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• Song Lyrics
• Artists - R
• Renald Francoeur Lyrics
• Brain Beats Album
• Tour the States Lyrics

Renald Francoeur - Tour the States Lyrics

Artist: Renald Francoeur

Album: Brain Beats

I want to take a little trip somewhere, yeah Places I've never been, yeah Going on tour without a care I want to take a little trip somewhere, yeah Places I've never been, yeah Going on a tour, tour, tour First, I'm gonna see Nashville, Tennessee Then Madison, Wisconsin, is where I gotta be, yeah Then I'll take a plane Well actually I'm afraid to fly, so I think I'll take the train Let's go! Going to Trenton, New Jersey; Frankfurt, Kentucky Maybe take a trip to Jackson, Mississippi Let's see what they can show me in Jefferson City, Missouri Santa Fe, New Mexico; Denver, Colorado Boise, Idaho, I love it every time that I go In 1492, he sailed the ocean blue, but next week I'll see Columbus in Ohio Grab a little sunshine in Tallahassee, Florida Take a bite out a peach in Atlanta, Georgia I've never been to Carson City, in Nevada, or Lincoln, Nebraska You can catch me in Phoenix, Arizona, or Sacramento, California, yeah St. Paul, Minnesota, maybe, Juneau, Alaska, yeah I want to take a little trip somewhere, yeah Places I've never been, yeah Going on tour without a care I want to take a little trip somewhere, yeah Places I've never been, yeah Going on a tour, tour, tour Boston, Massachusetts; Concord, New Hampshire Going to Vermont for Montpelier Montgomery, Alabama, then Washington D.C., to see the nation's capital Aloha to Honolulu, Hawaii Des Moines, Iowa, so peaceful to me Going to Springfield, Illinois, to build a little house on a prairie In Little Rock, Arkansas, I love what I saw Going back to Dover, Delaware, ‘cause I want more Indianapolis, Indiana, and Hartford, Connecticut, need an encore Smelling pine trees in Augusta, Maine I like Topeka, Kansas, I'm glad that I came But I've never been to Salt Lake City, in the Utah, or Richmond, Virginia Going to see Bismarck, North Dakota, and Charleston, West Virginia, yeah Annapolis, Maryland, maybe Lansing, Michigan, yeah Helena, Montana; Columbia, South Carolina Got to go to Pierre, South Dakota, yeah, follow if you wanna I'll be eating a banana in Baton Rouge, Louisiana Schedule that on my planner Friends say I gotta come sooner to Oklahoma City, Oklahoma So I guess I'm gonna But first I'm going to Cheyenne, Wyoming, then party in Raleigh, North Carolina Harrisburg, Pennsylvania, can't think of a rhyme for Pennsylvania So I'm skipping to Salem, Oregon, then Austin, Texas And then maybe Albany, New York, for breakfast Providence, Rhode Island, was a blast, and, Olympia, Washington, was just the best-est I want to take a little trip somewhere, yeah Places I've never been, yeah Going on tour without a care I want to take a little trip somewhere, yeah Places I've never been, yeah Going on a tour, tour, tour I want to take a little trip somewhere, yeah Places I've never been, yeah Going on tour without a care I want to take a little trip somewhere, yeah Places I've never been, yeah Going on a tour, tour, tour

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A mind-blowing live personality, a revelation! A huge spontaneous crush! Power, cheekiness, everything that can reinstate one in the love for women and music. A never again to be missed!

Ethereal, hopeful, humble, powerful... just absolute ART. The show was focused on everyone, a celebration of culture, love, identities, and struggle. I love that she made it more about the group on stage as a whole than just her- Tons of stage presence nonetheless. Beautiful band, beautiful backup singers. The lighting was amazing and the stage was so well done and simple. Solange holds her own and I cannot wait to see her when she comes back. You can tell she was feeling it when she got down on the left side of the stage and started singing to us, beautiful moment that reminds me why I love going to live shows/concerts. Flying Lotus was an absolute trip as well. I wish she would've brought Kelela out on this date... Scales is such a beautiful song and I'd of loved to see it live with them two.

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Here Are All the Songs in ‘Taylor Swift: The Eras Tour’ Movie

Find out which songs from the tour setlist were cut

Taylor Swift’s “The Eras Tour” concert film premiered in October to an enthusiastic crowd of celebrities, fans and of course Taylor’s team, with the star of the film in attendance. As one of the first to see the film, TheWrap got the scoop on which songs from the wildly popular tour made the film, and which songs were cut.

After making speeches in multiple auditoriums for separate audiences, Swift, clad in a sky blue floral-patterned dress (probably in theme for “1989 (Taylor’s Version) with her hair pinned up like the signature bob she had when that album first came out), sat back to enjoy the film’s premiere in one of the IMAX screening rooms with her background vocalists and publicist Tree Paine.

