lynyrd skynyrd tour dates 1976

Gimme Back My Bullets Tour

Gimme Back My Bullets Tour was the fourth major concert tour by American Southern rock band Lynyrd Skynyrd . The tour took place in North America and Europe .

• 1 Typical setlist
• 2 Tour dates
• 3 Personnel
• 4 References
• 5 External links

Typical setlist

• Double Trouble
• I Ain't The One
• Needle And Spoon
• Saturday Night Special
• Gimmie Three Steps
• Call Me The Breeze
• I Got The Same Old Blues
• Whiskey Rock-A-Roller
• T For Texas
• Sweet Home Alabama
• Ronnie Van Zant - vocals
• Allen Collins - guitars
• Gary Rossington - guitars
• Billy Powell - keyboards
• Leon Wilkeson - bass
• Artimus Pyle - drums
• ↑ http://www.chromeoxide.com/lynyrd.htm
• ↑ The Great Rock Discography (third edition) by M.C.Strong

External links

• Chrome Oxide Skynyrd Set List
• 1975 concert tours
• 1976 concert tours
• Lynyrd Skynyrd concert tours

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The release captures the band’s historic performance in England on August 21, 1976.

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Southern rockers Lynyrd Skynyrd are celebrating their historic 1976 performance with the multi-format release of Lynyrd Skynyrd: Live At Knebworth ‘76 available on DVD+CD, Blu-ray+CD, limited edition 2LP+DVD, and digital video on April 9.

Originally only available on the 1996 film Freebird..The Movie , this latest installment gives fans the opportunity to enjoy the 1976 performance in its entirety.

The band performed at the day-long festival with the likes of Todd Rundgren’s Utopia and The Rolling Stones , playing to a crowd of over 150,000 people, and effectively stealing the show to create a historic moment for Southern Rock.

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The film captures the moment when Lynyrd Skynyrd rose to international fame with their performances of stand-out tracks “Sweet Home Alabama,” “Gimme Three Steps,” and of course, “Free Bird.”

With Allen Collins, Gary Rossington, and Steve Gaines on guitar, the Knebworth performance remains one of the best showcases of the band’s signature “triple-guitar attack.”

‘Live At Knebworth ‘76’ also chronicles the band’s original legendary line-up featuring Ronnie Van Zant, Gary Rossington, Allen Collins, Steve Gaines, Leon Wilkeson, Artimus Pyle, Billy Powell, and The Honkettes, and honors those who were lost in the tragic 1977 plane crash.

“Skynyrd caused a real buzz backstage,” said the late Knebworth Festival organizer Freddy Bannister in a 2017 interview. “We all wondered how anyone could follow them.” An hour later, we all began to wonder if anyone would even try.”

As a bonus, the Blu-ray set also features the full-length documentary If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd . Originally released in 2018, the film is an in-depth exploration of the band’s music and history.

Over 40 years after their inception, Lynyrd Skynyrd continues their legacy as icons of American music. Carrying on after the tragic 1977 plane crash, with sales beyond 30 million worldwide and 60 albums to their name, Lynyrd Skynyrd remains etched as pivotal forebearers of Southern Rock.

Lynyrd Skynyrd: Live At Knebworth ‘76 is set for release on April 9 can be pre-ordered here . View the full tracklisting below.

Lynyrd Skynyrd: Live At Knebworth ‘76 Tracklisting

1: Workin’ For MCA 2: I Ain’t The One 3: Saturday Night Special 4: Searching 5: Whiskey Rock-A-Roller 6: Travelin’ Man 7: Gimme Three Steps 8: Call Me The Breeze 9: T For Texas 10: Sweet Home Alabama 11: Free Bird

February 18, 2021 at 1:51 am

Wondering what format the sound is? Stereo, 5.1, atmos maybe?

Neil Molyneux

February 22, 2021 at 8:01 pm

Can’t wait as I was there 😉

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Who toured with Lynyrd Skynyrd in 1976?

