lead single, “ Tropic Morning News ,” was a particular high point. Yet the album was not widely received as an inspiring trophy of a band conquering a middle-age slump. Reviews were so-so . Critics and fans heard redundancy, mawkishness, and complacency.

The surprise release Laugh Track is that album’s more interesting companion, started during the Frankenstein sessions and finished on the road. The oscillating chords and drifting time signature of the first track, “Alphabet City,” announce an experimental approach, and two strong, rambunctious cuts have run times of about seven minutes. The album also contains cleverly constructed anthems and skewed takes on traditionalist country—but crucially, the National’s songs are once again packing an emotional wallop.

Read: Taylor Swift and the sad dads

Berninger’s narrator sings of being baffled by his own malaise: “Friendships are melting / Nothing is helping,” goes a refrain from the gentle “Coat on a Hook.” In “Weird Goodbyes,” an elegant synth-pop tune featuring Bon Iver, Berninger wonders, “I don’t know why I don’t try harder.” The title track is particularly eloquent in distilling the theme. “Losing my momentum, losing my mind,” sings Berninger, before Phoebe Bridgers adds, in her voice of vaporous beauty, a list of mortal inevitabilities to dread: “I think our feet are gonna slip / I think our hands are gonna shake.”

These words sound bleak, but the music itself still has the light-seeking quality of Frankenstein . Most of the songs can be heard as dialogues between a distressed person and a loved one consoling them with grace and empathy. Singing in dreamy reverb on “Tour Manager,” Berninger thanks a woman who makes excuses for him not showing up to things. “Alphabet City” seems to come from the the point of view of the helper: “I’ll still be here when you come back from space / I will listen for you at the door.”

Sufferer-and-savior narratives can be trite, and Berninger would do well to shake up his storybook from time to time. But his lyrics do capture the wrenching nature of human companionship: moving through time together, collectively mourning what’s gone and anticipating what’s to come. On the title track, Bridgers and Berninger fake-laugh through despair, musing, “Maybe we’ve always been like this.” “Space Invader” envisions a past in which Berninger never met the person he’s with. The song rumbles with a blend of grief and gratitude, inspired by thoughts of a reality emptier than his own.

As for the specter of the National’s decline as a band—well, I must admit that I prefer their older stuff. The band’s best music is fierce and mysterious, scrawling weird poetry on the inside of the listener’s skull; their 2023 output, by contrast, can be a bit soft and predictable. But the band is still challenging itself to achieve very-goodness, and Laugh Track casts a potent mood, giving shape to ineffable realities of growth and aging. The album’s final song is a jittery jam session in which Berninger recites praise for a smoke detector, a device that flashes steadily until its batteries zap out. The lives we lead are, thankfully, not as straightforward as that.

What is a Tour Manager and what do they do?

As long as artists continue recording and releasing their music, there will always be live music performance and touring - locally, domestically, and internationally.

And with touring comes the need for one of the most important jobs in the live music industry - tour management.

This article will help you clarify who a tour manager is and what they do on a daily basis.

What is a Tour Manager?

Our definition of a tour manager is:

A non gender specific person who travels city to city with an artist, author, speaker, crew, or other VIP to manage their travel, income, expenses, touring personnel, media interactions, and to help facilitate anything else necessary to execute each show or event. (For the sake of this article, we’ll assume the tour manager is working with a musical artist to execute a live show)

At the most basic level, a tour manager is simply the person who handles or oversees almost every aspect of the lives and routines of musicians and bands while they are on tour. In other words, a tour manager ‘runs the show’ while the band is on the road.

Tour managers travel with the artist to ensure that the tour operates smoothly and punctually without unnecessary hiccups and problems. Tour managers typically work as independent contractors offering their services to different artists each year, but some have been known to stick with only one artist for the entirety of their career.

What are the Specific Jobs of a Tour Manager?

The tour manager handles both administrative and organizational duties, and to make sure everyone is satisfied, may even take care of the personal issues of other crew members or artists on tour.

The job of a tour manager can involve event coordination, accounting, travel and logistics coordination, operations, merchandise sales and ticketing settlement, human resources, and sometimes tour managers can even take on the role of a personal assistant. To be a good tour manager, one needs to be detail oriented, but also able to see the full vision of what the artist is trying to create.

Because a lot of the characteristics of tour manager transfer over to artist management, there are cases where the tour manager also doubles as the band manager. Often on smaller tours, the tour manager may be acting in a double role as not only a tour manager, but also a sound engineer, a driver, a merchandise manager, or other crew position.

Some specific responsibilities of a tour manager may include:

Creating a tour budget

Advancing and preparing all the details for each show

Securing and managing of all income and expenses during the tour

Overseeing other production elements like lighting, sound, publicity, and even selling of merchandise during the tour

Booking and coordinating all ground transportation, flights, hotels

Overseeing or directly handling the transportation of all VIPs and crew

Creating a security plan for each venue and public appearance

Working closely with publicists, show promoters, venue managers, ticketing agencies, etc.

Ability to solve extreme problems. Like unexpected issues that may arise during touring - (medical, security, travel, contractual)

Leading a team of varying size to execute each event

On larger or longer tours, the duties above may be shared between two or more people.

Completely outlining the specific duties of a tour manager can be near impossible as there are countless scenarios on the road that beg the tour manager's attention.

Ultimately, the job of the tour manager is to make sure that everyone, including the artist, is okay and happy while on the road. Tour management can be both fun and stressful, but can also be very rewarding as it is crucial to the success of an artist’s touring career.

In our How to be a Tour Manager online course we teach our students that though there are so many tasks a tour manager has to accomplish, there is one thing you must do first.

You have to take care of yourself before you take care of others. Just like on a plane when you put your mask on first before helping others - same concept. Your mental health is extremely important, and denying self care on the road is a recipe for a quick death to your career.

You can start our tour management course for free by clicking here.