john mayer tour 2019

John Mayer 2019 World Tour

North American Leg Launches Friday, July 19 

Tickets on sale friday, february 1, at noon local time at ticketmaster.com .

GRAMMY Award®-winning artist  JOHN MAYER  has added North American concerts to his  2019 World Tour , which will kick off in Albany, New York, on Friday, July 19, at the Times Union Center and will run through September with two shows at the “Fabulous” Forum in Inglewood, California. Tickets will go on sale to the general public beginning  Friday, February 1 , at noon local time through  Ticketmaster.com .  See below for a full listing of tour dates. 

American Express® Card Members can purchase tickets before the general public beginning Tuesday, January 29 at 10 AM local time through Thursday, January 31 at 10PM. 

Fan presale tickets will be available starting Tuesday, January 29 at 10 AM local time. Fans can sign up now at JohnMayer.com for exclusive access. Additional presale opportunities will also be available.

A limited number of LaneOne Premium Packages will also be available, including amazing seats, transportation, preferred entrance and more. Check HERE for LaneOne details.

Two pairs of front row tickets, each with a preshow meet & greet with John Mayer, will be auctioned off for every concert in North America. All proceeds will go to benefit the Back to You Fund and other associated charities. Check  HERE for more information. 

Mayer’s 2019 World Tour launches in March in New Zealand and Australia and then heads to Asia through April. Known for numerous massive hits, such as last year’s “New Light,” “Gravity,” “Love on the Weekend,” “Heartbreak Warfare,” “Daughters,” “Waiting on the World to Change,” “Your Body Is a Wonderland,” and many more, these “Evening with John Mayer” concerts will feature two sets of music spanning his entire recording career. There will be no opening act. 

In addition to his solo world tour, John Mayer is again touring North America in 2019, for the fourth consecutive year, with Dead & Company, featuring Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart, along with Oteil Burbridge, Jeff Chimenti – and Mayer himself. 

Singer/songwriter John Mayer has won seven GRAMMY® awards and has earned a record seven U.S. #1s on Billboard’s Top Rock Albums chart and 25 entries on the Hot Rock Songs chart, the most for any solo artist. In 2018, he released the Gold-certified “New Light,” while working on his eighth solo album, the follow-up to 2017’s critically acclaimed  The Search for Everything . For the third consecutive year, Mayer toured with Dead & Company in 2018, who played to over 500,000 people on its third and largest tour. Additionally, he launched ‘Current Mood,’ his highly regarded Instagram Live show on Sundays, which some have dubbed, “the best way to start the week on a high note, maybe even the only way.”

JOHN MAYER 2019 NORTH AMERICAN TOUR DATES:

FRI      19-Jul              Albany, NY                              Times Union Center

SAT     20-Jul             Providence, RI                        Dunkin’ Donuts Center

MON   22-Jul             Philadelphia, PA                     Wells Fargo Center

TUE     23-Jul             Washington D.C.                    Capital One Arena

THU    25-Jul              New York, NY                         Madison Square Garden

FRI      26-Jul           New York, NY                         Madison Square Garden

SUN    28-Jul             Pittsburgh, PA                        PPG Paints Arnena

TUE     30-Jul             Toronto, ON                           Scotiabank Arena

FRI      2-Aug              Detroit, MI                              Little Caesars Arena

SAT     3-Aug              Columbus, OH                        Schottenstein Center

MON   5-Aug              St. Paul, MN                           Xcel Energy Center

TUE     6-Aug              Milwaukee, WI                       Fiserv Forum

THU    8-Aug              Nashville, TN                          Bridgestone Arena

FRI      9-Aug              Charlotte, NC                          Spectrum Center

SUN    11-Aug             Atlanta, GA                             State Farm Arena

MON   12-Aug             Indianapolis, IN                     Bankers Life Fieldhouse

WED   14-Aug             Chicago, IL                              United Center

SAT     31-Aug             Snowmass Village, CO            Snowmass Mountain

MON   2-Sep               Kansas City, MO                     Sprint Center

TUE     3-Sep               St. Louis, MO                          Enterprise Center

THU    5-Sep               Dallas, TX                               American Airlines Center

SAT     7-Sep               San Antonio, TX                     AT&T Center

SUN    8-Sep               Houston, TX                           Toyota Center

TUE     10-Sep             Phoenix, AZ                            Talking Stick Resort Arena

WED   11-Sep              San Diego, CA                         Viejas Arena 

FRI      13-Sep             Inglewood, CA                        The Forum

SAT     14-Sep           Inglewood, CA                        The Forum

Check  JohnMayer.com for complete tour information. 

High res image is available  HERE .

About Live Nation Entertainment Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit  www.livenationentertainment.com .

