big country tour 1982

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Big country in concert 1982 to 1987.

Posted April 10, 2012 by vintagerock in Big Country . Tagged: blues , concert , concerts , folk , gig , gigs , music , pop , prog rock , punk , R&B , rock , rock n roll . 2 Comments

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Posted by Mick Wilson on April 12, 2012 at 4:28 am

I am stunned at your blog! It brings back many great memories of punk/new wave/other gigs I also attended in the “Toon”. I now live in Sydney, OZ and have to say that the years 77-88 in Newcastle, were some of the best I have ever had. Fantastic bands and this instilled a passion for music which has not diminished to this day.

I have a question tho, I have a flyer for the Newcastle Guildhall which was for John Cooper-Clarke in 78, (a gig I attended) and which also lists Joy Divison as playing (they didn’t). Never seen any record of this, even in the JD concert listing (cancelled shows or otherwise), have you ever seen this?

Keep up the fantastic work! Mick

Posted by vintagerock on April 12, 2012 at 4:36 am

Hi Mick Thanks for the encouragement. I can’t recall the John Cooper Clarke gig at the Guildhall, sorry. I saw him a few times, but not at the Guildhall as far as I can remember. I attended a lot of punk/new wave gigs in Newcastle in 77/78 including The Clash, Jam, Damned, Buzzcocks, Penetration, Stranglers, Ramones, Television and the Pistols in Scarborough and Whitby. Will get around to reporting on them all. Best wishes Peter

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Big Country came into view at the start of the 1980s with a tartan soul-stirring sound that reinvented the Celtic tradition in rock music.

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Big Country came into view at the start of the 1980s with a soul-stirring sound that reinvented the Celtic tradition in rock. Wearing their Scottish heritage as a fiercely defining musical badge of pride, they wrote and recorded tartan rock anthems of passionate character and unshakeable integrity. When they put out their compilation album, Through A Big Country: Greatest Hits , in 1990, it boasted no fewer than 16 UK chart singles, at which point they bravely struck out in a new direction setting their songs against the musical backdrop of an even bigger country – America. The commercial decline and eventual break-up of the group, followed by the suicide of the singer and leader Stuart Adamson in 2001, is one of the darker and less-told stories of rock lore.

Big Country emerged from the aftermath of the UK punk scene in the late 1970s. Stuart Adamson had been the guitarist in the Dunfermline-based group the Skids, one of the first Scottish acts from that era to make the transition from local heroes to national chart success with hits including ‘Into The Valley’ and ‘Working For The Yankee Dollar’. In keeping with the spirit of the times, Adamson moved quickly on, putting together his own band as featured singer together with local guitarist Bruce Watson and a rhythm section of London session musicians Tony Butler (bass) and Mark Brzezicki (drums).

Their first single ‘Harvest Home’, released in 1982, was a harbinger of the hits to come – a chanted chorus, driven along by skirling guitars, a galloping drum beat, and ancient folk wisdom: “Just as you sow, you shall reap”. The song remained a perennial live favourite, even though it was the only one of their early singles which failed to reach the chart. The first album, The Crossing , released in 1983, refined and defined the band’s unique approach. At a time when British pop was dominated by synthesizer bands from Depeche Mode to the Human League , The Crossing  produced by Steve Lillywhite (who also produced U2 and Simple Minds ), swam defiantly against the tide. The band’s twin guitar attack, with its high-pitched tone and distinctive, Caledonian cadences, was often likened to the sound of bagpipes – an unusual comparison which underlined the group’s distinctive sound and Celtic folk roots. Housing the hit singles ‘Fields Of Fire (400 Miles)’, ‘In A Big Country’ (the band’s only US hit) and ‘Chance’, The Crossing  was certified platinum in the UK and established the band as a new driving force in a British rock scene that had rather lost its way.

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A stand-alone single, ‘Wonderland’, restating the theme of an honest life lived in the great outdoors, sailed into the UK Top 10 at the start of 1984. Then, in October, the band’s second album Steeltown , again produced by Lillywhite, entered the UK chart at No.1. The title track told the story of the Scottish diaspora of 1935 at the height of the Great Depression when workers reluctantly sought employment in the newly-opened steelworks in Corby, Northamptonshire. “All the landscape was the mill/Grim as the reaper with a heart like hell,” Adamson sang as the band pumped out a beat like a great, industrial steam hammer. With its Soviet propagandist cover artwork, the album captured the oppositional mood of the times in the UK during the Thatcher years when the industrial landscape was blighted by mine and factory closures.

Although invited to perform on the Band-Aid charity single ‘Do They Know It’s Christmas?’, Big Country missed the session (they added a spoken message to the B-side). More significantly, despite being an obvious fit, they did not perform at the televised Live Aid concert in 1985 – other than joining the impromptu mass-choir finale of ‘Do They Know It’s Christmas?’. This historic event created a new pop aristocracy overnight. While their contemporaries U2, Simple Minds and many other prominently featured acts smoothly moved into a new global superstar bracket, Big Country stayed where they were.