The documentary runs 2 hours and 48 minutes, slightly shorter than Swift’s three-hour setlist and performance, which she has brought to 17 of the United States so far in addition to Mexico. The European leg will kick off in November, with Swift returning for 15 more U.S. shows in October and November of 2024. And now you can rent “Taylor Swift: The Eras Tour” on digital to watch at home. Read on for the 41 songs that made the cut to truly represent all 10 of Swift’s eras.

Now that the film is heading exclusively to Disney+ for streaming , additional acoustic surprise songs will make it into the film, all of which were filmed during the Los Angeles SoFi shows.

Here are all the songs in “Taylor Swift: The Eras Tour”:

Lover (5 songs)

• “Miss Americana & the Heartbreak Prince”
• “Cruel Summer”
• “You Need to Calm Down”

Fearless (3 songs)

• “You Belong With Me”
• “Love Story”

Evermore (4 songs)

• “Champagne Problems”
• “Tolerate It”

Reputation (4 songs)

• “Ready for It”
• “Don’t Blame Me”
• “Look What You Made Me Do”

Speak Now (1 Song)

• “Enchanted”

Red (4 Songs)

• “We Are Never Getting Back Together”
• “I Knew You Were Trouble”
• “All Too Well (10-Minute Version)”

Folklore (6 Songs)

• “Last Great American Dynasty”
• “Illicit Affairs”
• “My Tears Ricochet”

1989 (4 Songs)

• “Blank Space”
• “Shake It Off”
• “Bad Blood”

Surprise (1 Guitar & 1 Piano)

• “Our Song” (Guitar)
• “You’re on Your Own Kid” (Piano)

Midnights (7 Songs)

• “Lavender Haze”
• “Anti-Hero”
• “Midnight Rain”
• “Vigilante Shit”
• “Bejeweled”
• “Mastermind”

* “Long Live (Taylor’s Version)” plays in the credits.

Songs From the Concert That Aren’t in the Film

• “The Archer”
• “Tis the Damn Season” which was later swapped for “No Body No Crime (Feat. Haim)”
• “Invisible String”
• “Cardigan” *
• “Wildest Dreams”

* “Cardigan” will be included in the version of the film that arrives on Disney+.

Surprise Songs Filmed (in Los Angeles at SoFi Stadium)

• “I Can See You”
• “You Are in Love”
• “Death by a Thousand Cuts”
• “You’re on Your Own Kid”

Songs Added Back Into the “Eras Tour” Film for the Digital Release

• “Long Live”

4 Secret Song in “Taylor Swift: The Eras Tour (Taylor’s Version)” on Disney+

• “Maroon” from “Midnights”
• “Death By a Thousand Cuts” from “Lover”
• “You Are in Love (Taylor’s Version)” from “1989 (Taylor’s Version)”
• “I Can See You (Taylor’s Version)” from “Speak Now (Taylor’s Version)”

Read here for a full list of all the surprise songs Swift has performed so far.

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• Country Music
• George Jones
• Tammy Wynette

The Meaning Behind “The Grand Tour” by George Jones Hit a Bit Too Close to Home

by Jim Beviglia January 23, 2024, 6:47 am

Country music has always been associated with songs of sadness. It makes sense then that George Jones was such a legend of the genre,. Nobody has ever been able to transmit sadness across the airwaves quite like he did.

Videos by American Songwriter

Getting deep inside the tragedies and misfortunes of his songs might have been a little easier for Jones than most. He was often living through some circumstance in his own turbulent life that related almost directly to the lyrics. Case in point: “ The Grand Tour ,” a masterpiece of melancholy that features Jones hitting every nuance and twist in a brilliantly crafted piece of material. Let’s look back at how this country classic came to be and learn the meaning behind “The Grand Tour” by George Jones.

Getting Grand Again

George Jones dominated the ’60s in terms of the country music charts. But by the time the decade turned over, he was scuffling a bit to find the touch. While many blamed the never-ending drama in his personal life for the dip, Jones himself felt that his work wasn’t getting properly handled by his producers and record executives, which is why he decamped for Epic Records.

Jones thought that Epic’s Billy Sherrill was just the guy to transform his work, but their first few records together didn’t do much. To make matters worse, Jones’ wife at the time, Tammy Wynette, was pretty much the queen of the genre. In an interview with Billboard in 2006, Jones spoke about how it took Sherrill a while to understand just how to approach Jones’ vocal stylings.

