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Cloud Control  

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Cloud Control is an alternative rock band from Australia. They have been able to travel all around the world, playing for a variety of audiences. Their unique sound is intriguing and keeps the audience wanting more. Their debut album, "Bliss Release" includes several of their most well-known songs such as "Meditation Song #2," "Just for Now," and "The Rolling Stones".

During Cloud Control's concert in 2013 at Vivid Live in Sydney, Australia, their stage was set as a cave design, perhaps to promote their newest song "Dream Cave." The audience gladly accepted them back into their hometown and showed their appreciation through catcalls and applause.

Alister Wright is the lead vocal and plays rhythm guitar, Heidi Lenffer is also on vocals as well as the keyboard, Ulrich Lenffer is the ruler on drums and other percussion devices, and Jeremy Kelshaw is a vocalist and plays bass guitar. The combination of these fabulous artists gives the audience a night to remember with their wonderful sound and their heartfelt alternative rock style. The band allows for a variety of song types and keeps up the energy of the venue. With fabulous solos and unexpected musicality, the audience is only going to want more from Cloud Control.

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Most memorable gig I have ever attended, these guys are a must see for music lovers.

I left this gig so satisfied, the performance was just perfect for me. When you see bands this good you keep going back to gigs and happily spend your money on tickets, merch etc.. just to hang on to the memory.

Wow, thanks cloud control

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• Sydney (45)
• London (26)
• Melbourne (23)
• Brisbane (20)

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Cloud Control

Upcoming cloud control festivals appearances, upcoming cloud control concerts near me.

Cloud Control premiere video for new single "Rainbow City" -- watch

The Aussie outfit's first release in nearly four years.

May 12, 2017

Live Review: Metronomy at Chicago's Metro (5/21)

The Metro has seen better weeknights, that's for sure.

May 22, 2014

St. Vincent, Animal Collective, Vampire Weekend contribute artwork for FBi fundraiser

Australian radio station auctioning artwork on eBay.

December 1, 2013

Listen to Cloud Control's shiny new single, "Scar"

Our second taste of the Aussie's forthcoming <i>Dream Cave</i>.

July 24, 2013

Listen to Cloud Control's blissful new single, "Dojo Rising"

The Aussies return with a summery, psych-pop jam.

June 4, 2013

Album Review: Cloud Control - Bliss Release

More of that "It" sound that not only sticks but stays.

August 26, 2011

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five questions with alister wright of cloud control

Catch them on their latest tour…

“I think it’s a good album from start to finish,” states Cloud Control frontman Alister Wright in a laid-back-yet-assuring Australian accent. “People should just listen to the whole album, give it a chance.”

Of course he’s referring to the band’s sophomore LP, Dream Cave , that magnificently blends pop, rock, and West Coast harmonies -- there’s no denying that Wright and his group mates carefully constructed the 11-track LP to build on the success of their debut Bliss Release.

Teaming up with Barny Barnicott -- the producer and engineer who previously worked with the likes of Spiritualized, Artic Monkeys, Temper Trap, and Franz Ferdinand, Dream Cave portrays a dreamy, easy flowing sound that contrasts the live-to-tape style of Bliss Release .

“The way me made it was quite different, actually. With Bliss Release we were very focused on getting the live sound. But this time, we were in a bigger studio and we let a lot more of the things from the demos come through -- things like drum machines and random stuff that we recorded through the year.”

Now, after recently finishing up a European and UK tour that consisted of upwards of 40 shows, the Australian-based band has landed on American soil to showcase their unique and captivating sound. Kicking off the journey this past Saturday in Brooklyn, NY, check out the entire list of dates below to see where you can catch Cloud Control, and read on to hear Alister’s answers to our five questions.

Download Dream Cave HERE .

01.11.14 - Rough Trade - Brooklyn, NY01.13.14 - Boot & Saddle - Philadelphia, PA01.14.14 - Schubas - Chicago, IL01.15.14 - Barboza - Seattle, WA01.16.14 - Biltmore Cafe - Vancouver, BC01.18.14 - Mississippi Studios - Portland, OR01.21.14 - Rickshaw Stop - San Francisco, CA01.22.14 - The Satellite - Los Angeles, CA

What was the last movie you saw?

I saw American Hustle the other day. I really liked it, it was really cool. The cast was pretty amazing for it. I go to the movies with my girlfriend all the time and we have the biggest tolereance for movies. Even pretty shit movies we always really like.

What was the first live show you went to?

I had a gutair lesson when I was little, I think I was like 13 or something and I’d been learning an AC/DC song. My teacher was like you know they’re playing in Sydney tonight? And then when we got out of the lesson I told my dad and he took my little brother and I to the show.

What was the first album you bought?

The first one I bought I think was Sparkle and Fade , by Evercelar.

What posters were hanging on your bedroom wall growing up?

I had a Rage Against The Machine poster. That was the only one. Its pretty typical I guess. I still think they’re still maybe one of the best bands ever.

What was your favorite cartoon/TV show as a kid?

I was really into "Captain Planet."

Best/Worst advice you’ve ever received?

I don’t know, I cant think of any specific advice. But I definitely think you just have to really do what you want in life or else you end up just working some job you don’t like. So Follow your dreams! (laughs)

Cloud Control

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Australian musicians band together to invest in solar farms

Exclusive: Midnight Oil, Cloud Control, Vance Joy and Regurgitator join FEAT., a new platform encouraging their industry to back sustainability

I n the spring of 2017, immediately after the release of the Australian band Cloud Control ’s third album, Zone, the band’s keyboard player, Heidi Lenffer, was contemplating what their upcoming tour would cost. But this time she wasn’t just thinking about the money; she was thinking about emissions. Independent bands are used to running on a shoestring budget – a carbon-conscious Lenffer wanted Cloud Control to run a more environmentally efficient operation, too.