Which wasn’t a bad place to be. The band’s third album, The Seer , released in 1986 found Big Country at the peak of their powers, exploring their now-familiar brand of Celtic rock with supreme panache and confidence. Adamson engaged in an animated duet with Kate Bush on the title track, a song which dug deep into the soil to expose the band’s folk roots, while ‘Look Away’ became the highest-placed single of Big Country’s career, peaking at No.7 in the UK and going all the way to No.1 in Ireland. The Seer  reached No.2 in the UK, prevented from reaching the top only by Madonna’s True Blue .

To mark the release of their 1988 album Peace In Our Time , Big Country’s management invested heavily in a promotional visit to the Soviet Union, flying more than 250 media folk on an expenses-paid junket to Moscow, where the band staged a series of self-promoted concerts at the Palace Of Sports. It was a bold and unprecedented idea which guaranteed an impressive crescendo of news exposure around the world. It also landed the group with a vast bill which their record company was prepared to foot only in part.

The album, produced and recorded by Peter Wolf in America, had a distinctly trans-Atlantic gloss. But although the sentiment was timely and well-intentioned, the Peace In Our Time  campaign was a promotional catastrophe. Released as a single, the title track was sold with postcards included for fans to send to the White House and the Kremlin demanding immediate action to secure world peace. Whatever impact this may have had on world leaders, it was not enough to lift the single beyond No.39 in the UK chart or to galvanise sales of the album, which made a brief appearance in the UK Top 10 before fading swiftly from view. Ironically, little more than a year later the Berlin Wall was demolished and the iron curtain lowered. Maybe those postcards had not been entirely in vain, after all.

Big Country returned from their Moscow adventure exhausted, dispirited and virtually bankrupt. The group officially split up, and even though they reconvened within a few weeks, Brzezicki would only re-join as a paid session man. The checked-shirt, bagpipe-guitar tag had turned into an artistic straitjacket well before this point and the band made a radical musical departure with their 1991 album No Place Like Home . The first single ‘Republican Party Reptile’ was more dustbowl blues than Highland fling and other tracks featured the banjo, mandolin and honky-tonk piano as the band explored an assortment of Americana traditions including country, folk and Southern blues. There were some fine moments on this underrated album, notably ‘The Hostage Speaks’, a song about Middle Eastern politics with an eerie, desert-baked riff that was at least a decade ahead of its time. But somewhere between Moscow and the Madrassas, the band had left behind a substantial chunk of their audience.

Having abandoned the formula which generated the mass-market sales of their heyday, Big Country embarked on a string of artistically rewarding but commercially underperforming albums including The Buffalo Skinners (1993), Why The Long Face (1995) and Driving To Damascus (1999). Looking back over this period, Watson declared it to be “The happiest time of our career. It was just the four of us, jeans, T-shirts, playing good rock music and being appreciated for it.”

But the journey was not so straightforward for Adamson. He moved to Nashville in 1996 where he teamed up with songwriter Marcus Hummon to form an alt.country duo called the Raphaels. Their debut album, Supernatural , was released in August 2001, by which time Big Country had already played a ‘Final Fling’ farewell tour before formally disbanding in October 2000.

As a recovering alcoholic who had remained sober for a decade, Adamson could not have chosen a worse moment to fall off the wagon. At the age of 43, he found himself without his band, estranged from his wife (who was filing for divorce) and due in court to face drunk-driving charges. He hanged himself in a hotel room in Honolulu on 16 December 2001.

Adamson’s life was celebrated at an emotional memorial concert in Glasgow in 2002 by his former bandmates from both Big Country and The Skids. And more recently his musical legacy has been revived in Big Country reunion tours in 2007 and 2010/11. A new Big Country album, The Journey , was released in 2013, written and recorded by a line-up comprising Brzezicki, Watson and Watson’s son Jamie on guitar, together with singer and guitarist Mike Peters (of The Alarm) and bass player Derek Forbes (of Simple Minds).

Words: David Sinclair

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Official Website of Big Country

Official website for the legendary Scottish band – All the news and latest merchandise

• Steeltown Big Country 1:00
• Where The Rose Is Sown Big Country 1:00
• In A Big Country Big Country 1:00
• Fields of Fire Big Country 1:00
• Look Away Big Country 1:00
• River of Hope Big Country 1:00
• Beautiful People Big Country 1:00
• Alone Big Country 1:00
• You Dreamer Big Country 1:00
• Driving To Damascus Big Country 1:00
• The Journey Big Country 0:30

Date ,  Location ,  Venue

O2 academy leicester, leicester , england, bath , england, wychwood festival, cheltenham , gloucestershire , england, alexander's live, chester , england, northern kin festival, thornley , durham , england, party at the palace, linlithgow , west lothian , scotland, tilford , farnham , england, the factory live, worthing , west sussex , england, swg3 galvanizers, glasgow , scotland, queen's hall, edinburgh , scotland, the foundry, sheffield , england, middlesbrough town hall, middlesbrough , north yorkshire , england, bury st edmunds , suffolk , england, swindon , wiltshire , england, limelight 2, belfast , northern ireland, dublin , rep. of ireland, cyprus avenue, cork , rep. of ireland, dolans warehouse, limerick , rep. of ireland, walsall arena, leamore , walsall , england, valència , spain.