“He just came up with that sound like he got with Tammy [Wynette], [sings] ‘Ba bum ba bum ba bum,’ build-ups, and it was a little more updated, I guess,” Jones remembered. “He tried to do that with me, but I finally had a talk with him. I said, ‘Billy, I’m country, I’m traditional, I know you’re wanting to cross over with me like you have with Tammy, Charlie Rich and those people, but I’m hardcore and I can’t help it. That’s what I feel, and I can’t do a good job for the label, you or anybody else if I don’t feel it myself.’ I had no problem after that, we’d go in and he got me a good sound. I used my fiddle and steel and good country pickers, and I guess I really just lucked up a little bit on finding the songs.”

Stranger Than Fiction

One of those songs that Jones found was a beauty written by Norro Wilson, George Richey, and Carmol Taylor. And, as was so often the case with Jones, he found himself singing about a subject that hit very closet to home. “The Grand Tour” is a song about a breakup, and, about the time he recorded it with Sherrill, his own marriage to Wynette was crumbling. Bizarrely enough, co-writer Richey would later marry Wynette in a twist that not even Jones’ most devastating songs of woe could have imagined.

If Sherrill had struggled initially producing Jones, he certainly got it just right with “The Grand Tour.” It’s clever how each section begins with Jones singing a cappella, only to be answered by a piano that almost seems to be mocking him before the whole band kicks into gear. Pete Drake provides inimitable support on steel guitar. As for Jones, listen to how he sounds genial at the beginning of each verse as he talks to the stranger, before his emotions get the better of him as he talks about his wife’s departure.

What Is “The Grand Tour” About?

“The Grand Tour” is structured as if the narrator were a real estate agent conducting an open house for potential buyers. But it quickly turns into something different when he explains that, Some things I know will chill you to the bone are waiting inside. From there, he goes through the inventory: a chair, a bed, a photo of the pair, and finally, her rings, all her things/And her clothes are in the closet .

To each of these is attached a bittersweet memory of happier times. When he shows the stranger the picture of her, he can’t help but ruminate on what might have been: Don’t it look like she’d be able/Just to touch me and say, ‘Good morning, dear.’ But since she’s gone forever , that’s an impossibility.

[RELATED: Behind the Song: George Jones, “He Stopped Loving Her Today”]

Alternative Take

It should be noted that some fans of the song believe that “The Grand Tour” doesn’t depict a divorce, but instead a scenario where the wife has died along with their child in some accident. That’s a bit of a gruesome take on it in our opinion, but the important thing is the emotion conveyed by Jones as he brings it all home: As you leave you’ll see the nursery/Oh, she left me without mercy .

“The Grand Tour” proved a massive comeback hit for Jones upon its release in 1974, and helped point the way to another monumental collaboration with Sherrill in “ He Stopped Living Her Today .” You don’t need to have lived through that kind of sadness to relate to the song, because George Jones’ performance made sure we could wallow in it with him for the course of those gloriously sorrowful three minutes.

Photo by Michael Ochs Archives/Getty Images

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New Video Emerges of Elle King’s Controversial Dolly Parton Tribute

© 2024 American Songwriter

Tom Holland Sends Love to Girlfriend Zendaya as 'Challengers' Hits Theaters

Dua Lipa & Boyfriend Callum Turner Keep Super Close During Day Out in NYC

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Tim McGraw Set List for 2024's 'Standing Room Only Tour' Revealed

Tim McGraw is currently on the road with his Standing Room Only Tour and he’ll be entertaining fans through June!

The 56-year-old country singer, who is touring with Carly Pearce , is performing a ton of hits every night and we have the set list available for you to peruse.

Before the tour started, Tim promised to perform his biggest hits along with songs from his latest album Standing Room Only and he’s definitely delivering the goods.

Tim will soon be visiting cities like Boston, Charlotte, Chicago, Kansas City, Atlanta, Philadelphia, and Los Angeles. Make sure to check the concert listings to see if he’ll be in a town near you!

Head inside to check out the set list…

Keep scrolling to check out the full set list… **This set list is representative of previous shows on the tour and might not be completely accurate for every show.

1. Truck Yeah 2. Southern Voice 3. All I Want Is a Life 4. Tiny Dancer (Elton John cover) 5. Just to See You Smile 6. Over and Over 7. Shotgun Rider 8. One Bad Habit 9. Watch the Wind Blow By 10. Something Like That 11. Where the Green Grass Grows 12. Standing Room Only 13. Red Ragtop 14. Highway Don’t Care 15. I Like It, I Love It 16. Felt Good on My Lips 17. Real Good Man 18. ENCORE: The Cowboy in Me 19. ENCORE: Humble and Kind 20. ENCORE: Live Like You Were Dying

Check out the set lists for more artists on tour right now!

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Mickey Guyton Announces Fall 2024 CMT On Tour Dates, Drops Emotional ‘Scary Love’ Lyric Video

The North American outing is slated to kick off on Sept. 18 in Atlanta.