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Media Contacts

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Larry Solters, Anna Loynes, 818-761-6100,  [email protected]

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Monique Sowinski,  [email protected]

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John Mayer Announces 2019 U.S. Solo Tour Dates

Mayer will transition in July from subbing for Jerry Garcia with Dead & Company to playing his own originals on a solo tour

Singer/songwriter, guitarist and seven-time GRAMMY winner John Mayer has announced more than two dozen 2019 U.S. solo dates from July through September, adding more touring time under his belt this year. Mayer's solo U.S. tour dates come after a summer tour with Dead & Company and a solo tour in  Australia and Asia in the spring. 

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Mayer's solo tour kicks off less than two weeks after his final show with Dead & Company on July 6 in Boulder, Colo. The 27 announced dates take Mayer to New York City's Madison Square Garden on July 25–26, to Chicago on Aug. 14 with final shows Sept. 13–14 in Los Angeles at Inglewood's The Forum.

Tickets go on sale on Jan. 29 on Mayer's website . Meanwhile, ongoing collaboration news has Ryan Adams tipping future work with both Mayer and Weir and releasing " F*** The Rain " featuring Mayer on guitar on Jan. 23.

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Cautious Clay's 'Karpeh' Is & Isn't Jazz: "Let Me Completely Deconstruct My Conception Of The Music"

On his Blue Note Records debut 'Karpeh,' Cautious Clay treats jazz not as a genre, but as a philosophy — and uses it as a launchpad for a captivating family story.

Nobody can deny Herbie Hancock is a jazz artist, but jazz cannot box him in. Ditto Quincy Jones ; those bona fides are bone deep, but he's changed a dozen other genres.

Cautious Clay doesn't compare himself to those legends. But he readily cites them as lodestars — along with other genre-straddlers of Black American music, like Lionel Richie and Babyface .

Because this is a crucial lens through which to view him: he's jazz at his essence and not jazz at all, depending on how he wishes to express himself.

"I'm not really a jazz artist, but I feel like I have such a deep understanding of it as a songwriter and musician," the artist born Joshua Karpeh tells GRAMMY.com. "It's sort of inseparable from my approach to this album, and to this work with Blue Note."

Karpeh is talking about, well, KARPEH — his debut album for the illustrious label, which dropped in August. In three acts — "The Past Explained," "The Honeymoon of Exploration," and "A Bitter & Sweet Solitude," he casts his personal journey against the backdrop of his family saga.

As Cautious Clay explains, the title is a family name; his grandfather was of the Kru peoples in Liberia. "It's a family of immigrants. It's a family of, obviously, Black Americans," he notes. "I just wanted to give an experience that felt concrete and specific enough — to be able to live inside of something that was a part of my journey."

On KARPEH , Cautious Clay is joined by esteemed Blue Note colleagues: trumpeter Ambrose Akinmusire , saxophonist Immanuel Wilkins , vibraphonist Joel Ross , guitarist Julian Lage , and others.

Vocalist Arooj Aftab and bassist Kai Eckhardt — Karpeh's uncle — also enhance the proceedings. The result is another inspired entry from Blue Note's recent resurgence — one lyrically personal and aurally inviting.

Read on for an interview with Cautious Clay about his signing to Blue Note, leveling up his recording approach, and his conception of what jazz is — and isn't.

This interview has been edited for clarity.

Tell me about signing to Blue Note Records, and the overall road to KARPEH .

I kind of got connected to Don [Was , the president of Blue Note] through a relationship I had with John Mayer , who had, I guess, connected Don to my music.

Don reached out via email probably a year ago, and so we connected over email. And I had sort of been in a situation where I was like, OK, I want to do something different for this next project . We kind of met in the middle and it just made a lot of sense based on just what I wanted to do, and then what they could potentially kind of work with on my end. 

So, [I was] just recording the album in six days, and doing a lot of prep work beforehand and getting all these musicians that I really liked to be able to work on it. It was just a really cool process to be able to unpack that with Blue Note.

That's great that you and Mayer go back.

Yeah, man, we have a song. We worked on each other's music a little bit together. The song "Carry Me Away" on his [2021] album [ Sob Rock ] I actually worked on, and then we did a song together called "Swim Home" that I released back in 2019.

You said you wanted to "do something different." What was the germ of that something ?

I felt like it could be interesting to do a more instrumental album, or something that felt a little bit more like a concept album, or more experimental. I wanted to be more experimental in my approach to the music that I love.

I wanted to call it a jazz album, but at the same time I didn't, because I felt like it wasn't; it was more of an experimental album.

But I felt like calling it jazz in my mind kind felt like a free way to express, because I think of jazz much more as a philosophy than necessarily a genre.

