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Journey Lead Singers In Order: History and Band Members

In this article, we delve into the captivating history of Journey, an iconic rock band that has left an indelible mark on the music industry. From their humble beginnings to their meteoric rise to fame, Journey has mesmerized audiences worldwide with their unique sound and timeless hits. Join us on a journey through time as we explore the remarkable story of this legendary band.

Formation of the Band

Journey was formed in 1973 in San Francisco, California, bringing together a group of highly talented musicians. The founding members included Neal Schon, Gregg Rolie, Ross Valory, Aynsley Dunbar, and George Tickner. With their combined musical prowess and creative vision, they set out to create something extraordinary.

Early Years and Musical Style

During their early years, Journey experimented with a fusion of rock, jazz, and progressive influences, creating a distinctive sound that set them apart from their contemporaries. Their self-titled debut album, released in 1975, showcased their musical versatility and marked the beginning of their incredible journey.

Evolution and Breakthrough Success

In 1977, Journey underwent a significant change that would forever shape its destiny. Steve Perry joined the band as their lead vocalist, injecting new energy and unparalleled vocal range into their music. This lineup change proved to be a turning point for Journey, leading to a series of chart-topping albums and unforgettable songs.

Chart-topping albums and Hit Singles

Journey’s breakthrough came in 1978 with the release of their album “Infinity,” which became a massive success. The album spawned the hit singles “Wheel in the Sky” and “Lights,” propelling Journey into the mainstream spotlight. They continued their winning streak with subsequent albums, including “Evolution” (1979) and “Departure” (1980), which produced hits like “Lovin’, Touchin’, Squeezin'” and “Any Way You Want It.”

The Iconic Album: “Escape”

In 1981, Journey released their most iconic album to date, “Escape.” This album elevated their status as rock superstars and solidified their place in music history. Featuring the mega-hits “Don’t Stop Believin’,” “Open Arms,” and “Who’s Crying Now,” “Escape” became an instant classic, captivating audiences with its emotionally charged lyrics and powerful melodies.

The Power Ballad Era

Journey’s success continued into the mid-1980s, defined by the rise of power ballads that struck a chord with fans worldwide. Songs like “Faithfully,” “Separate Ways (Worlds Apart),” and “Send Her My Love” showcased the band’s ability to create heartfelt and anthemic ballads that resonated deeply with listeners.

A Change in Direction

As the 1990s approached, Journey faced challenges and underwent significant lineup changes. Steve Perry departed from the band in 1987, leading to a period of transition as they searched for a new lead vocalist. Despite these challenges, Journey remained resilient and continued to produce music that captivated its loyal fan base.

Journey’s Enduring Legacy

Although the band’s popularity waned in the late 1990s, their music never faded from the hearts of their dedicated fans. Journey’s timeless classics continue to resonate with audiences of all ages, thanks to their emotional depth, infectious melodies, and inspiring lyrics. Their songs have become anthems for perseverance, love, and the power of music itself.

Past Journey band members include the following:

• Steve Perry (1977-1998)
• Aynsley Dunbar (1974-1978)
• Robert Fleischman (1977)
• Steve Smith (1978-1985, 1995-1998)
• Randy Jackson (1985-1987)
• Steve Augeri (1998-2006)

Current Journey band members:

• Neal Schon – Guitar (1973-present)
• Jonathan Cain – Keyboards (1980-present)
• Ross Valory – Bass (1973-1985, 1995-present)
• Arnel Pineda – Vocals (2007-present)
• Deen Castronovo – Drums (1998-present)

Lead Singers of Journey

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The Original Journey: Gregg Rolie’s Era

Gregg Rolie, a two-time Rock and Roll Hall of Fame inductee, served as the original lead singer of Journey. He began his musical career as a co-founder and lead vocalist of Santana before joining forces with Neal Schon to form Journey. Rolie’s soulful voice and exceptional skills as a keyboardist and harmonicist contributed to the band’s early success. He showcased his talent on albums like “Journey,” “Look into the Future,” and “Next.” However, Rolie transitioned to co-lead vocals when Steve Perry joined the band in 1977.

Steve Perry: The Voice of Journey’s Greatest Hits

Steve Perry, widely recognized as the quintessential Journey lead singer, propelled the band to unprecedented heights during their most commercially successful era. Born with a gift for singing, Perry’s powerful and emotive vocals struck a chord with audiences worldwide. With Perry at the helm, Journey released a string of chart-topping albums, including “Infinity,” “Escape,” and “Frontiers.” Iconic songs like “Don’t Stop Believin’,” “Open Arms,” and “Faithfully” became anthems for a generation. Perry’s remarkable songwriting abilities and magnetic stage presence contributed to the band’s enduring legacy.

Current Lead Singer: Arnel Pineda

Following Steve Perry’s departure in 1987, Journey experienced a series of lead singer changes. Steve Augeri, known for his vocal range and stage charisma, took over from 1998 to 2006. Jeff Scott Soto briefly joined the band in 2006, leaving his mark with his distinctive style. However, it was Arnel Pineda who breathed new life into Journey as the current lead singer. Pineda’s incredible vocal resemblance to Steve Perry, coupled with his dynamic stage presence, won the hearts of fans worldwide. Since 2008, Pineda has seamlessly integrated into the band, injecting fresh energy and passion into their performances.

Journey’s Enduring Discography: Albums That Defined an Era

Over the past five decades, Journey has released a diverse and extensive discography, showcasing their musical prowess and creativity. Let’s explore some of their most iconic albums:

“ Infinity ” (1978): With Steve Perry as the lead singer, “Infinity” marked a significant turning point for Journey. It featured hit singles like “Wheel in the Sky” and “Lights,” solidifying their place in the rock music landscape.

“ Escape ” (1981): This album became a monumental success, boasting chart-topping hits such as “Don’t Stop Believin'” and “Open Arms.” “Escape” catapulted Journey to international stardom and remains one of their most beloved records.

“ Frontiers ” (1983): Building upon their previous success, “Frontiers” showcased Journey’s evolution with tracks like “Separate Ways (Worlds Apart)” and “Faithfully.” The album’s polished production and memorable hooks solidified Journey’s status as one of the biggest rock bands of the 1980s.

“ Raised on Radio ” (1986): Released during the band’s final years with Steve Perry, “Raised on Radio” featured a more radio-friendly sound and produced hits like “Be Good to Yourself” and “I’ll Be Alright Without You.” Despite tensions within the band, the album showcased their ability to create catchy, melodic rock tunes.

“ Revelation ” (2008): With Arnel Pineda as the lead singer, “Revelation” marked a new chapter for Journey. The album featured new recordings of their classic hits, reaffirming Pineda’s vocal prowess and rekindling the band’s popularity among longtime fans and a new generation.

“ Eclipse ” (2011): Continuing their musical journey with Pineda, Journey released “Eclipse,” a record that showcased their ability to evolve while staying true to their roots. The album demonstrated their enduring songwriting skills and featured tracks like “City of Hope” and “Edge of the Moment.”

“Escape & Frontiers Live in Japan” (2019): As a testament to their enduring appeal, Journey released a live album featuring their performances of the “Escape” and “Frontiers” albums in their entirety. The release showcased the band’s timeless hits in a live setting, capturing the energy and excitement of their concerts.

Journey’s Impact and Legacy

Journey’s impact on the rock music landscape cannot be overstated. With their infectious melodies, anthemic choruses, and powerful vocals, they carved out a unique sound that resonated with millions of listeners. Their music transcended generations, becoming the soundtrack to countless moments and capturing the hearts of fans worldwide.

Steve Perry’s tenure as the lead singer marked the band’s most successful period, and his distinct voice became synonymous with Journey’s sound. His emotional delivery and ability to connect with audiences elevated their songs to new heights and created an unparalleled legacy.

Arnel Pineda’s addition to the band injected new energy into Journey and allowed them to continue their musical journey. Pineda’s remarkable vocal resemblance to Perry breathed new life into the band’s live performances, earning him a dedicated fanbase and ensuring that Journey’s music lives on.

Journey’s timeless hits continue to be celebrated and embraced today. Songs like “Don’t Stop Believin'” have become cultural touchstones, appearing in films, TV shows, and sporting events, and capturing the imaginations of new generations of listeners.

Journey Band Member’s Ages

Here, is the list of all the Journey member’s ages. It seems like all of the Journey band members are above 50 and below 80.

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Steve Perry Walked Away From Journey. A Promise Finally Ended His Silence.

By Alex Pappademas

• Sept. 5, 2018

MALIBU, Calif. — On the back patio of a Greek restaurant, a white-haired man making his way to the exit paused for a second look at one of his fellow diners, a man with a prominent nose who wore his dark hair in a modest pompadour.

“You look a lot like Steve Perry,” the white-haired man said.

“I used to be Steve Perry,” Steve Perry said.

This is how it goes when you are Steve Perry. Everyone is excited to see you, and no one can quite believe it. Everyone wants to know where you’ve been.

In 1977, an ambitious but middlingly successful San Francisco jazz-rock band called Journey went looking for a new lead singer and found Mr. Perry, then a 28-year-old veteran of many unsigned bands. Mr. Perry and the band’s lead guitarist and co-founder, Neal Schon, began writing concise, uplifting hard rock songs that showcased Mr. Perry’s clean, powerful alto, as operatic an instrument as pop has ever seen. This new incarnation of Journey produced a string of hit singles, released eight multiplatinum albums and toured relentlessly — so relentlessly that in 1987, a road-worn Mr. Perry took a hiatus, effectively dissolving the band he’d helped make famous.

He did not disappear completely — there was a solo album in 1994, followed in 1996 by a Journey reunion album, “Trial by Fire.” But it wasn’t long before Mr. Perry walked away again, from Journey and from the spotlight. With his forthcoming album, “Traces,” due in early October, he’s breaking 20 years of radio silence.

Over the course of a long midafternoon lunch — well-done souvlaki, hold all the starches — Mr. Perry, now 69, explained why he left, and why he’s returned. He spoke of loving, and losing and opening himself to being loved again, including by people he’s never met, who know him only as a voice from the Top 40 past.

And when he detailed the personal tragedy that moved him to make music again, he talked about it in language as earnest and emotional as any Journey song:

“I thought I had a pretty good heart,” he said, “but a heart isn’t really complete until it’s completely broken.”

IN ITS ’80S heyday, Journey was a commercial powerhouse and a critical piñata. With Mr. Perry up front, slinging high notes like Frisbees into the stratosphere, Journey quickly became not just big but huge . When few public figures aside from Pac-Man and Donkey Kong had their own video game, Journey had two. The offices of the group’s management company received 600 pieces of Journey fan mail per day.

The group toured hard for nine years. Gradually, that punishing schedule began to take a toll on Journey’s lead singer.

“I never had any nodules or anything, and I never had polyps,” Mr. Perry said, referring to the state of his vocal cords. He looked around for some wood to knock, then settled for his own skull. The pain, he said, was more spiritual than physical.

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As a vocalist, Mr. Perry explained, “your instrument is you. It’s not just your throat, it’s you . If you’re burnt out, if you’re depressed, if you’re feeling weary and lost and paranoid, you’re a mess.”

“Frankly,” Mr. Schon said in a phone interview, “I don’t know how he lasted as long as he did without feeling burned out. He was so good, doing things that nobody else could do.”

On Feb. 1, 1987, Mr. Perry performed one last show with Journey, in Anchorage. Then he went home.

Mr. Perry was born in Hanford, Calif., in the San Joaquin Valley, about 45 minutes south of Fresno. His parents, who were both Portuguese immigrants, divorced when he was 8, and Mr. Perry and his mother moved in next door to her parents’. “I became invisible, emotionally,” Mr. Perry said. “And there were places I used to hide, to feel comfortable, to protect myself.”

Sometimes he’d crawl into a corner of his grandparents’ garage with a blanket and a flashlight. But he also found refuge in music. “I could get lost in these 45s that I had,” Mr. Perry said. “It turned on a passion for music in me that saved my life.”

As a teen, Mr. Perry moved to Lemoore, Calif., where he enjoyed an archetypally idyllic West Coast adolescence: “A lot of my writing, to this day, is based on my emotional attachment to Lemoore High School.”

There he discovered the Beatles and the Beach Boys, went on parked-car dates by the San Joaquin Valley’s many irrigation canals, and experienced a feeling of “freedom and teenage emotion and contact with the world” that he’s never forgotten. Even a song like “No Erasin’,” the buoyant lead single from his new LP has that down-by-the-old-canal spirit, Mr. Perry said.

And after he left Journey, it was Lemoore that Mr. Perry returned to, hoping to rediscover the person he’d been before subsuming his identity within an internationally famous rock band. In the beginning, he couldn’t even bear to listen to music on the radio: “A little PTSD, I think.”

Eventually, in 1994, he made that solo album, “For the Love of Strange Medicine,” and sported a windblown near-mullet and a dazed expression on the cover. The reviews were respectful, and the album wasn’t a flop. With alternative rock at its cultural peak, Mr. Perry was a man without a context — which suited him just fine.

“I was glad,” he said, “that I was just allowed to step back and go, O.K. — this is a good time to go ride my Harley.”

JOURNEY STAYED REUNITED after Mr. Perry left for the second time in 1997. Since December 2007, its frontman has been Arnel Pineda, a former cover-band vocalist from Manila, Philippines, who Mr. Schon discovered via YouTube . When Journey was inducted into the Rock & Roll Hall of Fame last April, Mr. Pineda sang the 1981 anthem “Don’t Stop Believin’,” not Mr. Perry. “I’m not in the band,” he said flatly, adding, “It’s Arnel’s gig — singers have to stick together.”

Around the time Mr. Pineda joined the band, something strange had happened — after being radioactively unhip for decades, Journey had crept back into the zeitgeist. David Chase used “Don’t Stop Believin’” to nerve-racking effect in the last scene of the 2007 series finale of “The Sopranos” ; when Mr. Perry refused to sign off on the show’s use of the song until he was told how it would be used, he briefly became one of the few people in America who knew in advance how the show ended.

“Don’t Stop Believin’” became a kind of pop standard, covered by everyone from the cast of “Glee” to the avant-shred guitarist Marnie Stern . Decades after they’d gone their separate ways, Journey and Mr. Perry found themselves discovering fans they never knew they had.

Mark Oliver Everett, the Los Angeles singer-songwriter who performs with his band Eels under the stage name E, was not one of them, at first.

“When I was young, living in Virginia,” Mr. Everett said, “Journey was always on the radio, and I wasn’t into it.”

So although Mr. Perry became a regular at Eels shows beginning around 2003, it took Mr. Everett five years to invite him backstage. He’d become acquainted with Patty Jenkins, the film director, who’d befriended Mr. Perry after contacting him for permission to use “Don’t Stop Believin’” in her 2003 film “Monster.” (“When he literally showed up on the mixing stage the next day and pulled up a chair next to me, saying, ‘Hey I really love your movie. How can I help you?’ it was the beginning of one of the greatest friendships of my life,” Ms. Jenkins wrote in an email.) Over lunch, Ms. Jenkins lobbied Mr. Everett to meet Mr. Perry.