By Gil Kaufman

Gil Kaufman

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Mickey Guyton is hitting the road this fall for a North American tour . The Grammy-nominated country star announced the dates for her CMT On Tour Presents Mickey Guyton 2024 dates on Friday morning (April 26), along with dropping a sweet lyric video for her new single, “Scary Love.”

Mickey Guyton & Prophet’s One-on-One Conversation | Black Music Action Coalition…

Trending on billboard.

Guyton’s new single, a gentle ballad about a mother’s fierce love, opens with the heart-touching lines, “I see pictures of my mama, hangin’ on the wall/ She’s never looked so happy, and I’ve never looked so small/ Now I’m holdin’ you and I know what they say is true/ When a baby’s born that’s when a mother’s born too.”

Guyton and husband Grant Savoy welcomed their first child, son Grayson, in Feb. 2021 and the acoustic ballad’s moving lyric video features home movie footage of Guyton in the hospital cradling her then newborn and spending time with the now toddler. “Cuz I felt it before, but it wasn’t like this/ Ain’t a thing I wouldn’t do, ain’t a thing I wouldn’t give/ It’s the kind you fall into and never hit the bottom of/ It’s a scary love,” she sings on the chorus.

Watch the “Scary Love” lyric video and check out the 2024 CMT on Tour dates below.

Sept. 18 — Atlanta, GA @ Buckhead Theatre

Sept. 20 — Charlotte, NC @ The Underground

Sept. 21 — Asheville, NC @ The Orange Peel

Sept. 26 — Washington, DC @ Union Stage

Sept. 27 — New York, NY @ The Gramercy Theatre

Sept. 28 — Pittsburgh, PA @ Thunderbird Café and Music Hall

Oct. 2 — Kansas City, MO @ Knuckleheads*

Oct. 3 — Oklahoma City, OK @ Beer City Music Hall*

Oct. 15 — St. Louis, MO @ Delmar Hall

Oct. 17 — Chicago, IL @ Joe’s on Weed St.

Oct. 19 — Des Moines, IA @ Wooly’s

Oct. 22 — Madison, WI @ Majestic Theatre

Oct. 23 — Ann Arbor, MI @ Blind Pig

Oct. 25 — Grand Rapids, MI @ The Stache at The Intersection

Oct. 30 — Columbus, OH @ The Bluestone

Nov. 1 — Buffalo, NY @ Iron Works*

Nov. 2 — Toronto, ON @ Velvet Underground

Nov. 4 — Boston, MA @ Brighton Music Hall

Nov. 6 — Philadelphia, PA @ World Cafe Live*

Nov. 8 — Indianapolis, Indiana @ The Hifi*

Nov. 9 — Lexington, KY @ Manchester Music Hall

*Not a Live Nation Date

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Rock trailblazer Heart reunites for a world tour and a new song

FILE - Nancy Wilson, left, and Ann Wilson, right, of the band Heart perform as Heart is inducted into the Rock and Roll Hall of Fame during the Rock and Roll Hall of Fame Induction Ceremony at the Nokia Theatre on Thursday, April 18, 2013 in Los Angeles. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Danny Moloshok/Invision/AP, File)

FILE - Nancy Wilson, left, and Ann Wilson of Heart perform on opening night of the Heartbreaker Tour at the Cruzan Amphitheater in West Palm Beach, Fla., June 17, 2013. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Jeff Daly/Invision/AP, File)

FILE - Nancy and Ann Wilson of the classic rock band Heart perform in concert at the American Music Theater on Monday, March 24, 2014, in Lancaster, Pa. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as “the full-on rocker size.” (Photo by Owen Sweeney/Invision/AP, File)

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NEW YORK (AP) — Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring and fall for a world tour that Nancy Wilson describes as “the full-on rocker size.”

“I’ve been strengthening. I’ve got my trainer,” she says. “You go one day at a time and you strengthen one workout session at a time. It’s a lot of work, but it’s the only job I know how to do.”

The Rock & Roll Hall of Famers who gave us classic tracks like “Magic Man,” “Crazy on You” and “Alone” will be playing all the hits, some tracks from of their solo albums — like Ann Wilson’s “Miss One and Only” and Nancy Wilson’s “Love Mistake” — and a new song called “Roll the Dice.”

Nancy Wilson, left, and Ann Wilson perform on opening night of the Heartbreaker Tour in West Palm Beach, Fla., June 17, 2013. (Photo by Jeff Daly/Invision/AP, File)

“I like to say we have really good problems because the problem we have is to choose between a bunch of different, really cool songs that people love already,” says Nancy Wilson.

Like “Barracuda,” a sonic burst which first appeared on the band’s second album, “Little Queen” and is one of the band’s most memorable songs.

“You can’t mess with ‘Barracuda.’ It’s just the way it is. It is great. You get on the horse and you ride. It’s a galloping steed of a ride to go on. And for everybody, including the band.”

