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• Yasmine Hamdan

The singer Yasmine Hamdan is now underground icon of the Arab world, her music has become the soundtrack of alternative art, literally: Palestinian filmmaker Elia Suleiman chose songs Soapkills to its internationally award winning film Divine Intervention - and today is married to Yasmine. The band broke up after Soapkills, which began its career, settled in Paris, where he filmed with Mirwais Ahmadzai, the producer of Madonna, collaborated with CocoRosie and its largest project recorded with leading pioneering band Nouvelle Vague, Marc Collin.

Yasmine chose hits major Arab singers of the 20th century that they became superstars, but their music symbolized independence, sensuality and subtle feminine protest liberal era before the advent of the fundamentalists. Yasmine text emphasizes the hidden meanings and humor and creatively working with nuances of Arabic dialects - from Lebanon to Kuwait to Egypt. In comparison with related merger Natacha Atlas and Transglobal Underground delivers a much more original vision full of fresh ideas. The project, which spring gives the Belgian label Crammed Disc, singer tested before an enthusiastic audience in Cairo. One of the songs she will sing in Jim Jarmusch's next film, in which he plays himself.

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Yasmine Hamdan Tour Dates in 2024

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YASMINE HAMDAN

Al Jamilat (2017)

DOUSS   That war was thrown upon us. Enmity you and I did not seek. Wallowing in bitter strife. One you and I did not seek. Their governments, rulers, ministers. One you and I did not seek. Oh the shame the sorrow. Their rings of outlaws we did not seek. The spring for Arabs is here. Feeding us slogans lies and deceits. All of which you and I did not seek. Their conflicts undying greed. Drained our souls, emptied us whole. Their motives, insatiable hunger. You and I did not seek. Oh the shame. And the sorrow. The plots they hatch we did not seek. The spring for Arabs is here

LA BADEN (Until later)  You're crusty, you're being grumpy. I pissed you off I know you are angry. hey, don't get nasty, don't get touchy. Postpone it, will you? Until later. Later. Let's talk about it later. Ok, I'm being silly I misbehaved. I confess I took it out on you forgive me. hey, don't get upset Don't be moody.  Postpone it, will you? Until later. Later. Let's talk about it later.

ASSI (grim)  So cruel yet your love grows in me. Despite all. Whirling me around day in day out. You are capricious, and flirtatious. Now that's my scar, My lover and I

CHOUBI  All it took was a single look a sharp arrow, a left hook. I see you thrilled with delusions scores of girls floock to your door. My heart is overrun laid down at your floor, how vicious all those promises give me none. I blame myself for being dumb

IZA (if)  When I grieve too much. When I hate I hate too much. When I drink I drink too much. When I worry I worry too much. I am much too much, I get wasted too much. When I nag I nag too much. I am much to much, I am all so very very. But why, but why, but why, bur why. That's me all the way. That's very me

K2  I believe I hear a voice in my brain. Grips and hums I feel in my veins. Naming ghosts I had locked away. I leaned by this hole long enough. My arm grew numb I'll say. Shove the bruises away. Let's call it a day. I will lose myself there is no shying away. I still won't trade the game. I twist the last curls of sorrow as I float and let them drift away. I know in my heart that everything will be ok. My hands made free for every tide. I swallow fury and sweat to shores. dazzle fields of grass growing my way. Here goes nothing come what may. I will lose myself there is no shying away. I still won't trade the game. I twist the last curls of sorrow as I float and let them drift away.

AL JAMILAT (the beautiful ones)  (From the poem "Al Jamilat Honna El Jamilat" by Mahmoud Darwish)   Beauties are beautiful, by Mahmoud Darwish  Beauties are beautiful "The tattoos of the 'violin' around the waist". The beauties are vulnerable "A throne without memory". The beauties are the strong ones "A desperation that shines but does not burn". The beauties are princesses "Mistresses of an anxious revelation". The beauties are the relatives "A rainbow neighbors". The beauties are the distant ones "Like songs of joys". The beauties are the poor ones "Such as roses in the battlefield". The beauties are the lonely ones "Such as the slaves serving the Queen". The beauties are the tall ones "The aunts of a palm tree touching the sky". The beauties are the short ones "Drank a cup of water". The beauties are the older woman "Mango peeled and wine mellowed": The beauties are the young ones "The promise of a future and the buds of a lily". beautiful, all beautiful, you If they came together to choose for me the noblest killer.  (Translation by Diane Skelton)

BALAD (country)  I stand still and I see the country in a pickle. They talk of wars and strife and strains. It feels absurd, all this pain. Up in flames and down the drain. I struggle for daily bread. Forget about the butter now. Where are my volatile elected friends? I am orphaned. Well I'm the highjacked and the alien. I am the deserted subject. So I'm the highjacked and the outcast. i am the cheated subject. I'm choking on my angry tears. I stand still and no one hears. Don't blame it on me I'm disowned. I'm the stripped fellow I am dethroned. Well I'm the highjacked and the alien. I am the  deserted subject. So I'm the highjacked and the outcast. I am the cheated subject.