So, it was helpful for me in my mind to be able to like, OK, let me completely deconstruct my conception of the music I make and how I can translate that music.

And then it eventually evolved into a story about my family and about American history to a certain extent in the context of my family's journey, and then also just their interpersonal relationships. That sort of made itself clear as I continued to write and I continued to delve deeper into the process.

Not that KARPEH ended up being instrumental. But instrumental records are lodestars for you? I'm sure that blurs with the Blue Note canon.

There's a lot of different stuff. There was that red album that Herbie Hancock released [in 1978, titled Sunlight ] that I really liked. "I Thought It Was You" was super inspirational — sonically how they arranged a lot of that record.

Seventies jazz fusion was an overall influence. I felt inspired by the perfect meld of analog synthesizers, and then also obviously organic instruments like horns and guitars of that nature. So I wanted to create something that felt like a contemporary version of what could be a fusion record to a certain extent.

Any specific examples?

Songs like "Glass Face," for example, are pretty fusion-y, but also very just experimental in a way that doesn't feel like jazz, even.

My uncle [Kai Eckhardt] is a pretty big-time bass player, and he played on "Glass Face." I just was like, OK, dude, do your thing, and he just did this sort of chordal bass solo. Then, I did all these harmonies over top of the song.

And then, Arooj Aftab is a really good friend and musical artist; she was able to work off of that as well. So, it was an interesting journey to make a lot of these songs and sort of figure out how they all fit together.

How did you strike that balance between analog and synthesized sounds?

I recorded most of this album at a studio, which is very different for me.

I don't normally do that. I use a lot of found sounds like drums and stuff that I've either made or sampled, but I did all of the drums and bass and upright and electric guitars we'd recorded at a studio called Figure 8 in Brooklyn. That was the backbone for a lot of the music that I created for the album. 

Then, I took it back home to my home studio. After we had recorded all of the songs, I essentially had some different analog synths and things that I wanted to add into it either at the studio that I worked at or my own personal studio, which happens to also be eight blocks [away] on the same street away.

I struck a balance just mostly with it in the context of working at a very formal studio and then having an engineer and just getting sounds that I wanted that could be organic and more specific in that way. And also using some of the synths they had.

In terms of the approach, I kind of wanted it to be different. And so part of that was just being at more of a formal studio and having an engineer and overseeing the overall process outside of just being inside of my Ableton session.

Tell me more about the guests on KARPEH .

I knew Immanuel through a couple of mutual friends, and he has a certain sort of bite to his sax playing that I felt was so juxtaposed to my sax playing.

And same with Ambrose. I feel like his trumpet style couldn't be more esoteric and out, in the context of how he approaches melodies. It's almost in some ways like, Whoa, I would never play that way .

They're also soloists, and conceptually for me, the idea of being in isolation or being in bittersweet solitude was conceptually a part of the last part of the album. They as soloists have so much to offer that I feel like I can't do and I don't possess.

So, I wanted to have them a part of this album, to demonstrate that individuality within the context of what it takes to make a song.

Julian is just a beautiful and spirited man, a beautiful guitar player. I've liked his sound for a while. I think it was back in 2015 when I first heard him; he had a couple of videos on YouTube that I thought were just super gorgeous.

I feel like he just has this way of playing that's folky. Also, it's jazz in the context of his virtuosic playing style, but it's also not overbearing. I felt like as a writer and as a musician, it would be a really great connecting point for a few of the more personal songs on the record.

And then my uncle Kai as well, — he's not on Blue Note, but he used to play with John McLaughlin and run bass clinics with Victor Wooten and Marcus Miller back in the early 2000s. Dude is a real heavy hitter, and he happens to be my uncle, so it's just cool to be able to have him on the record.

* Cautious Clay. Photo: Meron Menghistab *

With KARPEH out, where do you want to go from here — perhaps through a Blue Note lens?

I really love a lot of the people there, and I feel like this could be the first of many. It's also a stepping stone for me as an artist.

I feel really connected to the relationship I have, and our ability to put this out. It's hard to say what exactly the future holds, but I am genuinely excited for this album. I feel excited to be able to put out something so personal and so connected to everything that sort of made me, in a very concrete way.

From what I understand, this is a one-time thing, but it could potentially be two. It depends, obviously. I'm very open-minded about it. I'd love to keep the good relationship open and see where things go.

I really have enjoyed the process and I feel like this next year is going to be something interesting. So, we'll see.

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Joy Oladokun's 'Proof Of Life' Honors Her Own Experience — And Encourages Others To Do The Same

On her new album 'Proof of Life,' the Nigerian American singer/songwriter shares how she’s learned to embrace herself, remain hopeful, and be present when collaborating with her heroes.