Lynyrd Skynyrd is an American rock band that was formed in Jacksonville, Florida in 1964. The band rose to prominence in the 1970s and became one of the most popular Southern rock groups of that decade. Lynyrd Skynyrd is best known for iconic hits like “Sweet Home Alabama” and “Free Bird.” In 1976, Lynyrd Skynyrd embarked on a major tour to support their fifth studio album Gimme Back My Bullets. This tour saw Lynyrd Skynyrd perform across the United States with various supporting bands. Determining exactly who toured with Lynyrd Skynyrd in 1976 requires looking back at the band’s history and tour schedules during that year.

Lynyrd Skynyrd’s Formation and Early Years

Lynyrd Skynyrd was formed in 1964 by Ronnie Van Zant, Gary Rossington, Allen Collins, Larry Junstrom, and Bob Burns. The band went through some early names and lineup changes before settling on Lynyrd Skynyrd in 1969, a mocking tribute to their high school gym teacher Leonard Skinner. The band got their start playing local shows in Jacksonville, slowly gaining a following with their gritty blues rock sound. They released their debut album Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd in 1973. While not a major commercial success, the album laid the groundwork for the band’s mixture of blues, country, and hard rock influences. Their sophomore album Second Helping, released in 1974, featured the band’s biggest hit “Sweet Home Alabama” and brought them to national prominence.

The 1976 Tour

By 1976, Lynyrd Skynyrd had released five studio albums and was enjoying substantial mainstream success. To capitalize on this, the band planned an intensive tour schedule across the United States in 1976 to support their latest album Gimme Back My Bullets. While Lynyrd Skynyrd headlined most of the shows, they also opened for bands like The Who, The Rolling Stones, and Fleetwood Mac at various tour stops. Additionally, they invited supporting acts to open for them at their own headlining shows. Determining who these supporting bands were requires looking back at Lynyrd Skynyrd’s tour dates and venues during that year.

April 1976 Tour Dates

Lynyrd Skynyrd kicked off their 1976 tour in early April with a string of dates across the Southern United States:

At these Southern shows, Lynyrd Skynyrd tapped Mother’s Finest, a funk rock band from Atlanta, to open the concerts. Mother’s Finest helped liven up the crowds with their high energy rhythms and soulful vocals. This made for an excellent pairing to get the audiences revved up for Lynyrd Skynyrd’s headlining sets.

May 1976 Tour Dates

In May 1976, Lynyrd Skynyrd headed up the East Coast for shows in North Carolina, Virginia, New York, and New Jersey:

For most of these shows, the opening act was J.J. Cale, the Oklahoma musician best known for writing “After Midnight” and “Cocaine” later covered by Eric Clapton. Cale’s laidback, bluesy guitar style nicely complemented Lynyrd Skynyrd’s Southern rock. And his well-known songs gave audiences tunes they could sing along to before Lynyrd Skynyrd took the stage.

June 1976 Tour Dates

In June, Lynyrd Skynyrd continued touring the Midwest:

Joining the tour for these dates was American blues rock guitarist Dickey Betts. Though not yet an official member of the band, Betts would sometimes make guest appearances with Lynyrd Skynyrd in the mid-1970s before becoming their lead guitarist in 1977. Betts would open these shows solo before bringing his bluesy, melodic leads to Lynyrd Skynyrd’s headlining set. This gave fans an early glimpse of how Betts would soon complete the band’s signature guitar triple threat alongside Gary Rossington and Allen Collins.

July 1976 Tour Dates

In July, Lynyrd Skynyrd spent much of the month opening for larger touring acts:

While Lynyrd Skynyrd didn’t utilize opening bands for these stadium shows where they were the support act, the chance to play before tens of thousands of fans exposed the band to bigger audiences outside their Southern rock strongholds.

