temerarios tour 2024 mexico

Los Temerarios Tour México 2024: fechas, ciudades, recintos, horarios y boletos

Los Temerarios la mítica agrupación mexicana de música romántica, estará de regreso a los escenarios mexicanos para este 2024 .

Para este año seremos testigos, por fin, del regreso a  México  de una de las agrupaciones más importantes de la música romántica en nuestro país, Estados Unidos, Centro y Sudamérica.

Estamos ablando de los incontenibles  Temerarios, grupo formado en 1977 en la ciudad de Fresnillo, Zacatecas.

Serán diversas fechas   cuando todo  México  vibre con temas como  Porqué te conocí , La mujer de los dos , Eres un sueño , Todo me recuerda a ti  y  Ya me voy para siempre .

Formados en la Colonia José María Morelos en el estado de Zacatecas Durante sus primeros años, se presentaron con el nombre de Conjunto La Brisa, para más tarde, pasarse a llamar con su nombre oficial que se mantiene hasta el día de hoy.

El nombre de Los Temerarios se debió a que Adolfo leía el cómic del personaje Kaliman y al reverso venía un personaje que aparecería como El Fugitivo Temerario y es ahí cuando surge el cambio de nombre a Los Temerarios Este grupo han grabado más de 20 álbumes y han sido galardonados con nominaciones y premios múltiples que incluye dos nominaciones al Grammy, un Grammy Latino, un Premio Lo Nuestro a la excelencia y el premio Lifetime Achievement Award (A la Trayectoria) de los Premios Billboard de la música Latina.

En el año 2016, fueron introducidos al Pabellón de la Fama de los Compositores Latinos.​ Hasta el día de hoy Los Temerarios tienen múltiples récords de asistencia en diferentes partes de México, Estados Unidos, Centro y Sudamérica en sus extensas giras donde llegaron a reunir a más de 140 mil personas. Fue el primer grupo del género mexicano en presentarse en el festival de Viña del mar en la ciudad de Chile en la cual ganaron 7 premios entre ellos La Gaviota de Plata.

Siempre a la vanguardia pero sin abandonar sus raíces,  Los Temerarios  son y serán una parte fundamental en la historia de la música Latina, sinónimo de prestigio y perseverancia, no sólo por su inmesurable talento sino también por su inegable respeto tanto a la profesión como a su público.

La Gira Hasta Siempre , pondrá fin a la carrera de Los Temerarios, luego de 47 años de haberse formado. 

Con diversos conciertos en 2023 y 2024 por Estados Unidos, México y Centroamérica, los hermanos Adolfo y Gustavo Angel Alba, junto con su grupo de músicos, dirán adiós a los escenarios, dejando una huella difícil de borrar.

En diversas sedes se dejarán escuchar  Si tú te vas , Ven porque te necesito , Mi alma reclama , Cómo te recuerdo  y muchos éxitos más.

FECHAS Y CIUDADES

Miércoles 14,  jueves 15, viernes 16, sábado 17 y domingo 18 de febrero: Arena CDMX 

Jueves 22 febrero: Aguascalientes, Aguascalientes (Estadio Alberto Romo)

Viernes 23 febrero: San Luis Potosí, SLP (Estadio de Beisbol 20 de Noviembre)

Sábado 24 febrero: Torreón, Coahuila (Estadio Revolución)

Jueves 29 febrero: Monterrey, Nuevo Lón (Arena Monterrey)

Viernes 26 abril: León, Guanajuato (Velaria)

Sábado 27 abril: Querétaro, Querétaro (Estadio Corregidora)

Viernes 10 mayo: Mérida, Yucatán (Estadio Carlos Iturralde)

Sábado 11 mayo: Cancún, Quintana Roo (Estadio Beto Avila)

Viernes 24 mayo: Puebla, Puebla (Centro Expositor)

Sábado 25 de mayo: Arena CDMX 

Viernes 31 mayo: Mexicali, Baja California (Estadio de Beisbol En Nido de las Águilas)

Sábado 01 junio: Tijuana, Baja California (Estadio Chevron)

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• Temerarios, Los
• February 14, 2024 Setlist