In the first single off her forthcoming album, Proof of Life , Joy Oladokun sings, "I hate change, but I’ve come of age/Think I’m finally finding my way." Part of her coping strategy of late — in dealing with a world on fire, waters rising, anxiety rocketing — has been to sink deeper into her feelings, to reach a point of "pure acceptance." 

"Living in America, I think we can very clearly see the damage that being resistant to the way the world changes can do to us," she tells GRAMMY.com. Two days before we spoke, six people — three of them children — were killed by a 28-year-old who fired 152 rounds of ammunition at a school in Nashville, where Oladokun has lived for the past six years. "Children are getting killed because we are intentionally misreading a document from 200 years ago."

Yet Oladokun was raised in the small farming town of Casa Grande, Arizona  — a place where "people shot guns for fun, and we went mudding in our trucks."  She continues, "I don't think people understand that I understand the culture because of what I look like."

An unabashedly queer Black singer/songwriter, the 31-year-old uses music to plant her flag in the ground of a world that has traditionally been presumptive and unwelcoming to someone like her. Someone who grew up listening to Bob Marley and Linkin Park , and was ostracized from the church-going community she was part of when she came out; someone who "hits all the high notes but still don’t got a seat in the choir." 

Over the course of three albums, Oladokun has created a safe space, for herself and others, to deal with the highs and lows that being true to yourself can bring. "Most of my songs should feel like having a conversation with me on my porch; I tell you something deep about myself and ask if you’ve ever felt that way," she says. 

Like many of the artists she grew up admiring, Oladokun’s music is rooted in folk with dashes of R&B, pop and an occasional sprinkling of Afrobeats mixed in — as evident in the Proof of Life track "Revolution," which features Nigerian American rapper Maxo Kream. Whether her voice hovers along a pristine guitar or piano track, as it does on "Somehow," or reaches for the edgier side of her personality, like on the sassy "We’re All Gonna Die" (featuring Noah Kahan), she never falters to be forthright and faithful to her values.     

Oladokun played music throughout high school and worked as a church music minister with the intention of becoming a pastor before she lost that job when she came out. After landing in L.A., the singer thought she’d write for others as a living. Instead, she took a chance and started writing for herself. Now, after more than six years in Nashville, Oladokun’s songs have featured in shows like "Grey’s Anatomy" and "This Is Us", and she’s collaborated with Brandi Carlile and Jason Isbell . 

She spoke with GRAMMY.com about accepting herself, keeping hope alive through her guitar, and getting advice from John Mayer .

Interview has been edited for length and clarity.  

You're on tour with John Mayer. What has that been like so far?

It has been absolutely amazing and challenging and scary. I really, genuinely, am a fan of John Mayer's music, and I felt this way on the My Morning Jacket tour; I felt this way touring with Maren [Morris]. When I get called to play with people that I really respect, some nerves come through. But I do feel like I've been rising to the occasion and I spent a lot of time working on my craft and guitar playing. And not every show has been perfect but I feel like they've been good, and I've been able to be myself in some of the biggest stages and rooms I've ever played. 

And just the fact that it's a solo acoustic show, and that John's been so kind and accommodating. Like yesterday, he gave me advice on how to deal with when people talk s—about you on the internet. 

Yeah, you’d mentioned on Twitter about having a little difficult time. Did his advice help?

It totally helped because it also is like, Oh, he feels that way, too , you know? My favorite people to work with are the people who admit that they're still human and still processing how weird this job is on us as humans. 

People were making comments about my laugh, which is like, I can't change that. I'm gonna be super candid: I'm a Black queer person doing something that I think at least 10 percent of the people in that room don't think I should be doing, just by virtue of me being me. 

You have such a great laugh, though!

If you're not used to it, it can be sort of jarring. [ Chuckles ]

How have you learned to become more vulnerable in your songs?

I think it's mostly about dealing with the feelings. I have this deep, honestly kind of dark, obsession with artists that have died young, and I think about it a lot because I just am someone who struggles with my mental health. 

I think I am trying to carve a path for all the people like me, or the people who have gone who were like me, to be able to do this, and to stay healthy, and to stay hopeful. And to say no, if they need to or to be human, and cry in front of people. I don't think people get that I am an actual human being with feelings and thoughts, who is processing the fact that I got asked to go on tour with a hero, and that is just as confusing to me as it is to you. 

I sit in my hotel room, I practice guitar and I write songs. And I do everything I can to put my heart and my soul and myself out there in hopes that people of all different walks of life can relate. And that it will cause some people to think twice when they meet people like me in their day-to-day life. That’s what's driving me, and I think that's what brought me here. 