August 1976 Tour Dates

Lynyrd Skynyrd closed out their 1976 tour with more Southern dates in August:

Rejoining them as openers for these homecoming shows was Mother’s Finest, reprising their role from the April Southern dates. The band’s joyous, funky energy remained a perfect warm-up for Skynyrd fans eager to hear “Free Bird” and other classics.

In total, Lynyrd Skynyrd’s intensive 1976 tour saw them play over 60 shows across the United States. While they headlined most of their own arena and stadium concerts, they also opened for some of the biggest touring acts of the era like Fleetwood Mac and The Rolling Stones. Supporting Lynyrd Skynyrd on their own headlining dates were mainly Mother’s Finest and JJ Cale, whose music nicely complemented the headliner’s Southern rock style. Dickey Betts also made appearances that foreshadowed his eventual status as a core member of the group. Touring relentlessly in 1976 helped grow Lynyrd Skynyrd’s fanbase nationwide and cement their reputation as one of the most popular rock bands in America during the 1970s.

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The Last Performance Of Lynyrd Skynyrd’s Classic Line Up

via Lynyrd Skynyrd/YouTube

They Were At The Peak of Their Career

On October 19, 1977, Southern rock titans Lynyrd Skynyrd performed the final show with their classic lineup at South Carolina’s Greenville Memorial Auditorium – this was just two days after the release of their fifth studio album Street Survivors . A day after the concert, they boarded the a Convair CV-240 passenger aircraft en route to their next gig in Baton Rouge, Louisiana.

While flying over Mississippi, it ran out of fuel and crashed during an emergency landing killing three members of the band – lead singer Ronnie Van Zant, guitarist Steve Gaines, and backing vocalist Cassie Gaines. The assistant road manager Dean Kilpatrick, pilot Walter McCreary, and co-pilot William Gray also died while 20 others sustained injuries but survived.

Before the flight, everyone was nervous about flying in a rickety plane. But according to Gary Rossington, “Ronnie said, ‘Hey, if the Lord wants you to die on this plane, when it’s your time, it’s your time. Let’s go, man. We’ve got a gig to do.”

We couldn’t find footage of their last show but we do have the full concert footage of their July 13, 1977 performance at the Convention Hall in Asbury Park, NJ. Check it out below.

Lynyrd Skynyrd October 19, 1977 Setlist

1. Workin’ for MCA 2. I Ain’t the One 3. Saturday Night Special 4. Whiskey Rock-a-Roller 5. That Smell 6. Travelin’ Man 7. Ain’t No Good Life 8. Gimme Three Steps 9. Call Me the Breeze (J.J. Cale cover) 10. Blue Yodel No. 1 (T for Texas) (Jimmie Rodgers cover) 11. Sweet Home Alabama 12. Free Bird

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What happened when The Rolling Stones and Lynyrd Skynyrd played Knebworth

In 1976, the Stones pulled a vast crowd to Knebworth. It was a day of surprises, not least how late everything ran. In 2007, Classic Rock delivered this eye witness account

No-one will ever agree upon exactly how many people turned out to witness the Rolling Stones perform at Hertfordshire’s Knebworth Park on August 21, 1976

Promoter Freddy Bannister claims today that: “We expected 100,000 and got 104,000.” Bill Wyman of the Stones reckons that 110,000 presales were augmented by 30,000 tickets sold on the day, but that between 150,000 and 200,000 actually attended. Stage announcements on the day estimated 300,000. Whatever way you look at it, it was one hell of a crowd. In 1976.

The Rolling Stones were not only the world’s biggest band, they wholly defined what rock’n’roll should be. Dissenting punk voices had yet to dent their legend and the gushing music press was still very much on side. If you were a rock fan in 1976, you wanted to go and see The Rolling Stones at Knebworth. There was simply no excuse not to.