They hit it off immediately. “At that time,” Mr. Everett said, “we had a very serious Eels croquet game in my backyard every Sunday.” He invited Mr. Perry to attend that week. Before long, Mr. Perry began showing up — uninvited and unannounced, but not unwelcome — at Eels rehearsals.

“They’d always bust my chops,” Mr. Perry said. “Like, ‘Well? Is this the year you come on and sing a couple songs with us?’”

At one point, the Eels guitarist Jeff Lyster managed to bait Mr. Perry into singing Journey’s “Lights” at one of these rehearsals, which Mr. Everett remembers as “this great moment — a guy who’s become like Howard Hughes, and just walked away from it all 25 years ago, and he’s finally doing it again.”

Eventually Mr. Perry decided to sing a few numbers at an Eels show, which would be his first public performance in decades. He made this decision known to the band, Mr. Everett said, not via phone or email but by showing up to tour rehearsals one day carrying his own microphone. “He moves in mysterious ways,” Mr. Everett observed.

For mysterious Steve Perry reasons, Mr. Perry chose to make his long-awaited return to the stage at a 2014 Eels show at the Fitzgerald Theater in St. Paul, Minn. During a surprise encore, he sang three songs, including one of his favorite Eels tunes, whose profane title is rendered on an edited album as “It’s a Monstertrucker.”

“I walked out with no anticipation and they knew me and they responded, and it was really a thrill,” Mr. Perry said. “I missed it so much. I couldn’t believe it’d been so long.”

“It’s a Monstertrucker” is a spare song about struggling to get through a lonely Sunday in someone’s absence. For Mr. Perry, it was not an out-of-nowhere choice.

In 2011, Ms. Jenkins directed one segment of “Five,” a Lifetime anthology film about women and breast cancer. Mr. Perry visited her one day in the cutting room while she was at work on a scene featuring real cancer patients as extras. A woman named Kellie Nash caught Mr. Perry’s eye. Instantly smitten, he asked Ms. Jenkins if she would introduce them by email.

“And she says ‘O.K., I’ll send the email,’ ” Mr. Perry said, “but there’s one thing I should tell you first. She was in remission, but it came back, and it’s in her bones and her lungs. She’s fighting for her life.”

“My head said, ‘I don’t know,’ ” Mr. Perry remembered, “but my heart said, ‘Send the email.’”

“That was extremely unlike Steve, as he is just not that guy,” Ms. Jenkins said. “I have never seen him hit on, or even show interest in anyone before. He was always so conservative about opening up to anyone.”

A few weeks later, Ms. Nash and Mr. Perry connected by phone and ended up talking for nearly five hours. Their friendship soon blossomed into romance. Mr. Perry described Ms. Nash as the greatest thing that ever happened to him.

“I was loved by a lot of people, but I didn’t really feel it as much as I did when Kellie said it,” he said. “Because she’s got better things to do than waste her time with those words.”

They were together for a year and a half. They made each other laugh and talked each other to sleep at night.

In the fall of 2012, Ms. Nash began experiencing headaches. An MRI revealed that the cancer had spread to her brain. One night not long afterward, Ms. Nash asked Mr. Perry to make her a promise.

“She said, ‘If something were to happen to me, promise me you won’t go back into isolation,’ ” Mr. Perry said, “because that would make this all for naught.”

At this point in the story, Mr. Perry asked for a moment and began to cry.

Ms. Nash died on Dec. 14, 2012, at 40. Two years later, Mr. Perry showed up to Eels rehearsal with his own microphone, ready to make good on a promise.

TIME HAS ADDED a husky edge to Mr. Perry’s angelic voice; on “Traces,” he hits some trembling high notes that bring to mind the otherworldly jazz countertenor “Little” Jimmy Scott. The tone suits the songs, which occasionally rock, but mostly feel close to their origins as solo demos Mr. Perry cut with only loops and click tracks backing him up.

The idea that the album might kick-start a comeback for Mr. Perry is one that its maker inevitably has to hem and haw about.

“I don’t even know if ‘coming back’ is a good word,” he said. “I’m in touch with the honest emotion, the love of the music I’ve just made. And all the neurosis that used to come with it, too. All the fears and joys. I had to put my arms around all of it. And walking back into it has been an experience, of all of the above.”

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Steve Perry of Journey: “Things happened to me as a child. There was nowhere to talk it out, so I sang it out instead”

Journey wrote “Don’t Stop Believin’”, the most downloaded song from the 20th century. When their lead singer quit, the band spent years trying to replace him. Finally out of hibernation, he tells his strange story.

By Kate Mossman

In the small hours of 14 June 2007, the Queen guitarist Brian May sat worrying at his computer. The American rock band Journey had fired another lead singer: 41-year-old Jeff Scott Soto had been erased from the group’s website – shed, Brian observed in his blog, like a used pair of boots.

It wasn’t that Brian didn’t sympathise with the pressures on a middle-aged rock band burdened with touring millions of dollars’ worth of hits when their original frontman was indisposed. He laid out Journey’s options. 1. Throw in the towel. 2. Find a look- and sound-alike. 3. Go out under a different name (“unrewarding”). 4. Find a new frontman who steals a bit of the limelight for himself.

Journey are responsible for “Don’t Stop Believin’”, the most-downloaded song written in the 20th century. They have had five lead singers to date. The single component they’ve spent three decades cyclically seeking to replace is the voice of their frontman, Steve Perry, who came and went, and came and went – then disappeared. Any Journey singer needs to sound exactly like Steve Perry, and that is not easy. He must have a high “tenor altino”, reaching F#2 to A5, with a tone somewhere between Sam Cooke and Aretha Franklin. The first time Perry quit the band was at the height of their fame, in 1987. He’d been nursing his dying mother, and considered retraining as a neurologist.

The second time he left, ten years later, was because the band were pressing him to have a hip operation, and he refused. The girlfriend of keyboard player Jonathan Cain dimly recalled a guy from another group she thought could hit notes as high as Perry could – so founder member Neal Schon tracked him down, and found him working as a maintenance manager for Gap, enjoying the security of his first pension plan.

The new singer, Steve Augeri, became known as “Steve Perry with a perm”. He took Journey’s hits to the arenas of middle America. As he did so, the real Steve Perry – who’d co-written those hits – rode a Harley Davidson through the San Joaquin Valley in California, back to where he was born.

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Perry has been a virtual recluse for 20 years. He sits before me in a Whitehall hotel, dissecting a chocolate muffin and carefully dabbing crumbs from his lap. He speaks in metaphorical language: he once said that leaving his band was like “re-entering the earth’s atmosphere with no heat tiles on my face”. The San Joaquin valley reached 110°F in the summer, with fields of almond trees, cotton and alfalfa. The alfalfa became a symbol of his escape. “It holds so much moisture that when you come to an area where there’s an alfalfa field on the left and right, the temperature drops 15 degrees. So I’m out on my motorcycle, and those were the days before ‘helmets’ [he makes quote marks in the air] and the wind is in my hair and all of a sudden, well, I cooled off.”

No one knew what Perry did next. There was a rumour he’d invested in a small bovine insemination business in California’s Central Valley, but it turned out to be a rogue edit on Wikipedia. In what some might call a terrible irony, the band he left behind enjoyed an unexpected, international renaissance without him, attracting a new generation of fans. In the 21st century, “Don’t Stop Believin’” was used on the soundtracks of the Oscar-winning 2003 film Monster , Scrubs, Family Guy, Glee and perhaps most memorably, in the final eerie moments of The Sopranos . It inspired long-read journalism on the magic of song craft, and it even formed the plot of the Broadway hair metal musical Rock of Ages .

Perry banked the cheques – but he missed the shows, because there was a new lead singer in the band who sounded just like him, and this time everyone was talking about it. Arnel Pineda was a Filipino fan who’d spent two years living homeless on the streets of Manila as a child – Neal Schon had found videos of him singing Journey songs on YouTube. Pineda has enjoyed the most successful stint in the job since the man he is imitating. Find a frontman who steals a bit of the limelight for himself, said Brian May, and “the sky’s the limit”.

When not riding his motorbike through the San Joaquin Valley, Perry attended the local fair, which came to his home town in June as it had done in his childhood. “I was drawn to the circus life, because they’d come into town – it was lights, Ferris wheels, it was moving, it was fantasy – and the next thing you know they’re gone,” he says. The circus was, he admits, not unlike a rock band.

“I saw Pinocchio as a child, and there was something evil about this special place where all the children could go. They’d go on the rides, but their ears would grow – and they turned into asses, actually, I guess.”

Rock bands are a ruthless business, but in Journey it’s hard to say who holds the power – the mutable frontman who forced the band in and out of hibernation for a decade, or the founder member who turned the frontman’s voice into a million-dollar franchise. Perry once claimed that he’d never felt part of the group. Schon replied: “How can you ‘not feel part’ of something you’re almost completely controlling?”

They only communicate through their lawyers now. But their songs play in every sports bar and mall in America, instantly and innocently evoking the pain and passion of ordinary human life.

“It’s like your boyfriend saying to you: drop a few pounds, get your nose fixed at the same time. Fuck off!”

Perry has watched his replacements come and go, but once, he was the replacement himself: in 1977, aged 28, having failed in several bands, he’d returned home to work mending coops on his uncle’s turkey ranch when he got the call from Neal Schon, asking him to join a jazz fusion band who couldn’t get a hit. Perry asked his mother, and she advised him to go for it. Schon tried him out by bringing him on the road and telling everyone he was the roadie’s Portuguese cousin. He sang a song at soundcheck when the official singer was away from the stage.

The clichés – “married to music”, “a band is like a family” – are well worn, but for the generation of men who became millionaire rock stars in the seventies and eighties (for it is men, and it is one generation) they are the only way to understand their motivations, not least because it is a language they invented themselves. Solo albums were referred to by Journey’s manager Herbie Herbert as cheating on your wife (both Schon and Perry cheated). Of the hip operation stand-off, Perry says: “When they told me they checked out some new singers, it’s like your boyfriend saying ‘Look, I really love you, but I need to know if we’re getting married or not because I’ve checked out some other chicks.’”

But it was more than that, wasn’t it? They were telling him they’d only take him back if he underwent major surgery.

“OK,” says Perry. “It’s like saying, ‘By the way, drop a few pounds, too. Get your nose fixed at the same time.’ FUCK OFF.” He then asks if we can talk about his new record, Traces , his first in 25 years.

When Perry was 16 years old, he heard “I Need You ” by the Beatles, released on the Help! album, and he felt they could have done better. Why had they done a kind of bossa nova he wondered, when it clearly cried out for R&B? He has reworked the song on his new album, which he wrote and produced on his own – “No one had their foot on my neck saying, ‘Are you done? Are you done?’ FUCK OFF.” he says.

When he was very young, Perry would “mumble hook lines” for potential songs, and it was in Journey that he was able to “apply everything I had ever dreamed of”. Their audience – suddenly full of girls – had a new and emotional relationship to the band via their commercial power ballads.

“You can’t solo for 18 bars,” he recalls telling Neal Schon – who was such a good guitarist that he’d been recruited by Carlos Santana aged 15, in the summer of 1969. “You can have about eight bars. And if it’s going to be eight bars, it has to be something beautiful.”

The first time the pair were put together to write, they finished Perry’s love letter to San Francisco, “Lights ” , in about ten minutes. He describes a song idea as a “sketch” – a framework of chord changes, a couple of melody ideas and a loop for rhythm. “But my problem is, I hear it completed already.”

Songs, he says, should be “like pancakes – stacked high with layers of feeling”. Modern writing is an “industrial assembly line because everyone’s on the grid. There’s 20 people writing these songs – they’re trying to maximise the individual assignments, like when they’re making a film, to increase the opportunity for a hit. But a song should be all about selling a feeling .”

Selling a feeling – is that the essence of power ballads?

“It’s the essence of music,” he says.

“Songs should be like pancakes, stacked high with layers of feeling”

“Don’t Stop Believin’” has had a lot of analysis in recent years, as interest has grown in the industry’s backroom magic. It is a power ballad with a strange minimalism, full of barely-there figures – “strangers waiting” and “streetlight people”. Unable to sleep in a Detroit hotel room, Perry had looked down to the street and noticed the way in which walkers would pop up suddenly in circles of light. The lyric’s “midnight train” was a musical madeleine, designed to take you back to Gladys Knight. The song was self-consciously cinematic, but states that life is a movie that never ends. Its thin but powerful sense of hope was so abstract, it applied to everyone – from the gambler in the lyric, rolling the dice “one last time”, to the real John Doe hearing “Don’t Stop Believin’” in a bar on a Friday night. It started with a refrain written by Jonathan Cain: what Cain heard as a chorus, Perry heard as a “pre-chorus” – suggesting that a “chorus of choruses” should be held off till the very end. It does not appear until three minutes and 20 seconds, delaying the climax. Perry gets a bit antsy discussing it.

“I don’t want to talk about the music because then you won’t listen, and it won’t be yours,” he says. “Your definition – what the song does to you, and the next person – are totally different. You hear music differently based on your life, your experience, what you are. When something resonates with a massive number of people, that is exactly what is happening.”

In 2007, he was approached by HBO for permission to use the track in the final seconds of The Sopranos . He refused to give it over without knowing what scene it would accompany, concerned that the entire Soprano family were going to “get whacked” to the song. For a few weeks, he was one of the only people in the world who knew how the series ended.

Another, equally effective modern-day licensing of the track was in Patty Jenkins’s Monster , when the serial killer Aileen Wuornos, played by Charlize Theron, meets her lover at a roller rink. A jukebox and a skating rink were just the kind of places you heard Journey every day, growing up, reinforcing the sense of their music as part of the wallpaper of American life. Perry, now 69, loved high school, “a magical time, when innocence is running your life.” Its memories are his songwriting metaphors: a concert venue, he says, rather strangely, is “the backseat of a car”.

“Everything I write comes back to high school. I know it sounds funny, but everything. It all comes from the emotions I grew into during my adolescence. Those moments are not to be tossed away.” He becomes emphatic. “If something means something to you, go back and get it and make it part of your life. And anyone who doesn’t understand how important that is, you tell them to FUCK OFF,” he advises, before breaking off to reveal he is desperate for the bathroom.

He was one of the only people in America who knew how The Sopranos ended

Perry was born to Portuguese parents in 1949. His father, Ray, was a singer – a baritone – who had tried to break into the business, and performed in the local theatres of his hometown. What kind of music did he sing?

“‘Pennies from Heaven,’” Perry replies.

His parents eloped because his mother’s father didn’t approve of a singing career. He tells their story as though music were some kind of hereditary condition or family curse, which in the case of Perry, you kind of feel it might be. His parents split when he was eight years old, and he, an only child, moved with his mother to his grandparents’ dairy farm – which might explain the rumours about his subsequent career. As with many rock stars, from Roger Waters to Lennon, the absent father was significant. I ask him why he became a singer.

“People don’t become performers because they don’t have needs,” he says. “Singing, though it can be very lovely, is essentially a primal scream. And I was screaming pretty loudly – and quite big.”