LA CHAY (nothing real)  We were all set, we were real cool. hey, keep it together love, don't play the fool. We were all chilled, mellow and smooth. Keep it together love, don't play the fool. Shake it off, you're all baked. It ain't there, it ain't real. You're bad-trippin, it's all clear. Stay with me love, ain't nothing there. Hanging easy, hanging loose. Keep it together love, don't play the fool.

YA NASS (2013)

BEIRUT  People are drinking along the road People are playing brave and bold. They bet on horses they scout ghosts, They wear temptation, They cruise around, They fool around and that's Beirut. Beirut, a flower out of its season, her beauty, her good old days, what an end what a waste it withers. There is no hope left, that's how it went, the camel kneeled, his leg was sealed. Redeemed and dammed, all unemployed, they cast the spell, and that's Beirut. Beirut, a flower out of its season, her beauty, her good old days, what an end and what a waste it withers.

BALA TANTANAT  we hear rhapsodies, vultures singing the same old tune. We crave for answers, but we see our soil become more gloom. Stop your bell-sounding your clangs and your bleeps. Peacock days are over. We known your tales we've heard all your booms. You screwed us up, now we're dead and doomed. Stop your bell-sounding your clangs and your bleeps. Peacock days are over. Ol'Good people have some mercy. All that's needed is all the patience there is. By god. All that's needed is all the patience there is. Stop your bell-sounding your clangs and your bleeps. Peacock days are over.

YA NASS  People. Show me the way to the path through the clutter. For the black ocean took him that day. I'm wrapped in sorrow I'm strained. His beauty haunts me I can't kepp the memory of him at bay. Does my love upset you, do you want to see me broken? I have chosen to thrive. I know from his birthmark that he will be kept alive.

DENY  Short nights revive memories, of his smell, resin wood. I feel his breath on my ears. Short nights clear the void, those cracks and holes   I feel restless. Never mind the distance I still feel his breath on my ears.

ALEB  I have heart failure, high blood pressure. A diseased liver, discomfort all over. I panic, I get frenzy whenever I paw my liver. I have compulsions, I have delusions if my blood pressure swerves I’m full of confusions. When I read of an illness I assume I have it and then I obsess over my blood pressure by habit. I’m weary I’m wasted and I am strangled. I am a lost case, even in my sleep I’m entangled  I gather evidence and symptoms I know I feel them. If my doctor’s off duty, then I definitely know I have them. I am the lonely I am the isolated I am the homesick. All that matters. Bad luck by nature I am so knotty and silly. Whatever I do just turns out to be so sticky. I feel cranky grumpy I am an eerie. My heart starts pumping I can hear the fury. When I breathe on my back it can get very zany. I feel back flashes crawls I feel stings in my tummy. My whole body strains i become very dizzy. I am the lonely I am the isolated I am the homesick . All that matters.

SAMAR  Shine on, silver moon. Stars prancing around you in swoon. I long for your cool warmth. Your fire banished sleep from my eyes. Hums and murmurs. Such a teaser. Such a pleaser.

HAL  I live it full I live it all. Yearning for you. I tried and failed to leave you. I learned to play the game. For the joy and the pain. I’ll always praise you. Nights are filled with ghosts like you. My poor heart .With the pain of absence. I am helpless. When love strikes.

Yasmine Hamdan 

Ever since the release of her debut solo album Ya Nass (2013), Yasmine Hamdan's personal, modern take on Arabic pop has been getting tremendous attention in Europe and America, as well as in North Africa and the Middle East (where she's enjoyed iconic stature since the days of Soapkills, the duet she had founded in her native Beirut, which was one of the first indie/electronic bands in the Middle East). 

From televised news shows to glamourous magazines, a spectacularly broad spectrum of European media have fallen in love with her moving voice, seductive personality and outspoken stance.

She's performed prestigious shows on four continents (including a series of performances for the launch of the Jim Jarmusch movie "Only Lovers Left Alive", in which she's featured singing, onscreen, in one of the film's most memorable scenes).  

While Yasmine's vocals are definitely connected to traditions of Arabic music (to which she takes an unconventional and fresh approach), the structures and arrangements of the songs are very remote from its codes, and take in elements from contemporary Western electronic, pop and folk music.

Her unique vision is fully realized in her upcoming second solo album, provisionally entitled "Al Jamilat" ("The Beautiful Ones"), which she jointly produced with UK producers Luke Smith (Foals, Depeche Mode, Lily Allen) and Leo Abrahams (Brian Eno, Carl Barät), and recorded with contributions from NY musicians Shahzad Ismaily (Laurie Anderson, Lou Reed, John Zorn, Marc Ribot) and Sonic Youth's Steve Shelley.