A series of early summer gigs at Earl’s Court had been massively over-subscribed, had sold-out rapidly and, thanks to appalling sound, were disappointing. Demand for the Stones had never been so acute and with rumours rife that Knebworth was to be their last ever show, even those unable to secure one of the precious £4.25 tickets were determined to attend. We set off at 6am and ultimately abandoned our car by the side of the road to make our way to the site on foot as the traffic gridlocked. An unmanageable sea of humanity jostled to gain entry as The Don Harrison Band came and went. The narrow entrances were hopelessly inadequate, but following a three-hour heave we popped through the fence like corks from a bottle to witness the last knockings of Hot Tuna and to marvel at a crowd that surpassed the horizon.

Picking our way forward we finally secured a square foot of discomfort at least 100 yards from the stage; in other words, surprisingly near the front. At which point Todd Rundgren led Utopia onto the stage to a polite ripple and delivered a workmanlike set that concluded with an appropriately explosive Hiroshima .

After breaking out the fish-paste sandwiches – we knew how to live in the 70s – a band we’d never heard of launched, without fanfare, into a song that was evidently called Freebird and, as it gradually metamorphosed from gentle uplifting ballad to all-out guitar firefight, the vast audience’s response went from indifference to adulation.

Thirty-one years on and I’ve never witnessed a crowd react to a support band in the same way that Knebworth did to Lynyrd Skynyrd . Somewhere between the first chorus and the second verse the band went from unknown names to full-fledged stars. “Skynyrd caused a real buzz backstage,” remembers Freddy Bannister. “We all wondered how anyone could follow them.” An hour later, we all began to wonder if anyone would even try.

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10cc were the next billed attraction, but as the break between bands lengthened, rumours began to circulate that they were facing serious technical problems. “It was their own fault,” insists the promoter. “They’d been trying to upstage the Stones ever since arriving the previous day. There was a buzz in the sound system that the engineers were trying to sort out. But after 90 minutes, I went on stage and told the band either play or go home. Their response was, ‘Would you still pay us if we didn’t play?’. Fortunately, I didn’t have to answer, because the roadies then sorted it out. But I’m convinced that they induced that buzz, in order to take the Stones’ slot.”

We plebian field-dwellers, meanwhile, were more worried about the potential non-appearance of the Stones than any catastrophe that might have befallen 10cc . As we took our courage in both hands by visiting the toilets (effluent-brimming plague pits that mere words cannot even begin to describe) and considered investing our hard-earned 18 pence in intimidating giant hot dogs, the Stones themselves were roughing it at a pre-show champagne reception with Jack Nicholson and John Paul Getty III – a scenario akin to The Masque Of The Red Death with vol-au-vents. 10cc’s long-awaited appearance, meanwhile, proved a singularly soulless and clinical affair. Their latest I’m Mandy, Fly Me single and its iconic predecessor I’m Not In Love were both heavily dependent on pre-recorded inserts that many in the audience considered tantamount to miming. Standard practice now, of course, but utterly unacceptable in the mid-70s’ climate of Luddite authenticity.

There was beer available somewhere on the vast site apparently, but it was a luxury we could neither find nor trust our bladders to retain. One visit to the medieval latrine was enough for one lifetime and so, as darkness fell, we simply stood our ground, tried to banish all thoughts of Altamont and prayed that the local constabulary didn’t intend to enforce the midnight curfew that was already drawing close. As festival infrastructure (second stages, novelty hat vendors, healing fields, comedy tents, bungee jumps, noodle bars… arena lighting, urinals) simply didn’t exist in 76, our only extracurricular entertainment was provided by a streaker who took to the stage and enthusiastically masturbated before diving triumphantly into the heaving throng. Popular legend provided the bittersweet postscript that he broke both ankles on landing, but in that he provided us with the finest entertainment we’d witnessed since Freebird , we could really only wish him well.

As the delays continued, an ominous mood descended. Amid wildfire rumours that the Stones had already left the site and an official announcement of cancellation was imminent, the already minimal crowd lights were extinguished and the mid-section of Pink Floyd’s Echoes (the bit that sounds like ghostly seagulls) began looping repeatedly over the PA. Tensions rapidly increased and time seemed to stand still as the unmistakable sound of fights breaking out was only punctuated by increasingly desperate demands for the lights to be turned back on that were simply ignored. Presumably at their Satanic Majesties’ request.