The tour kicks off Saturday at the Bon Secours Wellness Arena in Greenville, South Carolina, and will hit cities including Atlanta, Boston, Baltimore, Pittsburgh, Milwaukee, Cleveland, Detroit, as well as the New Orleans Jazz and Heritage Festival and Red Rocks Amphitheater in Morrison, Colorado. International dates include stops in London, Oslo, Berlin, Stockholm, Montreal and Glasgow.

The band’s Royal Flush Tour will have Cheap Trick as the opening act for many stops, but Def Leppard and Journey will join for three stadium dates in Cleveland, Toronto and Boston this summer.

Ann and Nancy Wilson will be filled out by Ryan Wariner (lead and rhythm guitar), Ryan Waters (guitars), Paul Moak (guitars, keyboards and backing vocals), Tony Lucido (bass and backing vocals) and Sean T. Lane (drums).

The tour is the first in several years for Heart, which was rocked by a body blow in 2016 when Ann Wilson’s husband was arrested for assaulting Nancy’s 16-year-old twin sons. Nancy Wilson says that’s all in the past.

“We can take any kind of turbulence, me and Ann, and we’ve always been OK together,” she says. “We’re still steering the ship and happy to do it together. So we’re tight.”

The new tour will take them to Canada, which was warm to the band when they were starting out as what Nancy Wilson calls “a couple of chicks from Seattle.” She recalls Vancouver embracing Heart, and touring in one van across Canada in the dead of winter on two lane highways.

The Wilsons at the American Music Theater on Monday, March 24, 2014, in Lancaster, Pa. (Photo by Owen Sweeney/Invision/AP, File)

The Wilson sisters broke rock’s glass ceiling in the ‘70s and Nancy Wilson says they only had male influences to look to, like Led Zeppelin, Pink Floyd, the Beatles, the Rolling Stones and the Moody Blues.

Now she says she looks out and loves seeing generations of female rockers. “You have boygenius and you have Billie Eilish and you have Olivia Rodrigo and so many amazing women — Maggie Rogers and Sheryl Crow, who calls us her big influence. And then Billie Eilish might have Sheryl Crow as her influence. So it’s a really nice legacy to pass along. I like to say we’re the OG — the original gangsters — of women and rock.”

Heart has made it into the Rock Hall, won Grammys, sold millions of albums and rocked hundreds of thousands of fans but Nancy Wilson has one place she’d still like to shine.

Next year will mark the 50th anniversary of their debut album, “Dreamboat Annie,” which was the same year that “Saturday Night Live” started. “So we’re actually kind of putting it out there — Heart never played on ‘Saturday Night Live.’ But what about the 50th birthday party with Heart?”

Mark Kennedy is at http://twitter.com/KennedyTwits

Carin León Unveils International Tour Dates Ahead of Stagecoach Debut

Carin León will head out on his 'Boca Chueca' tour starting July 22.

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Thania Garcia

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Música Mexicana artist Carin León has announced his international “Boca Chueca Tour,” slated for this fall. León will kickoff the trek later this year after making debut appearances at both Coachella and Stagecoach .

The “Boca Chueca Tour” will hit major cities across North America and Europe, including a night at Madison Square Garden in New York City, two nights at the United Center in Chicago, Bridgestone Arena in Nashville, Coca-Cola Coliseum in Toronto, and BMO Stadium in Los Angeles.

Following the North American leg, León will venture into Europe with confirmed dates in Madrid, London, Amsterdam and Paris.

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“Embarking on this tour is an exhilarating opportunity to share my new music with fans throughout North America and Europe alike. Taking my songs and the vibrant essence of Música Mexicana to a global stage is truly an honor,” said León.

Ticket pre-sales begin April 30 at 10 a.m. local time and a limited number of VIP packages will also be available starting April 30. Tickets go on sale to the general public on May 3.

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Mickey Guyton Will Hit the Road This Year for CMT On Tour

By Tomás Mier

Mickey Guyton is over the moon after announcing that she’s going on a headlining tour. On Friday, the country star announced that she’ll hit the road for her CMT on Tour run of shows this fall.

“I’m so excited to announce that I’m hitting the road this fall with @cmt on my own headlining tour! Let me know in the comments what show you’re coming to,” she wrote on Instagram, adding, “I love you guys so much – this really is a dream come true!”

The tour will commence in Atlanta, before stopping in cities such as New York, Kansas City, Minneapolis, Des Moines, and Toronto. (She’ll notably skip the west coast.) Tickets for Guyton’s shows go on sale on Friday, May 3 at 10 a.m. local time, but fans can access tickets to a presale on April 30.