He was an invisible child, he says, but also a silenced one.

“There was a lot going on but nowhere to take it. Things happened to me as a child that I still can’t talk about – nothing to do with my parents, but things did happen. It happened to a lot of kids, as I find out.”

How old was he?

“About nine. But there was nowhere to take that stuff back then. One of my needs to perform was the need to get myself heard. Now, please, do understand, I’m not complaining – but there was nowhere to talk it out, so I got to sing it out instead.”

He spoke to a professional at the age of 63 about what had happened to him at nine. He was advised to do so by the woman he calls the love of his life, Kellie Nash, a psychology PhD candidate. But like everything else that has happened to Perry, theirs was not a conventional story.

During his mysterious, fallow years, Steve Perry seems to have investigated an alternative career in filmmaking. He was “shadowing” Monster director Patty Jenkins: “I love editing, I love directing. So with Patty I watched and learned a lot.” Jenkins was working on a TV film called Five for the Lifetime Network, exploring the impact of breast cancer. Being a methodical director, she surrounded her cast with real patients in remission. One of them – Nash – caught Perry’s eye. Jenkins then told him that Nash’s cancer had returned, was in her bones and lungs, and that she was fighting for her life. He went ahead anyway.

“I’d lost my mother,” he says. “I’d not reconnected with my father – which was another clean-up waiting to happen. I’d lost the grandparents who raised me. And I’d lost this career that I’d wanted so much, because I’d walked away from it.”

Was he so accustomed to losing things that a date with Nash didn’t scare him?

“I don’t know,” he says. “I justified it by telling myself, well, she’s a PhD psychologist, maybe I need another shrink?”

They had a year and a half together before Nash died in 2012. One night she said, “Promise me you won’t go back into isolation, for I feel that would make this all for naught.” He repeats the strange words, wide-eyed: all for naught . It was then that he decided to return to music.

“Life gets undone,” he says. “You try to come up with a plan, but it’s good for ten minutes a day. Some people have an ability to make belief systems work for a lifetime, but I think they’re hard to keep up.”

In 2014, he made world news when he turned up unannounced at a gig by the indie band Eels and performed their song “It’s a Motherfucker ” along with two of his own. He’d not sung live for 19 years but, explained the band’s Mark Everett, “For some reason only known to him, he feels like tonight in St Paul, Minnesota, it feels right.”

Perry, the once-invisible only child, still talks about Journey as a “nucleus”  he could never break into. It is fair to say that the band didn’t want him at first – it was only under the orders of their manager that he was hired at all. They came to epitomise corporate rock. “There are still things I don’t like about it,” Neal Schon once said, “but this is the way I make my living.”

You suspect that, creatively, both men might have been better off without the band – the jazz rock boy-wonder, and the hit-writing soul mogul who really wanted to be on his own. But you take whatever route to fame is presented to you – and you follow the money: “I’d rather fail at being what I wanted to be,” Perry says, “than be successful being someone I didn’t.” 

“Traces” by Steve Perry is released on 5 October through Hear Music

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50 Years Of Journey: How Former Lead Singer Steve Perry, 74, Fought Dangerous Skin Cancer After Losing Love of His Life to Breast Cancer SHARE

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50 Years Of Journey: How Former Lead Singer Steve Perry, 74, Fought Dangerous Skin Cancer After Losing Love of His Life to Breast Cancer

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Losing a Loved One to Cancer

• The American rock band journey recently celebrated 50 years since its formation.
• The band’s former frontman, Steve Perry, is a survivor of melanoma, the most dangerous form of skin cancer.
• Melanoma is a kind of skin cancer that can develop from an existing mole or appear as a dark or pink growth on the skin even in places on the body that never see the sun.
• Perry fought the disease after losing the love of his life to breast cancer in 2012.
• Though he was only with Kellie Nash for a year and a half, he’s said “it was a lifetime of love packed into every moment.”

Journey is a classic American rock group that first formed in 1973. Current members of the band include Neal Schon, Jonathan Cain, and Arnel Pineda, according to the group’s website , but Perry was the lead singer during their height of commercial success in the late ’70s and ’80s.

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Steve Perry’s Cancer Battle

  View this post on Instagram   A post shared by Steve Perry (@steveperrymusic)

“Three weeks ago a routine mole was taken off my face and the lab report came back Melanoma skin cancer,” he wrote.

Melanoma is the most dangerous form of skin cancer, and it originates in the same cells that give your skin, hair and eyes their color. It can develop from an existing mole or appear as a dark or pink growth on the skin even in places on the body that never or rarely see the sun. This disease accounts for about 1% of all skin cancers , but it can be very dangerous if left untreated.

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"Melanomas are the deadliest type of skin cancer because they have a tendency to spread to other parts of the body," Dr. Anna Pavlick , medical oncologist at Weill Cornell Medicine, previously told SurvivorNet.

It’s unclear exactly what stage of melanoma Perry had, but treating stage 1 melanoma usually consists of a simple, in-office surgical removal by a dermatologist. When the cancer has spread beyond .08 mm in thickness , patients need an operation that is more involved.

“I’ve had two surgeries in two weeks to remove all the cancer cells and I’ve been told they think they got it all and no other treatments are required,” Perry wrote.

Although his cancer news was positive overall, Steve Perry’s 2013 post also included a heart-wrenching story about his late partner and her cancer battle.

When Perry first saw Kellie Nash, it was love at first sight. He was sitting in an editing room with a friend, Patty Jenkins, as she worked on a Lifetime breast cancer special when Perry noticed the Ph.D. psychologist in the opening scene.

The Toughest Conversations: Losing a Partner to Cancer

“When the scene was over I said to Patty, ‘Can you roll to the top of that opening scene for me?’ Patty asked, ‘Is something wrong?’ I said, ‘No. I want to see something,'” Perry wrote.

“As the camera again crossed Kellie’s smile I asked her to freeze right there.……. I asked Patty who that was. She said, ‘That’s Kellie Nash, a PHD Psychologist who was diagnosed with breast cancer, had a double mastectomy and she’s doing a cameo appearance.'”

That’s when Perry asked Jenkins to send Nash an email asking if she’d like to go on a date. Jenkins agreed but told Perry about the reality of Nash’s situation: She was currently fighting breast cancer that had returned as stage 4 and spread to her lungs and bones after eight months of remission.

“I was frozen……. I didn’t know what to do…….. I had lost my mom, dad, grandparents that raised me and I was an only child so my first thought was to maybe not send the email; then my heart said, Maybe we could be friends or maybe she could be my shrink,” he explained. “So I said, ‘Please send it.'”

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Nash happily obliged and gave Perry a call. In a couple weeks, they were on their first date, and the rest was history.

“I never felt like this before……. I had finally found her. She’s real and she’s right in front of me,” Perry wrote. “We started seeing each other and Yes, we both knew that we were meant to be together.

“My life was forever changed in ways I will explain at another time but it was all because of my Kellie.”

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Nash went courageously in and out of treatments, but she eventually passed away from the disease on Dec. 14, 2012. Although the two were together for just 1.5 years, Perry said “it was a lifetime of love packed into every moment.”

“She was so strong, so courageous and we really loved each other so very much,” he wrote. “I’ve been trying to grieve and not run from this loss so for the last 5 months that’s what I’ve been doing along with recalling everything being in Love with Kellie taught me.”

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Before His First Gig With Journey, Steve Augeri Got So Nervous He Threw Up

By Andy Greene

Andy Greene

Rolling Stone ‘s interview series King for a Day features long-form conversations between senior writer Andy Greene and singers who had the difficult job of fronting major rock bands after the departure of an iconic vocalist. Some of them stayed in their bands for years, while others lasted just a few months. In the end, however, they all found out that replacement singers can themselves be replaced. This edition features former Journey singer Steve Augeri.

Journey has been fronted by six vocalists over the past 50 years. Some of them lasted a matter of months, while others remained with the group for well over a decade. But none faced the insane pressure that Steve Augeri faced during his tenure from 1998 to 2006. This was right after the band parted ways with Steve “The Voice” Perry and many fans were unwilling to even consider the idea that anyone else could fill that slot.

“It was literally one day at a time, one show at a time, that I would slowly, slowly get the fans’ approval and their confidence,” Augeri says today. “Not everyone was willing, though. I might have been one of the people that said, ‘No. I don’t care if you can sing or not. I don’t care if you are a decent individual. I won’t stand for anyone other than Steve Perry singing for this band.’ I’m sure that to this day, there are some fans that feel that no matter who is singing for them. I respect that. I get it.”

Augeri left the group 16 years ago when health issues and their relentless tour schedule left him with a shattered voice, but he’s made a full recovery and now spends much of his year touring the world and playing the Journey classics with the Steve Augeri Band. He phoned up Rolling Stone from his home in Staten Island, New York, to look back on his life and his tenure in Journey.

How are you doing today? I’m doing great. I’m having a couple of double espressos, a protein energy shake, and I’m ready to talk. My cat is staring at me. We’re having a staring contest.

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Were you on tour recently? We just came back from something called the Retro Festival in Switzerland in Lucerne. Our year just started in the last two weeks. We were in Orlando, Florida, prior to that. It’s been a slow couple of years. You can only imagine. Things are starting to pick up.

It must feel good to be back onstage. Oh, goodness. Indeed. These last two years have really changed my perspective on a lot of things. Getting back to work and performing, I’ll never take it for granted again.

I want to go through some of your history here. You grew up in Brooklyn? Yeah. Bensonhurst Brooklyn in the heart of what I guess you can call Mobland/Mafialand/Gangland territory, to be honest with you. I used to go to school and I’d pass by Sammy “The Bull” Gravano’s bar where he used to carry on his illegal activities, so to speak.

Was music a big part of your life as a kid? Yeah. Starting at PS 48 in Brooklyn. They had some money in the budget to pass out recorders and then clarinets. And then a music teacher that saw a spark of talent in me and started working with me vocally. I remember my first recital in fifth grade singing [Giuseppe Verdi’s] “La donna è mobile.” I learned it phonetically and that was the start of it all.

Who were some of your favorite singers as a kid? I’m of the generation that was fortunate to see the Beatles on Ed Sullivan. I remember laying on the living room floor on my elbows with my hands on my chin, watching these four guys that would push me towards that direction and spark something in me. Thousands of other kids turned into musicians the next day and bothered their parents for a guitar or a bass or drums. I was one of thousands of kids that had their lives turned upside by that TV performance.

Did you see any concerts in your youth that left a big mark on you? My first concert was a Humble Pie concert at the Academy of Music on 14th Street. It then became the Palladium and then NYU dormitories. I was probably about 15. I remember that was my exposure and the first time I’d ever experienced anything like that. It was a gathering of people from all over the city that came together to celebrate this amazing music. The marijuana smoke was so thick. I had never experienced anything like that in public. There was electricity in the air. It really rocked my world and cemented my desire to follow in that path of attempting to become a rock & roll artist.

When did you first make a really serious attempt to become one? It was absolutely at age 15. I knew that was it. There was no profession or no job that could at all compare to anything like that. I already had the music bug. I was already living and breathing music. I’d wake up and I had to chatter my teeth in a drum groove. You can ask my dentist. To this day, I’m still repairing it. That used to be my drum kit. It just used to consume me 24/7.

How did your career develop from there? The beautiful thing about growing up in that era, and especially in New York City, was you’d take a walk and you’d hear a band on each and every street, whether it was coming from the basements or garages, there was one on every block. I had a little clique of three or four bands in the neighborhood. We’d all share gear, drums, amplifiers. What’s interesting is that I grew up in the same neighborhood as Saturday Night Fever. That particular nightclub, 2001 Odyssey, on Wednesday nights they would hold a rock & roll night. We were one of the bands that used to play there to an audience of about 10. It was mainly family and friends. We kind of came up in there.

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I was playing in a band called Kicks. It was managed by [Steve] Leber and [David] Krebs, who were doing AC/DC and Aerosmith. They had a wonderful gal named Marge Raymond who sang in a band called Flame. That was produced by Jimmy Iovine. Marge had a voice like no other and she could out-sing any male vocalist. She could dominate any room or any concert, any stage.

She left Flame and started Kicks and I became one of her rhythm guitarists. Then she was tapped when Aerosmith was on the ice to play with the rhythm section plus Bob Mayo of Peter Frampton frame. They called themselves Renegade. She was fronting that band. That led me to step into the lead vocalist slot for Kicks. From there, Leber and Krebs took notice.

And then Paul O’Neill, who is most noticeable for being one of the leaders of Trans-Siberian Orchestra, tapped me to play with Michael Schenker. It was for a vocalist and guitar player. I couldn’t cut it on the guitar at the time, but they took me out as a vocalist. We started in nightclubs, and then Ted Nugent took us out as his opening act.

My job was to stand behind a curtain near the side of the stage and sing background. On the Nugent tour, I used to feel this looming presence behind me. It was Ted slapping my back. He’d say, “Don’t worry. Someday you’ll be in front of that curtain.”

How did you wind up working at the Gap in the mid-Nineties? [ Laughs ] I spent a few years in this band called Tall Stories. Like many bands of our era, we were just about to release our record when the music moved on a dime with the release of Nirvana’s record [ Nevermind .] On our very same release date was Spin Doctors and, more importantly, Pearl Jam. Anything that wasn’t associated with Seattle or the new sound was dropped and not even considered. And so that was the demise of Tall Stories. We were a fine band with a fine album.

After that, I was out of work. I had a cousin that worked for the Gap. She was high up in management. She was kind enough to look and see if there was anything I could do. All through my career, I was a construction worker or laborer, much like my father and my grandfather. I come from a long line of people swinging a hammer.

I did this for a year. They made me a maintenance manager. It wasn’t so awful, but it was anything from changing toilet seats to lightbulbs to painting fitting rooms, in record time. If you ever tried on a pair of jeans at the Gap and went home with a little extra paint on your butt, that might have been my responsibility. I now apologize, in front of the world.

Were you a fan of Journey back in the Eighties? I was an absolute fan, first and foremost, of Steve Perry’s voice. I had heard them prior to that, but it wasn’t until I was working in a record store called Record Factory in Brooklyn when Escape was released. That kind of altered the direction of my life. That particular record was played a minimum of three times a day for quite a few months. I kid you not. We sold a minimum of a case a day. As you can imagine, it became ingrained in me.

When I first heard Steve, I said, “Oh, my God, this guy is doing something Sam Cooke might have done in front of an electric guitar and bass and a drum kit. He’s bringing this great R&B influence.” That marriage of the two is what grabbed my attention.

How did you hear that they were looking for a new singer? It’s the old expression of “It’s not what you know, but who you know.” I had done some work with a fabulous guitar player known as Joe Cefalu. He then moved out to Marin County in California and befriended Neal Schon. He then heard through the grapevine that they were splitting with Steve for one reason or another, and they were starting to audition vocalists.

He gives me a call and tells me what’s happening. I had basically retired after having more success than most people have had in this industry. I released a record with Tall Stories and another with Tyketto, another wonderful melodic rock band.