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“A lot of it was down to 10cc,” Bannister says of this purgatorial wait. “But the Stones delayed things for another hour because they were too busy posing and acting like rock stars.” Finally, after an interminable pitch-black ordeal in Hell’s own waiting room, countless searchlights seared our eyeballs as Aaron Copland’s Fanfare For The Common Man heralded the arrival of The Greatest Rock’N’Roll Band In The World. The overall effect was totally staggering – probably unlawful under the Geneva Convention, but totally staggering all the same. The purpose-built stage’s canopy had inflated under cover of darkness into a pair of immense lips, and as Keith Richards punched out the riff to _Satisfaction _at the end of an extensive walkway at stage-right, Mick Jagger pranced onto its tongue in a leather jacket and tights combination that (according to the following morning’s Daily Mirror ) made him look like ‘a gay Richard III’. One hundred and fifty minutes later than billed the Stones delivered a performance that was, to Wyman’s calculations, “the longest show we had ever played”. From the brand new ( Fool To Cry ), to the vintage ( Around And Around ); the rarely heard ( Get Off Of My Cloud ) to the seasoned set-pieces (Mick Jagger whipping the stage with his belt at the climax of Midnight Rambler ), the Stones perfectly précised their already vast legacy into a crowd-pleasing set of, apparently effortless, world-beating class. As traditional show-closer Street Fighting Man finally reached its climax there were sighs of relief backstage.

“We were supposed to finish by midnight,” Bannister remembers, “and it eventually ended at about 2am, I think David (now Lord) Cobbold, who held the licence, got fined £2,000.” As The Who’s Baba O’Riley provided the triumphal soundtrack to our first stumble into an unlit ditch, we staggered off into the breaking dawn. It took four hours to find the car, but as we’d just seen Keith Richards smoking a cigarette, we didn’t mind a bit.

This was published in Classic Rock issue 109.

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Classic Rock’s Reviews Editor for the last 20 years, Ian stapled his first fanzine in 1977. Since misspending his youth by way of ‘research’ his work has also appeared in such publications as Metal Hammer, Prog, NME, Uncut, Kerrang!, VOX, The Face, The Guardian, Total Guitar, Guitarist, Electronic Sound, Record Collector and across the internet. Permanently buried under mountains of recorded media, ears ringing from a lifetime of gigs, he enjoys nothing more than recreationally throttling a guitar and following a baptism of punk fire has played in bands for 45 years, releasing recordings via Esoteric Antenna and Cleopatra Records. 

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The Original Lynyrd Skynyrd’s Last Maine Concert In 1977

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44 years ago today, the classic lineup of  Lynyrd Skynyrd  played the  Civic Center  for the first and last time.  The legendary Southern rockers brought their  Gimme Back My Bullets  tour to town.

The new album had been out since February of 1976 and FM rock radio stations were spinning the title track,  Double Trouble  and  All I Can Do is Write About It .

This show was also bolstered by the popularity of the live album, One More From the Road featuring the addition of guitarist and vocalist, Steve Gaines.

On June 14, 1977, it was the Portland arrival of Ronnie Van Zant and the guitar triple threat of Gary Rossington, Allen Collins, and Steve Gaines along with Billy Powell on keyboards, Leon Wilkinson on bass and Artimus Pyle on drums.

The Cumberland County Civic Center was newly opened for just over 3 months. This was their third Maine appearance with previous visits being at Lewiston's Central Maine Youth Center in 1976 and a Bangor show in 1974 for their first time in Maine.

And holy sh*t...opening the show that night were  Foreigner  and  .38 Special . Maine concert goers witnessed some impressive history with the fourth rock show ever at Portland’s biggest indoor venue.

At that time, no one knew this would be the last Maine appearance ever for the original lineup of Lynyrd Skynyrd.