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CMT On Tour Presents Mickey Guyton 2024

Sept. 18 — Atlanta, GA @ Buckhead Theatre Sept. 20 — Charlotte, NC @ The Underground Sept. 21 — Asheville, NC @ The Orange Peel Sept. 26 — Washington, DC @ Union Stage Sept. 27 — New York, NY @ The Gramercy Theatre Sept. 28 — Pittsburgh, PA @ Thunderbird Café and Music Hall Oct. 2 — Kansas City, MO @ Knuckleheads Oct. 3 — Oklahoma City, OK @ Beer City Music Hall Oct. 15 — St. Louis, MO @ Delmar Hall Oct. 17 — Chicago, IL @ Joe’s on Weed St. Oct. 18 — Minneapolis, MN @ First Ave Oct. 19 — Des Moines, IA @ Wooly’s Oct. 22 — Madison, WI @ Majestic Theatre Oct. 23 — Ann Arbor, MI @ Blind Pig Oct. 25 — Grand Rapids, MI @ The Stache at The Intersection Oct. 30 — Columbus, OH @ The Bluestone Nov. 1 — Buffalo, NY @ Iron Works Nov. 2 — Toronto, ON @ Velvet Underground Nov. 4 — Boston, MA @ Brighton Music Hall Nov. 6 — Philadelphia, PA @ World Cafe Live Nov. 8 — Indianapolis, Indiana @ The Hifi Nov. 9 — Lexington, KY @ Manchester Music Hall

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Ruger – Tour

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An immensely gifted Nigerian music sensation and song composer, Ruger , just made his musical debut with a masterpiece record titled “Tour.”

Moreover, this recently launched product is a chosen piece from his highly awaited debut album, titled “RU The World (Album).”

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‘The working class can’t afford it’: the shocking truth about the money bands make on tour

As Taylor Swift tops $1bn in tour revenue, musicians playing smaller venues are facing pitiful fees and frequent losses. Should the state step in to save our live music scene?

W hen you see a band playing to thousands of fans in a sun-drenched festival field, signing a record deal with a major label or playing endlessly from the airwaves, it’s easy to conjure an image of success that comes with some serious cash to boot – particularly when Taylor Swift has broken $1bn in revenue for her current Eras tour. But looks can be deceiving. “I don’t blame the public for seeing a band playing to 2,000 people and thinking they’re minted,” says artist manager Dan Potts. “But the reality is quite different.”

Post-Covid there has been significant focus on grassroots music venues as they struggle to stay open. There’s been less focus on the actual ability of artists to tour these venues. David Martin, chief executive officer of the Featured Artists Coalition (FAC), says we’re in a “cost-of-touring crisis”. Pretty much every cost attached to touring – van hire, crew, travel, accommodation, food and drink – has gone up, while fees and audiences often have not. “[Playing] live is becoming financially unsustainable for many artists,” he says. “Artists are seeing [playing] live as a loss leader now. That’s if they can even afford to make it work in the first place.”

Potts, who works at Red Light Management – home to everyone from Sabrina Carpenter to Kaiser Chiefs and Sofia Kourtesis – feels like there is an industry equivalent of the Spider-Man meme in which they are all pointing to one another. “People who work at labels think bands make loads of money touring, while booking agents think they make loads of money on publishing and so on,” he says. “Everyone thinks artists make money from the other side of the industry they’re not involved in.

“Artists are the biggest employers in the industry. They pay for the tour manager, session musicians, agent, manager, crew, insurance, travel, accommodation, equipment, rehearsal space, production. Everything. I don’t think people know this is all the stuff that the artist pays for and does.”

“Greater transparency is needed,” says Lily Fontaine, lead singer of Leeds band English Teacher. On paper, the four-piece appear to have made it. They are signed with a major label, Island, have played on Later With … Jools Holland, get healthy BBC Radio 6Music airplay, their debut album has received five-star reviews and they are about to embark on their biggest tour to date, which includes an 800-capacity home-town show.

“The reality is that it’s normal for all of these achievements to coexist alongside being on Universal Credit, living at home or sofa surfing,” says Fontaine. During the making of their debut album, she and bandmate Lewis Whiting did the latter while unable to afford rent.

In their four years of existence, English Teacher have yet to turn a profit from touring. “We’ve never directly paid ourselves from a gig,” says Whiting. “A headline tour usually comes out with a deficit. The only thing that we ever make any kind of profit on is festivals, because the fees can be higher, but any money left over just goes towards the next outgoings.” A successful show for the group in the past has been defined by whether they can flog enough merch to afford a supermarket food shop.

So how do they survive? “In the world of artists, we’re in a lucky position,” says Whiting. “We try to pay ourselves £500 a month each from the band pot.” However, they’ve been reliant on their advance for this, which is now gone. “We’re now in that stage where we’re gonna have to figure out where that £500 a month is gonna come from,” says Fontaine. “Because the gig fees won’t be able to cover that.” The band estimate that their 16-date UK tour in May will generate roughly £800 profit. But, says Fontaine, “realistically, I don’t think there will be any profit because things always go over budget”.