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It was not been an easy road, and it’s still not, says Lebanese singer Yasmine Hamdan

As both the co-founder of underground trailblazers soapkills and an internationally renowned solo artist, yasmine hamdan is regarded as one of the greatest icons of alternative arabic music..

Lebanese singer Yasmine Hamdan. Courtesy Vibe Series

Yasmine Hamdan has spent her life running from conflict. Born in 1976, a year after the outbreak of the 15-year Lebanese Civil War, the underground music icon spent much of her adolescence away from her homeland, living in the UAE, Greece and Kuwait – a country her family fled following the 1990 invasion by Saddam Hussein’s Iraqi forces.

For 12 years, the Lebanese singer – who although she lived in Abu Dhabi and Al Ain when she was younger, makes her UAE performance debut in Dubai tomorrow – has lived in near-anonymity in Paris, deliberately stalking what she calls “the margins of society”.

But now that happy life, built alongside her fellow Arab emigree husband, Elia Suleiman – the celebrated Palestinian filmmaker behind Cannes award-winner Divine Intervention – is under threat, as France follows the United Kingdom and the United States into increasing levels of intolerance and populist rhetoric. A little over a year after the Bataclan terrorist attacks in the city, political commentators and analysts are beginning to view the spectre of Marine Le Pen's far-right National Front party as a serious force at the French presidential election in April.

“Things have changed – you feel anxiety in the air, tension,” says Hamdan, refusing to single Paris out in the growing global trend. “It’s worrying. I flew and escaped this kind of tension and drama my whole life and it seems it’s catching me wherever I go.”

Hamdan’s arrival in Paris signalled the end of the most engaging chapter in her career – the eight years she spent as one-half of Soap Kills, the trip-hop-influenced duo she fronted alongside intimate friend Zeid Hamdan, whose haunting, earthy electro-soundscapes first proved Arabic-language indie could be as effecting and inventive as anything produced in the West.

Inspired by the passionate articulation of classic-era vocalists such as Aisha El Marta, Nagat El Saghira and Asmahan, Hamdan’s breathy, intimate invocations – which formed Soapkills’s emotional core – were the sound of the singer rediscovering her homeland.

“I’m of the war generation,” says the 40-year-old. “I lived very much abroad – somehow I’ve always been searching for this place called ‘home’ – but after returning, I could not find it in Lebanon, I could not find it anywhere.

“I was addressing this identity question – roots, belonging, personality ... by singing in Arabic. But I never had the pretension, ambition or desire to sing Arabic the way it should be sung.”

Like countless musical revolutions before it, the Soap Kills legend has been largely written retrospectively. The early underground success of self-produced albums Beta (2001) and Cheftak (2002) led to international interest that never quite developed, including a French record deal that was shelved when the indie label went bankrupt.

“I remember the first time I heard the term ‘world music’ – I felt insulted,” recalls Hamdan. “Me and Zeid came to Paris and started meeting labels. They said: ‘We don’t know where to put you. You’re not world music, but you’re not singing in English or French – you’re strange’.”

After initially trying to maintain the musical relationship across two continents, Soapkills dissolved following 2005's swansong Enta Fen , a mix of new leftover material and remixes.

“I didn’t have the stamina,” Hamdan admits. “I wanted to pursue my own thing – I had desires, ideas I wanted to accomplish, and I needed to be on my own for that.”

It is always lazy to define leading women by the men they work with – but it’s undeniable Hamdan’s two post-Soapkills releases were inspired by the same collaborative principles.

The first, Y.A.S., was spawned following a chance meeting at a "Madonna party" no less – with Mirwais, the Parisian producer who helped the Queen of Pop's sound on albums Music, American Life and Confessions on a Dance Floor . Designed as a rebuke to media stereotypes, the duet LP Arabology was clearly far less collaborative than Hamdan might have hoped.

“I went from the most underground band in the world, to signing with Madonna’s producer and a record label that is extremely mainstream – it was interesting,” Hamdan says. “But I can’t say the record is my record.

“After my experience with Marwais, I realised I needed to be in environment where I’m an equal, or if not, the boss.”

Such an equilibrium was found on Hamden's solo debut, released internationally as Ya Nass in 2013, which was co-written and producer by Marc Collin – best-known as co-founder of kooky French bossa nova covers act Nouvelle Vague (who also performed at Dubai's The Music Room in March). This time, the relationship was sympathetic, respectful and remarkably fruitful – Ya Nass is a diverse and mature set, capturing the emotional intensity of Soapkills's best work, but sympathetically spread over broader electronic and acoustic hues.