On the days that it's scary and sad and I feel isolated, or I feel like everybody hates me, or I feel like I'm embarrassing John in arenas, it is good to remember that sometimes it might just help one person to see that I am me, and that I am doing this. And it doesn't matter how well I do it. It just matters that I'm here.

Are you reaching a point where you really recognize the part that you play in the world around you and articulating that?

I think I've always been a very purpose-centric person and artist, specifically. I have this painting in my studio that says "Remember why you started." I look at it every day, and I just remember when I started, when I inched into the music industry, I was like, "I’m gonna write songs for other people." And I just wanted to write songs that help. 

I was doing a job where I was listening to the radio a lot, and I didn't relate to anything. So I just wanted to write songs that people could relate to. I still have that at the core of everything I do and say; it's just desperation to hold onto my humanity, and how that translates into art. 

I'm not special. Like, I get that I sing songs for a living, and that not everybody has to like those songs. But I do know that in my heart of hearts, my purpose, and my role, and my goal is to just write songs that help me deal with life, and hopefully help one or two other people. That is something that I feel like I've been accomplishing so far. And until I feel like that isn't happening anymore, I think I wouldn’t continue on this path.

Can you pinpoint when you realized the power of being able to express yourself in a song?

My dad is a huge music fan. I’ve been thinking a lot about Bob Marley's impact on what I do. I think it was growing up listening to a lot of artists who were purpose-centric, like, just so rooted in, "I have something to say," or something to share with, and explain to, the world.

Lauryn Hill opened up the possibilities of hip-hop and how it could combine with folk and soul. Phil Collins and Peter Gabriel and Paul Simon were combining folk, rock and West African music and sounds and influences. I think it was growing up listening to people that were really intentional about every aspect of what they make. I feel like I went to school [by] listening to records.

Your Twitter bio used to say you were the "trap Tracy Chapman"…

It did. I am, right? [ Chuckles ]

It fits, yes!

Tracy Chapman being herself on stage allowed me as a kid to find an art form that helped me express myself and positively deal with a lot of heavy emotions. I think I'm, like, fine at what I do. I sometimes am a little confused as to why I get the opportunities that I get, but I do know that just by being as much of myself as I can, in whatever venue that I can be, I am doing that same thing for other people. And maybe that's just the value. Maybe I don't have to be the best. 

Maybe in two years people won’t remember my name. But there will be a few hundred people who were scared or shy or felt like they were too Black or too queer or too different, whatever, to do anything, and then they show up to a John Mayer show too early, and here's my goofy ass thriving. Maybe that’s just it. Maybe I don't have to win awards. Maybe it really is just honestly, lighting the torch for someone who might be better than me to be able to do the same thing for other people. 

"Sweet Symphony" is a lovely duet with Chris Stapleton about your parents. Have you tried to write about them before?

I have a few songs in the past that I've written about my parents. There's one called "Let It Be Me" that I wrote about my dad doing a really beautiful 180 when it comes to my sexuality. I have like this Crosby, Stills and Nash rip off thing apologizing to them for being chaotic when I was a kid. 

One of my favorite things about my parents is that they're just in love. I would say my parents are two of the most in love people I've ever seen in my life. Growing up when my dad would come home from work, he would bring flowers from the store and then he would sing my mom like some goofy Motown song or whatever for the first five minutes when he got in. I just wanted to write a song that my dad could sing to my mom. I was in my apartment when I started it. I loaded up a piano on Logic, and I just started playing cheesy Motown chords. My dad still has the demo as his ringtone for when my mom calls. 

We talk about all the things that have been hard between us but I think I explored that a lot in my last album. I am the fruit of my parents' love, and to be able to celebrate it with a really cool, amazing duet with Chris Stapleton feels like a blessing. 

You performed at the White House during the signing ceremony for the Respect for Marriage Act in December last year, and yet you’re still  self-effacing and unassuming. Are you able to realize the significance that your work, your music, has?

I am working through imposter syndrome. I think that's the current change that I'm dealing with. That's why the internet stuff it's hard, too, because not only do I not always feel worthy, I also feel, you shouldn't be here, too. 

But I am trying to remember that it's not an accident that I am who I am on this planet at this time. And that's why being so vulnerable has become so important to me. I just try to bring that into every room. I've stopped joking about being mediocre. But I've honestly stopped grading my work. I don't know if it’s good or bad. I just work and create, and perform, and hopefully the heart of it, which is the most important thing to me, is what comes across. 

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ReImagined: Eric Bellinger Defies "Gravity" With A Silky Rendition Of John Mayer's Hit Single

R&B singer Eric Bellinger reconstructs John Mayer's hit single "Gravity" into a soothing R&B track — and delivers a mind-bending performance that brings the song's title to life.