For many artists, fees aren’t increasing in line with costs. “There’s been no real incline at all,” says Potts. “For support slots, I don’t think the fees have changed in the last 10 years or so that I’ve been managing, whether that’s £50 at the smaller end or £500 quid for some of the biggest shows.” Fees for headline shows can vary enormously for bands, even on the same tour. Playing a 200-capacity club in Newcastle may land you £600, while a 1,500 cap in London may net you £3,000.

And fewer people are coming to shows at the small-to-mid-sized end of things. “In our audience data, we see there is a gap in new audiences coming through post-pandemic,” says the FAC’s Martin. “As well as a bit of a drop-off in some of the older audiences returning to live shows.” However, despite stagnant fees and shrinking audiences, touring activity in the UK is at a peak. Due to the costs of touring Europe (which can be thousands in taxes and carnet alone) 74% fewer UK bands are now touring Europe post-Brexit. “It’s much more difficult to tour in Europe so there are more artists trying to perform domestically,” says Martin. “That creates a saturation problem.”

For this article, the Guardian has seen 12 tour budget sheets for various bands and artists varying from up-and-comers to firmly established and successful acts, all of whom regularly undertake headline tours across the UK in venues ranging from 150 to 2,500 capacity. Almost all of these result in losses. Understandably, most shared their balance sheets on the condition of anonymity. One four-piece indie band, whose last two albums went Top 10 in the UK charts, reported a loss of £2,885 from a six-day UK tour. The only tour that shows anything resembling healthy profit was a 29-date tour for a solo artist who came away with £6,550. Not bad going for a month’s work but, as Martin points out, “that’s then his touring done for the next six months. So it’s not enough money.”

Nubiyan Twist are a nine-piece Afro-jazz outfit who have a loyal following and tens of millions of streams on Spotify, “We pride ourselves on being able to put on a big show, like your Fela Kutis or James Browns, these epic spectacles,” says bandleader Tom Excell. “But it’s getting more difficult, without a shadow of a doubt.” For an upcoming eight-show tour of Europe, they are predicting a loss of £4,931.28. The only way they can justify doing it is because they got funding from the BPI Music Export Growth Scheme. “I would have just pulled the plug if it wasn’t for that,” says Excell. “I’ve got a two-year-old and I can’t be away from home for that long and come back with a loss.”

Even when the band get more lucrative fees for festivals it’s still tough. They will be paid £5,000 for a festival performance this summer but the total profit after band wages (as Excell pays all his band members in full first) expenses and commissions are paid out will be £277.60. “After four albums and 15 years doing this, to still be having to gamble on whether I’m going to make anything, while everyone else gets paid a guaranteed amount, is a struggle,” admits Excell.

Such thin margins leave little wiggle room, as the space-surf band Japanese Television (who headline 100-300 capacity venues) found out when their booking agent reduced their 13-date UK and EU tour to eight shows with a five-day gap in the middle that will add a further loss of around £1,200 to a tour that is already set to lose them around £700. “Records and T-shirts are basically what keeps us going,” says the band’s Tim Jones. “The only way this tour is working for us is because we just put out our second album and we did about 60 presales on the vinyl and that was basically enough to pay for the van. It’s a hobby that just about pays for itself.”

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The question is: who else will be able to afford to pursue music as a hobby? “It depresses me how many middle and upper class people there are in the music industry,” says manager Potts. “Because the working class just can’t afford to fork out £150 a day for van hire. The only artists doing that are people who have deeper pockets and can afford to take the hit.”

Of course, every act is different in terms of what they justify as reasonable outgoings and not everyone has the same costs, but Potts says from his experience, generally speaking, bands with four or five members now need to be playing 2,000+ capacity venues nationwide to “really start to see things tip”. That tipping point is out of reach for the majority. “Most people don’t actually get to that level,” Potts says. “Just look back at any festival lineup from 10-20 years ago and see which names are still on festival bills and how many you’re like: what happened to them?”

The gap between those who are flying and those who are floundering has become even more stark. “It feels like the top 1% have become the top 0.5%,” says Martin. “The level of artists we’re talking about here that are struggling to make things stack up financially would really surprise people.”

In 2022, the Grammy-winning Pakistani singer Arooj Aftab posted on X: “Touring has been amazing. We headlined a ton, had massive turnouts and have proven ourselves in all the markets. Yet still, running tens of thousands in debt from the tour and I’m being told that it’s ‘normal’. Why is this normal? This should not be normalised.”

I’m told that one US artist – who released one of the most critically acclaimed albums of 2023, which went Top 10 and placed very highly on numerous year-end polls and was nominated for a major award – worked out that the only way she could make her UK tour work was by sub-letting her home.