But a year had passed. I guess I was content working for the Gap. I was just about to reach a year and I was going to achieve 401(k) status. I was going to have a retirement plan put into place. I was like, “You’re doing OK. You walked away from music. You have a steady paycheck.” And he throws this dream back at me and goes, “Put together three songs, send it to me, and I’ll personally put it in Neal Schon’s hand.”

A week goes by. He doesn’t receive the cassette in the mail. He calls to ask what happened. I thanked him and said, “Joe, it’s a pipe dream, my friend. I appreciate you thinking of me, but this is never going to happen. I’m nowhere near the level of these guys, and especially Steve. It’s just ludicrous, insanity.” He said, “Don’t worry, I’m going to take care of it.”

He had a great deal more confidence in me than I ever had. He handed a tape to Neal and within a day or two, I was handed a phone call from Neal inviting me out to California to audition. As soon as I hung up, I received a phone call from Jonathan Cain. It may have been vice versa. I don’t remember.

What happened from there? I couldn’t believe it. I didn’t know if someone was pranking me. I didn’t know if someone was having a good laugh. I called Joe and he said, “Steve, you might want to sit down for this. What I’m about to tell you is going to alter your life forever.” He did indeed confirm that I was getting the audition. I begged Jonathan and Neal to give me a week to prepare, which is nowhere near what you need to get the voice back into shape, but I literally hadn’t sang for a year.

A week went by. I received my ticket to go across the country to San Francisco to Marin County. I walked in the room and there were these two heroes of mine. For five days, we recorded two songs a day. One was one of their classic hits, and one new song a day they had written and were preparing to release on their forthcoming record.

It was a little bit of a rocky start my first day because of either nerves or just the voice is a muscle and it hadn’t been worked in a year. We started out slow and rough. But by the fifth day, by the grace of God or some higher power, my voice came back to me. The stars aligned and I was singing up to par of close to where I was years ago.

I was feeling pretty good. They were working with A&R guru John Kalodner. They thanked me and the feeling was really great. I think I read in their eyes and their facial expressions it was going to happen without them saying it. But I turned around and said, “Gentlemen, I just want to say that I don’t know how this will end. I appreciate the opportunity. One thing for certain, by just you opening my eyes again, you’ve reestablished the fact that I want to go out and sing. I don’t want to go back to the Gap. I want to go get my music career back on track. And if this doesn’t happen, I’ll have a pretty great story to tell my grandkids.”

I had one foot out the door. I spun around and said, “You know, there was one more song I’d really love to have a stab at.” Not because I love ballads and soft rock and love songs, but because of the way that Save Perry sang “Open Arms,” it was a mega-song for me. Maybe it’s a little too mushy and a little too soft for the hard rock fans.

Here I was after nailing the audition, and I’m rolling the dice again. I could have absolutely blown it and thrown everything down the toilet. But I didn’t. I said, “Can I try that?” They agreed, and we did it. I happen to think that particular song may have clinched it for them. Again, it’s luck. It’s who you know. But after who you know, you have to be prepared. Things worked out. Stars were aligned.

How did you learn you had the gig? It didn’t happen overnight. I know Geoff Tate [from Queensrÿche] was also considered. He co-wrote one of the songs that was on one of our records. I can only imagine there had to be quite a few others. But I’m the one who got lucky. It was the big shot, one chance in a million, chance of a lifetime.

Once you got the job, did you start to feel a tremendous weight on your shoulders? It must have been like, “Oh, my God. I need to now step into the shoes of one of the greatest singers of all time, and somehow win over his fans.” Absolutely. I don’t there’s any more daunting task. I’ve seen bands replace members, and lead vocalists are usually the hardest ones. Even if there’s a beloved guitarist, for example, it’s tough. And of course, I’m coming from a fan’s perspective, first and foremost. I knew I had a great obstacle when it came to them, and there’s only one way to do it is to go out and do my best and try to be myself. It’s equally important to respect the music and respect what Steve did with it. I guess the reason they picked me in the first place is that we have vocal similarities. We aren’t identical, but there are similarities.

I had a great teacher early on in my career. One thing he taught me is that you can only go out there and be yourself and do your best. The moment you try and mimic somebody and try to alter your voice to do something other than what comes natural, you’re not going to be the best at your craft. I had to straddle those two things. I had to give the audience and the band what they were expecting, and also try to be true to myself.

There was a balancing act. And there was no overnight success. It happened over a course of eight years. It started out in 1,500 seat theaters.

Let’s go through some of that. Your first show was in June of 1998 in San Rafael, California. What was it like to walk onstage and deliver that first song? Before the show, there was a garbage receptacle. I stuck my head in there and relieved myself. I never had that happen to me before. My stomach was in jitters and butterflies. Once I was done, I cleaned up and hit the stage. I was fine for the first minute or so, but then I locked eyes with my son and my wife in the 20th row. That’s when the waterworks happened. That’s where the reality crept in. That’s where the emotions started. “This is really true. This is happening.”

I could only imagine it went well. We had the label there and John Kalodner. As you said, how do we even consider replacing someone as monumental and iconic as Steve Perry? But we did it in increments. We went out for a test drive. That was a test drive. We went to Japan for a few shows. That was a test drive.

You had to prove to the industry that the audience was still there even without Steve Perry. There were probably doubts that this was even possible. Absolutely. I understand the band’s perspective that they wanted to continue on. And of course, Steve’s perspective was, “How could you even possibly consider it?” I always looked at both sides of this. I went, “If I’m going to do this with them, I have to be respectful, more than anybody, to the fans.”

Some folks are there that literally just need the music. They have to go and pay for a ticket and hear it live. There is where Journey are fortunate, or anyone that had someone step in and do that. Sometimes they just need the music. It’s that simple.

I spoke to some people back then who saw Journey and couldn’t name one member of the band, past or present. They just wanted to hear the songs and didn’t follow the saga in any real way. Pretty much. As you can imagine, through the years I’ve come in touch with a number of these musicians. We all share the same battle stories. I have a gentlemen who used to sing for Kansas, John Elefante. He’s amazing. He’s absolutely stellar. I’ve worked with Bobby Kimball’s replacement [in Toto] who passed away a number of year ago, Fergie Frederiksen. These are just a handful of guys. I could rattle off at least 20 names.

Getting back to your early days in Journey, the Armageddon soundtrack was pretty key. It showed people that Journey would be more than just an oldies revue. Sure. The Armageddon soundtrack was a huge shot in the arm and a huge opportunity. It wouldn’t have happened without John Kalodner. The soundtrack was compete. He asked for a favor from [ Armageddon music composer] Trevor Rabin and the label. He said, “If Journey is going to have any shot at a comeback, we’re going to have to get a song on a huge blockbuster soundtrack.” So we have John and CBS Records and Trevor Rabin to thank. And you can thank “I Don’t Want to Miss a Thing,” Aerosmith’s gazillion-selling hit single. And Diane Warren. Thank you, Diane Warren [ laughs ].

It was the peak of the CD era. The labels had basically killed the single. Everyone who wanted that one song had to buy the whole album. That’s correct. And they did that 7 million times.

Tell me about making Arrival. It was a love/hate relationship. First of all, there were so many things to love about it. They chose New York City to do the record because [producer] Kevin Shirley had a second home here. He had a beautiful penthouse on Central Park West. He had a beach home in West Hampton. The guys came and made their homes here for however long the record took, a month or so. The damndest thing is I have a very fragile voice. I’ve never been the kind of guy that can go out and sing very night.

The first week of pre-production, the label was coming. They wanted to hear us rehearse. Me being a novice and green, I gave it all I had at the first rehearsal. And I had poor monitoring. I didn’t have the expertise and the knowledge that one eventually builds up. I blew my voice out. For the first week or two, we were repairing the voice.

You can only imagine. You want to go in there and give it your 200 percent. Now I’m a bird with an injured wing, a lame duck. But through the patience of the band and Kevin Shirley’s master production, we took our time and I’m glad. I’m extremely proud of the record we did and the performances that are on that record. Somehow, by the grace of God, the record was embraced by the fans.

They gave you credits on many of the songs. You have to imagine, that was a huge honor. I had picked up a couple of things along the way with Tall Stories. And in Tyketto, I co-wrote every song on the record, along with some great records. But this was in the minor leagues. We’re talking about the Staten Island Yankees as opposed to playing up in the Bronx at Yankee Stadium.

Now here I am in the big leagues. I’m in a room with Neal and Jon, who penned “Faithfully” and “Don’t Stop Believin'” and “Who’s Crying Now” and “When You Love a Woman,” with and without Steve Perry. These guys are masters. I’m a novice. I’m green.

Neal and Jonathan would develop a section of a song and be really happy. All of a sudden, these guys are off to the races. They’re world class. But my mind is a little slow, so I literally would have to leave the room with my pen and pad and a guitar maybe. I’d have to take five minutes to listen on my own since these guys are working on all cylinders. They’re revving their engines at 120 mph.

I’d go back and throw my little idea out. Sometimes it worked. Sometimes it didn’t. They’d have to say, “Go back to the drawing board.” That’s where I literally did leave the room. That’s where I first learned to write with them. These guys were monsters, and I was not. [ Laughs ] That was the learning process. I was in the room with the adults, and I was the kid. It was a great experience.

Their touring schedule was often pretty rough. They’d go out for months at a time. After a couple of years, did it start to grow tiresome? Of course. At first, it’s all brand new and shiny. You run out the door. I’d have my suitcase packed a week before we left. Towards the end of my career with Journey, it would be the morning of the flight and I hadn’t packed a thing. It’s just human nature. It was hard to leave.

Everyone thinks of the upsides and the glamor and the sparkle and everything that shines. But the loneliness and the wear and tear, which is a huge part of it for a vocalist. The thing that would kill me was when we’d do three nights in a row. We would do five shows a week. And you needed to do that to keep a big touring machine afloat.

If you go down, nobody makes a nickel. You go into the red. You’re paying for hotel rooms and salaries and nobody is generating income. There’s a bit of a psychological thing going on. You have to keep yourself healthy.

One of the many things I used to do was I’d almost never go out. If perhaps they’d drink on their day off at a bar, I’d bring my bicycle and go for a ride. I literally saw the world on two wheels. The cornfields of Iowa and the Mississippi River. You name it, I saw it, but staying away from talking. I zipped it up and saved my voice for the next show. That was one way I kept it together.

Those are not easy songs to sing night after night. It was even hard for Steve Perry near the end of his time. You have to hit those notes over and over. Yeah. Whether you did or not, you were expected to. You did everything in your power to make it happen. It was diet or exercise. We used to say you literally lived the life of a monk. And it worked for a while, but what happens is it starts to compound over the years. And your voice was going to change anyway. No athlete is going to perform at 30 like they did when they were 20. That’s just the reality of your physicality. It’s just inevitable. It’s going to happen. There’s going to come a time where you can’t do five shows in a row. It’s not possible.

Tell me about making Generations . That was a different sort of record since they all sang on it. Correct. I don’t think that necessarily would have been the case had I not been on the ropes at the time. We had come off the road and I was experiencing vocal problems, or not recuperating as quickly as I used to. And so it was a great idea. “Let’s just share the vocal responsibilities amongst the band. This way, when we go out for the following tour, Steve doesn’t have to sing as much. We can take some of the workload off him.” Frankly, that was a pretty good idea. And that’s exactly what we did.

It’s sort of a lost record. It’s not on Spotify, or anything. Do you know why that is? Well, I can only imagine. I’m speculating. But for one reason or another, they just perhaps felt it wasn’t necessary or worthwhile to put it out there. I know for a fact there are a couple of songs on there that are extremely worthy. I’m sad that they haven’t done that. But that is still the case. Maybe that might change in the future going forward. Maybe not.

In 2005, you guys get the star on the Hollywood Walk of Fame, and Steve Perry shows up out of nowhere. Tell me about that day and what it was like to meet him. This was kind of nerve-racking for me, obviously, for several reasons. We had never met prior to this. I don’t think there was bad blood, but nobody was necessarily sending each other Christmas cards.

So here we are being honored. What a great honor to get a star on the Walk of Fame. It was exciting for me. I brought my whole family over. And Steve had an obligation to his fans. If you ask for my opinion, and I shouldn’t speak for anyone else, I think he showed up out of respect to the fans. It was a day to take a bow and accept a great honor. That’s why we were all there. Steve deserved it at least as much as anyone that was receiving it.

We did have a cordial, “Hello. How do you do? Great to meet you. Honored to meet you.” That was the extent of it. I didn’t expect much. I’ve always had a great respect for him. I continue to. But that’s that way it was. That’s the way it went down.

How stressful was it to go on tour at this point when you’re having vocal problems and there were that many shows booked? I don’t think I ever experienced anxiety in my life like that before. I was pretty low key. Everything rolled off my back. Nothing really stuck to me. I was pretty chill until the later years of my career with Journey. I saw the writing on the wall. I knew there was no way I could keep it up and sustain. Frankly, the day that they released me, my voice was completely “in the weeds,” as Jonathan Cain used to say. I guess that’s a golf expression. I was terrible. I don’t think I’ve ever physically and emotionally felt that much pain in my life.

It was also equally liberating. There was a relief and a weight off my shoulders that I soon embraced and accepted that I had a pretty decent run. I achieved something that, from a musician’s point of view, you only dream of. These are dreams that are so far out of reach, but somehow they came into my clutches. I had it for a while. Like everything good in life, nothing lasts forever.

Near the end of your time in Journey, some fan reports suggested you were using pre-recorded vocals onstage. Is that accurate? Well, I can’t … I’ll put it to you this way, and I’ll keep it short and sweet. Each and every day I went out and performed with Journey, I sang every show to the best of my ability and with every ounce of my heart and soul. I can’t answer that question. I can’t legally answer it. But I will tell you that much. Perhaps someday, someone else will answer it another way. That’s the best I can do.

How did they tell you it was over? At first, they sent me to some of the best doctors in Nashville and a coupe of voice therapists. It was coming together. But they had this tremendous summer tour planned with Def Leppard. Neal was working at the time with this great artist named Jeff Scott Soto. They tapped Jeff to step in and help them out for the remainder of the year. He did.

I don’t recall the precise day they gave me the pink slip, but I wasn’t surprised. I was certainly hurt. I was certainly saddened, but I wasn’t surprised because the last thing that Neal said to me before we parted was, “Steve, it’s not personal. It’s business.”

I understand. What puts it in perspective and what got me through what was one of the most difficult times in my life is that if they were able to part with the likes of Steve Perry and the talent of Steve Perry, this is a no-brainer for them. And so I was able to accept it easier. Not 100 percent. That’s because I’ve never experienced pain like that, emotional pain. But it was easier to accept.

Have you spoken to Jonathan or Neal since then? I have. Very infrequently. I had the desire to see them when they came locally once or twice. It was fun to see them. They embraced me. It was very kind of them to have me come. I’ve met Arnel [Pineda] on one or two occasions. Aside from having a great voice and a great instrument, I love his story and how he came to be. I’m actually thrilled for him since I was him. I saw what it was like. It’s a rags-to-riches story. I’m happy for him.