Los Temerarios Setlist at Arena Ciudad de México, Mexico City, Mexico

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• Song played from tape Intro Play Video
• Enamorado de ti Play Video
• Tu infame engaño Play Video
• Una tarde fue Play Video
• Como te recuerdo Play Video
• Como quisiera volver Play Video
• Ya me voy para siempre Play Video
• Tu última canción Play Video
• Dímelo Play Video
• Solo te quiero a ti Play Video
• Si tú te vas Play Video
• Luz de luna Play Video
• Te hice mal Play Video
• Ven porque te necesito Play Video
• Acepta mi error Play Video
• Porque te conocí Play Video
• Qué de raro tiene ( Vicente Fernández  cover) Play Video
• La diferencia ( Vicente Fernández  cover) Play Video
• Ni en defensa propia ( Vicente Fernández  cover) Play Video
• Una lágrima no basta Play Video
• Eres un sueño Play Video
• He intentado tanto, tanto Play Video
• Como tú Play Video
• Improvisation ( Band presentation ) Play Video
• Sé que te amo Play Video
• La mujer que soñé Play Video
• Me partiste el corazón Play Video
• Comer a besos Play Video
• Ahi estaré yo Play Video
• Botella envenenada Play Video
• Sí quiero volver Play Video
• Improvisation ( Farewell ) Play Video
• Te quiero Play Video
• Mi vida eres tú Play Video
• Song played from tape Siempre contigo Play Video

Note: First concert of 2024

Edits and Comments

4 activities (last edit by Mr_set , 16 Feb 2024, 16:00 Etc/UTC )

Songs on Albums

• Como quisiera volver
• Eres un sueño
• La mujer que soñé
• Solo te quiero a ti
• Tu infame engaño
• Como te recuerdo
• He intentado tanto, tanto
• Mi vida eres tú
• Te hice mal
• Una tarde fue
• Improvisation (2)
• Enamorado de ti
• Me partiste el corazón
• Porque te conocí
• Tu última canción
• Ya me voy para siempre
• Comer a besos
• Sé que te amo
• Una lágrima no basta
• La diferencia by Vicente Fernández
• Ni en defensa propia by Vicente Fernández
• Qué de raro tiene by Vicente Fernández
• Ahi estaré yo
• Acepta mi error
• Sí quiero volver
• Luz de luna
• Si tú te vas
• Ven porque te necesito
• Botella envenenada

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Los Temerarios

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Los Temerarios Gig Timeline

• Nov 04 2023 Honda Center Anaheim, CA, USA Add time Add time
• Nov 11 2023 Payne Arena Hidalgo, TX, USA Add time Add time
• Feb 14 2024 Arena Ciudad de México This Setlist Mexico City, Mexico Start time: 9:20 PM 9:20 PM
• Feb 15 2024 Arena Ciudad de México Mexico City, Mexico Start time: 9:25 PM 9:25 PM
• Feb 16 2024 Arena Ciudad de México Mexico City, Mexico Add time Add time

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Los Temerarios

May 25, 2024  ·  Arena CDMX, Mexico City

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Los Temerarios Tickets

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51 concerts

Av. de las Granjas 800, Santa Barbara, Azcapotzalco, 02230 Ciudad de México, CDMX, Mexico

+52 55 6235 7016

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The Last Goodbye: Los Temerarios Close 40-Year Career With Record-Setting Tour

The group led by brothers Adolfo and Gustavo Ángel has achieved more entries on the Top Latin Albums chart than any other act.

By Leila Cobo

Chief Content Officer Latin/Español, Billboard

As the 18,000 fans gathered at Mexico City’s Arena Ciudad de México on Feb. 14 screamed at deafening levels, the duo Los Temerarios ran onstage — Adolfo Ángel from the left, Gustavo Ángel from the right — and embraced briefly but fiercely upon meeting in the middle of the vast platform.

Then, Adolfo, 60 — dressed in black pants and shirt and light blue jacket — took his customary place behind an array of keyboards while frontman Gustavo, 55, dressed in a shining black and red embroidered jacket, picked up his microphone.

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After more than four decades together, 41 entries on Billboard ’s Hot Latin Songs chart and an astounding 46 entries on Top Latin Albums — more than any other Latin act in history — Los Temerarios is calling it quits.

“Tomorrow is the beginning of the end of an era for Temerarios,” Adolfo says over a bottle of wine in Mexico City the night before the tour opens, his eyes welling up with tears, in his first and only interview since the group’s announcement of this finale. “I’m a little sensitive,” he adds with a soft, embarrassed laugh.