It’s a far cry from Taylor Swift’s record-breaking Eras jaunt. “The very high end of the live industry is reporting record profits,” says Martin. “You can’t have a healthy music ecosystem where at one end you’ve got people going ‘we’ve made more money than we’ve ever made’ and at the other end you’ve got relatively successful artists that are sofa-surfing while signed to a major label.”

Is there an answer? “When you’re touring Europe, you realise how much state funding in the arts there is,” says Excell. “It really needs more state funding and support from the top down.”

Martin echoes this. “The government needs to start looking at spending money on the music industry as an investment rather than as a cost,” he says. “But you also need to support a sector in a time of crisis. And this is a time of crisis.”

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• Taylor Swift

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Will Taylor Swift Add ‘The Tortured Poets Department’ To The Eras Tour? Here’s What We Know.

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Fans think Taylor Swift is dropping hints that she might be expanding her already 10-album-spanning “Eras Tour” setlist to include her latest release, “The Tortured Poets Department,” ahead of the tour’s upcoming European leg in May.

The Eras Tour returns in May for its European leg. (Photo by Ashok Kumar/TAS24/Getty Images for TAS ... [+] Rights Management)

Swift teased fans in a YouTube Short video Thursday night that it’s only a “fortnight until Paris”—a nod to both her return to the Eras Tour in Paris on May 9, and “Fortnight,” the lead single from “The Tortured Poets Department” featuring Post Malone.

In typical Swiftie fashion , fans quickly began decoding the video for possible clues about Swift’s upcoming shows, and some have pointed to what looks like a “TTPD” logo attached to a railing Swift leans on while singing, taking this as a hint that her new album could have its own “era” on tour.

Other Swifties noted the billionaire pop star can be seen wearing shoes strikingly similar to those she wears in the “Fortnight” music video, while some pointed out the hats and canes her backup dancers are using have not yet been seen at Eras Tour shows, a possible hint at new songs and choreography.

Swift fan accounts shared screenshots of an Instagram post from musical director David Cook who appeared to tease live performances of “The Tortured Poets Department” songs, though it has since been removed from his caption .

Swift’s collaborator on new song “Florida!!!,” Florence Welch, hinted at possibly joining Swift for an Eras Tour performance to British Vogue , stating: “If I was gonna do it, it would be a surprise.”

What We Don’t Know

What alterations Swift might make to the Eras Tour setlist to fit in “The Tortured Poets Department.” The tour has been noted for its length: Swift performs 45 songs over the course of more than three hours, leading fans to speculate whether she may need to make cuts to fit in her latest release. The Eras Tour has been billed as a celebration of Swift’s entire musical catalogue and each album, or “era,” has its own dedicated part of the setlist, with each ranging from one to seven songs. “Midnights,” her latest album release prior to “The Tortured Poets Department,” has closed out the setlist since the start of the tour and has had the longest setlist of any era.

Surprising Fact

The Eras Tour is already the highest-grossing tour of all time, but it’s only a little more than halfway over. Swift has performed 83 shows to date, but she still has 69 left, most of which are in Europe. She’ll be joined by Paramore as her European leg opening act, while Gracie Abrams will join her for her final North American leg . Swift will return to the United States, but only for three cities: She’ll perform in Miami for three shows in October, followed by an additional three shows each in New Orleans and Indianapolis. She will wrap up the North American leg, and the tour as a whole, with six shows in Toronto in November and three shows in Vancouver in December.

$1.04 billion. That’s how much the Eras Tour grossed across 60 shows between March 17 and Nov. 11, 2023, according to Pollstar estimates , making it the highest-grossing tour of all time.

“The Tortured Poets Department” dropped April 19 to record-shattering sales and streaming numbers. The 16-track album, and its 15-track counterpart subtitled “The Anthology” surprise-released last Friday, has already been streamed more than 1 billion times on Spotify as of Wednesday. That makes it the most-streamed album in one week in the streaming platform’s history. It previously earned the biggest single-day Spotify streams for an album with more than 300 million streams, shattering her own record with “ Midnights ” by more than 100 million. The album has sold more than 700,000 vinyl copies as of Tuesday, shattering her own record for the biggest vinyl sales week. Swift is on track to nab her biggest debut for an album on the Billboard charts yet: Billboard reported the album earned a massive 2.5 million album equivalent units in its first six days, consisting of 1.85 million in sales and the rest via streaming.

Further Reading

All The Records Taylor Swift’s ‘The Tortured Poets Department’ Has Broken (So Far) (Forbes)

Taylor Swift’s New Album Sends Fans On Lyrical Easter Egg Hunt—With Theories About Matty Healy, Joe Alwyn (Forbes)

Taylor Swift Sets All-Time Touring Record With $1 Billion Gross (Pollstar)

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