Your job was harder. You were coming right after Steve Perry. You had to deal with all sorts of fan expectations and pressures that he did not. You know what? I think that’s very true. I did some of the lifting. I can’t take all the credit. After me, they really exploded. I think you could call me the buffer or the primer. I was the one that really took the hits, maybe. Again, it’s all relative. I didn’t expect any less. I took the criticism. I didn’t accept any less. It’s natural and it’s just the way it was.

If it happened again, would I do it any differently? Yeah. I’d probably diminish the shows from five to four a week. That might have saved me a little bit. But who knows?

You’ve been touring a lot recently and you’re still doing the Journey classics. I’ve been fortunate in that. I formed the Steve Augeri Band 10 years ago. I’ve been fortunate enough to find a group of really great guys that love to play the music. Of course, the scale is minuscule compared to, again, playing Yankee Stadium. We’re playing what sometimes is even the sandlot. But the joy is still there. The same joy is still there. I’m not exaggerating. As long as the joy is there, I’ll continue doing it.

You’ve also done shows with John Payne and Lou Gramm and these other former singers of big bands. Yes. In fact, we just came back from Sweden yesterday. I’m still adjusting to the timezone. I’m going out tomorrow to be with John Payne and Asia. We’re playing with Lou in another few weeks. I still carry on with my band and other situations. I’ve got another situation in Nashville with the group. Sixwire. They are some of the great Nashville players. They keep me humble. They are great musicians.

Tell me about your new song, “If You Want.” Over the last 10 years, just to make people aware I haven’t completely disappeared, I’ve made sure that I’ve released at least one song a year. It’s not on a label. I just put it out on social media and YouTube and Amazon and all these platforms.

And then 2020 rolls around. We get locked down in March. I took a good look at myself, especially living in New York, and I said, “We may not get out of this alive. And I have a laundry list of material, songs I want the world to hear. Whether it gets to their ears or not, that’s another story, but I need to release them.”

I went from performing mode and I pivoted to creative mode. I don’t recall ever being this gung-ho and this enthusiastic about writing music. I wrote a bunch of stuff immediately and I started collaborating with two band members of mine, my guitarist, Adam Holland, and my keyboard player, Craig Pullman. We were sending files back and forth and we wrote about a third of the record together in that manner.

And then I had about a third of the record that I had written prior to the pandemic. I felt I had to get them out since it would be fruit dying on the vine. Then I wrote some songs in the past couple of years. I put together an album that I’m super psyched about. More than anything ever, I feel like I’ve found my voice. I don’t think I’ll get the comparisons to Steve Perry. As wonderful a compliment as that is, I feel like I finally found something that sounds like me both writing-wise and performance-wise. This summer, we’re releasing Seven Ways to Sunday . That’s the name of the record.

Your voice sounds great. I hear no signs of the damage from years past. It gets back to what I was telling you. My vocal coach told me, “When you do your thing and you’re not chasing anyone else’s expectations and you’re not imitating, you’re less likely to put yourself in a position that’s unnatural.” That’s basically what it boils down to. I would say that I’d be able to do this music without having to second guess myself and without the anxiety. [ Laughs. ]

How does it feel emotionally when you’re onstage these days and you’re singing “Faithfully” and “Don’t Stop Believin'”? Obviously with “Don’t Stop Believin'” there’s a different feeling mainly because it’s so iconic. You can almost sing just half the lyrics and the audience will sing the rest. You can literally kick back and skate a little bit. I don’t, but I could. Everyone knows it inside and out. Boy, wouldn’t you want to write a song like that? But kudos to Steve Perry and Journey.

To get back to your question, I do find joy in singing those songs. However, I will be honest with you. I do some songs in my set that are non-Journey songs, like a Rod Stewart song or a Tina Turner song. I do feel a certain freedom doing these songs and a certain comfort because I’ve hand-picked them. I have a desire to do something like this. I would do anything by Rod, but we happen to do “Forever Young.” That’s kind of apropos because as we age, going out in front of an audience literally makes you feel 20 or even 40 years younger.

As more time goes by, I imagine you’re very grateful that you had the Journey experience. It changed your life in so many ways. They brought you the audience you have now. I have no regrets. I can never say a negative word. Maybe if I really dug down deep, I’m sure you could find darkness and negativity anywhere. But at face value and even just in the big picture, it’s been nothing but a huge positive in my life and continues to be. I can only be thankful and I’m continuing on doing exactly what I did then. I’m still doing it now. Again, even if it’s going from Yankee Stadium to the sandlot, as long as it continues to be a joy, which it is, I’m going to continue doing it.

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Steve Perry on Journey’s Arnel Pineda: ‘He’s Their Lead Singer’

Former Journey lead singer Steve Perry's long-awaited return to the stage late last month has naturally fueled speculation as to whether the vocalist would ever reunite with his former band. But in a new interview, he is once again quick to both dash those rumors and pay his respects to the man who has held that position for over seven years now.

Speaking with Fan Asylum , Perry confirms that "there is no reunion" plan in the works between him and Journey. Asked what he thought of current singer Arnel Pineda 's respectful and presumably not literal offer to step aside so that he could have his old job back, Perry says, "I don’t know who or what would make Arnel want to say such a thing. He's their lead singer and I wish him all the best."

Perry also adds that he was very surprised by how strong a reaction his return garnered. "I woke up in St. Paul, MN thinking I'd have a little YouTube leak about the gig and that would be it. After 20 years of not singing live I really thought I could just stick my toe in the Waters of Love and then go home and start blowing the rust off my pipes……. but that's not what happened."

After getting a taste for the stage in St. Paul, Perry subsequently joined Eels for two other performances:  one in Washington, D.C., the other in Los Angeles. But aside from hinting at a new solo record, Perry has not shared what his future plans may hold.

This is not the first occasion of Perry denying that a Journey reunion was in the works. Earlier this month, Perry stated that his return to the live performance arena was strictly for fun . Journey is currently on tour with the Steve Miller Band and Tower of Power. You can get all their latest tour dates here .

More From Ultimate Classic Rock

Watch CBS News

How Steve Perry started believin' again

October 7, 2018 / 9:55 AM EDT / CBS News

If you were alive in the 1980s (or really any time in the last 30 years), you probably know the words to at least one Journey song. And for some fans, Steve Perry is, once and forever, "the voice."

"What were you hoping for when you joined Journey?" asked correspondent Tracy Smith.

"I just wanted to write music with the guys that mattered," the 69-year-old said, "that people would love and embrace and take into their hearts. There's nothing else that meant more to me than to be part of that."

Steve Perry and Journey perform "Don't Stop Believin'":

With Perry out front, the band had a slew of Top 40 hits in the '80s, and was back on a commercial roll in the '90s, when he left it all behind.

What was that like? "It was tough, really tough," he said.

Smith asked, "What'd you do?"

"Therapy!" he laughed. "Went back to my hometown, went to the fair in the summertime that comes to Hanford."

You might understand a little more about why Perry left when you know where he came from.

Hanford, California, population 56,000, is in the heart of the Golden State's sprawling farm country. For young Steve Perry, it was the world. "When I was living here, I was really loving being here," he said.

But Perry's father left when he was seven. At Hanford's historic Fox Theatre , he talked about how it's a loss he still feels today. 

"He used to sing to me. He used to sing to me, yeah, like when I was three or four years old he'd sing to me," Perry said. "And when the divorce happened it was an incredible loss to me."

There are happier memories in Hanford, too, where much has stayed the same. 

Hanford's Superior Dairy has been in the same spot for nearly 90 years. And around here, they do ice cream in a big way: A single scoop is roughly the size of a cantaloupe. Sundaes are colossal … and Steve Perry is still a favorite son. 

And of course they still make his favorite flavor. "It's like a milk chocolate. One bite and I'm home. That's all there is to it."

The ice cream made Perry emotional. "Excuse me for a second … It's so good.  Wow. Sorry."

Smith asked, "Is there kinda like a flood of memories and feelings?"

"I've had so many memories in this place and it's still the same. No matter what happens, no matter how successful or unsuccessful, you can always come back and have some ice cream. And it's gonna be okay."

And he was living here in Hanford when he got the call that would change his life forever.

After bouncing around a series of small-time bands, Perry joined up with Journey in 1977, and helped give the world some of its best-loved songs.

Journey performs "Lovin', Touchin', Squeezin'":

But after years of touring, he was getting tired of the grind. He was also nursing a severely injured hip, and when the band pressed him to get it fixed, he balked.

"It was really your heart, not your hip?" asked Smith

"It was my heart," he said. "It became a group decision, major surgery, and I wasn't very happy about that. So I chose to put it off and decided when to do it, and they checked out some other singers, and we went our separate ways."

In time, Journey settled on Arnel Pineda – who sounds a lot like Perry – to be their new lead singer.

And except for a few things, like the 2005 Walk of Fame ceremony, Perry stayed out of sight, and away from music.

He stopped singing.  "Completely, Tracy, I swear," he said.

 "Were there moments where you thought, 'What have I done?'"

"No. I just wanted to move forward. And in moving forward, I found Kellie."

"Kellie" was psychologist Kellie Nash, whom Perry spotted in a made-for-TV movie about the impact of cancer, "Five."

They connected through mutual friends, and the sparks flew.

"And when someone who has stage 4 cancer turns to you and says, 'I love you,' you're gonna feel it for the first time, which is what happened," he said.

For a time, a new clinical trial kept Kellie alive, but in the fall of 2012 things got worse, and she and Steve had the talk that would bring him out of retirement.

Perry said, "One night she said that, 'If something was to ever happen to me, promise that you won't go back into isolation, for I think that would make this all for naught.' I had to make the promise, and I said, 'I promise.'"

Kellie Nash died in December 2012.  Perry says he mourned for two years … and then headed for the studio.

To hear Steve Perry perform "No More Cryin'," click on the video player below:

"Traces" is his first new studio album in more than 20 years – and it's a promise kept.

Smith asked, "I'm sure you think, when you're playing this music, 'What would she think of all this?'"

"I think she would love it. I really do," he replied.

"The voice" seems as strong as ever, but there aren't solid plans for a tour yet … or anything else.

"So, have you totally closed the door on playing with Journey again and singing with Journey again?"

"Look at you!  I can't believe you'd go – you open my heart and then you just completely, like, you know, stick a poker in there, you know?" he laughed. 

"Because this is about passion, and we're talking about the same thing."

"I know. I know. I understand your question. All I can think about is where I'm at right now."

"But at least you're not closing any doors? I mean, you know there are millions, literally millions of people out there who would love to see it happen. So, I guess I'm asking from their perspective: Is the door at least still open?"

Perry said. "I love going forward. I love going to the edge of what's next. And for me, that would be a return. I have to do, at this point in my life, what really makes me feel purposeful at this moment and on the right track for me."

"That sounds like a no."

"If you're looking for the answer I have right now, then that's the answer I have."

So yes, Steve Perry is back, but looking ahead: Happy to be making music again even if he's doing it alone.

"Look, I'm not doing this for money, honey. I don't need any money. I eat too much already! I can only drive one car at a time. This is about the passion. But maybe it took a broken heart to get there, a completely broken heart."

Smith asked, "Is your heart still broken?"

"Yes! Yes, it is still broken," he said. "But it's open . That's okay."

To hear Steve Perry perform "No Erasin'," click on the video player below:

See also: 

• A Journey back ("Sunday Morning," 06/01/08)

      For more info:

• steveperry.com
• "Traces" by Steve Perry (Fantasy), available on CD ( Amazon ,  Barnes & Noble ), Vinyl ( Amazon ,  Barnes & Noble ), and via Digital Download ( Amazon ,  iTunes ) and Streaming ( Spotify )
• Follow  @StevePerryMusic on Twitter , Facebook and YouTube

      Story produced by John D'Amelio.

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Robert Fleischman: the forgotten Journey singer who was sacrificed for Steve Perry

Robert Fleischman was briefly Journey’s singer before Steve Perry. But history would have been very different without him

Journey’s transformation from jazz-rock noodlers into the hard rock behemoth behind Don’t Stop Believin’ coincided with the arrival of singer Steve Perry in 1977.

But Perry wasn’t the band’s first lead singer. He was briefly preceded by Robert Fleischman earlier that year, recruited by Journey’s manager, Herbie Herbert, to give the largely faceless band more of an identity.

Fleischman’s tenure in the band lasted a matter of months. He left after clashing with Herbert, who described the singer as “a pain in the ass – a pampered poodle of person.”

But Fleischman still played a significant part in Journey’s – pardon the pun – evolution, co-writing future hit single Wheel In The Sky , a song that helped point the band in a bold new direction.

After he parted ways with the band, Fleischman ended up singing on the first album by ex-Kiss guitarist Vinnie Vincent's band, the Vinnie Vincent Invasion before embarking on a solo career. He hasn’t been written out of Journey’s history, but he the part he played in their reinvention is often overlooked. Here, he shares his memories of his time in the band, and the part he played in laying the groundwork for his successor, Steve Perry.

How did you join Journey?

Robert Fleischman: “I guess Journey wasn’t doing too well at the time, and bands like Boston and Foreigner were becoming popular. So to fix Journey they decided to add a lead singer. That was the formula.”

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Were you made to feel welcome in the band?

“Yes, they were very nice to me except when we were on the road. They let me know that I was getting it easy because they had worked so hard to get to where they were at before I joined the band. Still, it was great to be in a group that was so well organised. Gregg Rolie was the most generous to me. He let me stay in his house; it was nice. Management – that was another story.”

What do you remember about touring with Journey in 1977?

“We started in Texas for some practice shows and played with REO Speedwagon and Judas Priest. Later on we opened up shows for Emerson, Lake & Palmer in Canada and some dates in the USA.”

What was the reception like from the fans at live shows?

“The band would do about three or four songs, then they would introduce me. The front row was always diehard Journey fans and they would flip me off and say, ‘Fuck you!’ It was hard for them to see a frontman in the band so every time I got up on the stage that’s what I was up against. But at the end of the show we won them over.”

Did Neal Schon have specific ideas about what he wanted from you as a vocalist?

“No, there were no demands, plus they had never played with a lead singer and songwriter before. I think it was a big education for the both of us. At that time they were the rock fusion band and I was a pop songwriter, but it worked.”

What do you remember about writing Wheel In The Sky, which ended up on Journey’s 1978 album, Infinity?

“Neal and the band had the music already; I came up with the melody. One day I was given a poem that was written by Ross Valory’s wife, Diane. So to make everyone happy I plucked out the line ‘wheel in the sky’ and then I wrote the rest.”

What was your relationship like with Journey’s manager Herbie Herbert?

“I liked Herbie but later I found out he didn’t like me. He thought I was cocky. But name me one lead singer who’s not a little cocky? I was always professional, but I do think he was a great manager. He was ambitious, he put the band on the map, he sold them like a candy bar. Who wouldn’t wanna manager like that?”

What ended your tenure in the band?

“Like any relationship you want out of, it’s always a personality difference that’s the excuse. I heard later the band was mad at him [Herbie Herbert] for squeezing me out.”