Adolfo, the “big” Temerario, is over 6 feet tall and brooding. It’s not unusual to see him get emotional. After all, this is a group whose career has quite literally been built on love songs, all penned and produced by Adolfo since he was a teenager doing music with younger brother Gustavo, the dashing, charismatic singer with the high, expressive tenor.

But during a U.S. tour in August, Los Temerarios made a surprise announcement on social media:

“With the love that has united us since we were kids, the same that we feel for the vocation that we’ve had the privilege of working in for more than 46 years, we want to share that we’ve made the difficult decision of separating, closing one of the most important and gratifying cycles of our lives,” the brothers wrote. “Everything we express from this moment on will be in the form of music and in our next shows where we’ll be giving you the best of us.”

On the eve of their farewell tour, Adolfo stayed true to his statement, refusing to further explain the group’s split except to say they were ending Los Temerarios at Gustavo’s request and that things were not just amicable, but brotherly.

“My brother and I were clear that [beyond the statement] we were keeping things between him and me, and I want to respect that, and I’m sure he does, too,” Adolfo says. “We will finish this tour, each of us will go our own [professional] way, and I will always wish my brother the very best.”

For now, they’re making good on their promise to fans by bringing their best to the stage. On Feb. 14, backed by their longtime five-piece band, Adolfo and Gustavo performed for well over two hours as the crowd sang along. The brothers sold out five consecutive nights, a record for the venue.

“Having a single artist play five consecutive sold-out [shows] goes beyond anything we’d done before,” says Alejandro Arce, general director of tour promoter Zignia Live, which also owns Arena Ciudad de México. The promoter initially announced nine tour dates across Mexico for Los Temerarios, “and sales were extraordinary,” Arce says. The group hadn’t toured the country in over a decade, and the response has been phenomenal, spurring the addition of three more dates at the Mexico City arena (for a total of over 120,000 tickets sold), as well as three sold-out dates (30,000 tickets) at the Arena Monterrey. Not that any of this was a surprise. Last year, the group grossed $12.3 million and sold 125,000 tickets to 14 shows, according to figures reported to Billboard Boxscore.

All told, in 2024, Los Temerarios will play over 50 arena and stadium dates across Mexico, Central America and the United States — including Madison Square Garden in New York and two nights apiece at Houston’s Toyota Center and Chicago’s Allstate Arena, with more cities expected to be announced. The U.S. leg of the tour is promoted by Zamora Entertainment and, for West Coast dates, in partnership with Frias Entertainment.

“Los Temerarios is a group that has transcended generations,” Arce says. “Very few groups in this genre can fill stadiums. It opens this kind of music, which is completely different and with a completely different message, to new generations.”

The duo performs wistful and passionate love songs with arrangements that veer from very traditional Mexican — cumbia, ranchera and the keyboard-heavy sound associated with Mexican romantic groups — to sophisticated pop, a duality the band uniquely achieved in its sphere.

Originally launched along with a cousin in the late 1970s as Grupo la Brisa, the group was always spearheaded by Adolfo, the budding keyboardist-composer who penned songs for his brother. Their romantic grupera musica was beginning to surge in Mexico, with dozens of romantic groups, including Los Bukis and Bronco, gaining traction. Los Temerarios had an additional asset: the entreprenurial Adolfo’s keen business sense.

He eventually changed the duo’s name to Los Temerarios and started releasing music on his own label, AFG Sigma Records, in 1989 while also promoting the band’s shows. That DIY approach served the group well. Save for a brief moment at the very beginning of Los Temerarios’ career, the brothers have always licensed albums as opposed to signing with a label, keeping the rights and control over their masters. As for Adolfo’s publishing catalog of hundreds of songs, it has always been administered by their own publisher, Virtus, the successor to an earlier company, ADF, set up in 1989. This year, the group is signing its first publishing administration deal, with Kobalt.

Twelve years ago, the brothers went completely independent, launching their own label, also named Virtus, and taking over their own promotion and marketing. Their cousin Mayra Alba, who has a master’s in music management from the University of California, Berkeley, has managed them since 1996.

“Their music doesn’t stop evolving,” Alba says. “As artists, they’ve done what they want yet have continued to be authentic, connecting with a multigenerational audience and reaching every possible milestone.”

The results speak for themselves. In addition to its record number of entries on Top Latin Albums, the band has placed 41 tracks on Hot Latin Songs since 1990. Of those, 17 went top 10 and four hit No. 1.