Sadly four months later, their chartered plane ran out of fuel and crashed in Mississippi. Ronnie Van Zant, Steve Gaines, and back-up singer Cassie Gaines all perished.

A decade later, the surviving band members came together for a reunion tour with Ronnie’s younger brother Johnny on lead vocals. That show came to Portland on September 2, 1988.

Since then, Lynyrd Skynyrd continued to tour keeping the legacy alive in concert led by Johnny Van Zant along with co-founder, Gary Rossington. In 2019, they hit the road to say goodbye to fans on their Farewell Tour. That trek included two stops in our neck of the woods with one show on May 31 at the Bank of NH Pavilion in Gilford and another one the following day in Maine at Darling's Waterfront Pavilion in Bangor.

Watch this incredible footage captured just a few weeks after they visited Portland, Maine in 1977.

There’s really nothing like the crazy energy of a ’70s rock show.

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Look: full list of the best places to live in maine, more from 102.9 wblm.

The Official Site of Lynyrd Skynyrd

Lynyrd Skynyrd & ZZ Top The Sharp Dressed Simple Man Tour

Two titans of American classic rock  ZZ Top  and  Lynyrd Skynyrd  have announced their first co-headlining tour –  The Sharp Dressed Simple Man Tour  – taking over twenty-two cities in North America this summer. Produced by Live Nation, the tour kicks off on Friday, July 21 at iTHINK Financial Amphitheatre in West Palm Beach, FL, and continues with stops in Fort Worth, Phoenix, Chicago, and more before wrapping up in Camden, NJ at Freedom Mortgage Pavilion on Sunday, September 17.

The 50th Anniversary An Exclusive Concert Film Experience!

July 8-14, 2023.

Unbranded Events presents “The 50th Anniversary of Lynyrd Skynyrd,” the band’s captivating final show with founding member Gary Rossington . This exclusive concert film event will premier in July for a limited week-long run at drive-ins, indoor theaters and outdoor venues. The performance, recorded at the famed Ryman Auditorium in Nashville , showcases Lynyrd Skynyrd at their absolute best, delivering an unforgettable rock 'n' roll experience!

Big Wheels Keep on Turning...

As  Lynyrd Skynyrd  approaches the  50 th  anniversary  of the band’s critically acclaimed debut album  ‘Pronounced 'Lĕh-'nérd 'Skin-'nérd’  in 2023, they resonate as deeply with their multi-generational fan base today as when they first emerged out of Jacksonville, Florida in 1973. Today, Lynyrd Skynyrd rocks on with a current line-up featuring  Johnny Van Zant, Rickey Medlocke, Mark “Sparky” Matejka, Michael Cartellone, Keith Christopher, Peter Keys, Carol Chase  and  Stacy Michelle . 

The Legacy. The Legend.

Few ensembles have had the deep impact in creating a lifestyle as Skynyrd has. The band travels forward with a primary mission of celebrating a legacy that honors all whom have had a resonating contribution to the lives of hundreds of millions of fans globally. Former members  Ronnie Van Zant, Allen Collins, Steve Gaines, Ed King, Billy Powell, Bob Burns, Leon Wilkeson  and  Hughie Thomasson  alongside others will forever remain significant contributors to this indelible repertoire and the band’s colorful history.

The rock and roll powerhouse continually tours. With a catalog of over 60 albums, billions of streams, and tens of millions of records sold, Rock & Roll Hall of Famers Lynyrd Skynyrd remain a cultural icon that appeal to all generations.

We’re still standing, still keeping the music going. We wanted to do the guys who aren’t with us any more proud, and keep the name proud, too. -Gary Rossington

It’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music. Johnny Van Zant

Last of the Street Survivors Farewell Tour Lyve!

Deluxe two cd + dvd edition..