It's no secret that the blues have heavily influenced John Mayer 's discography. The guitarist's venture into the genre traces back to his GRAMMY-winning 2006 studio album, Continuum , especially on the track "Gravity" — and now, Eric Bellinger is giving the bluesy single an R&B twist.

In this episode of ReImagined , the singer/songwriter transforms the Continuum single into a warm, velvety R&B track. Bellinger constructs the arrangement on his own, pairing his sultry vocals with a cajón drum box, keyboard and bass guitar.

Adding an eye-catching appeal to the performance, Bellinger adds a literal interpretation of the track's lyrics — "Gravity is working against me" — as he paces around the ceiling of an upside-down house.  

Outside of his original music, Bellinger has had a prolific career posting covers on YouTube, including his popular re-envisionings of Drake 's "Fake Love" and Rae Sremmurd's "Black Beatles." The R&B singer also has an impressive list of songwriting credits, including his work on Chris Brown 's F.A.M.E. , which earned Bellinger his first GRAMMY Award for Best R&B Album in 2012.

Press play on the video above to watch Eric Bellinger's rendition of "Gravity," and keep checking back to GRAMMY.com for more new episodes of ReImagined.

Watch: 6 Thrilling Moments From Rihanna's Triumphant Return With Performance At Super Bowl LVII Halftime Show

• 1 John Mayer Announces 2019 U.S. Solo Tour Dates
• 2 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
• 3 Cautious Clay's 'Karpeh' Is & Isn't Jazz: "Let Me Completely Deconstruct My Conception Of The Music"
• 4 Joy Oladokun's 'Proof Of Life' Honors Her Own Experience — And Encourages Others To Do The Same
• 5 ReImagined: Eric Bellinger Defies "Gravity" With A Silky Rendition Of John Mayer's Hit Single

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John Mayer 2019 World Tour

Jan 28 , 2019

Kansas City, Mo. (Jan. 28, 2019) – GRAMMY Award®-winning artist John Mayer has added North American concerts to his 2019 World Tour, which will visit T-Mobile Center Monday, Sept. 2. 

American Express® Card Members can purchase tickets before the general public beginning Tuesday, Jan. 29 at 10 a.m. local time through Thursday, Jan. 31 at 10 p.m. 

Fan presale tickets will be available starting Tuesday, Jan. 29 at 10 a.m. local time.

Two pairs of front row tickets, each with a preshow meet & greet with John Mayer, will be auctioned off for every concert in North America. All proceeds will go to benefit the Back to You Fund and other associated charities.

Mayer’s 2019 World Tour launches in March in New Zealand and Australia and then heads to Asia through April. Known for numerous massive hits, such as last year’s “New Light,” “Gravity,” “Love on the Weekend,” “Heartbreak Warfare,” “Daughters,” “Waiting on the World to Change,” “Your Body Is a Wonderland,” and many more, these “Evening with John Mayer” concerts will feature two sets of music spanning his entire recording career. There will be no opening act.

In addition to his solo world tour, John Mayer is again touring North America in 2019, for the fourth consecutive year, with Dead & Company, featuring Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart, along with Oteil Burbridge, Jeff Chimenti - and Mayer himself.

Singer/songwriter John Mayer has won seven GRAMMY® awards and has earned a record seven U.S. #1s on Billboard’s Top Rock Albums chart and 25 entries on the Hot Rock Songs chart, the most for any solo artist. In 2018, he released the Gold-certified “New Light,” while working on his eighth solo album, the follow-up to 2017’s critically acclaimed The Search for Everything . For the third consecutive year, Mayer toured with Dead & Company in 2018, who played to over 500,000 people on its third and largest tour. Additionally, he launched ‘Current Mood,’ his highly regarded Instagram Live show on Sundays, which some have dubbed, “the best way to start the week on a high note, maybe even the only way.”

Tickets for John Mayer’s 2019 World Tour go on sale to the public on Friday, Feb. 1 at 12 p.m. at t-mobilecenter.com, Price Chopper Box Office at T-Mobile Center or charge-by-phone at 888.929.7849 .

John Mayer Announces 2019 Tour Dates Following Dead and Company Tour

John Mayer confirmed a big set of tour dates this morning, which will mean the rest of his summer is busy following the busy Dead and Company itinerary. Tickets for the tour will go on sale to the public on February 1st, and he’ll be auctioning off two pairs of front row tickets from each show to help some of his favorite charities.

Check out Mayer’s website for full ticket details and scroll down to see the dates below.