On Latin Airplay , the group has 15 top 10s and four No. 1s, and on Regional Mexican Albums , its 47 entries best those of any group. Los Temerarios is one of only five acts to have achieved eight No. 1s on Top Latin Albums. Only two acts, Marco Antonio Solís and Luis Miguel, have achieved more (12 and nine, respectively).

The steadiness of the group, which has been performing since 1980, made the news of its split even more surprising. And yet, so far, Los Temerarios’ farewell tour has been joyous — and has garnered an overwhelming response.

For these shows, Los Temerarios upgraded the production, adding sophisticated visuals, courtesy of longtime collaborator and video director Carlos Pérez. And aside from Gustavo’s vocals, Adolfo, for the first time, is also singing a short set of songs. It may be a harbinger of what’s to come.

“I’ve never been afraid of experimenting. Then all these energies come in and try to say no to you, but I never listen to that,” Adolfo tells Billboard . “I listen to my heart. I’ve discovered that’s the key: Listen to your heart.”

I would love to hear the story of how you got your first record deal as a teen.

Yes. It was a time of dreams. A time when you saw a lot of artists and groups that inspired and motivated you and you wanted to get to those same stages and take a positive message to the hearts of those who heard you. I went to every single label at the time, and they all said no. I would take our little demos, and they would all say, “This is all very good. Come back in February.”

And then it was March. So, since no one wanted us, we decided to make our own albums, using our gig money. I’d take [our own records] to the radio stations and say I was the radio promoter. I was a teenager. I’d sit there for hours, and sometimes they would see me, sometimes they wouldn’t. I’m not complaining. It’s part of something that now I understand had to happen.

I also took the records to the record store, on consignment. If they sold them, they paid me; if not, I had to pick them up. And when we started to sell 5,000 copies and I had to say, “Hey, send me another thousand,” the people from Sony — CBS then — came over and we signed a contract. Didn’t even look at it. Just said “Órale” [“OK”] and signed. That was around 1983.

You began your career by hustling and doing everything on your own, and now, as a superstar, you’re still independent.

Yes, and that has been important, positive for our career. It made us learn and took us down a road that has been a great gift. Because in the beginning, we knocked on doors and they’d say, “Come back next year.” Until I realized that we had to do it ourselves. And I did it.

Did you have a mentor?

No. It was always the desire to make it [that motivated me]. And I would look for the way. I’d pick up the phone and find the label, find the radio station. Then I would get in the pickup truck and drive wherever I had to go. And finally, it would happen. Little by little we became known, at least in our area.

But my dad was a very important example in my life. He still supports me. Without my dad, it would have been much harder, because he loves music. For example, when we had to work the fields and I didn’t want to go, I would pretend I was asleep. And when they were all gone, I’d go look for my music teacher in Fresnillo, Zacatecas, and the next day, my dad wouldn’t say anything. He allowed me those peccadillos. He bought me my first keyboard, a red organ. And then, when I outgrew it, he bought me the new model.

Early in your career you launched your own publishing company, and now you’re signing your first administration deal, with Kobalt. Have you considered selling your catalog?

No. My songs have a very special value. It’s not just the money. If I can take them by the hand the way I think is best — these songs that came from my heart — well, I’d rather do that than give them to someone in exchange for a check. That’s not what I want to do. At least not now.

A decade ago, you were on top of the world with chart success. You last released an album in 2015, then the pandemic interrupted your cycle. What did you do?

We were always doing something. Even though we haven’t released a full album of new songs since 2015, we have a few singles. I’ve always been patient in recording. We usually put out new albums every four, five years. I always thought the quicker you recorded, the quicker your fans got tired. I still think that, even in the era of TikTok. That’s why there’s so much space between albums. And resisting that pressure has given us results, even when people start to say things like, “Hey, I don’t hear your songs.”

The industry has changed, and now the cycle of releases is very fast. Did that worry you?

Some artists release songs every week, every two weeks, but I don’t think those songs transcend. They’re very ephemeral successes. I believe that if you give [the process] respect, if you take the time and make a great production and you feel satisfied with it, very great things can happen. Maybe something works on TikTok with the chorus for a little bit, but I don’t think that’s the path. I like things the old-fashioned way, where you go to the studio, you have a great console, you record a great production with the best engineers and the best musicians and not only with a computer. That’s the music I like to make, that lifts my soul.