Next, Hamdan has gone down “the boss” route, recently wrapping months of gruelling sessions – at studios spread across Hoboken, New Jersey, Beirut, Paris and London – recording a follow-up LP set for release in March. She describes it as the toughest project she has undertaken yet.

“I’ve always had a sense that I am doing something very important, something vital,” she adds.

“It has not been an easy road, and it’s still not – some people are interested in getting things easily, I’ve always liked tough things. I set the bar very high, I’m very tough on myself. Me and myself, that’s where the tension comes in.”

• Yasmine Hamdan performs at The Music Room, Majestic Hotel Tower, on Wednesday, November 7 , advance tickets Dh220 online at www.platinumlist.net

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Yasmine Hamdan, the Lebanese singer CNN said is “capturing a changing Arab world,” shares the song “Douss” via the Utne Reader (http://www.utne.com/utne-reader-music-sampler). “Douss” comes from Hamdan’s forthcoming Ipecac Recordings’ (under license from Crammed Discs) debut, Al Jamilat, available March 31. Co-produced by Hamdan, Luke Smith (Foals, Depeche Mode, Lily Allen) and Leo Abrahams (Brian Eno, Carl Barat), Al Jamilat also features guest musicians Steve Shelley (Sonic Youth) and Shahzad Ismaily (Laurie Anderson, Loud Reed, John Zorn).

Hamdan came to prominence in the Middle East and Europe as part of the Lebanese electro duo the Soapkills, which she followed with the release of a solo debut, Ya Nass. NPR described the 11-song album as having “perfected a very particular kind of disaffected cool, like a less effortful Lana Del Rey.” Ya Nass was co-produced by Hamdan and Nouvelle Vague’s Marc Collin. That same year, Hamdan made an appearance in Jim Jarmusch’s film, “Only Lovers Left Alive.”

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• Yasmine Hamdan

Yasmine Hamdan, with origins in Lebanon, became an underground icon in the Arab world with the first indie/electronic band to appear in the Middle East “Soapkills” which she formed in the 2000s.Hamdan moved to Paris after the war and started to work with Marwais who was a producer and songwriter on some of Madonna’s albums. Yasmine and Mirwais recorded the "Arabology" album and Hamdan paid her gratitude to the land where she was born, trying to break the bad reputation of the Arab image. Hamdan draws from the emotional depth and subtle social criticism of the great Arab women singers, yet she takes a personal, unconventional approach with her vocals, and she underlines that the acoustic melodies that emerge in the intense electronic sound originate from Kate Bush, Nick Cave and PJ Harvey whom she used to listen to growing up. The artist is also involved in world cinema, having composed for many films and appeared in cult director Jim Jarmusch's film. Nicknamed “Goddess,” you won't forget Yasmine Hamdan's supple voice.

Yasmine Hamdan: Vocals Cédric Leroux : Guitar & Bass Guitar Abdelhouab Abrit: Drums Mînh Pham : Keyboard

30 October 2014 Thursday 21:30

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Workshop Objects, Needs and Tricks (Workshop for Adults)

Akbank Sanat

Seminar Anxiety

Seminar The Museum Project: The Collaboration Between the Architect- Curator And Exhibition Designer

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Yasmine's performance was utterly magnetic. Her stage presence has every person present feeding off her energy and sensuality, giving ulterior power to the songs we learned to love just through listening. An absolute pleasure to take part to!

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• Hamdan, Yasmine
• December 3, 2017 Setlist

Yasmine Hamdan Setlist at ZIL ARENA, Moscow, Russia

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1 activity (last edit by vlad_st , 3 Dec 2017, 15:18 Etc/UTC )

Yasmine Hamdan

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Yasmine Hamdan Gig Timeline

• Dec 01 2017 Sentrum Kyiv, Ukraine Add time Add time
• Dec 02 2017 Opera Concert Club Saint Petersburg, Russia Add time Add time
• Dec 03 2017 ZIL ARENA This Setlist Moscow, Russia Add time Add time
• Jun 12 2018 Jazz Cafe London, England Add time Add time
• Jun 14 2018 B-Sides Festival 2018 Kriens, Switzerland Add time Add time

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/yasmine-hamdan/2017/zil-arena-moscow-russia-43e073bf.html" title="Yasmine Hamdan Setlist ZIL ARENA, Moscow, Russia 2017" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=43e073bf" alt="Yasmine Hamdan Setlist ZIL ARENA, Moscow, Russia 2017" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=43e073bf&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/yasmine-hamdan-2bd10c1e.html">More Yasmine Hamdan setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/yasmine-hamdan/2017/zil-arena-moscow-russia-43e073bf.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=43e073bf[/img][/url] [url=https://www.setlist.fm/edit?setlist=43e073bf&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/yasmine-hamdan-2bd10c1e.html]More Yasmine Hamdan setlists[/url]

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