Sophisticated Pop Tour. Support: China Crisis, The Blow Monkeys, & The Alarm

Sala La Riviera

Madrid , spain, sala razzmatazz, barcelona , spain, sala santana 27, bilbao , spain, boscombe , bournemouth , england, exeter , devon , england, princess pavilion, falmouth , cornwall , england, marine theatre, lyme regis , dorset , england, buckley , flintshire , wales, warrington , cheshire , england, keele university, newcastle-under-lyme , nr. stoke-on-trent , england, brewery arts centre, kendal , lancashire , england, old fire station, carlisle , cumbria , england, dorking halls, dorking , surrey , england, the brentwood centre, brentwood , essex , england, the engine shed, lincoln , england, hitchin , hertfordshire , england, perth concert hall, perth , scotland, aberdeen , scotland, the cresset, peterborough , cambridgeshire , england, the rockin' chair, wrexham , wales.

Moved from 3rd May.

Glen Pavilion

Dunfermline , fife , scotland.

• Solos (Alphabetical by Song)
• Solos (Grouped by Artist)
• Studio Albums
• Remastered & Reissued Studio Albums
• Live Albums
• Compilations
• Singles, EPs & Promos
• Singles Collections
• Solo Releases
• Release Notes
• Big Country Instrumentals
• Skids Instrumentals
• Bruce Watson Instrumentals
• Tony Butler Instrumentals
• Mark Brzezicki Instrumentals
• Special Guests
• “Various Artists”
• 12” vinyl (Singles & EPs)
• Picture Discs
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• Asian Releases
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• Tour Programmes
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• We Save No Souls
• This & That
• YouTube Channel
• Official Site

Index of Releases

Http://jfng.com/rels.

Things to Do in Svetlograd, Russia - Svetlograd Attractions

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1. Svetlograd Museum of Local Lore

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Tours to Stavropol territory

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All Setlists

• All setlist songs  ( 1595 )

Years on tour

• 2024  ( 22 )
• 2023  ( 59 )
• 2022  ( 38 )
• 2021  ( 14 )
• 2020  ( 13 )
• 2019  ( 86 )
• 2018  ( 77 )
• 2017  ( 53 )
• 2016  ( 79 )
• 2015  ( 60 )
• 2014  ( 70 )
• 2013  ( 94 )
• 2012  ( 33 )
• 2011  ( 37 )
• 2010  ( 1 )
• 2007  ( 19 )
• 2002  ( 1 )
• 2000  ( 29 )
• 1999  ( 17 )
• 1998  ( 24 )
• 1996  ( 21 )
• 1995  ( 104 )
• 1994  ( 45 )
• 1993  ( 77 )
• 1992  ( 3 )
• 1991  ( 51 )
• 1990  ( 19 )
• 1989  ( 79 )
• 1988  ( 13 )
• 1987  ( 22 )
• 1986  ( 83 )
• 1985  ( 4 )
• 1984  ( 79 )
• 1983  ( 131 )
• 1982  ( 38 )

Show all tours

• 25th Anniversary Tour 2007  ( 19 )
• 80's Invasion  ( 15 )
• Best of Tour 2017  ( 36 )
• Crossing The Country Tour  ( 19 )
• Crossing The Solent Tour  ( 1 )
• Dreams Stay With You Tour 2011  ( 30 )
• Driving to Damascus Tour 1999  ( 12 )
• Everything Louder Tour  ( 1 )
• Moscow Shows 1988  ( 7 )
• No Place Like Home Tour 1991  ( 52 )
• Peace in Our Time Tour 1989  ( 78 )
• Return To Steeltown - 40th Anniversary Tour  ( 22 )
• Return to Steeltown 35th Anniversary  ( 51 )
• Steeltown  ( 40 )
• Steeltown 30th Anniversary Tour  ( 29 )
• THE CROSSING 40th ANNIVERSARY 2023  ( 55 )
• The Acoustic Tour  ( 1 )
• The Best of Big Country Tour 2015  ( 56 )
• The Buffalo Skinners Tour 1993  ( 76 )
• The Crossing 35th Anniversary Tour  ( 29 )
• The Crossing Tour 1983  ( 103 )
• The Crossing Tour 1984  ( 36 )
• The Final Fling Tour 2000  ( 28 )
• The Journey Tour  ( 95 )
• The Seer 30th Anniversay Tour  ( 30 )
• The Seer Tour  ( 82 )
• Through a Big Country Tour 1990  ( 13 )
• US Tour 2020  ( 8 )
• Under Wraps UK Tour 1987  ( 14 )
• Why the Long Face Tour 1995  ( 104 )
• Why the Long Face Tour 1996  ( 19 )
• Avg Setlist
• Concert Map

Songs played by year: 1985

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