Dead and Company don’t really hit the road again until end of May , where the band plays the old Grateful Dead haunt Shoreline Amphitheatre in Mountain View, California. Meanwhile Mayer’s tour will kick off on July 19th in Albany, NY before making its way all the way out to finish with two nights at The Forum in Los Angeles on September 13-14th.

John Mayer 2019 Tour Dates

July 19 – Albany, NY @ Times Union Center July 20 – Providence, RI @ Dunkin’ Donuts Center July 22 – Philadelphia, PA @ Wells Fargo Center July 23 – Washington D.C. @ Capital One Arena July 25 & 26 – New York, NY @ Madison Square Garden July 28 – Pittsburgh, PA @ PPG Paints Arena July 30 – Toronto, ON @ Scotiabank Arena August 2 – Detroit, MI @ Little Caesars Arena August 3 – Columbus, OH @ Schottenstein Center August 5 – St. Paul, MN @ Xcel Energy Center August 6 – Milwaukee, WI @ Fiserv Forum August 8 – Nashville, TN @ Bridgestone Arena August 9 – Charlotte, NC @ Spectrum Center August 11 – Atlanta, GA @ State Farm Arena August 12 – Indianapolis, IN @ Bankers Life Fieldhouse August 14 – Chicago, IL @ United Center August 31 – Snowmass Village, CO @ Snowmass Mountain September 2 – Kansas City, MO @ Sprint Center September 3 – St. Louis, MO @ Enterprise Center September 5 – Dallas, TX @ American Airlines Center September 7 – San Antonio, TX @ AT&T Center September 8 – Houston, TX @ Toyota Center September 10 – Phoenix, AZ @ Talking Stick Resort Arena September 11 – San Diego, CA @ Viejas Arena September 13 & 14 – Inglewood, CA @ The Forum

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John Mayer World Tour 2019

Mayer’s 2019 World Tour launches in March in New Zealand and Australia and then heads to Asia through April. Known for numerous massive hits, such as last year’s “New Light,” “Gravity,” “Love on the Weekend,” “Heartbreak Warfare,” “Daughters,” “Waiting on the World to Change,” “Your Body Is a Wonderland,” and many more, these “Evening with John Mayer” concerts will feature two sets of music spanning his entire recording career. There will be no opening act. 

Singer/songwriter John Mayer has won seven GRAMMY® awards and has earned a record seven U.S. #1s on Billboard’s Top Rock Albums chart and 25 entries on the Hot Rock Songs chart, the most for any solo artist. In 2018, he released the Gold-certified “New Light,” while working on his eighth solo album, the follow-up to 2017’s critically acclaimed  The Search for Everything . For the third consecutive year, Mayer toured with Dead & Company in 2018, who played to over 500,000 people on its third and largest tour. Additionally, he launched ‘Current Mood,’ his highly regarded Instagram Live show on Sundays, which some have dubbed, “the best way to start the week on a high note, maybe even the only way.”

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John Mayer Announces 2019 Asia Tour: See Dates

Seven-time Grammy winner John Mayer will bring his 2019 world tour to Asia, beginning April 1 in Singapore. Then, he will travel to Bangkok, Jakarta and Hong Kong before ending up in Tokyo for two…

By Billboard Radio China

Billboard Radio China

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Seven-time Grammy winner John Mayer will bring his 2019 world tour to Asia, beginning April 1 in Singapore. Then, he will travel to Bangkok, Jakarta and Hong Kong before ending up in Tokyo for two nights of shows April 10-11.

Mayer’s debut show in Hong Kong, “An Evening With John Mayer,” will feature songs spanning his entire recording career. There will be no opening act.

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Mayer’s most recent album, The Search For Everything (2017, Sony Music Australia), is his seventh studio album.

AIM CEO Silvia Montello Exits UK Music Indie Body

The singer-songwriter has earned a record seven U.S. No. 1s on Billboard’s Top Rock Albums chart and 25 entries on the Hot Rock Songs chart, the most for any solo artist. In 2018, he released the Gold-certified “New Light,” while working on his eighth solo album. He also launched Current Mood , his highly regarded Instagram Live show on Sundays.

John Mayer 2019 World Tour: Asia dates April 1: Singapore April 3: Bangkok April 5: Jakarta, Indonesia   April 8: Hong Kong April 10-11: Tokyo

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John Mayer Announces Spring 2019 International Tour Dates

John Mayer has a busy spring and summer ahead of him. The guitarist announced on Tuesday that he will head back overseas for a run of solo tour dates in Australia and Asia, beginning in late March and continuing through mid-April. The solo tour will kick off Mayer’s 2019 concert campaign, which continues into the summer with the previously announced Dead & Company summer tour starting on May 31st.