She began asking climate scientists in the field, and connected with Dr Chris Dey from Areté Sustainability. Dey crunched the numbers for Cloud Control’s two-week tour, playing 15 clubs and theatres from Byron Bay to Perth.

He found that it would produce about 28 tonnes of emissions – roughly equivalent to what an average household produces in a year. And that was just the national leg of an album tour that would take the band to the US three times.

“I had suspected that all of this flying, and all of the energy that goes into tours, can’t be very good for the environment – but there was no solution that existed beyond carbon offsetting,” Lenffer says.

Offsetting is essentially an attempt at equalisation: when you offset your flights, you try to compensate for the carbon by donating to a program to suck it out of the atmosphere, via tree planting or sequestration someplace else. Lenffer wanted to aim higher.

Partnering with the superannuation fund Future Super, and the developer Impact Investment Group, Lenffer has established FEAT. (Future Energy Artists) : a platform that officially launches on Wednesday and will allow musicians to build and invest in their own solar farms.

Early signs are promising. As well as Cloud Control, other Australian bands already signed up include Midnight Oil , Vance Joy, Regurgitator, Big Scary, Peking Duk and Jack River.

The first solar farm being built with their help is Brigalow: an 80-hectare project near Pittsworth on Queensland’s Darling Downs.

“At last, a project that takes the great passion many artists have for a healthy world powered by renewable energy, and makes it doable,” says Midnight Oil’s frontman, Peter Garrett.

Speaking to Guardian Australia, Paul Curtis, Regurgitator’s manager, talks about an “actively engaged citizenry embracing a more optimistic and progressive approach to the future”.

Lenffer wanted to tap into the creative drive of her industry to find a solution to a complex problem. “The environmental movement often lacks a positive premise for action,” she says. “It is exciting to own a piece of a solar farm. To do that collectively, we can leave a lasting, tangible infrastructure legacy and say, ‘We built that together.’”

Here’s how it works: money that artists invest in FEAT. is put into a portfolio which is managed by Future Super, and can be used to buy ownership stakes in solar farms or loaned to build their infrastructure. The land that Brigalow solar farm is being built on was previously used as a sorghum grain farm. It is now being leased from the land’s owner to build the solar project, whose progress is closely monitored by Impact Investment Group, which manages the underlying fund investing in Brigalow.

And artists can put forward as much as they can afford. Perhaps they want to throw in a one-off lump sum, or offer a percentage of their touring income; the idea is that everyone should be able to invest in their financial and environmental future – which is why FEAT. set a floor price of just $5 to set up an account.

FEAT. says the 34.55-megawatt Brigalow solar farm could power the equivalent of 11,300 homes for 30 years. (Looked at another way, it could generate more than 2,000 Cloud Control tours in renewable energy.) That energy is then sold into the energy market, with a target return on investment for artists of 5% a year.

The total emissions output of the global music sector is not well studied. A 2010 investigation into the UK industry found it was responsible for more than 540,000 tonnes of greenhouse gas every year, much of it from live music. Most of that was transport, not just of band members and equipment, but fans: audience travel alone accounted for 43% of emissions.

A further 26% came from the lifecycle of CDs, which speaks to the age of the study. But, according to researchers from the University of Glasgow , the streaming age hasn’t made for a cleaner product: the energy required to store and process music in the cloud makes for an even worse carbon footprint than manufacturing and distributing CDs and records.

For artists, the pitiful royalty rates generated from streaming, and the crash in sales of physical product, means that live music makes up the bulk of revenue. For Lenffer, going on tour meant contributing to the global climate emergency – but she was willing to gamble that “a progressive community like the music industry would have the guts and imagination to embrace change”.

Lenffer says she was inspired by community movements overseas, particularly in Europe, where groups were banding together to buy investments in renewables. “Sporting clubhouses would install solar panels on their rooftops purchased by the residents in the area, [who] would then be paid back through the energy generated over a period of time,” she explains. “I found about 70 groups in Australia doing it, as opposed to around 500 in Scotland and 1000 in Germany.”

But as well as being the biggest greenhouse gas emitters per capita, Australians also have the highest take-up of rooftop solar . Lenffer says this statistic “shows that people are driving the change where our government is not”. And, compared with Europe, there are far more abundant solar resources available in our sunburnt country.

Lenffer sees the potential for her idea to catch on. “There’s no reason why this couldn’t go global,” she says. “If we can demonstrate it works here – which I feel like we can, because we’ve already got a number of big-name and emerging artists signed up – if we can take ownership over building the solar assets that are going to power our future, which we need to do as quickly as possible, there’s no reason why this couldn’t be rolled out for every artist touring the world.”

• Renewable energy
• Pop and rock
• Solar power
• Energy (Environment)
• Energy (Australia news)
• Greenhouse gas emissions
• Carbon offsetting

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• July 16, 2011 Setlist

Cloud Control Setlist at La Plaine de La Machine à Feu, Dour, Belgium

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• Jul 05 2011 Milano Jazzin' Festival 2011 Milan, Italy Add time Add time
• Jul 15 2011 Latitude Festival 2011 Southwold, England Add time Add time
• Jul 16 2011 Dour 2011 This Setlist Dour, Belgium Add time Add time
• Jul 17 2011 de-Affaire 2011 Nijmegen, Netherlands Add time Add time
• Jul 31 2011 Splendour in the Grass 2011 Woodford, Australia Add time Add time

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