Your music is romantic by definition. Are you dismayed at how some artists today portray love in their lyrics?

Not dismayed, but I was surprised to hear how music is being used to denigrate women. That had a big impact on me because I do the opposite. I try to say beautiful things about the most beautiful being in the universe; or at least, in my universe. But I respect everyone, and every artist will do their own thing. Me, I’ll continue writing my love songs, and I prefer to make a woman feel like a queen or a princess rather than something else. Maybe I’m being cheesy, but I like that. But I’m not criticizing anyone. Everyone does their own thing.

You wrote a lot during the pandemic, and most of the songs haven’t been released. Now that you’re splitting up, what do you plan to do with them?

I wrote them for us, thinking of my brother, of course. Even when I write on the piano or guitar, I do so in my brother’s tone, which is a higher range than mine. Then, when my brother decided he no longer wanted to be in Temerarios, the songs were put on pause. I don’t know what I’ll do with them. But now, we’re going to finish this tour, everyone will go their own way, and I will always wish my brother the best in life. I think my brother is a very talented man, he has a lot of charisma, people love him a lot, we have had a great career together, and we have the affection of the audience, both of us. He’s going to do very well in whatever he decides to do, and I’ll continue making my songs as long as I can.

Are you working on a solo album?

I am not. I love to sing, but I never used to do so onstage. Because I always felt very comfortable behind my keyboards, with my brother in front. Behind the keyboards I can tell you a story, talk with you; it’s like a protective cape where you feel very comfortable. That’s the way it was, for decades. Then, on this tour, I said, “OK, I have to do it.” And I sing a set of three songs. The only intent is to respond to the audience’s love. And I liked it. A lot. Now I feel very comfortable. But, right now, I’m always writing. I feel most happy and comfortable writing for Temerarios. And if my brother isn’t there anymore, I’ll think about doing it for myself.

What would you like your legacy to be for Mexican music and Latin music overall?

I feel we’re leaving behind a beautiful message for everyone who has ever listened to us, and that’s enough for me.

This story originally appeared in the March 30, 2024, issue of Billboard.

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Los Temerarios (formed in 1978) is a Mexican romantic music group formed by brothers Adolfo Angel and Gustavo Angel, along with their cousin Fernando Angel, from Fresnillo, Zacatecas, Mexico.

In the late 1970s Adolfo and Gustavo Angel’s father rented out a room in their house to rehearsing musicians and whenever the musicians left the brothers would make use of the space; learning to sing and play music of their own. In 1977 the pair formed the group la Brisa which would play parties and weddings, until signing with CBS Mexico in 1983.

The band’s early releases were organ-driven corridos, upbeat rancheras and danceable cumbias. However Los Temerarios didn’t have a breakthrough until they signed with the independent label Disa in the late ‘80s, when the pair had honed their vocal and songwriting skills to a reputable level, with ballads including “Tu Infame Engaño” (“Your Infamous Deception”) and “Ven Porgque Te Necesito” (“Come, I Need You”).

In 1991 the band comprised of Adolofo on the keys, Gustavo on guitar, cousin Fernando Angel on bass, Mario Ortiz on drums and Carlos Abrego on percussion. The same year brought Los Temerarios’ biggest breakthrough into national and international stardom with the album “Mi Vida Eres Tú” (“My Life Is You”) adopting mariachi instrumentation, electric bass and dramatic symbol crashes. The band’s subsequent albums “Tu Última Cancion” and “Cómo Te Recuerdo” attempted to retain the elements which made so “Mi Vida Eres Tú” popular.

The next move of Los Temerarios was to create their own label Ángel Records, which changed to AFG Sigma in 1994, through which they release the album “Lo Nuevo…y lo Mejor”. With the label FonoVisa owning a monopoly of artists and rights within the onda grupera genre in the U.S., Los Temerarios were an anomaly in the business for charting impressively on the U.S. Billboard Latin chart through their own label.

After a pretty drastic downhill trend the band eventually sold AFG Sigma to FonoVisa in 1996, who then rereleased Los Temerarios’ 1995 album “Camino del Amor” which singles off the album charted much higher than their initial release on AFG Sigma.

The group has been consistently releasing albums and singles over the past decade which has attributed to Los Temerarios’ latin music success, including a Latin Grammy Award in 2000, a Lifetime Achievement Award at the Premio Lo Nuestro Awards show in 2005, as well as a Lifetime Achievement Award at the 2010 Latin Billboard Music Awards.