This article originally appeared in Classic Rock Presents AOR. Q&A by Neil Daniels

Classic Rock is the online home of the world's best rock'n'roll magazine. We bring you breaking news, exclusive interviews and behind-the-scenes features, as well as unrivalled access to the biggest names in rock music; from Led Zeppelin to Deep Purple, Guns N’ Roses to the Rolling Stones, AC/DC to the Sex Pistols, and everything in between. Our expert writers bring you the very best on established and emerging bands plus everything you need to know about the mightiest new music releases.

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The Reason Steve Perry Decided To Leave His Journey Band Members

• Steve Perry left Journey the first time due to feeling burnt out after their final show in 1987.
• Perry left Journey a second (and final) time because of debilitating pain caused by a reported hiking accident.
• Journey continued without Perry though, finding other lead singers before ultimately reuniting and releasing new music.

Throughout the '80s, the band Journey enjoyed plenty of success. The band, which consisted of various members depending on the year and pending lawsuits, welcomed Steve Perry in 1977.

At the time, the other members of Journey included Neal Schon, Ross Valory, George Tickner, Prairie Prince, and Gregg Rolie. Though many band members came and went over the years, Steve Perry always seemed like a staple, one of the central attractions as far as drawing crowds (and rounding out the group's vocals).

But by then, Perry had launched a solo act, and at that point, he and Schon weren't getting along very well, either. That resulted in Steve leaving the band (for the first time).

Journey's Legacy Took A Hit After Steve Perry's Reported Lawsuit Against His Former Band Members

Updated April 2024: Many fans were unaware that Steve Perry left Journey because he was dealing with a debilitating degenerative bone condition . It made it hard to do daily routine activities, let alone tour. But, many fans thought that Perry was kicked out of the band so that he could be replaced by Steve Augeri. A fact that the remaining members of Journey denied. They simply believed the music was "bigger than them" and wanted to continue to tour. These days, Journey is still touring, without Perry, with Arnel Pineda on the lead vocals . Tickets are available for their tour, currently taking place in North America.

Why Steve Perry Left Journey The First Time

Steve perry left journey because he was burnt out.

As iHeartRadio explained, Perry was feeling burnt out. He said that he had "an amazing time in an amazing band," but that his last show in February of 1987 with the band had been a turning point of sorts. Setting out on his own, Perry went on to rediscover himself in a way, while his former bandmates went another direction.

Steve did come back later, however, in the early '90s. The guys reconciled, buried the hatchet, and were working on another album together. The band was even about to start touring again when Perry left the group for good.

Why Steve Perry Left Journey A Second Time

Steve perry was dealing with debilitating pain, leading him to leave journey a second and final time.

So what happened that caused Steve Perry to leave Journey a second time, this time for good? He had a good reason: UCR says Steve got hurt during a hiking accident . Rather than undergo hip surgery so that he could get back on stage (and on tour), Steve opted to quit the band. The way UCR tells it, Steve "refused" the surgery and "dredged up" memories of his leaving the band before.

But the way some fans saw it (and clearly the journalists at UCR as well), the move was a power play akin to the one Perry apparently made back in the '80s. His leaving the band at that point was a way to control Journey's fate, the publication suggested. So the second time around, the band cut ties with Perry rather than letting him drag them down.

Is Steve Perry Still Feuding With The Rest Of Journey?

Perry later related that he was both physically ill and "burnt out," noted iHeartRadio , and that after both an illustrious career as a member of Journey and a successful solo run, he was just finished. For the band's part, they soon replaced Perry with a 'soundalike' who did the job well enough, but never propelled the band to the notoriety or net worth of The Beatles .

Journey Got Back Together Without Steve Perry

Journey got back together with steve augeri and steve perry put out new music.

In 1998, the band officially announced that Steve was no longer part of Journey. After that, it would be decades before Steve got back into music again. As iHeartRadio quoted him a few years ago, "I rediscovered my love for music."

Steve released a new album in 2018, including original songs he'd written over the past 30 years. He even included a "reimagined cover" of a Beatles hit, but it wasn't the one John Lennon hated .

Has Steve Perry's Bad Blood With His Former Journey Bandmates Stopped Them From Speaking?

After Steve Augeri replaced Perry for eight years, he too called it quits with Journey. That has not stopped the band from touring, however. The band is currently doing a North American tour with Arnel Pineda on the lead vocals. Tickets are available for purchase for dates around the US.

Source: iHeart Radio

Former Frontman Steve Perry Will Never Reunite With Journey — Here's Why He Left

Aug. 29 2023, Updated 3:51 p.m. ET

The American rock band Journey has cemented their legacy in the world of classic rock music . With power ballad songs such as "Don't Stop Believin'" and "Faithfully," the lyrics continue to be sung throughout generations.

Initially formed in the early '70s, Journey reportedly hit its commercial peak between the late 1970s through the late '80s.

In 1987, frontman Steve Perry decided to part ways with Journey. Given the impact the band had, many were shocked when they learned ties had been severed. So, why did Steve leave Journey? Keep reading to find out more.

Why did Steve Perry leave Journey?

According to iHeartRadio , Steve left Journey in 1987 and pursued a solo career, though he never reached commercial success as an individual artist. In the mid-90s, Steve reunited with bandmates and prepped for an upcoming tour. However, those plans changed after Steve found out he had a hip condition that would require surgery. But, he wanted to try alternative treatments.

“They wanted me to make a decision on the surgery,” he told Rolling Stone in a 2018 interview. “But I didn’t feel it was a group decision. Then I was told on the phone that they needed to know when I was gonna do it ’cause they had checked out some new singers.” 

Though he asked his bandmates to reconsider, they did not. “I said to them, ‘Do what you need to do, but don’t call it Journey,’” he said, adding, “If you fracture the stone, I don’t know how I could come back to it.”

The band found a new singer and the group continues to tour today. While the former lead singer was present during Journey's 2017 Rock and Roll Hall of Fame induction, he has not performed with the band since then.

“What they do is none of my business,” the 71-year-old told the outlet. “When I walked away from it, I did not go to any of the shows, nor did I listen to any of it.”

So, what did he do after leaving behind his music career?

View this post on Instagram A post shared by Steve Perry (@steveperrymusic)

Rumors surfaced that Journey's Steve Perry was a recluse.

After parting ways with the band, Steve took a step back from the spotlight and music. “I didn’t sing in those years,” he explained to Rolling Stone . “I didn’t write music. I must have gained 50 or 60 pounds. I got a butch haircut. I just said, ‘I’m going to just become a plump kid in my hometown again.’ I’d already lived the dream of dreams and didn’t know how I could come close to being anything like what I was before.”

View this post on Instagram One late night, I was sitting in my room thinking about so many things. This song came into my mind, and it brought me some comfort. I hope it does the same for you. Stay safe, Steve A post shared by Steve Perry (@steveperrymusic) on Apr 17, 2020 at 9:02am PDT

The singer revealed that rumors started to surface of the former frontman being a "recluse with long nails." 

Finally, after several decades, Steve decided to release his third studio solo album "Traces," which was a project five years in the making.

As for fans holding out that Steve will one day reunite with his former bandmates, don't hold your breath. The singer told the outlet, "I left the band 31 f--king years ago, my friend. You can still love someone, but not want to work with them."

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journey lead singer dies – Steve Perry

TRIDIP BOR BORUAH

Updated on: June 6, 2023

The world of music mourns the demise of a real legend as the news is announced of the death of Steve Perry, the renowned lead singer of the legendary rock group Journey. But this not true, its a fake rumour flowing all over the media. In this piece, we pay homage to Steve Perry and explore the remarkable Journey through his life and music career, beginning with his rise to fame through his Journey to his legacy in the world of rock.

Steve Perry’s Journey with Journey

Table of Contents

The Journey of Steve Perry with Journey began in the group’s initial days. With his impressive vocal range and captivating stage presence Perry quickly became an integral member of Journey’s group. Perry’s contributions to the sound of the band and songwriting were instrumental in bringing Journey to new successes. Together, they created an array of chart-topping songs and anthems, which have become a part of Journey’s name.

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Personal Life and Challenges

Beyond his accomplishments in the field of music, Steve Perry’s personal life has shaped his career in significant ways. Growing up in an upper-middle-class family, Perry’s childhood gave him a solid determination and work ethic. He also had the drive to pursue his love of music. However, he was also confronted with personal difficulties and hurdles in the process. These experiences tested his endurance and ultimately influenced the emotion and depth that defined his music.

Departure from Journey

In a pivotal time for the band as well as Steve Perry, he made the difficult decision of separating from Journey . The reasons for the decision were complex and multifaceted, from artistic differences to personal issues. The news of his departure shocked people around the globe who longed for the powerful voice and heartfelt performances that shaped his role in the group.

Solo Career and Return

After the breakup of Journey, Steve Perry embarked on his own solo career , which showcased his talent and versatility as a musician. He released several critically-acclaimed albums, showing the ability of his music to reach his fans at a personal level. Despite the popularity of his solo projects, the fans were begging for an opportunity to reunite with Journey. After a long absence, Perry made a triumphant return to the scene in the form of a rousing performance, sparking excitement and reviving the magic of his work with Journey.

Legacy and Influence

The legacy of Steve Perry goes far over his years with Journey. Perry’s unbeatable voice, soulful delivery, and lyrical sensitivity created a lasting impression on the rock scene. Perry’s ability to express the rawness and vulnerability of his music was a hit with his fans on an emotional scale, which made Perry an iconic figure in the category. Perry’s influence can be seen through the works of many artists who were influenced by his distinctive style and unwavering enthusiasm.

Discography and Achievements

Journey’s discography speaks to their musical talent and their lead singer’s unquestionable talent. The band’s catalog includes several multi-platinum releases and chart-topping songs that have evolved into rock classics. Their accomplishments include numerous awards, sold-out tours, and loyal fans that span generations.

Solo Projects and Collaborations

Beyond Journey, The lead singer began solo projects and collaborations that demonstrated their plethora of talents as artists. They could experiment with different music styles and test their creative expression. Their work as a duo and in collaboration also helped establish their reputation as a major influence in the world of music.

Impact on Rock Music

The impact of the lead singer’s voice on rock music goes beyond the time of Journey. Their strong vocals, emotional delivery, and captivating stage presence were the norm for rock singers who wanted to become a part of the band. Their ability to communicate emotions and connect with the audience helped create a new style of rock and influenced many musicians who followed the same path.

Is the original lead singer of Journey, Gregg Rolie, still alive?

Yes, Gregg Rolie, the first lead singer of Journey, is alive and well . Gregg was born on the 17th of June 1947 and is now 75. older. He has been a two-time Rock and Roll Hall of Fame inductee. He was inducted as a part of Santana in 1998 and an artist of Journey in 2017.

Rolie left Journey when he left Journey in 1987; however, he continues to record and tour with his group, The Gregg Rolie Band. He also played the keyboard and sang backup vocals with Ringo Starr & His All-Starr Band between 2012 and 2021.

In recent times, Rolie has also been involved in various initiatives with fellow musicians. One of them was an album collaboration with the former Journey guitarist Neal Schon on the album “Space Between” in 2015. The singer also released a self-titled album by himself, “Sonic Ranch,” in 2019.

Rolie is still in the music world and continues to record and tour. He is a well-known artist and musician who made important contributions to the genre of rock and roll.

Did Gregg Rolie leave because of Steve Perry?

The truth is that Gregg Rolie did not leave Journey due to Steve Perry. He stated that he was pleased when Perry joined the group. Due to personal reasons, Rolie quit Journey in 1980, just three months after Perry joined the band. Rolie has stated that he was unhappy about his current situation and determined to have the family. He also claimed he consumed too often and needed to feel more inspired.

It is widely believed that Rolie has left Journey due to discontent with how Perry was treated in the group. This isn’t the case. Perry was a great addition to the band, and Rolie claims he enjoyed working alongside Perry. The reason for Rolie’s departure was personal and unrelated to Perry.

Did any of the Other lead singers of Journey die?

None of the vocalists other from Journey have passed away. The group has had three singers as lead performers: Steve Perry, Steve Augeri, and Arnel Pineda. Perry led the band from 1977 until 1987. Augeri was the singer in charge from 1998 until 2006. Then Pineda was the lead singer from 2007 onwards. Augeri quit Journey at the end of 2006 because of vocal cord issues. Pineda is the main singer for Journey, who has been for the last time since 2007.

Here are a few additional pieces of information on the Journey’s singers Steve Augeri and Arnel Pineda who are the mainstays of Journey:

• Steve Augeri: Augeri was born in New Jersey in 1959. The singer became a part of Journey in 1998 , following Perry quit the group. Augeri made two recordings together with Journey, “Trial by Fire” (1998) and “Arrival” (2001). Augeri was forced to leave Journey at the end of 2006 because of problems with his vocal cords. He’s since released two solo albums, “Covers” (2009) and “Sing for You” (2013).
• Arnel Pineda: Pineda was born in the Philippines in the year 1967. He gained fame in 2007 after he was found through Neal Schon, the guitarist for Journey . Pineda was picked for the position of the new lead vocalist of Journey after Schon watched the video featuring Pineda singing Journey songs on YouTube. Pineda has been the main singer in Journey since 2007 and has released three studio albums for the group, “Revelation” (2008), “Eclipse” (2011)”Eclipse” (2011), as well as “Freedom” (2015). Pineda has been the only Filipino to lead a major rock group.

Steve Perry’s tragic rumour of passing has left a gap in the world of music and in the heart of his fans. His incredible path from his fame-making debut through his Journey through his own solo work and eventually return to the stage is an example of his talents, perseverance, and unflinching dedication to his work. As we commemorate and remember Steve Perry’s legacy and life in music, his songs will remain in the hearts of those who listen and inspire generations to come.

What are some of Journey’s most popular songs featuring Steve Perry?

Some of Journey’s most popular songs featuring Steve Perry include “Don’t Stop Believin’,” “Separate Ways (Worlds Apart),” “Open Arms,” “Faithfully,” and “Wheel in the Sky.” These timeless classics have become anthems of the rock music genre.

Did Steve Perry ever reunite with Journey after his departure?

Yes, Steve Perry reunited with Journey several times after his departure. However, these reunions were sporadic and often temporary. Nonetheless, the moments when Perry joined his former bandmates on stage were highly anticipated and cherished by fans.

How did Steve Perry’s solo career fare compare to his time with Journey?

Steve Perry’s solo career showcased his musical range and creativity. While he enjoyed success with his solo albums, including the critically acclaimed “Street Talk,” his time with Journey remains the pinnacle of his commercial success and recognition.

What is Steve Perry’s lasting impact on rock music?

Steve Perry’s impact on rock music is immeasurable. His distinctive voice, emotional performances, and heartfelt lyrics set a new standard for vocalists in the genre. His ability to connect with audiences on an emotional level continues to inspire and influence musicians across generations.

How can fans honor Steve Perry’s memory?

Fans can honor Steve Perry’s memory by celebrating his music, sharing fond memories and stories, and continuing to appreciate his impact on their lives. Keeping his music alive and passing it on to future generations ensures his legacy will endure.