Mayer’s international solo concerts begin in Auckland, New Zealand on March 23rd, followed by a trio of Australian performances on March 25th, 27th, and 29th. The tour continues into April with stops across southeast Asia including Singapore; Bangkok, Thailand; Jakarta, Indonesia; Hong Kong, China; followed by two performances in Tokyo, Japan to close things out on April 10th and 11th. Tuesday afternoon’s announcement did not go into detail as to which venues Mayer would be playing during the Asia leg of the tour, but did state that ticket and show information for those cities will be announced in the upcoming weeks.

Mayer’s spring solo shows are set to include two sets of music, with more songs in rotation than ever before according to the 41-year-old guitarist, who released his seventh studio album,  The Search for Everything , back in April 2017. Mayer’s 2017 world tour in promotion of the new album featured the return of the  John Mayer Trio , with bassist  Pino Palladino  and drummer  Steve Jordan . Mayer did not specify whether or not the two musicians would be joining him on the spring tour, but fans should be optimistic.

Mayer has made more of an effort to stretch his creative abilities beyond just that of the solo pop/rock realm in 2018. He teamed up with Tame Impala ‘s Kevin Parker for a track featured on  Travis Scott ‘s 2018 album,  Astroworld . He’s also taken advantage of his comedic abilities and love for social media with a new weekly series titled “Current Mood”, which airs most Sunday nights on his Instagram.

Pre-sale tickets for the New Zealand and Australia performances will begin on Friday, December 14th, with general on-sale to follow a few days later on December 17th. More information can be found on  John Mayer’s official website .

John Mayer 2019 Solo Tour Dates

March 23 – Auckland, New Zealand – Spark Arena March 25 – Brisbane, Australia – Brisbane Entertainment Centre March 27 – Melbourne, Australia – Rod Laver Arena March 29 – Sydney, Australia – Qudos Bank Arena April 1 – Singapore, Singapore – Venue TBD April 3 – Bangkok, Thailand – Venue TBD April 5 – Jakarta, Indonesia – Venue TBD April 8 – Hong Kong, China – Venue TBD April 10 – Tokyo, Japan – Venue TBD April 11 – Tokyo, Japan – Venue TBD

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• October 14, 2019 Setlist

John Mayer Setlist at The O2 Arena, London, England

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• Belief Play Video
• Moving On and Getting Over Play Video
• Who Says Play Video
• Love on the Weekend Play Video
• Changing Play Video
• Helpless Play Video
• Born and Raised Play Video
• Carry Me Away Play Video
• No Such Thing Play Video
• I Don't Trust Myself (With Loving You) Play Video
• I'm on Fire ( Bruce Springsteen  cover) Play Video
• 3x5 Play Video
• Your Body Is a Wonderland Play Video
• Vultures ( John Mayer Trio  song) Play Video
• In the Blood Play Video
• Stop This Train ( with snippet of Homeward Bound ) Play Video
• If I Ever Get Around to Living Play Video
• Slow Dancing in a Burning Room Play Video
• Still Feel Like Your Man Play Video
• Waiting on the World to Change Play Video
• A Face to Call Home Play Video
• Gravity Play Video
• New Light Play Video

Edits and Comments

29 activities (last edit by Luke71 , 7 Nov 2022, 14:39 Etc/UTC )

Songs on Albums

• I Don't Trust Myself (With Loving You)
• Slow Dancing in a Burning Room
• Stop This Train
• Waiting on the World to Change
• In the Blood
• Love on the Weekend
• Moving On and Getting Over
• Still Feel Like Your Man
• A Face to Call Home
• Born and Raised
• If I Ever Get Around to Living
• No Such Thing
• Your Body Is a Wonderland
• Carry Me Away
• I'm on Fire by Bruce Springsteen
• Vultures by John Mayer Trio

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John mayer gig timeline.

• Oct 10 2019 Ziggo Dome Amsterdam, Netherlands Add time Add time
• Oct 13 2019 The O2 Arena London, England Add time Add time
• Oct 14 2019 The O2 Arena This Setlist London, England Add time Add time
• Oct 16 2019 3Arena Dublin, Ireland Add time Add time
• Oct 18 2019 Manchester Arena Manchester, England Add time Add time

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/john-mayer/2019/the-o2-arena-london-england-639da2df.html" title="John Mayer Setlist The O2 Arena, London, England, World Tour 2019" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=639da2df" alt="John Mayer Setlist The O2 Arena, London, England, World Tour 2019" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=639da2df&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/john-mayer-23d6bc3b.html">More John Mayer setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/john-mayer/2019/the-o2-arena-london-england-639da2df.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=639da2df[/img][/url] [url=https://www.setlist.fm/edit?setlist=639da2df&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/john-mayer-23d6bc3b.html]More John Mayer setlists[/url]

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