Live reviews

I have enjoyed los Temerarios since about 1991. The show itself is always awesome. This show I had an issue with the ticket website. First, the website would not allow the purchase of tickets for about a week. I finally got ahold of someone at the customer service number and it was fixed. Then when I purchased my tickets I selected the higher price 'general admission 1' instead of '

general admission 2' thinking that as in most cases the higher prices indicated better seating....boy was I wrong. There were no seats and I found out I paid the higher price for absolutely nothing. I asked around and other concert goers paid the general admission 2 price and received the same exact place in line as well as view of the show. That was very unprofessional to me. I realize it may not be the fault of the groups putting on the shows however; I do believe they should confirm and reconfirm that their fans who pay lots of money to see them, will be treated with good customer service and honesty. Otherwise people begin to lose interest not because of the bands but because of how shady the venue customer service reps are.

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After half an hours worth of anticipation, for Fito Y Fitipaldis, this audience go absolutely wild when the lights fade to black and this fantastic rock act take to the stage picking up their guitars and having the best time rocking out.

They have a sound that is so commercial yet so credible. They sing in their native language of Spanish, which makes for a very cultured and interesting show all around. This of course makes you appreciate music as a worldwide language as it’s quite evident what each song is about. They perform so well as a unit with the guitar melodies bouncing off the vocals in contrapuntal fashion, and then the audience reaction interlaces into the fantastic sound that they make.

There’s almost a sort of Spanish Bruce Springsteen vibe about them with the way that they hold themselves as a band, being reminiscent of the E –Street band. Especially with the instrumental breaks, complete with guitar, keyboard and saxophone solos. Such a great time indeed!

Fue una regalo sorpresa para mi esposo que es fan #1 de ustedes y su reacción fue asombrosa.... si fue algo indescriptible para mi fue como un sueńo el poder cantar sus canciones junto a los temerarios jamas imagine llegar a vivir ese momento para mi era algo muy importante el lograr estar en uno de sus conciertos 2/14/20 y gracias a mi maravillosa esposa por aserme mi sueńo realidad y gracias a los temerarios por existir por formar parte de mi historia gracias por ser los temerarios

Insanely well done, make sure to get there early or right on time. They start really quick. Other than that, if you know their songs you will love it. They play their classics and they mix it up with some great transitions and even other artists music!

Wish we had a chance to get closer to them guys when they were playing,,we, me n the wife couldn't take pictures not even with them on the background,,cus we weren't allowed to stand on the isles for a sec ,just to take a picture!!

I love the concert. It was our first time seeing live.All of The artist that were there i liked. Thank you for having this amazing website. I will keep using this app. To keep downloading my favorite artist, todo buy tickets

Love the show but place was horrible I will never go there again the line it was cold the place felt unsafe estructural not enough security in case of an emergency this place need to be replaced to a better location

The greatest concert I have been to and I have been to a lot. I travel to Reno to see them because I missed the last two times they were in Dallas. I will be attend their next one that is close to Dallas, Texas.

Amazing, truly an amazing experience. 2nd time seeing them in concert. They do not disappoint and they always give it their all. You can feel and see their love and appreciation for their fans. :)

Estubo muy bonito el staff de seguridad fue muy profecional y respetuoso.

Este conciento se los recomiendo nos gusto mucho.cantaron casi puro exito sin duda es un concierto para la familia.

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Past concerts

Estadio Corregidora

Velaria de la Feria

Explanada 5

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Los Temerarios tour dates and tickets 2024-2025 near you

Want to see Los Temerarios in concert? Find information on all of Los Temerarios’s upcoming concerts, tour dates and ticket information for 2024-2025.

Los Temerarios is not due to play near your location currently - but they are scheduled to play 50 concerts across 2 countries in 2024-2025. View all concerts.

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• Mérida, Mexico
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• Puebla, Mexico

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Concerts played in 2024:

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Most played:

• Los Angeles (LA) (33)
• Chicago (19)
• Dallas - Fort Worth (15)
• SF Bay Area (14)
• Houston (8)

Appears most with:

• Baruch Original (14)
• Industria del Amor (6)
• Alacranes Musical (4)
• Ramon Ayala (3)
• Roberto Tapia (3)

Distance travelled:

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