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Arnel Pineda on JOURNEY’s Potential Reunion with Steve Perry and Career Impact

via GIGS / YouTube

In a chat with Rolling Stone, Arnel Pineda, the frontman of the iconic band Journey, shared his thoughts on the possibility of reuniting with the former lead singer, Steve Perry. Pineda, known for his upbeat personality and powerful vocals, revealed his openness to the idea, sparking excitement among fans.

Dreamy Encounter with an Icon: Arnel Meets Steve Perry

Expressing his amazement at the unexpected encounter with Perry, Pineda shared,

“I posted on Instagram that I had waited 35 years for that. It was dreamy. I couldn’t believe I met him since he’s very reclusive and he avoids people.”

Pineda reflected on the profound influence Perry had on him, stating,

“He’s one of my heroes when it comes to singing. I remember back in the ’80s, I would sleep on the bus with my Walkman on in my ears as his voice sang all these favorite songs from Journey.”

  View this post on Instagram Modafinil 5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;”>   A post shared by Journey (@journeyofficial)

A Career Sacrifice for the Love of Perry and Journey

When asked about the possibility of Perry’s return and the impact on his role in the band, Pineda responded,

“I miss them so much together. Every now and then, I watch their videos together. It’s always them with Steve Perry that I watch.”

Acknowledging the sentiment of fans who proclaim, “No Perry, No Journey,” Pineda sympathized,

“I understand it. Where I come from, we’re so influenced by Western music. We loved the originals, if you know what I mean.”

Addressing the potential impact on his career, Pineda shared a surprising perspective,

“That would be OK to me! I’m telling you. That’s how much I adore him and I adore Journey and how much I adore Steve Perry.”

  View this post on Instagram   A post shared by Retro and Nostalgia Creator (@70sandbeyond)

Anticipation for the Future: Pineda’s Genuine Enthusiasm

Recounting a personal anecdote, Pineda revealed,

“Back in 2005, I resigned from my job in Hong Kong because I lost my voice due to acid reflux. I was telling my friends back then that my only regret was I lost my voice before I had the chance to sing side-by-side with Steve Perry.”

He continued,

“I just wish that one show with him… it would change my life forever. It’s been 30 years now, and the band keeps changing my life in ways nobody would ever guess would happen.”

Arnel Pineda’s genuine admiration for Steve Perry and his eagerness for a potential reunion add a layer of anticipation to Journey’s future. As fans speculate on what could be, Pineda’s words reflect the profound impact that music and collaboration can have on an artist’s journey, transcending the boundaries of time.

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Arnel Pineda

Who Is Arnel Pineda?

After a series of unfortunate events in his childhood, Arnel Pineda found success in Asia as the front man for the group The Zoo. In 2007, he was discovered by Journey guitarist Neal Schon, after a series of YouTube videos were posted of him covering American songs, including the famous hit, "Dont Stop Believin'." In December 2007, Pineda became the new lead singer of Journey. His is noted for having a strikingly similar sound to former Journey front man Steve Perry.

Troubled Childhood

Arnel Pineda was born on September 5, 1967, in Sampaloc, Manila, in the Philippines. Throughout his childhood, Pineda endured grave misfortune. When he was just 13 years old, his mother, who was 35 at the time, passed away after a long battle with heart disease. Her medical costs left the family in serious debt, and Pineda's father could no longer provide for Pineda and his three younger brothers, Russmon, Roderick and Joselito.

While relatives were able to take in his brothers, Pineda was left on his own. He spent the next few years homeless, often sleeping outside in public parks and scraping for any food or water that he could afford. When possible, he would stay at a friend's house, who offered him a cot outside. Eventually, Pineda was forced to quit school and take up odd jobs collecting scrap metal and bottles at the pier and selling newspapers to support his family.

Early Career

Pineda's love of music started at a young age. He began singing at just five years old, and had entered many singing contests as a child. In 1982, when he was 15, Pineda was introduced to a local band called Ijos, and was encouraged by his friends to try out as their new lead singer. He sang the Beatles' "Help" and Air Supply's "Making Love Out Of Nothing At All." Although they were concerned with his lack of training, Ijos members were wowed by Pineda's powerful voice, and took him on as the new front man of the band. One of the band member's friends even offered to pay Pineda's salary, 35 pesos a night, out of his own pocket, and Pineda was offered a tiny room to sleep under the guitarist's front stairs.

In 1986, some members of Ijos joined together to form the new pop-rock band Amo. The group found success covering songs by hit groups Heart, Queen and Journey. In 1988, they turned heads when they won the Philippines' leg of the Yamaha World Band Explosion Contest. Although they were disqualified in the finals due to a technicality, the event was broadcast on TV in Asia, widening their fanbase. The band continued performing at popular clubs and arenas around the Philippines.

In 1990, the members re-grouped yet again, under the new name Intensity Five, and re-entered the contest. The band came in as runner up and Pineda won the Best Vocalist Award. After a series of unfortunate health problems in the early '90s, including the brief loss of his voice, Pineda re-emerged in 1999 with a new solo album with Warner Brothers. The self-titled album had several hits in Asia.

After brief stints with a few different bands, Pineda found success again in 2006 with The Zoo, a band that he formed with Monet Cajipe, a guitarist/songwriter who had been in all his bands during over the previous 20 years. The Zoo performed at several popular clubs in the area and, in 2007, released an album by MCA Universal titled Zoology . Soon the band began covering songs by groups such as Journey, Survivor, Aerosmith, Led Zeppelin, The Eagles and more, with more than 200 performances uploaded to YouTube.

On June 28, 2007, Neal Schon, guitarist and member of the band Journey, saw a video of Pineda on YouTube and immediately contacted him. The band had been looking for a new lead singer, and Pineda's voice sounded strikingly similar to Steve Perry, Journey's legendary former front man. After speaking with Schon on the phone, Pineda made arrangements to fly to the United States and audition with the band in San Francisco. On December 5, 2007, Pineda was welcomed as the band's new lead singer.

Right away, Pineda went on tour with the band, performing two shows in Chile and two in Las Vegas. Both were a huge success. After a series of guest show appearances and magazine features, Pineda gained popularity within the American public. On June 3, 2008, the newly organized Journey released their first album, Revelation , which came in at No. 5 on the U.S. charts. The album was their highest charting album since Trial by Fire (with Steve Perry), and reached platinum status by October 2008.

Soon after the album's release, the band continued touring around the world with Pineda. The documentary, Don't Stop Believin': Everyman's Journey , slated to be released in 2012, will chronicle the band's "Revelation Tour," and Pineda's first years with the band.

Personal Life

When he is not on tour, Pineda resides in the Philippines with his wife, Cherry, their children, Cherub and Thea. He has two other sons—Matthew, 19, and Angelo, 13—from past relationships.

QUICK FACTS

• Name: Arnel Pineda
• Birth Year: 1967
• Birth date: September 5, 1967
• Birth City: Sampaloc, Manila
• Birth Country: Philippines
• Gender: Male
• Best Known For: Arnel Pineda is best known as the new lead singer for the rock group Journey.
• Astrological Sign: Virgo
• Nacionalities

CITATION INFORMATION

• Article Title: Arnel Pineda Biography
• Author: Biography.com Editors
• Website Name: The Biography.com website
• Url: https://www.biography.com/musicians/arnel-pineda
• Access Date:
• Publisher: A&E; Television Networks
• Last Updated: July 20, 2020
• Original Published Date: April 2, 2014

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Journey celebrates 50th anniversary: Rock band members then and now

Journey was formed in february 1973 by neal schon, gregg rolie and herbie herbert.

Fox News Flash top entertainment headlines of the week

Fox News Flash top entertainment and celebrity headlines are here.

Journey recently celebrated 50 years since the band first formed.

The band's most well-remembered lead singer, Steve Perry, was spotted on a walk in Los Angeles earlier this month. The 74-year-old was the frontman and prominent songwriter for the band for 10 years alongside Neal Schon, Gregg Rolie, Ross Valory, Jonathan Cain, Aynsley Dunbar and Steve Smith.

Current members of the band include Schon, Cain, Deen Castronovo, Arnel Pineda, Jason Derlatka and Todd Jensen.

Here is what Journey band members from the Perry era are up to now as the band's 50th anniversary tour comes to a close April 25 in Palm Springs, California. 

STEVE PERRY WOWS CROWD AFTER 19 YEAR ABSENCE FROM STAGE

Steve Perry 

Steve Perry was brought on as a replacement for lead singer Robert Fleischman and was the frontman during the band's most prosperous era. (Shutterstock/SplashNews.com)

Steve Perry joined the band as a replacement for Robert Fleischman, making his debut as the frontman in October 1977. As well as acting as the band's lead singer, Perry also was one of the band's principal songwriters. He was nominated to the Songwriter's Hall of Fame in 2020.

Although fans were skeptical of Perry when he first joined the band, he was able to win fans over after the release of his first album, "Infinity," which had a much different sound than Journey had created in the past. They then began getting more radio airplay. He sang lead vocals on the albums "Evolution," "Departure," "Dream, After Dream," "Captured," "Escape," "Frontiers," "Raised on Radio" and "Trial By Fire."

Perry went solo for the first time in 1984 when he released "Street Talk," which sold over 2 million copies and featured the singles "Oh Sherrie" and "Foolish Heart." He was also featured on the 1985 benefit song, "We Are the World." He attempted to reunite with Journey. However, he was caring for his ill mother and couldn't be present for a majority of recording, and the band went on break in 1987 after its "Raised on Radio" tour.

In 1988, Perry began working on a second solo album, which he never released, eventually releasing a successful second album in 1994, called "For the Love of Strange Medicine."

Perry sang lead vocals on the albums, "Evolution," "Departure," "Dream, After Dream," "Captured," "Escape," "Frontiers," "Raised on Radio" and "Trial By Fire." (Michael Putland/Getty Images)

The singer once again reunited with his former band in 1996 to record the very successful album, "Trial By Fire," which debuted at No. 3 on the Billboard charts and went platinum by the time the year was over. To capitalize on the success of the album, a tour was planned, but it had to be postponed due to Perry injuring his hip while hiking in Hawaii.

A doctor determined his injury required surgery, but Perry was reluctant to agree to go under the knife. The decision delayed the tour longer than expected, which angered his bandmates. They eventually went on tour without Perry, and he announced his permanent exit from the band.

"I had to have a hip replacement, and the band was telling me when they thought I should do it," Perry said in an interview with MelodicRock.com in 2011. "And I said, ‘Major surgery like this is not a band decision.' I said that I would get it done, but I didn't get it done quickly enough. They just wanted to get on the road, and there was an ultimatum given to me. And I don't respond well to ultimatums."

FORMER JOURNEY FRONTMAN STEVE PERRY REVEALS WHY HE LEFT BAND AT ITS HEIGHT

Following his departure from the band, he released his "Greatest Hits + Five Unreleased" compilation album, which featured songs from his 1988 unreleased album. In 2005, Perry joined a few of his former bandmates when Journey was awarded a star on the Hollywood Walk of Fame. In 2009, he was voted one of the ten greatest rock singers of all time, and Rolling Stone placed him at number 76 in a list of "The 100 Greatest Singers of All Time." 

Perry joined his former bandmates on stage in 2017 for the band's induction into the Rock & Roll Hall of Fame. (Kevin Mazur/WireImage for Rock & Roll Hall of Fame)

For the next few years, Perry continued singing and writing, appearing on background vocals or on stage with various bands and artists. In 2017, he appeared on stage with Journey for the first time since they were together on the Walk of Fame in 2005 to accept the honor of being inducted into the Rock & Roll Hall of Fame. He did, however, opt out of performing with the band.

In 2018, Perry released another solo album, "Traces," which performed well, with a deluxe version debuting in 2019. In December 2021, he released a Christmas album, "The Season," and in 2023 he announced he would be singing background on Dolly Parton's new album.

Perry has a daughter and grandchildren but has chosen not to speak about them publicly to protect their privacy. 

Neal Schon is a founding member and guitarist for the band Journey. (Getty Images)

Neal Schon is a founding member of Journey and is the longest-serving original member of the band. Prior to helping create Journey, he was a member of the band Santana, playing guitar on the albums "Santana III" and "Caravanserai."

He briefly played with the band Azteca before founding Journey with Gregg Rolie and their manager Herbie Herbert. They initially called the band the Golden Gate Rhythm Section, however the name was changed after their roadie John Villaneuva suggested Journey.

Along with playing on the albums "Journey," "Look into the Future," "Next," "Arrival," "Generations" and "Revelation with Journey," Schon also released several solo albums, including "Late Nite," "Beyond the Thunder," "Piranha Blues," "The Calling," "So U" and "Universe."

The guitarist also produced two albums with keyboardist Jan Hammer and was a member of the supergroup Bad English. He also has fostered collaborations with Sammy Hagar as part of Hagar Schon Aaronson Shrieve and Paul Rodgers. Schon also plays guitar on Michael Bolton's album, "The Hunger.

Schon performed with his band at the 2017 Rock & Roll Hall of Fame ceremony, where Journey was being honored. (Kevin Mazur/WireImage for Rock and Roll Hall of Fame)

In 2005, Schon was present at the Hollywood Walk of Fame ceremony to accept the honor of receiving a star alongside his fellow bandmates. They reunited again in 2017 when they were inducted into the Rock and Roll Hall of Fame, where he and some of the other band members performed.

Schon is performing with Journey for the band's 50th anniversary tour, which also features Toto.

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In September 2011, Schon confirmed his romance with former "Real Housewives of D.C." star Michaele Salahi, while also revealing they dated briefly in the '90s. Just a little over a year later, in October 2012, Schon proposed to her on stage while performing at a charity benefit, and the two were married in December 2013. 

Schon is married to his fifth wife, Michaele Salahi, a former "Real Housewife of D.C." (Gabe Ginsberg/Getty Images)

Schon was previously married to Tena Austin from 1976 to 1986. He was then married to Beth Buckley from 1987 to 1992, and had two children with her, Miles and Elizabeth, before splitting up. He then married Dina Gioeli from 1993 to 1999, and then Amber Kozan (from 2001-2008), with whom he has two children, Aja and Sophia. He also has a daughter named Sarah.

Gregg Rolie

Gregg Rolie was a member of Santana before forming Journey and was the lead singer on the first two albums. (Getty Images)

Gregg Rolie was a founding member of Santana before branching off to join what would become Journey. For the band's first six albums, he was the keyboardist, and he was the lead vocalist for the band's first two albums. Once Perry joined the band, Rolie sang co-lead on a few songs on various albums.

The musician chose to leave the band in 1980 and started a successful solo career. His first solo album was "Gregg Rolie," and he followed up with "Gringo" in 1987. 

"I left because I didn’t like my life anymore," Rolie told Rolling Stone in 2019. "I’ve said this a million times. And I know there’s people that say, ‘That’s not the reason.’ But I left because I was unhappy with what I was doing in my own life. I loved the management. I loved the music. I loved what we built. I just wasn’t happy, so I had to blow the horn on it and just stop it."