Lynyrd Skynyrd: Last of the Street Survivors Farewell Tour Lyve! Was recorded at the band's hometown performance in Jacksonville, Florida, on September 2nd, 2018 during the venerable Southern rock groups' farewell tour. The DVD - directed by multi-award-winning director Shaun Silva and Tacklebox Films - not only features the 2018 Jacksonville show but also includes an intimate interview with the band about their experiences on tour and what performing together has meant to them.

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J acksonville, Florida spawned a disproportionate amount of now-classic Southern rock bands. Allman Brothers . Molly Hatchet. 38 Special . Blackfoot. Cowboy . And, yes, Lynyrd Skynyrd .

Johnny Van Zant is the younger brother of Skynyrd legend Ronnie Van Zant and 38 Special singer Donnie Van Zant, and since 1987 he’s been the frontman for the rebooted Lynyrd Skynyrd.

Over the phone on a recent cold Wednesday morning, I ask Johnny why Jacksonville’s been such fertile ground for Southern rock, the subgenre known for blue-jean anthems and guitar solos as long as highways.

“You know, man, it was a very poor town way back when,” Van Zant says. “There was a whole lot to do here. We didn’t have anything to do. But music fell on everybody’s ears, and I think we all chose to do music instead of getting into crime and going to jail. You could do music. And I think all the guys growing up all went, ‘Hey, let’s start a band.’ Then I think it got to be a competition between everybody. Who’s gonna make it? Who’s gonna do this? Who’s gonna do that? The Allmans went on to Macon [Georgia], but all the rest of us kind of stayed here.”

Prior to first being enlisted sing with surviving Skynyrd musicians for a successful ‘87 tour — 10 years after the infamous 1977 plane crash that killed Ronnie and several other members of the band — Johnny fronted his own Johnny Van Zant Band. With brother Donnie, Johnny recorded as a duo under the name Van Zant, a project he’s returned to from time to time since.

Currently, Johnny Van Zant is on tour with Lynyrd Skynyrd and coheadliners ZZ Top, playing Skynyrd classics like “Sweet Home Alabama,” “Tuesday’s Gone” and “Free Bird” to packed arenas and festivals. Complete tour dates lynyrdskynyrd.com .

After guitarist Gary Rossington died in 2023, no original members of Lynyrd Skynyrd remain alive. Artimus Pyle , who replaced original drummer Bob Burns in 1974, tours with his own band and has been out of Skynyrd for a while.

In addition to JVZ on the mic, Skynyrd’s current lineup has guitarists Rickey Medlocke , Damon Johnson and Mark “Sparky” Matjka, drummer Michael Cartellone, keyboardist Peter Keys and bassist Keith Christopher. As their hot performance on New Year’s Eve on live national TV attests, this lineup is honoring the band’s legacy and bringing those songs to millions of fans who love them .

The amiable Van Zant checked in for our phone interview from his home just outside the city of his birth and Lynyrd Skynyrd’s. Edited excerpts below.

Johnny, I’m sure you love all the Skynyrd songs, and there are so many great ones. But has one or two grown on you after singing them all these years now?

Johnny Van Zant: I always liked “Simple Man.” But after being at the band as long and seeing how it’s touched so many people. When I joined the band, I thought it was going to be “Free Bird” and “Sweet Home Alabama,” those songs, but people really gravitate to “Simple Man.” And every night when we play it, it just amazes me. I mean, you can take the biggest, baddest, burliest guy in the world and you might see him crying in the audience because, hey, we all want to make our mama happy. And also the ladies, they’re like, I love this song.

Like you said, there’s so many good songs, and it’s been actually a problem for us because we’ve made new records. But whenever we play live, we want people to hear that old stuff that made this band basically. And it’s been hard to throw a couple of new things in there because you want to play “That Smell” and “What’s Your Name” … [Laughs] And “Give Me Three Steps” and “Alabama” and “Free Bird.” It makes it hard for a setlist.

This year we’re actually doing “Whiskey Rock-A-Roller” — we’ve got a whiskey out that’s called “Hell House Whiskey” – and it went over so good. I’m having a great time playing that one. And then, I don’t know for sure if we’re gonna do it all this year, we went back and did “All I Can Do Is Write About It,” which is just a great song. And we put in “Red White & Blue” from the later stuff.