A few years after releasing his second album, Rolie formed another band with Steve Smith and Ross Valory from Journey in 1991 called The Storm. Rolie worked as the keyboardist for this band. The band's eponymous debut album was a huge success, reaching No. 3 on the Billboard charts. It also featured a top 10 hit, "I’ve Got A Lot To Learn About Love."

Rolie left Journey in 1980 and started a solo career before founding another band. (Getty Images)

They did not reach the same amount of success with their second album. It was shelved by their record company before finally getting released in 1996. In 1998, Rolie and a few other members of Santana reunited to form the band Abraxas Pool, ultimately releasing one eponymous album.

Also in 1998, Rolie was inducted, along with the other members of Santana, into the Rock & Roll Hall of Fame. He became a two-time Rock & Roll Hall of Fame inductee in 2017 with Journey.

In 1999, while working on an album with Ron Wikso, they formed The Gregg Rolie Band, which featured Kurt Griffey on the guitar and Wally Minko as a second keyboardist. Together, they released the album "Roots" and a live CD, "Rain Dance," in 2009.

From 2012 to 2021, Rolie toured as a member of Ringo Starr and his All Star Band, during which he sang many of the hits he is known for, including some from his time in Santana. While performing, he also recorded an album with original members of Santana in 2016, "Santana IV."

Rolie frequently appears on stage with Schon and the rest of Journey during their 50th anniversary tour. (Rob Loud/Getty Images for Journey)

Rolie reunited with Schon in 2018 to perform some charity shows and occasionally joined Journey on stage during its most recent tour.

The keyboardist married his wife Lori in 1980 after first meeting her while on a flight in 1979. The two have remained together and live in Texas. They have two children together, a son named Sean and a daughter named Ashley.

Ross Valory

Ross Valory was an original member of Journey, which he joined after forming and releasing one album with the Steve Miller Band. (Getty Images)

Ross Valory was an original member of Journey, which he joined after forming and releasing one album with the Steve Miller Band. As a bassist, he has played on all the band's albums, except 1986's "Raised on Radio" and 2022's "Freedom."

During the band's hiatus in the late ‘80s and early ’90s, Valory played on Todd Rundgren's album, "2nd Wind," and released two albums as a member of The Storm, "The Storm," and "Eye of the Storm."

He returned to playing with Journey in 1996 on the "Trial by Fire" album. Valory was kicked out of the band in 2020, and he was once again replaced by Randy Jackson, who also took over for him in "Raised on Radio."

His 2020 exit came on the heels of a lawsuit involving him and Steve Smith, filed by their Journey bandmates Neal Schon and Jonathan Cain. Schon and Cain claimed Valory and Smith attempted to take over Nightmare Productions to gain control of the Journey trademark. 

Journey's management announced the two parties came to a settlement, releasing a statement in April 2021.

Ross Valory, right, was sued by his former bandmate, Jonathan Cain, left, for trying to gain control of the band's trademark. (Gabe Ginsberg/Getty Images)

"Neal Schon and Jonathan Cain acknowledge the valuable contributions that both Ross Valory and Steve Smith have made to the music and the legacy of Journey," the statement said. "Ross Valory and Steve Smith wish their former bandmates well and much success in the future. Journey looks forward to continuing to tour and make new music for their dedicated fans around the world." 

Valory was once married to Diane Oakes, however the marriage ended in a divorced. He later married his current wife, Mary Valory.

Steve Smith

Steve Smith replaced Aynsley Dunbar as the drummer for Journey. (Getty Images)

Steve Smith replaced Aynsley Dubar as the drummer for Journey, joining the band in 1978 and staying on until 1985. His first album with the band was "Evolutions" in 1979, and he left for the first time following 1986's "Raised on the Radio."

During the band's hiatus, he joined Valory and Rolie in the band, The Storm, appearing on their two albums. He also started a second band, Vital Information, and released several albums with them in that time, including "Vital Information," "Orion," "Global Beat," "Fiafiaga" and "Easier Said Than Done."

He returned to Journey in 1995 for a comeback album, "Trial by Fire," staying on for a few years before leaving a second time after the release of 1998's "Greatest Hits Live" album. He continued to release music with Vital Information, including "Ray of Hope," "Where We Come From," "Live Around the World" and 2017's "Heart of the City."

Smith left Journey and started his own band, Vital Information. (D Dipasupil/FilmMagic)

Smith was also a part of the jazz group Steps Ahead and can be heard playing on their albums "Live in Tokyo," "N.Y.C," "Yin-Yang" and "Steppin' Out." As a musician, he can also be heard on albums for Jeff Berlin, Frank Gambale, Henry Kaiser and Neal Schon.

In 2001, Modern Drummer magazine named Smith one of the Top 25 Drummers of All Time, and the following year he was inducted into the Modern Drummer Hall of Fame. Starting in 2007, he recorded two albums with Buddy's Buddies, a quintet made up of musicians who once played with Buddy Rich.

In 2017, Smith was inducted into the Rock & Roll Hall of Fame as a member of Journey. He performed with Journey during the ceremony.

Smith was inducted into the Rock & Roll Hall of Fame alongside the other members of Journey. (D Dipasupil/FilmMagic)

Smith was also named in the lawsuit filed against him and Ross Valory when they allegedly tried to gain control of the Journey trademark. Like Valory, Smith was kicked out of the band at this time. 

Jonathan Cain

Jonathan Cain was a member of The Babys before he left to join Journey, taking over the position Gregg Rolie held in the band.  (Getty Images)

Jonathan Cain was a member of The Babys before he left to join Journey, taking over the position Gregg Rolie held in the band. Cain's first collaboration was on the album "Escape." He was also one of the composers of the band's longstanding hit, "Don't Stop Believin'."

JOURNEY'S JONATHAN CAIN RESPONDS TO CEASE-AND-DESIST ORDER, SAYS BANDMATE SHOULD 'LOOK IN THE MIRROR'

One of his most well-known contributions to the band was when he wrote the ballad "Faithfully," a song about what it's like to live life on the road. Cain went on to play the keyboard on the albums, "Frontiers," "Raised on Radio" and "Trial by Fire."

Prior to "Raised on Radio," Cain reunited with his former Babys bandmates and formed Bad English, releasing two albums before breaking up in the early 90s. 

Cain wrote a memoir about his experience as a member of Journey in 2018, called "Don't Stop Believin': The Man, the Band, and the Song That Inspired Generations." (Brandon Williams/Getty Images)

Along with his albums with The Babys, Bad English and Journey, Cain recorded eight solo albums, including "Windy City Breakdown," "Back to Innocence," "What God Wants to Hear," "Bare Bones" and "More Like Jesus." He has primarily focused on making Christian-based faith music since 2016.

In 2018, Cain published a memoir, "Don't Stop Believin': The Man, the Band, and the Song That Inspired Generations," about his time as a member of Journey.

Cain married his first wife, singer Tane McClure, for which he wrote the song "Faithfully" before calling it quits. 

In 1989, he married Elizabeth Yvette Fullerton, and together they had three children — a daughter Madison and twins Liza and Weston. The two divorced in 2014 after 25 years of marriage. In 2015, Cain married his third wife, a minister named Paula White. 

Jonathan married his third wife, Paula White, in 2015. (Vincent Sandoval/WireImage)

Cain and Schon are currently at odds and are in a legal battle over a shared American Express account. 

Aynsley Dunbar

Aynsley Dunbar was the second drummer for Journey, taking over for Prairie Prince. (Getty Images)

Aynsley Dunbar was the second drummer for Journey, taking over for Prairie Prince, and played a big part in co-writing their first four albums, "Journey," "Look Into the Future," "Next" and "Infinity."

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Additionally, Dunbar played drums on albums for artists such as David Bowie, Lou Reed, Herbie Mann, Mick Ronson, Nils Lofgren, Ian Hunter, Sammy Hagar and Pat Travers.

Dunbar later joined Jefferson Starship and stayed with the band for three albums, including "Freedom at Point Zero," "Modern Times" and "Winds of Change." He then joined the band Whitesnake and stayed with them for two albums, including their eponymous record, which featured hits like "Still of the Night" and "What Is Love," and the album "1987 Versions."

Throughout the mid-90s, Dunbar played with some of the era's most notable bands and artists, including Aerosmith, Queen, Metallica, Black Sabbath, Pat Travers and Van Halen.  

Dunbar was inducted into the Rock & Roll Hall of Fame in 2017, along with other members of Journey. (Mike Coppola/Getty Images)

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Aynsley has three children, Gretchen, Bibs and Taylor. In 2000, his 5-year-old son Dash died of brain cancer. 

In 2005, Aynsley and the other members of Journey were honored with a star on the Hollywood Walk of Fame. In April 2017, Dunbar and the band were inducted into the Rock & Roll Hall of Fame for their contribution to the music industry.

Lori Bashian is an entertainment production assistant for Fox News Digital. 

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Journey brings original vocalist Gregg Rolie back into fold for 2023 tour

Journey ’s original vocalist and keyboardist, Gregg Rolie, is set to join the band when it hits the road next month for its North American “Freedom Tour 2023,” according to guitarist Neal Schon — marking the first time has performed with the diamond-selling Rock and Roll Hall of Fame group in more than four decades.

The idea of bringing Rolie back into the fold was set into motion in November when Schon posted a photo of himself with the keyboard player on social media with a caption: “2 original founding members. I think my brother Gregg Rolie should join us for 2023 tour. What do you think friends? He will spice it up and we will have a great variety of songs to choose from.”

In a Facebook post on Wednesday, Jan. 4, Schon confirmed that Rolie would join the tour. Replying to a fan’s comment asking about the proposed reunion, he said, “You’ll be seeing him.”

2 original founding members 🙌🏽🙌🏽 I think my brother Gregg Rolie should join us for 2023 tour. What do you think friends? He will spice it up and we will have a great variety of songs to choose from. What would you like to hear for the 50th anniversary tour ? A pic.twitter.com/kausFAsdtD /* — NEAL SCHON MUSIC (@NealSchonMusic) November 27, 2022

A former member of Santana with Schon, Rolie was part of Journey’s original lineup — which also featured bassist Ross Valory and drummer Aynsley Dunbar — in 1972.  

The Journey lineup, with Rolie on vocals, would record three albums that had so-so sales. Faced with losing its record label, the group was convinced in 1978 to recruit vocalist Steve Perry. The band’s subsequent albums yielded the hits “Don’t Stop Believin’,” “Lights” and “Faithfully.”

The “Freedom Tour 2023,” set to hit 38 cities across North America, kicks off Feb. 4 in Allentown, Pa., with stops scheduled in Austin, Texas; Memphis; Washington, D.C., and elsewhere before wrapping April 25 in Palm Springs . The closest Bay Area date is at Stockton Arena on April 19.

The current touring lineup of Journey features Schon, keyboardists Jonathan Cain and Jason Derlatka, singer Arnel Pineda, drummer Deen Castronovo and bassist Todd Jensen.

Schon did not say whether Rolie will return as a full-time member of Journey or make a cameo. Cain, who replaced him as the group’s keyboard player in 1980, is still a member of the band and will be on the tour as well.

But Cain and Schon are currently tangled in a lawsuit over the band’s finances, and last month Schon served the keyboard player with a cease-and-desist letter after he performed “Don’t Stop Believin’ ” at an event for Donald Trump at Mar-a-Lago in November. Cain’s wife, Paula White, served as the former president’s spiritual adviser.

“Although Mr. Cain is free to express his personal beliefs and associations, when he does that on behalf of Journey or for the band, such conduct is extremely deleterious to the Journey brand as it polarizes the band’s fans and outreach,” Schon’s letter reportedly said. “Journey is not, and should not be, political.

“Mr. Cain has no right to use Journey for politics,” he added. “His politics should be his own personal business. He should not be capitalizing on Journey’s brand to promote his personal political or religious agenda to the detriment of the band.”

Rolie most recently toured with Ringo Starr’s All-Starr Band.

• Aidin Vaziri Aidin Vaziri Aidin Vaziri is The San Francisco Chronicle’s pop music critic. Email: [email protected]

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Dragway 42 Music Fest is back! Kansas, Elle King, Steve Augeri and Lee Brice performing

• Dragway 42 Music Festival returns to Wayne County on July 26-27.
• Performers include Kansas, Elle King, Lee Brice, Steve Augeri and Redferrin. An additional act will be announced.
• Tickets go on sale Friday.

WEST SALEM − The Dragway 42 Music Festival is back for a second year with a mix of classic rock, country music and pop rock.

Kansas, Elle King, Lee Brice, Steve Augeri and Redferrin will perform.

The event will be July 26 and 27. An additional artist will be announced later, a news release from Jayson Entertainment Group said Wednesday morning.

Tickets go on sale at 10 a.m. Friday at https://www.42fest.com/ .

Classic rock veterans Kansas are known for the hit songs "Dust In The Wind," " Carry On Wayward Son " and "Point of No Return." Founded in the 1970s, the prog rock band still includes original members Phil Ehart, drums, and Richard Williams, guitar.

Elle King , meanwhile, is a newer artist boasting the 2015 hit song "Ex's and O's," as well as " Drunk (And I Don't Wanna Go Home) ," a duet with Miranda Lambert. Other popular songs from the soulful singer-songwriter include "America's Sweetheart," "Without You" and "Jersey Giant."

King's musical style blends rock, country, blues and indie sounds.

Country music is on the bill, too

Brice , meanwhile, is a well-established country singer-songwriter. He wrote "More Than a Memory" for Garth Brooks.

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In 2010, Brice released his first solo album, "Love Like Crazy." Popular songs include "Rumor," "I Hope You're Happy Now," One of Them Girls" and "She Ain't Right."

Earlier this year, Brice released the single "Checking In" with for King & Country.

Steve Augeri is Journey's former lead singer

Augeri was Journey's lead singer from 1998 to 2006, replacing Steve Perry.

Touring with his own band, Augeri's setlist often includes Journey fan favorites like "Don't Stop Believin'," "Any Way You Want It," "Wheel in the Sky" and "Separate Ways (Worlds Apart)."

Augeri also released a solo album, "Seven Ways 'Til Sunday" in 2022.

Redferrin is the newest musician on the bill.

First releasing country music in 2022, his debut album, "Old No. 7" came out earlier this year, featuring "Jack and Diet Coke" and "Miss Summer."

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Tickets available for one, two days and VIP

Last year's inaugural Dragway 42 Music Festival featured Cheap Trick, Ted Nugent, Warrant, Big & Rich and Steven Adler, original drummer for Guns N' Roses.

Dragway 42 is at 9161 Rainbow Highway in Wayne County.

Performance times will be July 26: Redferrin, 5:45 p.m.; Elle King, 7:30 p.m.; and Lee Brice, 9:15 p.m. July 27 will start with Steve Augeri at 5:45 p.m., followed at 7:30 p.m. by an act to be announced. Kansas performs at 9:15 p.m.

Tickets will be available for one, two days and VIP packages. Camping sites will be available with and without electricity. Tickets also will be sold at the event. Prices were not available Wednesday.

Reach Ed at [email protected] .

On X (formerly Twitter) @ebalintREP and Instagram at ed_balint