What’s your take on the digital avatars Kiss unveiled at their final concert? And, eventually, when it gets to where you want to step away from the microphone, where does Skynyrd go from there?

I don’t know, dude. [Laughs] That’s pretty wild to me. I think it fits them because of their characters and I think it’s a great idea for them. You know, whether it would be for Skynyrd, I have no clue. I think people still want to see the live in-person person.

Skynyrd made great records, but seeing a Skynyrd a show is what it’s all about. Hell, they went and blew The Who off the stage and gave The Rolling Stones a hell of a run for their money. There’s something about Skynyrd, even to today, you know. Come see it live. It’s very active and very energized.

Fans loved the official release of Lynyrd Skynyrd’s 1976 performance at the Knebworth Festival in England. And more archival and vault releases coming up that you can tease, where it be live stuff or studio outtakes?

There’s all sorts of stuff – I can’t say — but looking for stuff too. The problem with the original band was nowadays everybody’s got a camera on their phone, but way back when it was all handheld cameras. And I guess the management back then didn’t look into the future and say, Hey, let’s videotape a lot of stuff. So here’s very little bit of it out there that we can find.

What’s a moment onstage you feel particularly close to your brother Ronnie, singing his songs with Lynyrd Skynyrd?

I think from the very get-go. I mean, there’s not a time that I don’t go on stage I go and go, OK brother, be with me and let’s go out and kick some butt. But there is a moment in the show doing “Free Bird” we have a video screen … And it’s the only thing that we actually use that’s taped. We’re a total live band, What you see is what you get. If I’m sick, you’re gonna get a sick throat. If one of the boys has got a hurt finger, he may not hit that lick. But we’re gonna give it hell.

But during “Free Bird” he actually sings with the band on the second verse. And it’s a pretty amazing thing. If you’re a fan of Skynyrd, you’ve gotta see it.

John 5 , a guitarist Lynyrd Skynyrd cowrote with on the band’s most recent studio album, “Last of a Dyin’ Breed,” is now the guitar player in Mötley Crüe . What made him a good collaborator for Skynyrd?

Matt, let me tell you the story. We were up in Nashville, we were writing and our management came to us and said, “Hey, there’s this fantastic guitar player. He plays with Rob Zombie and Marilyn Manson.” And I was like, “Well …” And so Gary [Rossington] at the time said, “Shit, let’s see this guy and if he’s great.” So we googled him and went, holy shit, he’s a great guitar player.

So he was in Nashville, and we were staying at a Residence Inn. And so we were in a hotel room — I had like a living room and a kitchen, two bedrooms – and we were sitting there writing there that afternoon. They said he’d be there around four o’clock. And I opened up the door and he was completely dressed like he was a Marilyn Manson or Rob Zombie. I was like, Oh my God, dude. You are a freak. And he looks at me, and he goes, “I thought you were looking like a freak, too.” [Laughs]

So we just hit it off. And he’s a great guy, unbelievable player. We wrote a few great songs. We wrote some good country stuff that has never been recorded. The guy can play heavy metal, he can play country like nobody can play it — just a wonderful guy, man. We’ve been friends ever since, and I’m glad he’s getting to go out there with the Crüe.

Of course, in “Sweet Home Alabama” there’s the line: “I hope Neil Young will remember a Southern man don’t need him around, anyhow.” [Ronnie Van Zant wrote the lyrics in response to Young’s songs “Alabama” and “Southern Man,” which where critical of the South.] Have you ever met Neil Young?

You know what? First of all I want to say everybody in Skynyrd’s always loved Neil Young’s music. But to answer your question, I’ve never met Neil. We actually put the word out we said, hey, let’s go play some shows. But we never heard back from it, so maybe he don’t like us as good as we like him. [Laughs]

MORE ON MUSIC:

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